Mappila songs - Knowledge

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The lyrics of the song referred in particular to the sexual and emotional needs of the woman and generated both praise and controversy within the community. The second song, composed as the husband's reply was also based on his interactions with the diaspora Mappila community during his visits to the Middle East in the late 1970s. It described the hardships and emotional dilemma faced by the migrant workers separated from their families. The songs created a huge impact on the whole diaspora community across different religions at the time prompting many to leave their jobs and return to their homeland for good. Though the

1592:. After almost every uprising of the 19th and 20th centuries, songs eulogizing the heroism of the participants and idealizing their sacrifice were composed and propagated by Mappila bands which went around the countryside singing them. Ballads were also popularized through group singing at social and domestic functions. These war songs often contained vivid descriptions of carnal pleasures of paradise awaiting the "martyrs". Prior to the launch of an attack, the rebels in aspiration of "martyrdom" used to recite the 5777: 5239: 4592: 5789: 5291: 5251: 4604: 1268: 5814: 4630: 5801: 5282: 5263: 4616: 727: 2258: 1201:. The first depicts the heroism of Veliyankode Kunhi Marakkar, a warrior who saves a 17-year-old Mappila girl from the hands of Portuguese kidnappers but is martyred at the end of the battle. The eulogy here is enhanced with the simultaneity of the character's death with his hour of marriage. The other two narrate stories of Mappila attacks on the British and the 2011:"Mylanchi" is the most popular reality show by Asianet. The show is on the way to the fifth season named "Mylanchi Little Champions". "Pathinalam Ravu" by MediaOne has established as the most popular reality show in a short span of time. A show which upholds the traditional values of Mappila Pattu,"Pathinalam Ravu" is now going through its third edition. 2341:

The Kerala Mappila Kala Akademi, set up in 2001, is dedicated to this genre of music in Kerala. The Akademi awards distinguished personalities from the Mappilappattu field each year, and also provides fellowships for researchers in the field. The awards are named after popular figures in the field of

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Mappila womenfolk feature prominently in the culture and literature of Mappilappattu in various ways. The presence of female poets in Mappilappattu literature long predated the first female presence in Malayalam literature. A large number of Mappila songs also had female subjects as their main theme.

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requesting his return, while the latter is the husband's reply to his wife. The poet, who had psychological counselling sessions with many of the womenfolk of Malabar living separated lives from their husbands in the Gulf, described the anguishes of separation as felt by the women in the first song.

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is also another singer, who is considered to have revolusionised the Mappila songs and is often considered one of the greatest Mappila singers of all time. He has performed solo in more than 1000 stages. Other respected names who composed Mappila songs are Punnayurkulam V Bapu, O. M. Karuvarakkundu

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The early 20th century witnessed the growing influence of Malayalam in the Mappilappattu genre. This period was characterized by the rise of theological reform movements and nationalist mobilization in the Malabar. Songs of the era also involved themes of Pan-Indian nationalism and the Independence

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once described Mappila songs as the "cultural fountains of a bygone age". Today, increasing "cacophony" trends in newer Mappila songs and the lack of poets with a sense of imagination have attracted criticism from many corners. A large number of songs released in the last decade under the label of

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on 24 December 1994. The centre runs certificate courses in ‘Mappilappattu’ and ‘Mappila kali’. It also has attached to it a folklore study centre, a historical museum, and a reference library containing rare manuscripts in Arabi-Malayalam and other handwritten manuscripts. Each year it conducts

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years of the 1970s and 80s, mass migration of workers from the Malabar to the oil-rich Gulf states of the Middle East resulted in households where the working men were often separated from their womenfolk and the only means of communication was the letter. This brought about a huge interest in the

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In the early years of Mappilappaattu, the songs were written with a specific purpose of educating the masses about the religious teachings of Islam. In an era that preceded the printing press, oral traditions played an important role in the religious education of the Mappilas, especially those who

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attributed to Qadi Muhammad in 1607 AD. Thereafter a large number of literary materials were produced in this medium; one authority has calculated that of these more than 1600 items, complete or fragmentary, were known by 1976. Over the centuries, various types of Mappila Pattu were composed, in

1441:, to distinguish it from the other works on the same subject by other poets. The work is said to have been modified a couple of times by the author himself. He also authored a Malayalam-Arabic-Sanskrit dictionary and is considered one of the major Mappila poets of the 19th century. 3922: 2325:, Minister of Education and Culture, Government of Kerala, inaugurated the Mahakavi Moyinkutty Vaidyar Memorial Center for Studies and Research on Folk and Mappila Arts (SCARF) at the Vaidyar Smarakam complex. A regional centre for study of Mappila folk arts was also set up at 2067:

Balakrishan Vallikkunnu is a researcher in Mappila literature and has researched various aspects of the messages conveyed in Mappila songs, including the anti-colonial sentiments in them. The other prominent personalities associated with this genre of music include:

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by female poet PK Haleema narrated the marriage of the Aisha with Prophet Muhammed. Other songs by female poets like CH Kunhayisha, V Ayishakkutti etc. depicted sorrowfully the final moments of Khadija, wife of Prophet Muhammed and Fatima, his daughter. The famous

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Pg 110, India-West Asia relations: understanding cultural interplays : festschrift in honour of Professor E.K.G. Nambiar, E. K. G. Nambiar, M. H. Ilias, P. J. Vincent, University of Calicut. Kunjali Marakkar Centre for West Asian Studies, New Century

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was a popular poet who composed short songs in Arabi-Malayalam on topics of common interest, often attacking social evils. His simple lyrics on ordinary life of the Mappilas defied the traditional patterns of Mappilappattu thus giving him the name " The

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played an important role in rousing Mappila sentiments of the Mappila peasantry in their struggle. The contribution of these ballads was a vital factor in the growth of a collective consciousness of a heroic tradition amongst the

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Mappila history : Songs of this type typically narrated the heroic deeds of the Muslims of Kerala and eulogize the martyrs among them, especially in their battles against the Portuguese and British colonial powers and local

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accordance with the religious and political surroundings in the lives of the Mappilas of Malabar. The early centuries were primarily based on devotional works, while the colonial era was marked by the battle song genre called

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Pg 18, 'Popular' movements and 'middle class' leadership in late colonial India: perspectives and problems of a 'history from below',Sumit Sarkar, Published for Centre for Studies in Social Sciences by K.P. Bagchi & Co.,

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also spawned a large number of Mappila songs. Many of these songs describe the events at the Khilafat movement in Malabar and offer a view into the conditions in Malabar during the era. A song sung at a Khilafat meeting at

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while describing the incident. (Pg 560,Vol 1, Asian Educational Services, 2000). Roland Miller also quotes from this ballad in "Mappila Muslims of Kerala: a study in Islamic trends". (pg 119, Orient Longman, 1992.)

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Islamic folk tales : These songs have no relation to actual historic events but either from a folk tale, a legend or simply an imaginary story related to Islamic traditions. Songs of this category include the

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The All Kerala Mappila Sangeetha Academy was established in 1992 and instituted the Mahakavi Moyinkutty Vaidyar Award and the M.S. Baburaj Award. It also holds annual arts festivals with emphasis on Mappila arts.

1259:. One of the notable aspects of both these works were the age of the authors at the time of the composition; Vaidyar was said to have been 17 or (by some reports) 20 at the time and so was Pareekkutty. 1375:, he describes a heavy flood that affected all throughout the Malabar, Mysore and Travancore. The sufferings of common men in the flood are depicted beautifully using only ordinary Malayalam vocabulary. 1493:, T Ubaid was one of the greatest figures of Malayalam literature in the 20th century. He was well versed in English, Malayalam, Arabic, Urdu, Kannada, Sanskrit and Tamil. Often referred to as 1759:(letter song) genre of Mappilappattu. The lyrics of these songs often connected closely to the lives of the migrant workers and their families and it popularized this genre of Mappilappattu. 3933: 3900: 3656: 1089:

in the Malabar. The songs of this era are marked by the rising anti-British feelings in the Mappila society in the backdrop of the agrarian tenancy discontent against the British backed

1125:. Many of the tunes (Ishals)of Zakoon Padayppor have been largely utilized by famous Arabi Malayalam poet, Moin Kutty Vaidyar, especially in his master piece work, Badre Padappattu. 868:. Various other categories also grew during the centuries with subjects ranging from romantic ballads and marriage songs to philosophical ideas, sea journeys and even flood ordeals. 1346:

The songs of Moyinkutty Vaidyar are distinguished by their depth of imagination, the beauty of the metaphors used, the creativity comparisons involved and the variety of their

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script are praises of pious personalities of Islam who were supposed to have gained high spiritual status. Generally, most such works were themed on the lives of Sufi saints (

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While the battle songs roused the feelings of the community against the authorities, this era also witnessed the popularization of romantic ballads like Moyinkutty Vaidyar's

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The Mala songs were believed to inculcate a religious belief in those who recited and listened to them and were hence given a spiritual status corresponding to the works of

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at the Kozhikode Sahitya Parishath conference in 1947 and similar conferences drew attention of the intellectuals of Malayalam literature to the rich literary traditions of

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in April 1979, but the work has remained incomplete ever since. In 1979, the Mappila Kala Sahithya Vedi published a compilation of his works titled "Pulikkottil Krithikal".

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These songs also provided an insight for historians into the thoughts and viewpoints of the rebels and have been used for authentic historic compilation. The songs on the

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in 1925 describing the events of the rebellion. Even the prisoners of the rebellion like Tannirkode Ossankoya used to compose songs in their letters to their relatives.

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Pg 21-22, and Pg 133-144 Mappilappattu - Padhavum Padhanavum ( Mappila songs - Study and Lessons) - Balakrishnan Vallikkunnu and Dr. Umar Tharamel, D.C. Books, 2006

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and sought refuge in a deserted house. The soldiers later surround them and in the ensuing battle, seven Mappilas and 20 of the Company army lost their lives. The

1049:, narrating with wit and humour, the voyage of the human body through the journey of life, portrayed here as a vessel in the ocean voyaging through the seas. The 3157:

Pg 36-40, Ishal Paithrukam, Quarterly Magazine of the Mahakavi Moyinkutty Vaidyar Memorial Center for Studies and Research on Folk and Mappila Arts (SCARF)Vol 1

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Pg 492-493, A handbook of Kerala, Volume 2,T. Madhava Menon, International School of Dravidian Linguistics, International School of Dravidian Linguistics, 2002

1501:, documenting a large collection of Mappila songs popular in the North Malabar through oral tradition. His historic speeches and rendering of hitherto unheard 1538:(songs in the form of letters) existed before the works of S.A. Jameel, it was his works that popularized the genre amongst the common people of the Malabar. 3782:

Pg 12, Ishal Paithrukam, Quarterly Magazine of the Mahakavi Moyinkutty Vaidyar Memorial Center for Studies and Research on Folk and Mappila Arts (SCARF)Vol 1

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were also a major theme of such songs. Another popular theme in these songs were the battles of the early Muslims of Arabia which is evident in songs like

3356: 3258: 1641:. The songs provoked the Mappila population against the British authorities to the extent that a large number of them including the publications of the 3792: 2734:

Kunhayan Musaliyarude Nool Mad'h - Kavithayum Kaalavum, Dr. P. Zakir Hussain, Mahakavi Moyinkutty Vaidyar Mappila Kala Academy, Kondotty, Kerala., 2014

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made significant contribution to popularise the Mappila songs. He is credited with having performed Mappila songs on stage for the first time in 1957.

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Pg 56-65, Mappilappattu - Padhavum Padhanavum ( Mappila songs - Study and Lessons) - Balakrishnan Vallikkunnu and Dr. Umar Tharamel, D.C. Books, 2006

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art forms. The Vaidyar Memorial Lecture is also delivered during the festival. In 2005, a two-volume compilation of his works was released as a book

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by Shujayi Moidu Musaliyar conveyed ideological messages to the community in the era of post-Portuguese years when the identity and existence of the

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Pg 53, Kerala and her culture:An introduction, Indian Historical Records Commission, Printed at the St. Joseph's Press for the Govt. of Kerala, 1971

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Pg 7-14, Mappilappattu - Padhavum Padhanavum ( Mappila songs - Study and Lessons) - Balakrishnan Vallikkunnu and Dr. Umar Tharamel, D.C. Books, 2006

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Mahakavi Moyinkutty Vaidyar Memorial Center for Studies and Research on Folk and Mappila Arts at the Vaidyar Smarakam, Kondotty, Malappuram, Kerala.

1145:. The former is a story about an imaginary confrontation of King Zaqqum of Iraq and Prophet Muhammed of Arabia while the latter is story about the 1073:, well known for his tax non-cooperation movement against the British rule in the Malabar. He composed songs of various subjects, ranging from the 806:, India. Mappila songs have a distinct cultural identity, while at the same time remain closely linked to the cultural practices of Kerala. 3059:

Pg 7, Mappilappattu - Padhavum Padhanavum ( Mappila songs - Study and Lessons) - Balakrishnan Vallikkunnu and Dr. Umar Tharamel, D.C. Books, 2006

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dealing with love and marriage. They are sung in chorus in connection with marriage festivals, often accompanied by rhythmic clapping by women.

3500: 3417: 3388: 3332: 2769:, Mappilappattu - Padhavum Padhanavum ( Mappila songs - Study and Lessons) - Balakrishnan Vallikkunnu and Dr. Umar Tharamel, D.C. Books, 2006 2756:, Mappilappattu - Padhavum Padhanavum ( Mappila songs - Study and Lessons) - Balakrishnan Vallikkunnu and Dr. Umar Tharamel, D.C. Books, 2006 3846: 2817:, Mappilappattu - Padhavum Padhanavum (Mappila songs - Study and Lessons) - Balakrishnan Vallikkunnu and Dr. Umar Tharamel, D.C. Books, 2006 3944: 3810: 3620: 3449: 3109: 2969: 2942: 2830: 2525: 3986: 3828: 920:, who was abundantly showered praises in the poetry, often well-exceeding the limits of human capabilities. Popular among these are the 5513: 3769: 3473: 3678: 2031:

S. M. Koya noted for his genre of Malabar Mappila Pattukal has won the appreciation of and respected by of film music directors like

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to Arabic grammar. Other poems of his criticized the wrongdoings of members of his own community. He also wrote many poems in Arabic.

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Pg 96, Mappilas of Malabar: studies in social and cultural history, S. M. Mohamed Koya, Sandhya Publications, Calicut University 1983

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Islamic history : These songs narrated events from the early years of Islam, and in particular the early battles of Islam. The

825:. They deal with themes such as religion, love, satire, and heroism, and are often sung at occasions of birth, marriage, and death. 3227:

Pg 262,Islamic society on the South Asian frontier: the Māppiḷas of Malabar, 1498-1922, Stephen Frederic Dale,Clarendon Press, 1980

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Pg 122,Islamic society on the South Asian frontier: the Māppiḷas of Malabar, 1498-1922, Stephen Frederic Dale,Clarendon Press, 1980

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Pg 53,Islamic society on the South Asian frontier: the Māppiḷas of Malabar, 1498-1922, Stephen Frederic Dale,Clarendon Press, 1980

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Pg 90, Against lord and state: religion and peasant uprisings in Malabar, 1836-1921,K. N. Panikkar, Oxford University Press, 1989

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Pg 193 Kerala District Gazetteers: Malappuram, Kerala (India), A. Sreedhara Menon,printed by the Superintendent of Govt. Presses

3239:- Tunes of the moonlight -Jyothish VR - Malayala Manorama - Women - Nostalgia - Women, Saturday, 20 November 2010 22:32 hrs IST 1806:

Another popular subject of composition was the lives of the prominent women of the early years of Islam in Arabia. The popular

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praises a woman named Nafeesa, who belonged to the lineage of the Prophet. It ends with a prayer for her well-being in the

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Pg 40-41,Mappila Muslims: a study on society and anti colonial struggles By Husain Raṇdathaṇi, Other Books, Kozhikode 2007

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Pg 167, Mappila Muslims: a study on society and anti colonial struggles By Husain Raṇdathaṇi, Other Books, Kozhikode 2007

2997: 1886:(history recital sessions). These often lasted for many nights together and were a popular scene throughout the Malabar. 3602: 2043:. In 1925, Gul Mohammed, father of veteran singer K.G. Sathar, recorded his voice in gramophone, which became the first 5781: 5363: 5243: 5191: 5172: 3314: 1300:

district, he was well versed in Sanskrit and Arabic. At a very young age of seventeen, he composed the romantic epic

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Futhuhussaman is not an original work of Chettuvayi Pareekukutty. It was a translation of a Tamil work by same name.

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language, unlike the earlier works that involved use of Arabic, Kannada and Tamil. The poem was also known as the

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Mappila songs occasionally did also narrate stories outside the Muslim community. One such ballad was called the

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composed by Varishay Mukiyudheen Poolavar of Madurai in 1686. Alim Umar Labba, a Mappila religious scholar from

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by S.A. Jameel also focussed on the emotional aspects of the life of the womenfolk in the Mappila community.

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The common feature of all these songs were their pattern of narration of the bravery of the heroes depicted.

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Pg 193, Ramayana stories in modern South India: an anthology, Paula Richman, Indiana University Press, 2008

1414: 1288:(great poet) is historically considered one of the most renowned and authentic Mappila poets. Born into an 906:). Most of these songs narrate "superhuman" deeds of these saints. The songs became popular in an era when 497: 95: 2060:

and Mohar Munir. Songs written by P.T. Abdul Rahman and sung by S.V.Peer Muhammad were compiled in a book

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Mahakavi Moyinkutty Vaidyar Smarakam at the poet's birthplace in Kondotty in Malappuram district, Kerala.

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Pg 88, Malayalam literary survey: Volume 16, Issue 1 - Volume 17, Issue 4,Kēraḷa Sāhitya Akkādami - 1994

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Pg 288-289, Mappila Muslims of Kerala: a study in Islamic trends, Roland E. Miller,Orient Longman, 1992

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songs citing their contradictions with many of the basic tenets of Islam, often referring to them as

1823:. Other major female poets include Puthur Amina, Kundil Kunhamina, B Ayishakkutty and K Aminakkutty. 987:

genre, narrating stories of the prophets of Islam or Sufi saints. Examples of such songs include the

799: 65: 2414:- (The Great Mappila literary heritage) - C.N. Ahmad Moulavi & K.K. Mohammed Abdul Kareem - 1978 1521:(Letter songs) genre of Mappila songs. His most popular works remain the 1976 letter and reply duet 5854: 5311: 5255: 4988: 4654: 4479: 4424: 4379: 2787:

Pg 171, Malabar Rebellion, 1921-1922,M. Gangadhara Menon, Vohra Publishers & Distributors, 1989

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Songs of Moyinkutty Vaidyar used to be sung and explained to public audiences in what was known as

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was another well-known poet of the era. He was well versed in Tamil, Sanskrit and classical music.

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songs was so high that their memorization was regarded as a qualification for a would-be bride.

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today and is regarded by some as the most popular branch of Malayalam literature, enjoyed by all

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could not read or write. Some of the early songs written entirely for this purpose included the

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His later works were on totally different themes that were essentially war songs in nature. The

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have composed a great number of popular Mappila songs. Mappila songs have been popular in the

1209:, composed by two poets named Mammad Kutti and Muhyidheen in 1841, refers to a battle between 698: 5793: 5650: 5645: 5220: 5008: 4343: 2888:

Pg 43, Kerala Muslims: a historical perspective, Asgharali Engineer,Ajanta Publications, 1995

457: 447: 110: 2297:, a two or three-day festival that includes cultural and literary programmes related to all 5594: 4968: 4444: 4439: 3096:

Pg 4416, The Encyclopaedia Of Indian Literature, Volume 5, Mohan Lal, Sahitya Akademi, 2006

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Pg 144, Muslims of Kerala: a modern approach,S. Sharafudeen,Kerala Historical Society, 2003

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Mappila songs have been in circulation for over seven centuries, with the first dated work

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https://blogs.timesofindia.indiatimes.com/tracking-indian-communities/keralas-first-jihad/

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was prescribed for pregnant woman for an easy child birth. The importance accorded to the

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have been criticized for deviating from the original nature of the folk idiom and tunes (

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Kunhayan Musaliyar lived in the early 18th century. He authored the popular works titled

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is named after him. The foundation for a memorial for the poet was laid in his hometown

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community, its frustrations, struggles, love and affection over the ages. Littérateur

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The struggle by the Mappilas against Portuguese invaders in the 16th century led by

5762: 5747: 5564: 5544: 4722: 4464: 4419: 4272: 4207: 4192: 4167: 3259:"The Hindu : Entertainment Thiruvananthapuram / Music : A different song" 2425: 1934: 1922: 1623: 1604: 1580: 1529:(A letterbox in Abu Dhabi). The former is a wife's letter to her husband abroad in 1165: 1074: 1034: 810: 557: 532: 527: 442: 374: 335: 246: 232: 203: 2371:), provoking a call for a preservation of the original identity of Mappila songs. 178: 5742: 5737: 5690: 5609: 5436: 5396: 5334: 5118: 5103: 4695: 4677: 4489: 4429: 4384: 4227: 4131: 4096: 4075: 3584: 3201: 2466: 2101: 1364: 1122: 1110: 897: 859: 821:, apart from Arabic and Malayalam, but the grammatical syntax is always based in 791: 679: 547: 133: 44: 2612:

Pg 145, Social and cultural history of Kerala, A. Sreedhara Menon,Sterling, 1979

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Mappilappattu, like Gul Mohammed, K.K. Muhammed Abdul Kareem and Qadi Mohammed.

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narrates this story praising the "martyrs" amongst the Mappillas in this battle.

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Veliyankode Umar Qadi, (1757-1852) was a scholar, poet and freedom fighter from

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genre typically described the beauty of a bride in colourful terms. The famous

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Malayala Manorama - 100 Books on Kerala Story Dated: Tuesday, 29 December 2009

2023:. Jai Hind TV channel has telecast a reality showy by name "Mappilapattukal". 959:

The 17th century also witnessed the composition of other popular works in the

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Pg 26, A survey of Malayalam literature, K. M. George,Asia Pub. House, 1968

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Pg 452, Asian journal of social science, Volume 35, Issues 1-5, Brill, 2007

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Pg 590-592, Journal of Kerala studies, Volume 6,University of Kerala., 1979

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The early 20th century witnessed the rise of reform movements within the

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which narrates a 3-day imaginary battle between rats and cats based on a

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Pg 101, Journal of Kerala studies, Volume 6,University of Kerala., 1979

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Fictional songs: These songs were about purely imaginary subjects. The

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Pg 310, Journal of Indian history, Volume 85,University of Kerala,2006

1971:. Some of the movies that prominently include songs of this genre are 956:, a woman Sufi saint of Egypt more commonly known as Sayyida Nafeesa. 5757: 4847: 4691: 4469: 4322: 4045: 3949: 3683: 3625: 3505: 3478: 3454: 3422: 3393: 3337: 3114: 2974: 2947: 2835: 2530: 2330: 2285: 2048: 1530: 1490: 1434: 1289: 1150: 929: 922: 846: 822: 688: 665: 605: 281: 271: 3964: 914:. Each Mala often corresponded to the leader of a Sufi order called 276: 5477: 4909: 4894: 4842: 4577: 4520: 4404: 4364: 4267: 4252: 2471: 2408:- (Muslims and Kerala Culture) - P.K. Muhammad Kunhi Thrissur, 1982 2277: 1689:

in a mindset of complete harmony with the National movement led by

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provide the earliest description of an armed struggle between the

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The literature of Mappila Songs represent the aspirations of the

2298: 2096: 2036: 1968: 1890: 1871:

was chanted as a cure from burns and snake bites. Similarly, the

1860: 1653: 1600: 1589: 1562: 1554: 1390: 1359: 1210: 1070: 911: 655: 645: 615: 590: 585: 389: 316: 223: 3558:"The voice of Kerala's Mappila songs, Eranholi Moosa dies at 75" 5492: 5487: 5467: 5462: 5411: 5023: 4899: 4837: 4701: 4556: 4541: 4536: 4262: 2486: 2326: 1917:

The spirit of their themes and beauty of representation in the

1149:, the other creation parallel to human beings as taught by the 916: 907: 838: 803: 783: 713: 635: 600: 384: 311: 301: 291: 286: 261: 198: 168: 148: 3712:

Plate 2, Mahakavi Moyinkutty Vaidyar Samboorna Krithikal,Vol 1

2628:

Pg 38-39, Kerala folk literature,Kerala Folklore Academy, 1980

2448: 1799:

devotes a section to describe the beauty of the heroine named

1385:

and given to personalities who have contributed to the art of

5752: 4904: 4884: 4499: 1856: 1657: 1339:

describes the undercurrents of peasant life and struggles in

1202: 1182: 1090: 1046: 842: 787: 575: 326: 266: 256: 241: 173: 138: 3138:

The author of Letter songs speaks - Mathrubhumi 13 Nov 2008"

4994:

Sayyid Abdurahman Imbichikoya Thangal Al-Aydarusi Al-Azhari

4454: 2831:"Mappila songs cultural fountains of a bygone age, says MT" 1772: 1217:. The rebels had assassinated Kaprat Krishna Panikkar, the 1146: 902: 786:

song genre rendered to lyrics, within a melodic framework (

650: 610: 158: 2257: 1867:

was considered a protection from all calamities while the

1771:

deals with the story of the Hindu mythological figure Sri

1045:). Kappapattu consisted of 600 lines composed in a single 3884:"Mappila Sangeetha Academy to celebrate 18th anniversary" 2444:- Mahakavi Moyinkutty Vaidyar Smaraka Committee, Kondotty 2288:. The foundation stone was laid by, then Chief Minister, 880:

belong to the 17th century and primarily belonged to the

580: 1053:

remained hugely popular for centuries, next only to the

2970:"Kerala / Kozhikode News : Remembering Moyinkutty" 1523:

Ethrayum bahumanappetta ente priya bharthavu vayikkuvan

1093:

landlords. Most of the songs of the era fall under the

1481:

gave birth to a large variety of songs of this genre.

1080: 2568: 2064:(Songs sung by Pir Muhammad). Abdul Hayy, IP Sidique 3458:. Chennai, India. 21 September 2009. Archived from 2703:Pg 172, Kerala Muslims: a historical perspective - 1778: 1645:were confiscated and destroyed by the authorities. 1132:genre can be classified into four different types: 3953:. Chennai, India. 19 February 2007. Archived from 3687:. Chennai, India. 3 September 2007. Archived from 1859:population of Malabar. Many were recited daily at 3871:. 18 September 2006 – via www.thehindu.com. 3482:. Chennai, India. 6 November 2009. Archived from 3397:. Chennai, India. 10 October 2008. Archived from 3341:. Chennai, India. 25 October 2008. Archived from 1712:(He brought it to us along with the great Gandhi) 1565:Mala, Kombinte paattu, Liqa Mala, Amaliyyath Mala 5831: 3853:. 17 November 2010 – via www.thehindu.com. 3776: 3655:. The Peninsula. 3 November 2006. Archived from 3629:. Chennai, India. 23 August 2008. Archived from 2303:Mahakavi Moyinkutty Vaidyar, Sampoorna Krithikal 1893:community. They objected to the messages of the 1323:is considered one of the finest compositions of 983:Songs of the 18th century were primarily of the 3582: 3426:. Chennai, India. 16 March 2007. Archived from 3412: 3410: 3408: 3357:"Rain Calcining to merge with Rain Commodities" 3325: 3265:. Archived from the original on 27 October 2010 2839:. Chennai, India. 31 March 2007. Archived from 2699: 2697: 2695: 2693: 1710:Entri Vannavidham Mahatma Gandhi than sahitham 1517:S.A. Jameel is a poet widely associated to the 1489:Born T Abdurahman (1908-1972) at Thalankara in 3881: 3509:. Chennai, India. 8 April 2005. Archived from 3495: 3493: 3363:. Archived from the original on 8 August 2009. 3202:"Proceedings of the ... Annual Conference ..." 2964: 2962: 2951:. Chennai, India. 9 March 2005. Archived from 2825: 2823: 2728: 2313:. It also published a collection of essays on 2280:as a cultural centre to attract research into 896:genre of Mappila songs, generally written in 5319: 4662: 3980: 3300: 3298: 3296: 3294: 2914:"The Official Website of Malappuram District" 2896: 2894: 2872: 2870: 2809: 2807: 2797: 2795: 2793: 2683: 2681: 2679: 2520: 2518: 2447:Biggest Collection Of Mappila Songs over Web 1383:Mahakavi Moyinkutty Vaidyar Smaraka Committee 1331:by Prophet Muhammed and his companions. The 751: 3835:. 3 April 2008 – via www.thehindu.com. 3817:. 4 April 2010 – via www.thehindu.com. 3585:"Pīrmuhammad pāṭiya putiya Māppiḷappāṭṭukaḷ" 3533:"ഹൃദയം കൊണ്ട് പാടിയ പാട്ടുകൾ; ഓർമ്മകളിൽ മൂസ" 3405: 2884: 2882: 2690: 2656: 2654: 2652: 2534:. Chennai, India. 7 May 2006. Archived from 3918: 3916: 3645: 3613: 3490: 2959: 2820: 2721: 2719: 2717: 2715: 2713: 2667: 2596: 2594: 2592: 2590: 2588: 2586: 2584: 2309:under the aegis of the Culture Department, 2307:Mahakavi Moyinkutty Vaidyar Smaraka Samithi 1937:ever since the success of the 1954 classic 1105:The first dated work in this genre was the 5514:Kerala Sangeetha Nataka Akademi Fellowship 5326: 5312: 4669: 4655: 3987: 3973: 3799:. 7 May 2006 – via www.thehindu.com. 3291: 3153: 3151: 2937: 2935: 2891: 2867: 2804: 2790: 2737: 2676: 2515: 2062:Pīrmuhammad pāṭiya putiya Māppiḷappāṭṭukaḷ 1925:. Well-known poets like P. Krishna Kumar, 1315:are the most popular songs of this genre. 758: 744: 5359:Kerala Sangeetha Nadaka Academy, Thrissur 5182:Samastha Kerala Sunni Students Federation 3722:"Vaidyar Mahotsavam begins at Kondotty". 3653:"Mamwaq to hold Mappila song competition" 2908: 2906: 2879: 2860: 2858: 2649: 2284:, and its studies and interpretations in 1497:, he was both a poet and a researcher of 975:(1674) by Manantakath Kunhikoya Thangal. 829:form an integral part of the heritage of 3913: 3315:"Malayalam poet P Bhaskaran passes away" 3199: 3195: 3193: 3191: 3104: 3102: 3046: 3044: 3042: 2710: 2581: 2555: 2553: 2256: 1698:(Hindus and Muslims have deep relations) 1266: 1037:with 666 lines composed in 16 different 5712:Category:Malayalam film score composers 4895:Vattakkolis (the Bhatkalis) or Navayats 3793:"Mappila Kala Akademi awards presented" 3200:Congress, South Indian History (1988). 3148: 2932: 2608: 2606: 2502:Muhyidheen Mala at Wikisource Malayalam 2374: 1477:movement against the British. The 1921 1413:Chakeeri Moyidin Kutty of Cherur, near 1205:landlords during the 19th century. The 1185:landlords. Typical among these are the 14: 5832: 4710: 3768:: CS1 maint: archived copy as title ( 3621:"Mappilapattu' singers to be honoured" 2903: 2855: 2624: 2622: 2620: 2618: 2442:Mahakavi Moyinkutty Vaidyar Padanangal 2319:Mahakavi Moyinkutty Vaidyar Padanangal 1701:Moulana showathum Doula Khilafathum 1660:landlord class in the pre-Mysore era. 1109:dated 1836. This song was actually an 1033:. Nool Mad'h was a devotional work on 5707:Category:Malayalam-language lyricists 5509:Kerala Sangeetha Nataka Akademi Award 5381:Maha Kavi Moyinkutty Vaidyar Smarakam 5307: 4650: 3994: 3968: 3188: 3099: 3039: 2550: 2412:Mahathaya Mappila Sahitya Parambaryam 2336: 1696:Munthiya Banduvay Hinduvum Muslimum 1262: 1085:The dawn of the 19th century saw the 910:gained a strong foothold amongst the 3136:Kathupaattinte shilpi samsaarikkunnu 3077: 2603: 2526:"Preserve identity of Mappila songs" 2274:Mahakavi Moyinkutty Vaidyar Smarakam 1583:in the 19th and 20th centuries, the 1353: 1319:(1875), more popularly known as the 1177:are characteristic of this category. 5800: 5717:Category:Malayalam playback singers 5333: 5262: 4676: 4615: 3882:Staff Reporter (10 November 2010). 3450:"'Patturumal' finale in city today" 2662:Mappilappattu - Padhavum Padhanavum 2615: 2381:Mappilappattu - Padhavum Padhanavum 2252: 1525:(Oh my dear respected husband) and 1379:Pulikkotil Hyder Smaraka Puraskaram 1358:Pulikkottil Hyder, born in 1879 at 1302:Badarul Munir - Husnul Jamal (1872) 1081:19th century and early 20th century 24: 5364:RLV College of Music and Fine Arts 5192:Samastha Kerala Jem-iyyathul Ulama 5173:Samastha Kerala Jem-iyyathul Ulama 2569:Eṃ Pr̲Abhākaravāriyar, Ke (1985). 1951:. Other popular melodies include 1921:have left a lasting impression on 1703:(The nation of Khilafath that the 1685:in 1921 described the aims of the 1471: 1284:(1857-1891), often referred to as 876:The earliest known dated works in 25: 5871: 2393:- (The world of Mappila Songs) - 1716:Malabar Lahala enna Khilafat Patt 1541: 5812: 5799: 5788: 5787: 5776: 5775: 5369:Swathi Thirunal College of Music 5290: 5289: 5280: 5261: 5250: 5249: 5238: 5237: 4628: 4614: 4603: 4602: 4591: 4590: 2026: 1779:Female presence in Mappilappattu 1343:in the 18th and 19th centuries. 1244:story falls under this category. 725: 5524:Swaralaya Kairali Yesudas Award 5057:Sayyid Sadiq Ali Shihab Thangal 4020:Kerala Sangeetha Nataka Akademi 3937: 3927: 3904: 3894: 3875: 3865:"Mappila song awards announced" 3857: 3839: 3821: 3803: 3785: 3730: 3715: 3695: 3671: 3595: 3576: 3550: 3525: 3466: 3442: 3381: 3349: 3307: 3251: 3242: 3230: 3221: 3211: 3179: 3169: 3160: 3126: 3118:. 7 August 2006. Archived from 3090: 3071: 3062: 3053: 3030: 3021: 3012: 2986: 2781: 2772: 2759: 2746: 2571:"History of Malayalam Language" 2438:- Olive Publications, Kozhikode 2247: 2194:Badarudheen parannur{saharbari} 2019:on Mappilapattu being aired on 978: 809:The songs often use words from 5560:Chembai Vaidyanatha Bhagavatar 5062:Sayed Abbas Ali Shihab Thangal 3501:"Mapila art forms get a boost" 2994:"News | KERALA NEWS LIVE" 2978:. 30 June 2005. Archived from 2631: 2562: 2406:Muslingalum Kerala Samskaravum 1939:Kayalarikaathu vala erinjappol 1596:alongside other preparations. 1429:. It began a fresh pattern in 1403: 1327:. It narrates the tale of the 1113:translation of the Tamil work 871: 13: 1: 5656:Mattannur Sankarankutty Marar 5575:Mavelikara Krishnankutty Nair 5052:Sayed Hyderali Shihab Thangal 3890:– via www.thehindu.com. 2508: 2349: 1830:by Pulikkottil Hyder and the 1826:Songs by male poets like the 1433:where the poetry was in pure 1417:, authored his poetry on the 1255:and Chettuvayi Pareekkutty's 1100: 887: 5580:Mavelikkara Prabhakara Varma 5374:Sree Rama Varma Music School 5140:Traditionalist (Sunnī Islam) 3945:"Hamza gets Pottekkat award" 3583:Ṭi Abdūr̲Ahimān, Pi (1987). 3237:Nilavu pozhikkunna ishalukal 3110:"Of the pangs of separation" 3080:"ഉബൈദ് എന്ന ഇശല് തേന് സാഗരം" 2432:Mappilappaattinte Maadhuryam 2276:at the poet's birthplace in 1843:Mala songs and ordinary life 1837: 1579:against the British rule in 1527:Abu Dhabeelullorezhuthupetti 967:(1623) by Ahammadul Kabeer, 7: 5529:Swathi Sangeetha Puraskaram 5127:Kerala Nadvathul Mujahideen 5066:Munavvar Ali Shihab Thangal 4984:Pangil Ahmed Kutty Musliyar 3847:"Mappila Kala Academy fete" 3418:"Advocate of Mappilappattu" 2707:, Ajanta Publications, 1995 2454: 2449:http://mappilapattukal.com/ 2420:- by Dr. M.N. Karasseri in 2051:. The singer and composer 1817:Nalakath KunhiMoideen Kutty 1793:Badarul Muneer Husnul Jamal 1253:Badarul Muneer Husnul Jamal 1213:rebels and the army of the 1013:were in a shattered state. 10: 5876: 5620:M. K. Sankaran Namboothiri 5550:Swathi Thirunal Rama Varma 5201:Sunni Students' Federation 4979:Varakkal Mullokoya Thangal 4475:Tattamangalam Kuthira Vela 3679:"Mappila poet felicitated" 1738:belong to the category of 1335:(1883), also known as the 1274: 852: 27:Folklore Muslim song genre 5771: 5748:Sanskrit Meditation Music 5725: 5699: 5633: 5537: 5501: 5455: 5389: 5341: 5277: 5213: 5190: 5171: 5164: 5148:E. K. Aboobacker Musliyar 5139: 5117: 5084: 5077: 5022: 4956: 4949: 4867: 4830: 4790: 4774: 4747: 4740: 4684: 4586: 4565: 4529: 4508: 4460:Onathallu or Avittathallu 4370:Aluva Sivarathri festival 4352: 4336: 4150: 4089: 4033: 4015:Kerala Lalitakala Academy 4002: 3811:"Drive against extremism" 3373:: CS1 maint: unfit URL ( 3283:: CS1 maint: unfit URL ( 1714:Ahmed Kutty composed the 5004:Jifri Muthukkoya Thangal 4989:Kanniyath Ahmed Musliyar 4480:Thirumandhamkunnu Pooram 4425:Kottankulangara Festival 4380:Edakkunni Uthram Vilakku 3829:"Mappila Academy awards" 3474:"Songs of everyday life" 2391:Maappilappaattinte Lokam 2267:Chief Minister of Kerala 1395:Chief Minister of Kerala 1317:Shabvathul Badarul Kubra 845:speaking communities of 5585:Neyyattinkara Vasudevan 5456:Traditional Instruments 5349:Kerala Folklore Academy 5042:Panakkad Shihab Thangal 4025:Kerala Folklore Academy 3603:"Arabic in South India" 3389:"Unforgettable Baburaj" 3361:The Hindu Business Line 2197:Nasarudheen Mannarkkad 1571:Anti-colonial struggles 1097:( battle songs) genre. 5681:Sadanam Divakara Marar 5676:Peruvanam Kuttan Marar 5666:Neralattu Rama Poduval 5555:Shadkala Govinda Marar 5155:AP Aboobacker Musliyar 5047:Umerali Shihab Thangal 5014:AP Aboobacker Musliyar 4798:Vaikom Muhammad Bashir 4450:Nenmara Vallanghy Vela 2262: 1884:Seera Parayana Sadassu 1853:Cherusseri Namboothiri 1575:In the context of the 1445:Chettuvayi Pareekkutty 1409:Chakeeri Moyidin Kutty 1272: 1087:advent of British rule 5651:Kuzhur Narayana Marar 5646:Kalpathy Balakrishnan 5634:Traditional Musicians 5009:K. Ali Kutty Musliyar 4941:Bohras (Daudi Bohras) 4890:Tangals (the Sayyids) 4344:Kerala mural painting 4003:Arts Promotion Bodies 3462:on 25 September 2009. 2982:on 19 September 2006. 2260: 1953:Oru kotta ponnundallo 1828:Mariyakkuttiyude Kath 1423:Ghazvath Badril Kubra 1333:Malappuram Padappattu 1270: 1195:Malappuram Padappattu 973:Valiya Naseehath Mala 5595:T. V. Gopalakrishnan 4969:Zainuddin Makhdoom I 4748:Religious literature 4445:Kalpathi Ratholsavam 4440:Nalukulangara Pooram 3633:on 16 September 2008 3144:on 24 November 2010. 2375:Books and references 2311:Government of Kerala 2163:Nasnin (Baby Nasnin) 1989:Manya Maha Janangale 1449:(b. 1853) author of 1381:, instituted by the 1313:Malappuram Padappatt 1197:(1883) etc. and the 954:Nafeesathul Misriyya 831:Malayalam literature 5671:Pallavur Appu Marar 5615:M. G. Radhakrishnan 5538:Classical Musicians 5519:Harivarasanam Award 5354:Kerala Kalamandalam 5226:Suprabhaatham Daily 5078:Major denominations 4530:Musical instruments 4395:Kadavallur Anyonyam 4081:Sheethankan Thullal 4010:Kerala Kalamandalam 3750:on 18 November 2012 3691:on 15 October 2007. 3513:on 11 February 2006 3486:on 26 January 2013. 3401:on 14 October 2008. 3345:on 30 October 2008. 3321:. 25 February 2007. 3122:on 18 October 2007. 2955:on 8 November 2012. 2360:M.T. Vasudevan Nair 2321:. On 12 June 2008, 2182:Bappu Vellipparamba 2121:Vadakara Krishnadas 1808:ChandiraSundariMala 1547:Religious teachings 1121:translated it into 699:Karagöz and Hacivat 5661:Moyinkutty Vaidyar 5473:Kombu (instrument) 5165:Influential bodies 4932:Dakhnis or Pathans 4782:Moyinkutty Vaidyar 4547:Kombu (instrument) 4495:Uthralikavu Pooram 4375:Arattupuzha Pooram 2843:on 8 November 2012 2705:Asgharali Engineer 2639:"Mappila Pattukal" 2538:on 7 November 2012 2337:Other institutions 2333:district in 2009. 2315:Moyinkutty Vaidyar 2295:Vaidyar Mahotsavam 2263: 2188:P.T. Abdul Rahiman 1797:Moyinkutty Vaidyar 1650:Malappuram shahids 1398:C.H. Mohammed Koya 1292:family in 1857 at 1282:Moyinkutty Vaidyar 1277:Moyinkutty Vaidyar 1273: 1263:Moyinkutty Vaidyar 1215:East India Company 1191:Moyinkutty Vaidyar 1107:Zaqqoom Padappattu 1017:Kunhayan Musaliyar 963:genre, namely the 134:Azerbaijani carpet 5827: 5826: 5641:Appukutty Poduval 5625:L. Athira Krishna 5570:Palghat Mani Iyer 5301: 5300: 5209: 5208: 5135: 5134: 5073: 5072: 4999:Athippatta Usthad 4826: 4825: 4736: 4735: 4644: 4643: 4390:Ilanjithara Melam 4163:Charadupinnikkali 3996:Culture of Kerala 3333:"Neelakuyil 1954" 3218:Publications,2007 2815:Zaqqum Padappattu 2767:Zaqqum Padappattu 2754:Zaqqum Padappattu 2477:Vadakkan Pattukal 2157:Shameer Chavakkad 2045:gramophone record 1931:Vayalar Ramavarma 1919:Mappila Paattukal 1913:Cinema and poetry 1832:Dubai kathu pattu 1687:Khilafat Movement 1678:Malabar Rebellion 1666:Cherur Padappattu 1643:Cherur Padappattu 1605:Kunhali Marakkars 1577:Mappila uprisings 1479:Malabar Rebellion 1459:Soubhagya Sundari 1373:Vellappokka Maala 1354:Pulikkottil Hyder 1257:Soubhagya Sundari 1229:Cherur Padappattu 1207:Cherur Padappattu 1199:Cherur Padappattu 1139:Zaqqum Padappattu 1128:The songs of the 1115:Zakkoon Padayppor 1029:(1785 A.D.) and 1001:. Songs like the 997:Ibrahim Ibn Adham 768: 767: 16:(Redirected from 5867: 5819:India portal 5817: 5816: 5815: 5803: 5802: 5791: 5790: 5779: 5778: 5763:Harimuraleeravam 5565:M. D. Ramanathan 5545:Irayimman Thampi 5328: 5321: 5314: 5305: 5304: 5293: 5292: 5287:Islam portal 5285: 5284: 5283: 5265: 5264: 5253: 5252: 5241: 5240: 5169: 5168: 5082: 5081: 4974:Mampuram Thangal 4954: 4953: 4745: 4744: 4723:Malayalam script 4708: 4707: 4671: 4664: 4657: 4648: 4647: 4635:India portal 4633: 4632: 4631: 4618: 4617: 4606: 4605: 4594: 4593: 4465:Peruvanam Pooram 4420:Kottakkal pooram 4273:Parichamuttukali 4208:Kothammuriyattam 4193:Garudan Thookkam 4168:Chavittu Nadakam 3989: 3982: 3975: 3966: 3965: 3959: 3958: 3957:on 3 March 2007. 3941: 3935: 3931: 3925: 3920: 3911: 3908: 3902: 3898: 3892: 3891: 3879: 3873: 3872: 3861: 3855: 3854: 3843: 3837: 3836: 3825: 3819: 3818: 3807: 3801: 3800: 3789: 3783: 3780: 3774: 3773: 3767: 3759: 3757: 3755: 3749: 3743:. Archived from 3742: 3734: 3728: 3727: 3726:. 11 March 2006. 3719: 3713: 3710: 3704: 3699: 3693: 3692: 3675: 3669: 3668: 3666: 3664: 3649: 3643: 3642: 3640: 3638: 3617: 3611: 3610: 3599: 3593: 3592: 3580: 3574: 3573: 3571: 3569: 3554: 3548: 3547: 3545: 3543: 3529: 3523: 3522: 3520: 3518: 3497: 3488: 3487: 3470: 3464: 3463: 3446: 3440: 3439: 3437: 3435: 3430:on 26 March 2007 3414: 3403: 3402: 3385: 3379: 3378: 3372: 3364: 3353: 3347: 3346: 3329: 3323: 3322: 3311: 3305: 3302: 3289: 3288: 3282: 3274: 3272: 3270: 3255: 3249: 3246: 3240: 3234: 3228: 3225: 3219: 3215: 3209: 3208: 3197: 3186: 3183: 3177: 3173: 3167: 3164: 3158: 3155: 3146: 3145: 3140:. Archived from 3130: 3124: 3123: 3106: 3097: 3094: 3088: 3087: 3075: 3069: 3066: 3060: 3057: 3051: 3048: 3037: 3034: 3028: 3025: 3019: 3016: 3010: 3009: 3007: 3005: 2996:. Archived from 2990: 2984: 2983: 2966: 2957: 2956: 2939: 2930: 2929: 2927: 2925: 2916:. Archived from 2910: 2901: 2898: 2889: 2886: 2877: 2874: 2865: 2862: 2853: 2852: 2850: 2848: 2827: 2818: 2811: 2802: 2799: 2788: 2785: 2779: 2776: 2770: 2763: 2757: 2750: 2744: 2741: 2735: 2732: 2726: 2723: 2708: 2701: 2688: 2685: 2674: 2671: 2665: 2658: 2647: 2646: 2635: 2629: 2626: 2613: 2610: 2601: 2598: 2579: 2578: 2566: 2560: 2557: 2548: 2547: 2545: 2543: 2522: 2426:M.G.S. Narayanan 2272:inaugurated the 2253:Vaidyar Smarakam 2212:Shaheer Chennara 2206:Shamsu Ayippuzha 2203:OM Karuvaramkund 2166:Randathani Hamsa 2160:Sindhu Premkumar 2148:M. P. Ummerkutty 1935:Malayalam cinema 1923:Malayalam poetry 1769:Mappila Ramayana 1740:Mappila Pattukal 1664:, refers to the 1561:Niskaarapaattu, 1427:Badar Padappattu 1321:Badar Padappattu 1309:Badar Padappattu 1187:Kotturpalli Mala 1075:Cheraman Perumal 1035:Prophet Muhammed 760: 753: 746: 732:Islam portal 730: 729: 728: 32: 31: 21: 5875: 5874: 5870: 5869: 5868: 5866: 5865: 5864: 5855:Arabi Malayalam 5830: 5829: 5828: 5823: 5813: 5811: 5767: 5743:Stephen Devassy 5738:Kanmani (album) 5721: 5695: 5691:Vilayil Faseela 5629: 5610:P. Unnikrishnan 5533: 5497: 5451: 5437:Pulluvan Paattu 5397:Kshetram vadyam 5385: 5337: 5335:Music of Kerala 5332: 5302: 5297: 5281: 5279: 5273: 5221:Chandrika Daily 5205: 5186: 5160: 5131: 5113: 5104:Islam in Kerala 5069: 5018: 4945: 4863: 4822: 4786: 4775:Religious Poets 4770: 4762:Khissa Pattukal 4732: 4728:Arabi Malayalam 4706: 4696:Mappila dialect 4680: 4678:Islam in Kerala 4675: 4645: 4640: 4629: 4627: 4582: 4561: 4525: 4504: 4490:Thrissur Pooram 4430:Machad Mamangam 4385:Gandharvanpattu 4348: 4332: 4228:Malavazhiyattam 4146: 4132:Pulluvan Paattu 4097:Kshetram vadyam 4085: 4076:Parayan thullal 4034:Performing arts 4029: 3998: 3993: 3963: 3962: 3943: 3942: 3938: 3932: 3928: 3921: 3914: 3909: 3905: 3899: 3895: 3880: 3876: 3863: 3862: 3858: 3845: 3844: 3840: 3827: 3826: 3822: 3809: 3808: 3804: 3791: 3790: 3786: 3781: 3777: 3761: 3760: 3753: 3751: 3747: 3740: 3738:"Archived copy" 3736: 3735: 3731: 3721: 3720: 3716: 3711: 3707: 3700: 3696: 3677: 3676: 3672: 3662: 3660: 3659:on 3 March 2016 3651: 3650: 3646: 3636: 3634: 3619: 3618: 3614: 3601: 3600: 3596: 3581: 3577: 3567: 3565: 3562:The News Minute 3556: 3555: 3551: 3541: 3539: 3531: 3530: 3526: 3516: 3514: 3499: 3498: 3491: 3472: 3471: 3467: 3448: 3447: 3443: 3433: 3431: 3416: 3415: 3406: 3387: 3386: 3382: 3366: 3365: 3355: 3354: 3350: 3331: 3330: 3326: 3313: 3312: 3308: 3303: 3292: 3276: 3275: 3268: 3266: 3257: 3256: 3252: 3247: 3243: 3235: 3231: 3226: 3222: 3216: 3212: 3198: 3189: 3184: 3180: 3174: 3170: 3165: 3161: 3156: 3149: 3132: 3131: 3127: 3108: 3107: 3100: 3095: 3091: 3076: 3072: 3067: 3063: 3058: 3054: 3049: 3040: 3035: 3031: 3026: 3022: 3017: 3013: 3003: 3001: 3000:on 13 July 2011 2992: 2991: 2987: 2968: 2967: 2960: 2941: 2940: 2933: 2923: 2921: 2920:on 29 June 2010 2912: 2911: 2904: 2899: 2892: 2887: 2880: 2875: 2868: 2863: 2856: 2846: 2844: 2829: 2828: 2821: 2812: 2805: 2800: 2791: 2786: 2782: 2777: 2773: 2764: 2760: 2751: 2747: 2742: 2738: 2733: 2729: 2724: 2711: 2702: 2691: 2686: 2677: 2672: 2668: 2659: 2650: 2637: 2636: 2632: 2627: 2616: 2611: 2604: 2599: 2582: 2567: 2563: 2558: 2551: 2541: 2539: 2524: 2523: 2516: 2511: 2506: 2467:Arabi Malayalam 2457: 2377: 2352: 2339: 2255: 2250: 2240:Mohsin Kurikkal 2237:Shihab Areekode 2209:Fasal Koduvally 2200:Faisal Kanmanam 2179:Nalakath Kassim 2136:Azeez Thayineri 2102:Vilayil Faseela 2029: 1955:from the movie 1945:from the movie 1903:Parishkara Mala 1865:Muhyidheen Mala 1840: 1781: 1728:Mailanchi Pattu 1713: 1708: 1699: 1694: 1544: 1474: 1472:1920s and later 1406: 1376: 1365:Kunchan Nambiar 1356: 1350:(tunes/modes). 1337:Madhinidhi Mala 1279: 1265: 1143:Jinn Padappattu 1123:Arabi-Malayalam 1111:Arabi-Malayalam 1103: 1083: 1055:Muhyiddeen Mala 981: 898:Arabi-Malayalam 890: 874: 860:Muhyidheen Mala 855: 837:communities in 792:Arabi Malayalam 764: 726: 724: 96:Sudano-Sahelian 45:Islamic culture 28: 23: 22: 15: 12: 11: 5: 5873: 5863: 5862: 5860:Music of India 5857: 5852: 5850:Arts of Kerala 5847: 5842: 5825: 5824: 5822: 5821: 5809: 5797: 5785: 5772: 5769: 5768: 5766: 5765: 5760: 5755: 5750: 5745: 5740: 5735: 5729: 5727: 5723: 5722: 5720: 5719: 5714: 5709: 5703: 5701: 5697: 5696: 5694: 5693: 5688: 5683: 5678: 5673: 5668: 5663: 5658: 5653: 5648: 5643: 5637: 5635: 5631: 5630: 5628: 5627: 5622: 5617: 5612: 5607: 5602: 5597: 5592: 5590:T. N. Krishnan 5587: 5582: 5577: 5572: 5567: 5562: 5557: 5552: 5547: 5541: 5539: 5535: 5534: 5532: 5531: 5526: 5521: 5516: 5511: 5505: 5503: 5499: 5498: 5496: 5495: 5490: 5485: 5480: 5475: 5470: 5465: 5459: 5457: 5453: 5452: 5450: 5449: 5444: 5439: 5434: 5432:Parisha Vadyam 5429: 5424: 5419: 5417:Panchari melam 5414: 5409: 5407:Mappila Paattu 5404: 5399: 5393: 5391: 5387: 5386: 5384: 5383: 5377: 5376: 5371: 5366: 5361: 5356: 5351: 5345: 5343: 5339: 5338: 5331: 5330: 5323: 5316: 5308: 5299: 5298: 5278: 5275: 5274: 5272: 5271: 5259: 5247: 5234: 5233: 5228: 5223: 5217: 5215: 5211: 5210: 5207: 5206: 5204: 5203: 5197: 5195: 5188: 5187: 5185: 5184: 5178: 5176: 5166: 5162: 5161: 5159: 5158: 5151: 5143: 5141: 5137: 5136: 5133: 5132: 5130: 5129: 5123: 5121: 5115: 5114: 5112: 5111: 5106: 5101: 5096: 5090: 5088: 5079: 5075: 5074: 5071: 5070: 5068: 5067: 5064: 5059: 5054: 5049: 5044: 5039: 5037:Pukkoya Tangal 5033: 5031: 5020: 5019: 5017: 5016: 5011: 5006: 5001: 4996: 4991: 4986: 4981: 4976: 4971: 4966: 4960: 4958: 4951: 4947: 4946: 4944: 4943: 4938: 4933: 4930: 4925: 4922: 4917: 4912: 4907: 4902: 4897: 4892: 4887: 4882: 4877: 4871: 4869: 4865: 4864: 4862: 4861: 4858: 4857:Muttum Viliyum 4855: 4850: 4845: 4840: 4834: 4832: 4828: 4827: 4824: 4823: 4821: 4820: 4818:Moidu Padiyath 4815: 4813:N. P. Muhammed 4810: 4808:K. T. Muhammed 4805: 4800: 4794: 4792: 4788: 4787: 4785: 4784: 4778: 4776: 4772: 4771: 4769: 4768: 4763: 4760: 4758:Majlis Al-Noor 4755: 4751: 4749: 4742: 4738: 4737: 4734: 4733: 4731: 4730: 4725: 4720: 4714: 4712: 4705: 4704: 4699: 4688: 4686: 4682: 4681: 4674: 4673: 4666: 4659: 4651: 4642: 4641: 4639: 4638: 4624: 4612: 4600: 4587: 4584: 4583: 4581: 4580: 4575: 4569: 4567: 4563: 4562: 4560: 4559: 4554: 4549: 4544: 4539: 4533: 4531: 4527: 4526: 4524: 4523: 4518: 4512: 4510: 4506: 4505: 4503: 4502: 4497: 4492: 4487: 4482: 4477: 4472: 4467: 4462: 4457: 4452: 4447: 4442: 4437: 4432: 4427: 4422: 4417: 4412: 4407: 4402: 4397: 4392: 4387: 4382: 4377: 4372: 4367: 4362: 4356: 4354: 4350: 4349: 4347: 4346: 4340: 4338: 4334: 4333: 4331: 4330: 4328:Tholpavakoothu 4325: 4320: 4318:Thiriyuzhichil 4315: 4310: 4305: 4300: 4295: 4293:Sarpam Thullal 4290: 4285: 4280: 4275: 4270: 4265: 4260: 4255: 4250: 4245: 4240: 4235: 4230: 4225: 4223:Malapulayattam 4220: 4215: 4210: 4205: 4200: 4195: 4190: 4185: 4180: 4175: 4170: 4165: 4160: 4154: 4152: 4148: 4147: 4145: 4144: 4139: 4134: 4129: 4127:Parisha Vadyam 4124: 4119: 4114: 4112:Panchari melam 4109: 4107:Mappila Paattu 4104: 4099: 4093: 4091: 4087: 4086: 4084: 4083: 4078: 4073: 4068: 4066:Nangiar Koothu 4063: 4058: 4053: 4051:Kerala Natanam 4048: 4043: 4041:Chakyar Koothu 4037: 4035: 4031: 4030: 4028: 4027: 4022: 4017: 4012: 4006: 4004: 4000: 3999: 3992: 3991: 3984: 3977: 3969: 3961: 3960: 3936: 3926: 3912: 3903: 3893: 3874: 3856: 3838: 3820: 3802: 3784: 3775: 3729: 3714: 3705: 3694: 3670: 3644: 3612: 3594: 3575: 3549: 3524: 3489: 3465: 3441: 3404: 3380: 3348: 3324: 3306: 3290: 3263:hinduonnet.com 3250: 3241: 3229: 3220: 3210: 3187: 3178: 3168: 3159: 3147: 3125: 3098: 3089: 3070: 3061: 3052: 3038: 3029: 3020: 3011: 2985: 2958: 2931: 2902: 2890: 2878: 2866: 2854: 2819: 2803: 2789: 2780: 2771: 2758: 2745: 2736: 2727: 2709: 2689: 2675: 2666: 2648: 2630: 2614: 2602: 2580: 2561: 2549: 2513: 2512: 2510: 2507: 2505: 2504: 2499: 2497:Arts of Kerala 2494: 2489: 2484: 2479: 2474: 2469: 2464: 2458: 2456: 2453: 2452: 2451: 2445: 2439: 2429: 2415: 2409: 2403: 2388: 2376: 2373: 2365:Mappila Songs, 2351: 2348: 2338: 2335: 2290:K. Karunakaran 2265:In 1999, then 2254: 2251: 2249: 2246: 2245: 2244: 2243:M A Azeez Bhai 2241: 2238: 2235: 2232: 2229: 2226: 2222: 2221: 2217: 2216: 2213: 2210: 2207: 2204: 2201: 2198: 2195: 2192: 2191:Pakkar Pannoor 2189: 2186: 2183: 2180: 2176: 2175: 2171: 2170: 2167: 2164: 2161: 2158: 2155: 2154:Kannur Shareef 2152: 2149: 2146: 2143: 2140: 2137: 2134: 2131: 2128: 2127:Mukkam Sajitha 2125: 2122: 2119: 2116: 2113: 2110: 2107: 2104: 2099: 2094: 2092:Eranjoli Moosa 2089: 2086: 2081: 2078: 2074: 2073: 2057:Eranjoli Moosa 2028: 2025: 2009: 2008: 1977:Pathinalamravu 1961:Palanu thenanu 1915: 1914: 1907:Durachara Mala 1873:Nafeesath Mala 1845: 1844: 1839: 1836: 1813:Nafeesath Mala 1780: 1777: 1765: 1764: 1748: 1747: 1724: 1723: 1691:Mahatma Gandhi 1670:Malabar Manual 1631:Makkan Fathahu 1573: 1572: 1549: 1548: 1543: 1542:Social context 1540: 1515: 1514: 1503:kissa pattukal 1495:Mahakavi Ubaid 1487: 1486: 1473: 1470: 1455:Minhathul Bari 1447: 1446: 1439:Chakkeeri Badr 1419:Battle of Badr 1411: 1410: 1405: 1402: 1355: 1352: 1329:Battle of Badr 1275:Main article: 1264: 1261: 1246: 1245: 1232: 1178: 1154: 1102: 1099: 1082: 1079: 1063: 1062: 1019: 1018: 980: 977: 950:Nafeesath mala 889: 886: 873: 870: 854: 851: 827:Mappila Paattu 776:Mappila Paattu 766: 765: 763: 762: 755: 748: 740: 737: 736: 735: 734: 719: 718: 717: 716: 711: 706: 701: 696: 691: 683: 682: 676: 675: 674: 673: 668: 663: 658: 653: 648: 643: 638: 633: 628: 623: 618: 613: 608: 603: 598: 593: 588: 583: 578: 570: 569: 563: 562: 561: 560: 555: 550: 545: 540: 535: 530: 525: 520: 515: 510: 505: 500: 495: 490: 485: 475: 470: 465: 460: 455: 445: 440: 435: 430: 425: 420: 412: 411: 405: 404: 403: 402: 397: 392: 387: 382: 377: 372: 367: 362: 357: 352: 347: 339: 338: 332: 331: 330: 329: 324: 319: 314: 309: 304: 299: 294: 289: 284: 279: 274: 269: 264: 259: 254: 249: 244: 236: 235: 229: 228: 227: 226: 221: 219:Turkish carpet 216: 211: 206: 201: 196: 194:Persian carpet 191: 186: 181: 176: 171: 166: 161: 156: 151: 146: 141: 136: 131: 129:Arabian carpet 123: 122: 116: 115: 114: 113: 108: 103: 98: 93: 88: 83: 78: 73: 68: 63: 55: 54: 48: 47: 41: 40: 26: 9: 6: 4: 3: 2: 5872: 5861: 5858: 5856: 5853: 5851: 5848: 5846: 5843: 5841: 5840:Islamic music 5838: 5837: 5835: 5820: 5810: 5808: 5807: 5798: 5796: 5795: 5786: 5784: 5783: 5774: 5773: 5770: 5764: 5761: 5759: 5756: 5754: 5751: 5749: 5746: 5744: 5741: 5739: 5736: 5734: 5731: 5730: 5728: 5726:Popular Music 5724: 5718: 5715: 5713: 5710: 5708: 5705: 5704: 5702: 5698: 5692: 5689: 5687: 5684: 5682: 5679: 5677: 5674: 5672: 5669: 5667: 5664: 5662: 5659: 5657: 5654: 5652: 5649: 5647: 5644: 5642: 5639: 5638: 5636: 5632: 5626: 5623: 5621: 5618: 5616: 5613: 5611: 5608: 5606: 5605:K. Omanakutty 5603: 5601: 5600:K. J. Yesudas 5598: 5596: 5593: 5591: 5588: 5586: 5583: 5581: 5578: 5576: 5573: 5571: 5568: 5566: 5563: 5561: 5558: 5556: 5553: 5551: 5548: 5546: 5543: 5542: 5540: 5536: 5530: 5527: 5525: 5522: 5520: 5517: 5515: 5512: 5510: 5507: 5506: 5504: 5500: 5494: 5491: 5489: 5486: 5484: 5481: 5479: 5476: 5474: 5471: 5469: 5466: 5464: 5461: 5460: 5458: 5454: 5448: 5445: 5443: 5440: 5438: 5435: 5433: 5430: 5428: 5425: 5423: 5420: 5418: 5415: 5413: 5410: 5408: 5405: 5403: 5400: 5398: 5395: 5394: 5392: 5388: 5382: 5379: 5378: 5375: 5372: 5370: 5367: 5365: 5362: 5360: 5357: 5355: 5352: 5350: 5347: 5346: 5344: 5340: 5336: 5329: 5324: 5322: 5317: 5315: 5310: 5309: 5306: 5296: 5288: 5276: 5270: 5269: 5260: 5258: 5257: 5248: 5246: 5245: 5236: 5235: 5232: 5229: 5227: 5224: 5222: 5219: 5218: 5216: 5212: 5202: 5199: 5198: 5196: 5193: 5189: 5183: 5180: 5179: 5177: 5174: 5170: 5167: 5163: 5156: 5152: 5149: 5145: 5144: 5142: 5138: 5128: 5125: 5124: 5122: 5120: 5116: 5110: 5107: 5105: 5102: 5100: 5097: 5095: 5092: 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4198:Kolam Thullal 4196: 4194: 4191: 4189: 4186: 4184: 4181: 4179: 4176: 4174: 4171: 4169: 4166: 4164: 4161: 4159: 4158:Arabana muttu 4156: 4155: 4153: 4149: 4143: 4140: 4138: 4135: 4133: 4130: 4128: 4125: 4123: 4120: 4118: 4115: 4113: 4110: 4108: 4105: 4103: 4100: 4098: 4095: 4094: 4092: 4088: 4082: 4079: 4077: 4074: 4072: 4069: 4067: 4064: 4062: 4059: 4057: 4054: 4052: 4049: 4047: 4044: 4042: 4039: 4038: 4036: 4032: 4026: 4023: 4021: 4018: 4016: 4013: 4011: 4008: 4007: 4005: 4001: 3997: 3990: 3985: 3983: 3978: 3976: 3971: 3970: 3967: 3956: 3952: 3951: 3946: 3940: 3934: 3930: 3924: 3919: 3917: 3907: 3901: 3897: 3889: 3885: 3878: 3870: 3866: 3860: 3852: 3848: 3842: 3834: 3830: 3824: 3816: 3812: 3806: 3798: 3794: 3788: 3779: 3771: 3765: 3746: 3739: 3733: 3725: 3718: 3709: 3703: 3698: 3690: 3686: 3685: 3680: 3674: 3658: 3654: 3648: 3632: 3628: 3627: 3622: 3616: 3608: 3604: 3598: 3590: 3586: 3579: 3563: 3559: 3553: 3538: 3534: 3528: 3512: 3508: 3507: 3502: 3496: 3494: 3485: 3481: 3480: 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K. Nayanar 2268: 2259: 2242: 2239: 2236: 2234:K. V. Abootty 2233: 2230: 2227: 2224: 2223: 2219: 2218: 2215:Hamsa Narokav 2214: 2211: 2208: 2205: 2202: 2199: 2196: 2193: 2190: 2187: 2185:K. T. Moideen 2184: 2181: 2178: 2177: 2173: 2172: 2168: 2165: 2162: 2159: 2156: 2153: 2151:Kannur Saleem 2150: 2147: 2144: 2141: 2138: 2135: 2132: 2129: 2126: 2123: 2120: 2117: 2114: 2111: 2108: 2106:Peer Muhammed 2105: 2103: 2100: 2098: 2095: 2093: 2090: 2087: 2085: 2082: 2079: 2077:M Kunhi Moosa 2076: 2075: 2071: 2070: 2069: 2065: 2063: 2058: 2054: 2050: 2046: 2042: 2038: 2037:M. S. Baburaj 2034: 2027:Personalities 2024: 2022: 2018: 2015:is a popular 2014: 2006: 2005: 2004: 2002: 1998: 1994: 1990: 1986: 1982: 1978: 1974: 1970: 1966: 1962: 1958: 1957:Kuttikuppayam 1954: 1950: 1949: 1944: 1940: 1936: 1932: 1928: 1924: 1920: 1912: 1911: 1910: 1908: 1904: 1900: 1896: 1892: 1887: 1885: 1880: 1878: 1874: 1870: 1866: 1862: 1858: 1854: 1850: 1842: 1841: 1835: 1833: 1829: 1824: 1822: 1818: 1814: 1809: 1804: 1802: 1798: 1794: 1790: 1787:Songs of the 1785: 1776: 1774: 1770: 1762: 1761: 1760: 1758: 1753: 1745: 1744: 1743: 1741: 1737: 1733: 1729: 1721: 1720: 1719: 1717: 1711: 1706: 1702: 1697: 1692: 1688: 1684: 1679: 1674: 1671: 1667: 1663: 1662:William Logan 1659: 1655: 1651: 1646: 1644: 1640: 1638: 1633: 1632: 1627: 1625: 1620: 1618: 1613: 1611: 1606: 1603:legends like 1602: 1597: 1595: 1591: 1586: 1582: 1578: 1570: 1569: 1568: 1566: 1564: 1558: 1556: 1546: 1545: 1539: 1537: 1532: 1528: 1524: 1520: 1512: 1511: 1510: 1508: 1507:Mappilappattu 1504: 1500: 1499:Mappilappattu 1496: 1492: 1484: 1483: 1482: 1480: 1469: 1466: 1464: 1460: 1456: 1452: 1451:Futhuhussaman 1444: 1443: 1442: 1440: 1436: 1432: 1431:Mappilappattu 1428: 1424: 1420: 1416: 1408: 1407: 1401: 1399: 1396: 1392: 1388: 1387:Mappilappattu 1384: 1380: 1374: 1370: 1369:Mappilappattu 1366: 1361: 1351: 1349: 1344: 1342: 1338: 1334: 1330: 1326: 1325:Mappilappattu 1322: 1318: 1314: 1310: 1305: 1303: 1299: 1295: 1291: 1287: 1283: 1278: 1269: 1260: 1258: 1254: 1249: 1243: 1242: 1237: 1233: 1230: 1226: 1222: 1221: 1216: 1212: 1208: 1204: 1200: 1196: 1192: 1188: 1184: 1179: 1176: 1174: 1169: 1167: 1162: 1160: 1155: 1152: 1148: 1144: 1140: 1135: 1134: 1133: 1131: 1126: 1124: 1120: 1119:Kayalpattanam 1116: 1112: 1108: 1098: 1096: 1092: 1088: 1078: 1076: 1072: 1068: 1060: 1059: 1058: 1056: 1052: 1048: 1044: 1040: 1036: 1032: 1028: 1025:(1737 A.D.), 1024: 1016: 1015: 1014: 1012: 1008: 1004: 1000: 998: 993: 991: 986: 976: 974: 970: 966: 962: 957: 955: 951: 947: 945: 940: 938: 933: 931: 926: 924: 919: 918: 913: 909: 905: 904: 899: 895: 885: 883: 879: 878:Mappilappattu 869: 867: 862: 861: 850: 848: 844: 840: 836: 832: 828: 824: 820: 816: 812: 807: 805: 801: 797: 793: 789: 785: 782: 778: 777: 772: 771:Mappila songs 761: 756: 754: 749: 747: 742: 741: 739: 738: 733: 723: 722: 721: 720: 715: 712: 710: 707: 705: 702: 700: 697: 695: 692: 690: 687: 686: 685: 684: 681: 678: 677: 672: 669: 667: 664: 662: 659: 657: 654: 652: 649: 647: 644: 642: 639: 637: 634: 632: 629: 627: 626:Mappilappattu 624: 622: 619: 617: 614: 612: 609: 607: 604: 602: 599: 597: 596:Gendang beleq 594: 592: 589: 587: 584: 582: 579: 577: 574: 573: 572: 571: 568: 565: 564: 559: 556: 554: 551: 549: 546: 544: 541: 539: 536: 534: 531: 529: 526: 524: 521: 519: 516: 514: 511: 509: 506: 504: 501: 499: 496: 494: 491: 489: 486: 483: 479: 476: 474: 471: 469: 466: 464: 461: 459: 456: 453: 449: 446: 444: 441: 439: 436: 434: 433:Crimean Tatar 431: 429: 426: 424: 421: 419: 416: 415: 414: 413: 410: 407: 406: 401: 398: 396: 393: 391: 388: 386: 383: 381: 378: 376: 373: 371: 368: 366: 363: 361: 358: 356: 353: 351: 348: 346: 343: 342: 341: 340: 337: 334: 333: 328: 325: 323: 320: 318: 315: 313: 310: 308: 305: 303: 300: 298: 295: 293: 290: 288: 285: 283: 280: 278: 275: 273: 270: 268: 265: 263: 260: 258: 255: 253: 250: 248: 245: 243: 240: 239: 238: 237: 234: 231: 230: 225: 222: 220: 217: 215: 212: 210: 207: 205: 202: 200: 197: 195: 192: 190: 187: 185: 182: 180: 177: 175: 172: 170: 167: 165: 164:Iznik pottery 162: 160: 157: 155: 152: 150: 147: 145: 142: 140: 137: 135: 132: 130: 127: 126: 125: 124: 121: 118: 117: 112: 109: 107: 104: 102: 99: 97: 94: 92: 89: 87: 84: 82: 79: 77: 74: 72: 69: 67: 64: 62: 59: 58: 57: 56: 53: 50: 49: 46: 43: 42: 38: 34: 33: 30: 19: 18:Mappilappattu 5804: 5792: 5780: 5422:Panchavadyam 5402:Kuzhal Pattu 5342:Institutions 5266: 5254: 5242: 5194:(AP faction) 5175:(EK faction) 4803:U. 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M. Kutty 5427:Pandi Melam 5268:WikiProject 5231:Siraj Daily 5099:AP Samastha 5094:EK Samastha 4964:Malik Dinar 4868:Communities 4860:Vattappattu 4754:Mala-Mawlid 4621:WikiProject 4288:Poothamkali 4248:Margam Kali 4243:Marathukali 4233:Malayikuthu 4218:Kuthiyottam 4122:Pandi Melam 4056:Koodiyattam 3754:7 September 3568:16 February 3542:16 February 3269:27 November 3004:27 November 2924:25 November 2813:Pg 99 -110 2472:Majlisunnor 2436:T. K. Hamza 2395:V. M. Kutty 2231:Chand Pasha 2225:M.S.Baburaj 2142:A.V.Mohamed 2139:H. Mehaboob 2133:Laila Razak 2124:M. Shailaja 2084:V. M. Kutty 2053:V. M. Kutty 2041:A. T. Ummer 2033:K. Raghavan 2001:Marc Antony 1969:M.S Baburaj 1943:K. Raghavan 1869:Rifa'i Mala 1849:Ezhuthachan 1757:Kathu pattu 1752:"Gulf boom" 1683:Tirurangadi 1536:kathu pattu 1519:kathu pattu 1513:S.A. Jameel 1463:Adi Ahaduna 1404:Other poets 1225:Tirurangadi 1067:Veliyankode 1051:Kappappattu 1031:Kappappattu 1007:Safalamaala 1003:Kappappattu 971:(1628) and 969:Uswath Mala 872:Early works 523:South Asian 423:Azerbaijani 355:Chaand Raat 214:Turkmen rug 144:Calligraphy 61:Azerbaijani 5834:Categories 5700:Film Music 5447:Thayambaka 5214:News paper 5153:AP Sunni ( 5146:EK Sunni ( 4848:Duff Muttu 4741:Literature 4573:Sarpa Kavu 4400:Kanyarkali 4360:Aanayoottu 4313:Theyyannam 4278:Poorakkali 4258:Nayadikali 4183:Eruthukali 4178:Duff Muttu 4173:Chozhikali 4142:Thayambaka 3607:google.com 3589:google.com 3205:google.com 3078:WEBDUNIA. 2765:Pg 47-48, 2660:Pg 25-27, 2575:google.com 2509:References 2482:Duff Muttu 2399:D.C. Books 2385:D.C. Books 2350:Conclusion 2323:M. A. Baby 2228:K.Raghavan 2169:IP Sidique 2145:E.P.Shihab 2088:S. M. 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