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562:
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463:, which contains about 2.1 million words, ranks among the longest novels ever published. Her novels derive their length from endless conversations and, as far as incidents go, successive abductions of the heroines, conceived and told decorously. Contemporary readers also enjoyed these novels because they gave a glimpse into the life of important society figures. These figures were often disguised as Persian, Greek, and Roman warriors and maidens. In fact, Scudéry created the
33:
1021:
174:, Normandy, in northern France, she was without fortune, but she was exceedingly well-educated. Her father, captain of the port in Le Havre, died in 1613 with her mother following shortly after. Madeleine and her brother Georges de Scudéry were placed in the care of an uncle who cared for them very well. He gave Madeleine an abnormally well-rounded education: she studied writing, spelling, drawing, dancing, painting, and
1051:
578:
Madeleine survived her brother by more than thirty years, and in her later days published numerous volumes of conversations, to a great extent extracted from her novels, thus forming a kind of anthology of her work. Scudéry was deaf for the last 40 years of her life. She outlived her vogue to some
509:
covering "Conversation," "The Art of
Speaking," "Raillery," "Invention," and "The Manner of Writing Letters." This text offers the rhetoric of salon conversation and model scenarios where women take intellectual control of the conversation. Other works devoted to conversations, pertaining to the
473:(1642) addresses itself to women and defends education, rather than the beauty or cosmetic, as a means of social mobility for women. This text was a means to justify women's participation in rhetoric and literary culture. It uses women speakers as models for the speeches, including
125:
that it is suspected she had received instruction in Greek and Latin. In 1637, following the death of her uncle, Scudéry established herself in Paris with her brother, Georges de Scudéry, who became a playwright. Madeleine often used her older brother's name,
598:
Madeleine de Scudéry was part of a movement in the late
Renaissance in England and France where women used classical rhetorical theory for their own. She revised discourse to be modeled on conversation rather than public speaking, favoring that as a means of
558:), "Petits Soins" (Little Trinkets) and so forth. Scudéry was a skilled conversationalist; several volumes purporting to report her conversations upon various topics were published during her lifetime. She had a distinct vocation as a pedagogue.
510:
education of women include: "The Slave Queen" (1660), "Mathilda of
Aguilar, a Spanish Tale," (1667), and "The Versailles Promenade, or the Tale of Celanire" (1669). These covered the art of speaking,
565:
The Carte de Tendre was "conceived as a social game during the Winter of 1653–1654" by
Madeleine de Scudery, and a printed copy was "later incorporated into the first volume of her coded novel,
679:. The protagonist, a young woman named Madeleine Troqueville, becomes enamored of Mademoiselle de Scudéry, who snubs young Madeleine. It has been suggested that the novel is a
603:, the speaker in the salon built on the ideas of the speaker before them, opting for consensus rather than argument. She is one of the central figures associated with the "
696:
Oliver
Mallick, "Le héros de toutes les saisons": Herrscherlob und politische Reflexionen in Madeleine de Scudérys Roman "La Promenade de Versailles" (1669), in:
517:
Scudéry's novels are usually set in the classical world or "the Orient", but their language and action reflect fashionable ideas of the 17th century, and the
424:
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456:
1125:
637:
1036:
1041:
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417:
883:
Donawerth, Jane (Spring 1992). "Conversation and the
Boundaries of Public Discourse in Rhetorical Theory by Renaissance Women".
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554:
where the geography is all based around the theme of love: the river of
Inclination flows past the villages of "Billet Doux" (
1118:
341:
336:
410:
964:
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656:" (Mademoiselle de Scudery) is still widely read today, and is the origin of the "Cardillac syndrome" in psychology.
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to a theory of salon conversation and letter writing. Scudéry's
Conversations Sur Divers Sujets, included
514:, the manner of writing letters, and scenarios where women had control of the intellectual conversation.
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367:
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929:"The Modernist roman à clef and Cultural Secrets, or I Know That You Know That I Know That You Know"
178:. In addition, on her own, Madeleine studied agriculture, medicine, cooking, Spanish, and Italian.
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455:(8 vols., 1661–63) were the delight of Europe, commended by other literary figures such as
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to provide a forum for her thinly veiled fiction featuring political and public figures.
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675:. The novel is set in and around the literary circles of the 17th Century
270:
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of France and of the world. She formed a close romantic relationship with
814:. United States: The University of Chicago Press, Ltd., London. pp.
555:
1045:. Vol. 24 (11th ed.). Cambridge University Press. p. 487.
439:
959:. United States: Rowman & Littlefield Publishers, Inc. p. 82.
615:
Controversial in her own era, Mademoiselle de Scudéry was satirized by
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489:(1684), Madeleine de Scudéry adapted classical rhetorical theory from
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1073:. Vol. 20 (1st ed.). New York: Dodd, Mead. pp. 627–28.
885:
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Summaries of the stories and keys to the characters may be found in
1054: This article incorporates text from a publication now in the
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59:
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1026:
This article incorporates text from a publication now in the
150:). For the last half of the 17th century, under the pseudonym of
749:
Madeleine de Scudéry et son salon: d'après des documents inédits
525:, Herminius represents Paul Pellisson; Scaurus and Lyriane were
648:
wrote what is usually referred to as the first German-language
490:
162:
which was only ended by his death in 1693. She never married.
1094:
The Grand Cyrus, Clelia, and
Ibraheem the Illustrious Bassa
590:
was published at Paris by MM. Rathery and
Boutron in 1873.
121:
Her works also demonstrate such comprehensive knowledge of
487:
Conversations Nouvelles sur Divers Sujets, Dediees Au Roy
775:
Geschichte des französischen Romans im 17ten Jahrhundert
667:
Mademoiselle de Scudéry is also featured prominently in
130:, to publish her works. She was at once admitted to the
114:(15 November 1607 – 2 June 1701), often known simply as
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Selected letters, orations, and rhetorical dialogues
715:
Mademoiselle de Scudéry: Sa vie et sa correspondance
1099:
Project Continua: Biography of Madeleine de Scudéry
832:
583:, to whom she was always the "incomparable Sapho."
154:or her own name, she was acknowledged as the first
853:
763:Madeleine de Scudéry, Paul Pellisson et leur monde
521:with Mademoiselle de Scudéry's contemporaries. In
756:Madeleine de Scudéry: her romantic life and death
533:); and in the description of Sapho in vol. 10 of
1222:
671:, a novel published in 1919 by modernist writer
1059:
943:Mademoiselle de Scudéry and the Carte de Tendre
579:extent, but retained a circle of friends, like
1000:. Edinburgh: Edinburgh University Press, 2006.
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652:, featuring Scudéry as the central figure. "
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1063:; Peck, H. T.; Colby, F. M., eds. (1905).
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727:(sixth edition, two volumes, Paris, 1886)
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700:vol. 41, no. 4 (2014), p. 619–686.
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1085:Works by or about Madeleine de Scudéry
957:Rhetorical Theory by Women before 1900
698:Zeitschrift für historische Forschung,
687:portrayed as Mademoiselle de Scudéry.
610:
1107:
983:Madeleine: One of Love's Jansenists
725:La société française au XVII siècle
669:Madeleine: One of Love's Jansenists
607:" conversation and letter writing.
13:
142:of her own under the title of the
14:
1272:
1251:17th-century French women writers
1078:
1049:
1019:
777:(second edition, Oppeln, 1891).
644:The 19th century German writer
483:Conversations Sur Divers Sujets
138:, and afterwards established a
1070:New International Encyclopedia
1010:New International Encyclopedia
1003:
990:
973:
948:
935:
742:The Women of the French Salons
573:
544:, Scudéry invented the famous
1:
1261:17th-century French novelists
780:
690:
663:An older Madeleine de Scudéry
519:characters can be identified
453:Almahide, ou l'esclave reine
449:Ibrahim, ou l'illustre Bassa
437:Her lengthy novels, such as
165:
7:
537:the author paints herself.
440:Artamène, ou le Grand Cyrus
10:
1277:
710:volume IV (Paris, 1857–62)
1199:
1164:
1148:
593:
569:." (Reitinger 1999, 109).
529:and his wife (who became
99:
89:
81:
69:
42:
30:
23:
16:French writer (1607–1701)
1181:Das Fräulein von Scuderi
986:. Collins Sons & Co.
955:Donawerth, Jane (2002).
907:10.1525/rh.1998.16.2.181
899:10.1525/rh.1998.16.2.181
806:Donawerth, Jane (2004).
654:Das Fräulein von Scuderi
622:Les Précieuses ridicules
181:
118:, was a French writer.
1140:Mademoiselle de Scuderi
1065:"Scudéry, Madeleine de"
1042:Encyclopædia Britannica
980:Mirrlees, Hope (1919).
732:Le roman au XVII siècle
685:Natalie Clifford Barney
588:Life and Correspondence
116:Mademoiselle de Scudéry
1246:French women novelists
1037:Scudéry s.v. Madeleine
998:Reading Virginia Woolf
664:
570:
194:Francophone literature
1241:Writers from Le Havre
713:Rathery and Boutron,
662:
564:
447:(10 vols., 1654–61),
443:(10 vols., 1648–53),
350:Countries and regions
1256:French salon-holders
1156:Madeleine de Scudéry
747:Georges Mongrédien,
479:Les Femmes Illustres
471:Les Femmes Illustres
132:Hôtel de Rambouillet
112:Madeleine de Scudéry
37:Madeleine de Scudéry
25:Madeleine de Scudéry
754:Dorothy McDougall,
708:Causeries du lundi,
628:Les Femmes savantes
611:Cultural references
337:Short story writers
312:Writers by category
665:
571:
342:Children's writers
307:Chronological list
1218:
1217:
1173:The Deadly Dreams
1135:E. T. A. Hoffmann
730:André Le Breton,
633:Antoine Furetière
457:Madame de Sévigné
451:(4 vols., 1641),
435:
434:
144:Société du samedi
109:
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100:Literary movement
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771:Heinrich Körting
744:(New York, 1891)
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650:detective story
646:E.T.A. Hoffmann
638:Roman Bourgeois
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547:Carte de Tendre
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368:Franco-American
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123:ancient history
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486:
485:(1680), and
482:
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469:
465:roman à clef
460:
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448:
444:
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378:Postcolonial
245:Contemporary
240:20th century
169:
156:bluestocking
151:
147:
143:
120:
115:
111:
110:
94:Roman à clef
75:(1701-06-02)
18:
1236:1701 deaths
1231:1607 births
625:(1659) and
581:Marie Dupré
574:Later years
556:love letter
327:Playwrights
220:Renaissance
201:by category
134:coterie of
73:2 June 1701
1225:Categories
1149:Characters
941:JS Munor,
781:References
691:Literature
677:Précieuses
501:, and the
495:Quintilian
399:Literature
266:Classicism
261:Précieuses
176:needlework
136:préciosité
104:Précieuses
49:1607-11-15
1208:Cardillac
1189:Cardillac
915:144427935
886:Rhetorica
512:invention
507:dialogues
499:Aristotle
475:Cleopatra
322:Novelists
317:Essayists
286:Symbolism
253:Movements
166:Biography
738:AG Mason
641:(1666).
601:rhetoric
503:sophists
481:(1642),
461:Artamène
276:Decadent
215:Medieval
172:Le Havre
170:Born at
82:Language
60:Normandy
56:Le Havre
1211:(opera)
1087:at the
1058::
1030::
931:. 2009.
635:in his
617:Molière
552:Arcadia
386:Portals
299:Writers
207:History
1192:(1969)
1184:(1955)
1176:(1951)
1143:(1819)
1024:
963:
913:
905:
822:
765:, 1976
758:, 1972
751:, 1946
594:Legacy
567:Clelie
542:Clélie
523:Clélie
491:Cicero
445:Clélie
394:France
363:Quebec
358:France
271:Rococo
190:French
128:George
85:French
64:France
1200:Other
1165:Films
911:S2CID
903:JSTOR
683:with
605:salon
373:Haiti
332:Poets
182:Works
152:Sapho
140:salon
90:Genre
961:ISBN
945:1986
820:ISBN
586:Her
235:19th
230:18th
225:17th
192:and
70:Died
43:Born
1137:'s
1039:".
895:doi
540:In
1227::
1067:.
909:.
901:.
891:16
889:.
855:^
834:^
818:.
788:^
773:,
740:,
723:,
706:,
497:,
493:,
459:.
62:,
58:,
1127:e
1120:t
1113:v
969:.
917:.
897::
850:.
828:.
816:3
426:e
419:t
412:v
146:(
51:)
47:(
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