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536:, when the band effectively split into two camps: Dennis and Carl on one side, Mike and Jardine on the other, with Brian remaining neutral. By then, the two opposing contingents within the group – known among their associates as the "free-livers" and the "meditators" – were traveling in different planes, using different hotels, and rarely speaking to each other.
732:(2013), respectively. Still-unreleased tracks include "Beach Burlesque", "Go and Get That Girl", "How's About a Little Bit of Your Sweet Lovin'?", "Mike, Come Back to L.A", "Basketball Rock", "Bowling", "I Really Love You", "It Could Be Anything", "Rubles", "Ride Arabian, Ride", "TM Siddhi Program", a demo of "
587:. Mike chose this venue to keep members of the band away from their drug suppliers in Los Angeles. At MIU, the group and their family members took residence in the university's circular dorm rooms, and attended meditation classes and meetings. The recording sessions lasted from November 7 to December 4, 1977.
1105:
How tragic that Brian is saddled with other people's imagination, that he should be reduced to the role of a hack, setting his impassioned melodies and arrangements to laughably juvenile lyrics....those songs of which Brian has sole charge exemplify his dilemma: he is obviously encouraged to deliver
1100:
found the album to be "magic" and added that she "played it non-stop, even if it seemed a baffling sconed adolescence" before concluding, "If there weren't some weirdo psychological reason, how could I get so involved with lyrics that one part of mind is consciously stating: this is moronic drivel?"
1086:
seems contrived and artificial right from the start. The tracks strive to recapture the dreamy, adolescent innocence of the Beach Boys' earliest hits, and fail not so much because the concepts are dated but because the group can't infuse the new material with the same sense of grandeur that made the
1165:
in a 1992 interview, Mike Love opined that "there's some neat gems there but there wasn't a coherence." Asked about the album in a 1979 interview, Dennis Wilson said, "I hope that karma will fuck up Mike Love's meditation forever. That album is an embarrassment to my life. It should self-destruct."
633:
described the overall proceedings as "torture. Agony. Like being put right in the middle of nowhere, frozen and cold and small, with only one decent restaurant in town. Brian was putting in his time, but he wasn't too happy. He was depressed and on medication. We passed the time playing Ping-Pong."
532:
promoters, with losses of $ 200,000 in preliminary expenses and $ 550,000 in potential revenue. In August, Mike and
Jardine persuaded Stephen to return as the group's manager, a decision that Carl and Dennis had strongly opposed. On September 1, the internal wrangling came to a head after a show at
546:
journalist that he had left the band. In a follow-up interview, Love denied that the group had broken up, but Dennis maintained, "I can assure you that the group broke up and you witnessed it." However, the group were still legally obligated to deliver one more album to Warner. Two weeks later, on
531:
Stephen's replacement was entertainment business owner Henry
Lazarus, who arranged a major European tour for the Beach Boys starting in June. The tour was cancelled prematurely, as Lazarus had failed to complete the necessary paperwork. This resulted in the group being sued by many of the concert
539:
On
September 2, Mike, Jardine, and Brian met with Stephen at their hotel in New York and signed the documents necessary to officially appoint him as the Beach Boys' manager. The next day, after completing the final date of a northeastern tour, a confrontation between the "free-livers" and the
1876:
Love later wrote, "By the winter of '77, we had grown increasingly concerned about Carl and believed that a healthier environment might pull him out of his spiral. We thought it'd be good for Dennis as well. If nothing else, we figured there were fewer temptations in the middle of
39:
547:
September 17, the band members, their lawyers, and their wives reconvened at Brian's house, where they negotiated a settlement resulting in Mike gaining control of Brian's vote in the group, allowing Mike and
Jardine to outvote Carl and Dennis on any matter.
1844:
Gaines writes, "Insiders say this change in Mike's attitude occurred when he realized that the CBS contract did not have the special riders he wanted that would have allowed him to record solo albums under their label. Meanwhile, Dennis, through his friend
1106:
the adolescent pap of "Hey Little Tomboy", so that the dark emotions and warm textures of "Diane" are thrown into even higher relief. Should you choose to ignore the rest of the album, at least hear "Diane" and be assured that the spark still glows.
642:, the credit was likely for contractual reasons. Carlin characterizes the record as having "a generic easy-listening sound, heavy on the tinkly keyboards and sweeping strings, with nary a trace of Brian's ear for quirky texture." It included the
520:. Within weeks of the CBS contract, Stephen was effectively fired by the band, with one of the alleged reasons being that Mike had not permitted Stephen to sign on his behalf while in Switzerland. Mike and Jardine also vetoed the release of
505:
Concurrently, the band were the subject of a record company bidding war, as their contract with Warner had been set to expire soon. Band manager and business advisor
Stephen Love arranged for the Beach Boys to sign an $ 8 million deal with
1087:
old songs such archetypal triumphs. Throughout, the lackluster playing and singing has a melancholy edge, almost as if the Beach Boys are fully aware that they've outgrown this kind of teen fantasy, but can't think of anyplace else to go.
637:
In a 1995 interview, Brian stated that he could not remember making the album, claiming that he had gone through a "mental blank-out" during this period. He was credited as the album's "executive producer", but according to biographer
634:
Stan added that Wilson did not want to produce his bandmates because he resented them personally. In particular, "Brian didn't want to write with anymore, but of course Mike tried to hang on, doing his arrogant pressure trip on him."
629:, "only worse." According to Love, Carl and Dennis "took the whole experience as a personal affront, and they came and went with little interest in the music. Brian was with us but miserable throughout." Brian's bodyguard
1516:– lead (2, 4, 5, 9, 12) and backing vocals (all but 3), electric (4, 9) and acoustic guitars (2, 8), tack piano (2), bass guitar (2, 3?, 10?), handclaps (1, 2, 5), fingersnaps (2), glockenspiel (2), vocal arrangements
1110:
In his 2006 biography of Wilson, Carlin referred to it as "the most cynical, spiritually void work the group ever produced", a "gruesome album", and perhaps "one of the worst records ever made by a great rock band."
392:
At the beginning of 1977, the Beach Boys had enjoyed their most lucrative concert tours ever, with the band playing in packed stadiums and earning up to $ 150,000 per show. Early that year, Brian Wilson produced
659:
was the other album that the band produced at these sessions, consisting of reworkings of tracks that had dated from the early to mid-1970s, as well as alternate
Christmas-themed versions of songs from
468:
1594:– drums (1, 3, 4, 6–9, 11, 12), congas (1, 11), bongos (1), sleigh bells (1, 3, 4, 6, 9), tambourine (7, 10), shaker (3, 11), guiro (3, 11), wood block (12), tubular bells (8), mark-tree (9, 11)
3721:
1153:
is competent enough, but it's also the sound of a group buying into its own mythology, a retrograde salute to the pinstripes and sunshine image it had abandoned years before."
299:
during one of the most acrimonious periods in the band's history. It sold poorly, peaking at number 151 in the U.S, and was met with confused reactions from critics and fans.
684:
or the longest time, it was accepted that the band recorded the seasonal set first and when that was (rightly) rejected, they reworked some of the tracks into another album,
466:
3787:
4220:
362:
continues to be widely regarded as one of the worst Beach Boys albums. In 1981, "Come Go with Me" reached number 18 when it was issued as a single from the compilation
4319:
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961:
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467:
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514:
writes that Warner "knew of the CBS deal" and were "so disgusted with the band at this point" that the label refused to promote the group's forthcoming album,
4012:
4206:
4086:
646:
outtake "My Diane", sung by Dennis, and written by Brian as an expression of anguish following the end of his affair with his sister-in-law, Diane Rovell.
4106:
3874:
579:
To satisfy the terms of their contracts with Warner and CBS, the Beach Boys intended to record two albums – one for Warner and the other for CBS – at
3679:
1066:
was met with confusion from critics and fans, and continues to be widely regarded as one of the Beach Boys' worst albums. According to music critic
4412:
692:), but research into the sessions held at MIU reveals that songs from both albums were recorded in tandem, often at the same session, and that the
4417:
3644:
722:
3898:
3547:
3714:
3431:
1528:– lead (1, 3, 6, 11) and backing vocals (all tracks), piano (1, 6–8, 10, 11), tack piano (3), electric piano (9), electric harpsichord (5),
774:], as the first delivery under their new deal. That they were turned down, on grounds of quality, is a tribute to Epic's discretion."
4091:
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called the album "dumb despite a lot of fairly pleasant music and a few passable songs". Reviewing the album's 2002 reissue,
781:
was released in
September and reached number 151 in the U.S, becoming their first album to miss the UK chart completely since
4249:
4116:
3890:
3630:
3616:
3533:
3096:
3070:
3007:
2984:
2958:
2698:
1538:– lead (3, 7) and backing vocals (2, 3, 5, 9, 10), 12-string electric guitar (1, 6, 9), electric guitar (3), handclaps (1, 5)
20:
720:
from
February 22 to June 28, 1978. The outtakes "Our Team" and "Egypt" (also known as "Why?") were released on the box sets
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3742:
3735:
3561:
2603:
4126:
3800:
655:
370:
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3150:
1101:
Richard
Williams, who had championed the Beach Boys' work in the 1960s, wrote a negative review which stated, in part,
783:
580:
564:
313:
89:
1858:
Part of the CBS deal required the group to play a certain number of concerts in the U.S., Europe, Australia and Japan.
540:"meditators" broke out on an airport tarmac during a stopover in Newark. Dennis subsequently declared to a bystanding
3368:
2898:
2760:
2729:
2689:
1701:
Bernard
Kundell, Alfred Breuning, Thomas Buffum, Herman Clebanoff, Cynthia Kovacs, Jay Rosen – violins (6, 8, 10, 12)
973:
4309:
4026:
3922:
3882:
3866:
3508:
3417:
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also included several of the worst Beach Boys songs ever to make it to vinyl. Compared with what had come before,
588:
336:'s contributions confined to a pair of tracks. Brian was credited as "executive producer". It includes the songs "
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3403:
3122:
3033:
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3132:
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1739:
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1549:
1115:'s John Bush stated, "The mainstream late-'70s production techniques are predictable and frequently cloying.
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757:
4050:
3774:
3728:
3596:
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3216:
591:
documentation indicates that Carl visited on two days, while Dennis, who was busy promoting his solo album
24:
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3858:
3473:
4256:
4096:
3658:
3196:
3185:
2822:
1123:
was a pathetic attempt at music making; compared with what was to come however, this was a highlight."
459:
4226:
3756:
3554:
3540:
3319:
424:
1504:
Credits sourced from Craig Slowinski, John Brode, Will Crerar, Joshilyn Hoisington and David Beard.
1130:, who wrote liner notes for the album's CD reissue, decreed that the album "stands on it's [
4288:
4070:
3830:
3501:
1677:
712:– specifically, for the tracks "My Diane", "Belles of Paris", and "Winds of Change" – continued at
1576:– electric piano (4), organ (1, 6, 7, 11), Minimoog (3, 6), tubular bells (1), string arrangements
4361:
3651:
3568:
3452:
3347:
3209:
3137:
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748:
516:
188:
3113:
The Nearest Faraway Place: Brian Wilson, the Beach Boys, and the Southern Californian Experience
4235:
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3823:
3480:
3106:
1070:, the album was so "dreadful" that its "pitiful content" was ignored by critics. Upon release,
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3059:
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1846:
1174:
Track details per 2000 CD liner notes and the Winter 2023 issue of Endless Summer Quarterly.
440:
623:. Gaines writes that the atmosphere was similar to when the group recorded their 1973 album
4397:
3575:
3424:
2949:
The Beach Boys: The Definitive Diary of America's Greatest Band, on Stage and in the Studio
1579:
Ed Carter – electric (1, 6, 7, 11) and acoustic guitars (8), bass guitar (3?, 4, 8, 9, 10?)
797:
404:
364:
8:
3998:
3806:
3582:
2926:
Slowinski, Craig (Winter 2023). Beard, David (ed.). "The Beach Boys M.I.U. Album Vol 1".
2909:
2878:
2721:
2715:
2656:
1207:
432:
3111:
3085:
2996:
2973:
696:
album was assembled at the end of 1977 back in Los Angeles. Confusing, to say the least.
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619:
The album was produced by Al Jardine and, from the group's touring band, keyboardist
475:
337:
245:
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4299:
2642:
2617:
1137:
795:" became a U.S. No. 18 hit in late 1981, when it was released as a single from the
704:
PSA – at Kaye-Smiths Studios in Seattle that was filmed for the television special
777:
Lead single "Peggy Sue" was issued in the U.S. in August and peaked at number 59.
700:
On December 13, 1977, the band held a session – for the vocal to "My Diane" and a
344:, and "My Diane", written about Brian's affair with his sister-in-law, as well as
4294:
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were preoccupied elsewhere. In Love's case, he had been ensconced at a six-month
400:
353:
317:
303:
258:
152:
145:
141:
98:
93:
4337:
4065:
3280:
3232:
3043:
Goldman, Vivien (September 23, 1978). "Beach Boys 'Miu' (Weak MSK 2268) ****".
2791:
1774:
1653:
1620:
1091:
288:
284:
224:
175:
51:
3190:
3179:
2520:
1544:– lead (10) and backing vocals (3, 10), drums (3, 5, 10), additional drums (1)
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1072:
733:
701:
542:
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408:
345:
333:
2975:
Catch a Wave: The Rise, Fall, and Redemption of the Beach Boys' Brian Wilson
4343:
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3389:
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1322:
1213:
765:
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533:
436:
325:
136:
1522:– lead (1–4, 6, 8, 9, 12) and backing vocals (all but 3), handclaps (1, 5)
4169:
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3285:
3258:
1849:, was getting a $ 100,000 advance from CBS to record his own solo album."
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1867:
According to Love, "he terms 'smokers' and 'nonsmokers' were also used."
1557:
Michael Andreas – saxophone (1, 6, 11), flute (1, 12), horn arrangements
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1513:
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2751:(4th ed.). New York, NY: Fireside/Simon & Schuster. p.
1519:
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1308:
1217:
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612:
420:
368:. In 1998, several songs that were intended for the unreleased album
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1529:
1112:
886:
428:
110:
1707:
Marie Fera, Igor Horoshevsky, Victor Sazer – cellos (6, 8, 10, 12)
3201:
3173:
19:"Pitter Patter" redirects here. For the Lynsey de Paul song, see
1704:
Rollice Dale, Mark Kovacs, Linda Lipsett – violas (6, 8, 10, 12)
1567:(1), vibraphone (3, 4, 10, 11), xylophone (4), trombone (1, 12)
2998:
Fifty Sides of the Beach Boys: The Songs That Tell Their Story
2693:(4th ed.). London: Oxford University Press. p. 479.
2102:
607:(pictured 1977) was reported to be "miserable" throughout the
1563:– piano (12), electric piano (1, 4, 6–9, 11), accordion (6),
46:
1835:
Mike's stay at the program lasted from January to June 1977.
752:
The Beach Boys performing a concert in Michigan, August 1978
302:
The album was created to fulfill contractual obligations to
2418:
597:, played drums on an early session for "She's Got Rhythm".
38:
2874:"Good Vibrations? The Beach Boys' Mike Love gets his turn"
2543:
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2835:
2406:
2379:
2229:
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524:
due to its bizarre content and the commercial failure of
2930:. Vol. 37, no. 144. Charlotte, North Carolina.
2558:
2556:
2398:
Benci, Jacopo (January 1995). "Brian Wilson interview".
2330:
2328:
2326:
2324:
2299:
2297:
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2282:
2280:
2183:
2181:
2179:
2177:
2068:
2066:
2053:
2051:
2049:
1943:
1931:
1754:
Jeff Peters – recording engineer, final mixdown producer
312:. It was largely recorded in late 1977 at its namesake:
287:, released on September 25, 1978. Characterized for its
2538:
2367:
2355:
2001:
1999:
1962:
1960:
1958:
3907:
Beautiful Dreamer: Brian Wilson and the Story of Smile
2745:
Brackett, Nathan; with Hoard, Christian, eds. (2004).
2652:
Christgau's Record Guide: Rock Albums of the Seventies
2585:
2583:
2345:
2343:
1984:
1914:
4013:
Heroes and Villains: The True Story of the Beach Boys
3024:
Heroes and Villains: The True Story of The Beach Boys
2568:
2553:
2430:
2321:
2309:
2292:
2277:
2174:
2162:
2138:
2114:
2063:
2046:
4207:
The Beach Boys with the Royal Philharmonic Orchestra
2442:
2193:
1996:
1955:
2720:. Farmington Hills, MI: Visible Ink Press. p.
2580:
2340:
2217:
283:is the 22nd studio album by the American rock band
3136:
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3058:
3021:
2995:
2972:
2946:
2897:
2802:
2744:
1972:
1532:(3), handclaps (1, 5), vocal and horn arrangements
2856:"The Beach Boys: M.I.U. Album/L.A. (Light Album)"
4374:
3875:Brian Wilson: I Just Wasn't Made for These Times
2921:
2919:
2459:
2457:
1897:
1895:
1893:
1715:Recording engineering personnel & assistants
3645:Good Vibrations: Thirty Years of The Beach Boys
1665:Michael Sherry – handclaps (2), fingersnaps (2)
482:, was the only song salvaged from the scrapped
328:appear consistently throughout the album, with
2713:
2246:
2244:
1136:] own as a lovely, unique work." In 1981,
399:, which would have been their final record on
3217:
2916:
2714:Graff, Gary; Durchholz, Daniel, eds. (1999).
2454:
1890:
611:sessions and had resented collaborating with
2637:
2635:
2514:
2512:
1582:John Foss – trumpet (1, 12), flugelhorn (12)
1031:
979:
929:
891:
835:
3899:Good Timin': Live at Knebworth England 1980
3548:Good Timin': Live at Knebworth England 1980
2241:
1588:– backing vocals (10), electric guitar (10)
760:reported, "Love and Jardine tried to offer
680:. According to music historian Andrew Doe,
378:sessions, were released on the compilation
3950:Summer Dreams: The Story of the Beach Boys
3715:Beach Boys' Party! Uncovered and Unplugged
3224:
3210:
2847:
2717:MusicHound Rock: The Essential Album Guide
1698:Roberleigh Barnhardt – string arrangements
37:
2925:
2776:
2774:
2772:
2641:
2632:
2509:
1710:Unknown – saxophones (2), strings (7, 11)
1617:Chris Midaugh – steel pedal guitar (4, 9)
3145:(1st ed.). London: Helter Skelter.
3131:
3079:
2892:
2780:
2547:
2424:
2373:
2361:
2022:
2020:
2018:
2016:
2014:
1925:
747:
599:
559:
4413:Albums recorded at Wally Heider Studios
4006:Good Vibrations: My Life as a Beach Boy
3061:Good Vibrations: My Life as a Beach Boy
3042:
2589:
2466:"Unreleased: The Ones That Got Away..."
2250:
550:
407:It was largely recorded by Brian with
4418:Albums with cover art by Dean Torrence
4375:
3985:The Beach Boys and the California Myth
3016:
2993:
2967:
2944:
2853:
2841:
2820:
2814:
2808:
2769:
2686:
2574:
2562:
2483:
2436:
2412:
2385:
2334:
2315:
2303:
2286:
2253:"The Beach Boys – No More Fun Fun Fun"
2235:
2211:
2187:
2168:
2156:
2144:
2132:
2120:
2108:
2096:
2084:
2072:
2057:
2005:
1966:
1949:
1937:
650:Discarded tracks and further recording
3891:Endless Harmony: The Beach Boys Story
3205:
3105:
2899:"Dennis Wilson Loves Christine McVie"
2448:
2397:
2199:
2011:
1486:
1466:
1449:
1430:
1413:
1396:
1379:
1334:
1303:
1283:
1259:
1233:
1202:
872:
814:
804:
4320:1968 tour with Maharishi Mahesh Yogi
3743:I Can Hear Music: The 20/20 Sessions
3736:Wake the World: The Friends Sessions
3053:
2601:
2349:
2223:
1990:
1978:
1787:Guy Webster – back cover photography
1751:Stephen Moffitt – recording engineer
3801:Merry Christmas from the Beach Boys
1606:Rusty Ford – bass guitar (1, 7, 11)
736:", and other tracks related to the
656:Merry Christmas from the Beach Boys
371:Merry Christmas from the Beach Boys
13:
3992:Becoming the Beach Boys, 1961–1963
3432:Carl and the Passions – "So Tough"
3231:
2265:from the original on June 24, 2015
2251:Swenson, John (October 20, 1977).
1656:– sleigh bells (5), vibraphone (5)
868:Retrospective professional ratings
581:Maharishi International University
565:Maharishi International University
448:
314:Maharishi International University
90:Maharishi International University
73:October 1976 ("Hey Little Tomboy")
14:
4429:
4034:Wouldn't It Be Nice: My Own Story
3369:Summer Days (And Summer Nights!!)
3161:
3087:Dennis Wilson: The Real Beach Boy
2928:Endless Summer Quarterly Magazine
2821:Carson, Tom (November 16, 1978).
2748:The New Rolling Stone Album Guide
2690:The Encyclopedia of Popular Music
1626:Diane Rovell – backing vocals (6)
1033:
981:
974:The Encyclopedia of Popular Music
931:
893:
837:
810:Contemporary professional ratings
787:(1964). The Jardine-led cover of
291:sound, the album was produced by
4357:
4356:
4087:Bootlegs and unreleased material
4027:Inside the Music of Brian Wilson
3923:Brian Wilson: Long Promised Road
3562:Live – The 50th Anniversary Tour
2606:M.I.U. Album/L.A. (Light Album)
1901:
1736:Diane Rovell – music coordinator
1689:William Collette – saxophone (6)
1662:– handclaps (2), fingersnaps (2)
1169:
1052:
1047:
1042:
1037:
1032:
1000:
995:
990:
985:
980:
950:
945:
940:
935:
930:
912:
907:
902:
897:
892:
856:
851:
846:
841:
836:
555:
496:Problems playing this file? See
464:
431:program", in Vittel, France and
374:, which was produced during the
340:", the only track salvaged from
4134:Songs covered by the Beach Boys
3355:The Beach Boys' Christmas Album
2937:
2886:
2866:
2738:
2707:
2680:
2595:
2518:
2489:
2463:
2391:
2026:
1870:
1861:
1852:
1838:
1829:
784:The Beach Boys' Christmas Album
2854:Phipps, Keith (Mar 29, 2002).
2602:Wolk, Douglas (October 2004).
1674:Vincent Fanuele – trombone (6)
1361:
1184:
1:
4408:Albums produced by Al Jardine
3509:That's Why God Made the Radio
3141:. In Abbott, Kingsley (ed.).
1884:
1757:Bob Rose – recording engineer
1668:Richard Hurwitz – trumpet (6)
1603:Charlie McCarthy – flute (12)
1026:The Rolling Stone Album Guide
676:were both working titles for
615:on most of the album's songs.
387:
4051:Beach Boys Historic Landmark
3597:The Beach Boys On Tour: 1968
3065:. Penguin Publishing Group.
1695:Maureen Love – harp (10, 12)
1499:
708:. Intermittent sessions for
306:after the group had shelved
16:1978 album by the Beach Boys
7:
4214:Brian Wilson Presents Smile
3028:. New York: Da Capo Press.
2687:Larkin, Colin, ed. (2006).
2471:. Endless Harmony Quarterly
1671:Raymond Brown – trumpet (6)
1570:Lance Buller – trumpet (12)
10:
4434:
4257:A Postcard from California
3708:Keep an Eye on Summer 1964
3638:Lost & Found (1961–62)
3555:Songs from Here & Back
1692:Bill Green – saxophone (6)
1338:"Wontcha Come Out Tonight"
743:
264:Released: November 2, 1981
101:, Santa Monica, California
23:. For the video game, see
18:
4352:
4280:
4198:
4142:
4079:
4043:
3976:
3941:
3840:
3815:
3766:
3606:
3541:The Beach Boys in Concert
3518:
3304:
3239:
1791:
1784:– front cover photography
1686:– baritone saxophones (5)
1453:"Match Point of Our Love"
1383:"Sweet Sunday Kinda Love"
1374:
1371:
1368:
1365:
1360:
1197:
1194:
1191:
1188:
1183:
1156:
880:
877:
822:
819:
425:Transcendental Meditation
272:
251:Released: August 28, 1978
234:
223:
219:
182:
174:
151:
135:
119:
83:
76:November 1977 – June 1978
66:
58:
45:
36:
31:
25:JoJo's Pitter Patter Pop!
4289:Brian Wilson is a genius
4071:United Western Recorders
3831:Mount Vernon and Fairway
3729:1967 – Sunshine Tomorrow
3502:Stars and Stripes Vol. 1
3474:Keepin' the Summer Alive
2647:"Consumer Guide '70s: B"
2524:Endless Summer Quarterly
2111:, pp. 295–296, 298.
1822:
1777:– album design, graphics
1771:– album design, graphics
1420:B. Wilson, Love, Jardine
1403:B. Wilson, Love, Altbach
1149:s Keith Phipps stated, "
962:Christgau's Record Guide
4315:1967 Summer Spectacular
3788:Charles Manson sessions
3722:Becoming the Beach Boys
3652:The Pet Sounds Sessions
3569:Live in Sacramento 1964
3453:The Beach Boys Love You
2787:M.I.U./L.A. Light Album
517:The Beach Boys Love You
510:on March 1. Biographer
189:The Beach Boys Love You
107:, Hollywood, California
4403:Brother Records albums
4393:Reprise Records albums
4388:Capitol Records albums
4325:1975 tour with Chicago
4236:Looking Back with Love
3824:Four by the Beach Boys
2945:Badman, Keith (2004).
1727:Ron Altbach – producer
1680:– tenor saxophones (5)
1632:– electric guitars (5)
1108:
1089:
753:
718:Wally Heider Recording
698:
616:
576:
453:
4383:The Beach Boys albums
4330:The 50th Reunion Tour
4165:James William Guercio
3757:Sail On Sailor – 1972
3362:The Beach Boys Today!
2994:Dillon, Mark (2012).
2882:. September 18, 1992.
1103:
1081:
1079:s Tom Carson stated,
751:
682:
603:
563:
452:
441:Maharishi Mahesh Yogi
427:retreat, called "the
113:, Seattle, Washington
3590:1967 – Live Sunshine
3576:Live in Chicago 1965
2657:Ticknor & Fields
2521:"From The Vaults..."
1748:– recording engineer
1742:– recording engineer
1733:– executive producer
1623:– backing vocals (6)
1273:B. Wilson, Love and
798:Ten Years of Harmony
688:(which evolved into
551:Style and production
478:", which appears on
365:Ten Years of Harmony
3807:Andy Paley sessions
3583:Graduation Day 1966
2844:, pp. 224–225.
2427:, pp. 174–175.
2415:, pp. 368–369.
2402:. No. 185. UK.
2388:, pp. 223–224.
2238:, pp. 302–303.
2214:, pp. 218–219.
2159:, pp. 299–300.
2135:, pp. 222–223.
2099:, pp. 294–295.
2087:, pp. 216–217.
1993:, pp. 423–424.
1952:, pp. 368–371.
1940:, pp. 217–218.
1813:Top LPs & Tape
1357:
1180:
869:
811:
528:, issued in April.
460:"Hey Little Tomboy"
435:, where he studied
433:Leysin, Switzerland
348:of the 1950s hits "
295:and touring member
4243:Pacific Ocean Blue
3958:An American Family
3694:Made in California
3687:The Smile Sessions
3666:Ultimate Christmas
3527:Beach Boys Concert
3495:Summer in Paradise
3467:L.A. (Light Album)
3376:Beach Boys' Party!
3341:Shut Down Volume 2
3334:Little Deuce Coupe
3192:Why (Instrumental)
3176:(list of releases)
2969:Carlin, Peter Ames
2953:. Backbeat Books.
2896:(March 24, 1979).
1612:Additional players
1355:
1344:B. Wilson and Love
1226:B. Wilson and Love
1178:
867:
809:
805:Critical reception
754:
729:Made in California
694:California Feeling
686:California Feeling
674:California Feeling
617:
594:Pacific Ocean Blue
577:
454:
403:, a subsidiary of
381:Ultimate Christmas
207:L.A. (Light Album)
111:Kaye-Smith Studios
62:September 25, 1978
4370:
4369:
4310:Live performances
4056:Beach Boys Studio
4020:I Am Brian Wilson
3701:The Big Beat 1963
3143:Back to the Beach
3133:Williams, Richard
3098:978-1-55022-404-7
3072:978-0-698-40886-9
3009:978-1-77090-198-8
2986:978-1-59486-320-2
2960:978-0-87930-818-6
2894:Williams, Richard
2700:978-0-19-531373-4
2643:Christgau, Robert
1820:
1819:
1644:– bass guitar (5)
1550:Touring musicians
1496:
1495:
1470:"Winds of Change"
1400:"Belles of Paris"
1351:
1350:
1265:Hey Little Tomboy
1061:
1060:
865:
864:
756:Music journalist
640:Peter Ames Carlin
476:Hey Little Tomboy
469:
338:Hey Little Tomboy
276:
275:
246:Hey Little Tomboy
215:
214:
21:Storm in a Teacup
4425:
4360:
4359:
4305:California sound
4300:California Music
3966:Love & Mercy
3883:Nashville Sounds
3867:An American Band
3680:Sounds of Summer
3226:
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3212:
3203:
3202:
3193:
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3013:
3001:
2990:
2978:
2964:
2952:
2932:
2931:
2923:
2914:
2913:
2910:Rock's Backpages
2901:
2890:
2884:
2883:
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2864:
2863:
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2678:
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2675:
2673:
2639:
2630:
2629:
2627:
2625:
2620:on June 30, 2006
2616:. Archived from
2604:"The Beach Boys
2599:
2593:
2587:
2578:
2572:
2566:
2560:
2551:
2545:
2536:
2535:
2533:
2531:
2526:. Bellagio 10452
2516:
2507:
2506:
2504:
2502:
2487:
2481:
2480:
2478:
2476:
2461:
2452:
2446:
2440:
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2428:
2422:
2416:
2410:
2404:
2403:
2400:Record Collector
2395:
2389:
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2009:
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1982:
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1970:
1964:
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1859:
1856:
1850:
1842:
1836:
1833:
1796:
1795:
1769:Dean O. Torrence
1489:
1479:Jardine and Love
1423:Love and Jardine
1363:
1358:
1354:
1296:Love and Jardine
1208:She's Got Rhythm
1186:
1181:
1177:
1148:
1138:Robert Christgau
1078:
1057:
1056:
1055:
1051:
1050:
1046:
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849:
845:
844:
840:
839:
812:
808:
758:Richard Williams
571:, where most of
471:
470:
451:
320:. Only Jardine,
265:
262:
252:
249:
184:
183:
131:
130:
126:
41:
29:
28:
4433:
4432:
4428:
4427:
4426:
4424:
4423:
4422:
4373:
4372:
4371:
4366:
4348:
4295:Brother Records
4276:
4250:Pet Sounds Live
4228:Good Vibrations
4194:
4175:Jerry Schilling
4160:Jeffrey Foskett
4138:
4102:Song recordings
4075:
4061:Brother Studios
4039:
3972:
3937:
3851:
3847:
3836:
3811:
3782:Lei'd in Hawaii
3762:
3659:Endless Harmony
3608:
3602:
3514:
3348:All Summer Long
3300:
3291:Blondie Chaplin
3235:
3230:
3191:
3180:
3164:
3159:
3153:
3138:"M.I.U. Review"
3125:
3099:
3073:
3036:
3010:
2987:
2961:
2940:
2935:
2924:
2917:
2891:
2887:
2872:
2871:
2867:
2852:
2848:
2840:
2836:
2819:
2815:
2807:
2803:
2796:Capitol Records
2779:
2770:
2763:
2743:
2739:
2732:
2712:
2708:
2701:
2685:
2681:
2671:
2669:
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2600:
2596:
2588:
2581:
2573:
2569:
2561:
2554:
2546:
2539:
2529:
2527:
2519:Doe, Andrew G.
2517:
2510:
2500:
2498:
2490:Doe, Andrew G.
2488:
2484:
2474:
2472:
2464:Doe, Andrew G.
2462:
2455:
2447:
2443:
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2431:
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2047:
2037:
2035:
2027:Doe, Andrew G.
2025:
2012:
2004:
1997:
1989:
1985:
1977:
1973:
1965:
1956:
1948:
1944:
1936:
1932:
1924:
1915:
1900:
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1882:
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1871:
1866:
1862:
1857:
1853:
1843:
1839:
1834:
1830:
1825:
1803:
1794:
1782:Surfer Magazine
1780:Warren Bolster/
1760:
1638:– accordion (5)
1609:
1502:
1497:
1487:
1456:B. Wilson, Love
1417:"Pitter Patter"
1386:B. Wilson, Love
1352:
1341:B. Wilson, Love
1239:Come Go with Me
1172:
1159:
1146:
1076:
1053:
1048:
1043:
1038:
1012:MusicHound Rock
1001:
996:
991:
986:
951:
946:
941:
936:
913:
908:
903:
898:
857:
852:
847:
842:
807:
793:Come Go with Me
789:the Del-Vikings
746:
738:Merry Christmas
723:Good Vibrations
714:Brother Studios
670:Winds of Change
652:
585:Fairfield, Iowa
569:Fairfield, Iowa
558:
553:
503:
502:
494:
492:
491:
490:
489:
472:
465:
462:
455:
449:
390:
354:Come Go with Me
318:Fairfield, Iowa
304:Reprise Records
268:
263:
259:Come Go with Me
256:
255:
250:
239:
238:
210:
201:
192:
170:
128:
124:
123:
99:Brother Studios
94:Fairfield, Iowa
79:
54:
27:
17:
12:
11:
5:
4431:
4421:
4420:
4415:
4410:
4405:
4400:
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4390:
4385:
4368:
4367:
4365:
4364:
4353:
4350:
4349:
4347:
4346:
4341:
4338:Love v. Wilson
4334:
4333:
4332:
4327:
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4317:
4307:
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4284:
4282:
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4137:
4136:
4131:
4130:
4129:
4124:
4119:
4114:
4109:
4099:
4094:
4092:Cover versions
4089:
4083:
4081:
4077:
4076:
4074:
4073:
4068:
4066:Radiant Radish
4063:
4058:
4053:
4047:
4045:
4041:
4040:
4038:
4037:
4030:
4023:
4016:
4009:
4002:
3995:
3988:
3980:
3978:
3974:
3973:
3971:
3970:
3962:
3954:
3945:
3943:
3939:
3938:
3936:
3935:
3931:The Beach Boys
3927:
3919:
3915:Doin' It Again
3911:
3903:
3895:
3887:
3879:
3871:
3863:
3854:
3852:
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3849:
3845:
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3739:
3732:
3725:
3718:
3711:
3704:
3697:
3690:
3683:
3676:
3669:
3662:
3655:
3648:
3641:
3634:
3631:Made in U.S.A.
3627:
3620:
3617:Endless Summer
3612:
3610:
3604:
3603:
3601:
3600:
3593:
3586:
3579:
3572:
3565:
3558:
3551:
3544:
3537:
3534:Live in London
3530:
3522:
3520:
3516:
3515:
3513:
3512:
3505:
3498:
3491:
3488:Still Cruisin'
3484:
3481:The Beach Boys
3477:
3470:
3463:
3456:
3449:
3442:
3435:
3428:
3421:
3414:
3407:
3400:
3393:
3386:
3379:
3372:
3365:
3358:
3351:
3344:
3337:
3330:
3323:
3320:Surfin' U.S.A.
3316:
3313:Surfin' Safari
3308:
3306:
3302:
3301:
3299:
3298:
3293:
3288:
3283:
3281:Bruce Johnston
3277:
3276:
3269:
3262:
3255:
3248:
3240:
3237:
3236:
3233:The Beach Boys
3229:
3228:
3221:
3214:
3206:
3200:
3199:
3188:
3177:
3163:
3162:External links
3160:
3158:
3157:
3152:978-1900924023
3151:
3129:
3123:
3107:White, Timothy
3103:
3097:
3077:
3071:
3051:
3040:
3034:
3018:Gaines, Steven
3014:
3008:
2991:
2985:
2965:
2959:
2941:
2939:
2936:
2934:
2933:
2915:
2885:
2865:
2846:
2834:
2823:"M.I.U. Album"
2813:
2801:
2794:. California:
2792:The Beach Boys
2782:Tamarkin, Jeff
2768:
2761:
2737:
2730:
2706:
2699:
2679:
2665:
2631:
2594:
2579:
2577:, p. 373.
2567:
2565:, p. 234.
2552:
2550:, p. 153.
2537:
2508:
2496:Bellagio 10452
2482:
2469:Bellagio 10452
2453:
2451:, p. 322.
2441:
2439:, p. 226.
2429:
2417:
2405:
2390:
2378:
2376:, p. 166.
2366:
2364:, p. 174.
2354:
2352:, p. 431.
2339:
2337:, p. 305.
2320:
2318:, p. 304.
2308:
2306:, p. 224.
2291:
2289:, p. 372.
2276:
2240:
2228:
2226:, p. 428.
2216:
2204:
2202:, p. 321.
2192:
2190:, p. 302.
2173:
2171:, p. 300.
2161:
2149:
2147:, p. 299.
2137:
2125:
2123:, p. 298.
2113:
2101:
2089:
2077:
2075:, p. 294.
2062:
2060:, p. 225.
2045:
2033:Bellagio 10452
2010:
2008:, p. 295.
1995:
1983:
1981:, p. 423.
1971:
1969:, p. 371.
1954:
1942:
1930:
1928:, p. 175.
1913:
1904:"M.I.U. Album"
1888:
1886:
1883:
1880:
1879:
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1827:
1826:
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1821:
1818:
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1814:
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1785:
1778:
1775:The Beach Boys
1772:
1759:
1758:
1755:
1752:
1749:
1743:
1737:
1734:
1728:
1725:
1718:
1712:
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1699:
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1669:
1666:
1663:
1657:
1654:Julius Wechter
1651:
1645:
1639:
1633:
1627:
1624:
1621:Marilyn Rovell
1618:
1608:
1607:
1604:
1601:
1595:
1589:
1583:
1580:
1577:
1571:
1568:
1558:
1554:
1546:
1545:
1539:
1533:
1523:
1517:
1508:The Beach Boys
1501:
1498:
1494:
1493:
1490:
1484:
1483:
1480:
1477:
1471:
1468:
1464:
1463:
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1224:
1211:
1204:
1200:
1199:
1196:
1193:
1190:
1187:
1176:
1171:
1168:
1161:Reflecting on
1158:
1155:
1092:Vivien Goldman
1059:
1058:
1029:
1021:
1020:
1015:
1007:
1006:
977:
969:
968:
965:
957:
956:
927:
919:
918:
889:
883:
882:
879:
875:
874:
863:
862:
833:
825:
824:
821:
817:
816:
806:
803:
745:
742:
668:reported that
651:
648:
557:
554:
552:
549:
493:
473:
463:
458:
457:
456:
447:
446:
445:
389:
386:
346:cover versions
289:easy-listening
285:the Beach Boys
274:
273:
270:
269:
267:
266:
253:
235:
232:
231:
221:
220:
217:
216:
213:
212:
203:
194:
180:
179:
176:The Beach Boys
172:
171:
169:
168:
163:
157:
155:
149:
148:
139:
133:
132:
121:
117:
116:
115:
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108:
102:
96:
85:
81:
80:
78:
77:
74:
70:
68:
64:
63:
60:
56:
55:
52:the Beach Boys
50:
43:
42:
34:
33:
15:
9:
6:
4:
3:
2:
4430:
4419:
4416:
4414:
4411:
4409:
4406:
4404:
4401:
4399:
4396:
4394:
4391:
4389:
4386:
4384:
4381:
4380:
4378:
4363:
4355:
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4351:
4345:
4342:
4340:
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4335:
4331:
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4326:
4323:
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4318:
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4308:
4306:
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4298:
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4290:
4286:
4285:
4283:
4279:
4273:
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4251:
4247:
4245:
4244:
4240:
4238:
4237:
4233:
4231:
4229:
4225:
4223:
4222:
4221:Caroline Now!
4218:
4216:
4215:
4211:
4209:
4208:
4204:
4203:
4201:
4199:Related media
4197:
4191:
4188:
4186:
4185:Michael Vosse
4183:
4181:
4178:
4176:
4173:
4171:
4168:
4166:
4163:
4161:
4158:
4156:
4153:
4151:
4150:David Anderle
4148:
4147:
4145:
4141:
4135:
4132:
4128:
4125:
4123:
4120:
4118:
4115:
4113:
4110:
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4049:
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4022:
4021:
4017:
4015:
4014:
4010:
4008:
4007:
4003:
4001:
4000:
3996:
3994:
3993:
3989:
3987:
3986:
3982:
3981:
3979:
3975:
3968:
3967:
3963:
3960:
3959:
3955:
3952:
3951:
3947:
3946:
3944:
3942:Fictionalized
3940:
3933:
3932:
3928:
3925:
3924:
3920:
3917:
3916:
3912:
3909:
3908:
3904:
3901:
3900:
3896:
3893:
3892:
3888:
3885:
3884:
3880:
3877:
3876:
3872:
3869:
3868:
3864:
3861:
3860:
3856:
3855:
3853:
3848:concert films
3846:
3843:
3842:
3839:
3833:
3832:
3828:
3826:
3825:
3821:
3820:
3818:
3814:
3808:
3805:
3803:
3802:
3798:
3796:
3795:
3791:
3789:
3786:
3784:
3783:
3779:
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3772:
3771:
3769:
3765:
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3758:
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3751:
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3740:
3738:
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3733:
3731:
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3726:
3724:
3723:
3719:
3717:
3716:
3712:
3710:
3709:
3705:
3703:
3702:
3698:
3696:
3695:
3691:
3689:
3688:
3684:
3682:
3681:
3677:
3675:
3674:
3673:Hawthorne, CA
3670:
3668:
3667:
3663:
3661:
3660:
3656:
3654:
3653:
3649:
3647:
3646:
3642:
3640:
3639:
3635:
3633:
3632:
3628:
3626:
3625:
3621:
3619:
3618:
3614:
3613:
3611:
3605:
3599:
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3594:
3592:
3591:
3587:
3585:
3584:
3580:
3578:
3577:
3573:
3571:
3570:
3566:
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3557:
3556:
3552:
3550:
3549:
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3531:
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3506:
3504:
3503:
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3468:
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3455:
3454:
3450:
3448:
3447:
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3441:
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3436:
3434:
3433:
3429:
3427:
3426:
3422:
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3419:
3415:
3413:
3412:
3408:
3406:
3405:
3401:
3399:
3398:
3394:
3392:
3391:
3387:
3385:
3384:
3380:
3378:
3377:
3373:
3371:
3370:
3366:
3364:
3363:
3359:
3357:
3356:
3352:
3350:
3349:
3345:
3343:
3342:
3338:
3336:
3335:
3331:
3329:
3328:
3324:
3322:
3321:
3317:
3315:
3314:
3310:
3309:
3307:
3305:Studio albums
3303:
3297:
3294:
3292:
3289:
3287:
3284:
3282:
3279:
3278:
3275:
3274:
3270:
3268:
3267:
3263:
3261:
3260:
3256:
3254:
3253:
3252:Dennis Wilson
3249:
3247:
3246:
3242:
3241:
3238:
3234:
3227:
3222:
3220:
3215:
3213:
3208:
3207:
3204:
3198:
3194:
3189:
3187:
3183:
3178:
3175:
3171:
3170:
3166:
3165:
3154:
3148:
3144:
3139:
3134:
3130:
3126:
3120:
3117:. Macmillan.
3115:
3114:
3108:
3104:
3100:
3094:
3091:. ECW Press.
3089:
3088:
3082:
3081:Stebbins, Jon
3078:
3074:
3068:
3063:
3062:
3056:
3052:
3049:. p. 40.
3048:
3047:
3041:
3037:
3031:
3026:
3025:
3019:
3015:
3011:
3005:
3002:. ECW Press.
3000:
2999:
2992:
2988:
2982:
2977:
2976:
2970:
2966:
2962:
2956:
2951:
2950:
2943:
2942:
2929:
2922:
2920:
2911:
2907:
2906:
2900:
2895:
2889:
2881:
2880:
2875:
2869:
2861:
2860:The A.V. Club
2857:
2850:
2843:
2838:
2830:
2829:
2828:Rolling Stone
2824:
2817:
2810:
2805:
2797:
2793:
2789:
2788:
2783:
2777:
2775:
2773:
2764:
2762:0-7432-0169-8
2758:
2754:
2750:
2749:
2741:
2733:
2731:1-57859-061-2
2727:
2723:
2719:
2718:
2710:
2702:
2696:
2692:
2691:
2683:
2668:
2662:
2658:
2654:
2653:
2648:
2644:
2638:
2636:
2619:
2615:
2614:
2609:
2607:
2598:
2591:
2586:
2584:
2576:
2571:
2564:
2559:
2557:
2549:
2548:Williams 1997
2544:
2542:
2525:
2522:
2515:
2513:
2497:
2493:
2486:
2470:
2467:
2460:
2458:
2450:
2445:
2438:
2433:
2426:
2425:Stebbins 2000
2421:
2414:
2409:
2401:
2394:
2387:
2382:
2375:
2374:Stebbins 2000
2370:
2363:
2362:Stebbins 2000
2358:
2351:
2346:
2344:
2336:
2331:
2329:
2327:
2325:
2317:
2312:
2305:
2300:
2298:
2296:
2288:
2283:
2281:
2264:
2260:
2259:
2258:Rolling Stone
2254:
2247:
2245:
2237:
2232:
2225:
2220:
2213:
2208:
2201:
2196:
2189:
2184:
2182:
2180:
2178:
2170:
2165:
2158:
2153:
2146:
2141:
2134:
2129:
2122:
2117:
2110:
2105:
2098:
2093:
2086:
2081:
2074:
2069:
2067:
2059:
2054:
2052:
2050:
2034:
2030:
2023:
2021:
2019:
2017:
2015:
2007:
2002:
2000:
1992:
1987:
1980:
1975:
1968:
1963:
1961:
1959:
1951:
1946:
1939:
1934:
1927:
1926:Stebbins 2000
1922:
1920:
1918:
1909:
1905:
1898:
1896:
1894:
1889:
1873:
1864:
1855:
1848:
1847:James Guercio
1841:
1832:
1828:
1815:
1812:
1808:
1807:
1801:
1799:Chart (1978)
1798:
1797:
1786:
1783:
1779:
1776:
1773:
1770:
1767:
1766:
1765:
1764:
1756:
1753:
1750:
1747:
1744:
1741:
1738:
1735:
1732:
1729:
1726:
1723:
1720:
1719:
1717:
1716:
1709:
1706:
1703:
1700:
1697:
1694:
1691:
1688:
1685:
1682:
1679:
1678:Steve Douglas
1676:
1673:
1670:
1667:
1664:
1661:
1658:
1655:
1652:
1649:
1646:
1643:
1640:
1637:
1636:Frank Marocco
1634:
1631:
1628:
1625:
1622:
1619:
1616:
1615:
1614:
1613:
1605:
1602:
1599:
1598:Charles Lloyd
1596:
1593:
1592:Mike Kowalski
1590:
1587:
1586:Billy Hinsche
1584:
1581:
1578:
1575:
1572:
1569:
1566:
1562:
1559:
1556:
1555:
1553:
1552:
1551:
1543:
1542:Dennis Wilson
1540:
1537:
1534:
1531:
1527:
1524:
1521:
1518:
1515:
1512:
1511:
1510:
1509:
1505:
1491:
1488:Total length:
1485:
1481:
1478:
1476:
1472:
1469:
1465:
1461:
1458:
1455:
1452:
1448:
1444:
1442:
1441:Dennis Wilson
1439:
1436:
1433:
1429:
1425:
1422:
1419:
1416:
1412:
1408:
1405:
1402:
1399:
1395:
1391:
1388:
1385:
1382:
1378:
1372:Lead vocal(s)
1359:
1346:
1343:
1340:
1337:
1333:
1329:
1326:
1324:
1320:
1319:Jerry Allison
1316:
1313:
1310:
1306:
1302:
1298:
1295:
1292:
1289:
1286:
1282:
1278:
1276:
1272:
1269:
1266:
1262:
1258:
1254:
1251:
1248:
1246:
1243:
1240:
1236:
1232:
1228:
1225:
1223:
1219:
1215:
1212:
1209:
1205:
1201:
1195:Lead vocal(s)
1182:
1175:
1170:Track listing
1167:
1164:
1154:
1152:
1145:
1144:
1143:The A.V. Club
1139:
1135:
1134:
1129:
1128:Jeff Tamarkin
1124:
1122:
1118:
1114:
1107:
1102:
1099:
1098:
1093:
1088:
1085:
1080:
1075:
1074:
1073:Rolling Stone
1069:
1065:
1030:
1028:
1027:
1023:
1022:
1019:
1016:
1014:
1013:
1009:
1008:
978:
976:
975:
971:
970:
966:
964:
963:
959:
958:
928:
926:
925:
921:
920:
890:
888:
885:
884:
876:
873:Review scores
871:
834:
832:
831:
827:
826:
818:
815:Review scores
813:
802:
801:compilation.
800:
799:
794:
790:
786:
785:
780:
775:
773:
772:
767:
763:
759:
750:
741:
739:
735:
734:Almost Summer
731:
730:
725:
724:
719:
715:
711:
707:
703:
702:Toys for Tots
697:
695:
691:
687:
681:
679:
675:
671:
667:
666:Timothy White
664:. Biographer
663:
658:
657:
647:
645:
641:
635:
632:
628:
627:
622:
614:
610:
606:
602:
598:
596:
595:
590:
586:
582:
574:
570:
566:
562:
556:Iowa sessions
548:
545:
544:
543:Rolling Stone
537:
535:
529:
527:
523:
519:
518:
513:
512:Steven Gaines
509:
501:
499:
487:
486:
481:
477:
461:
444:
442:
438:
434:
430:
426:
422:
418:
414:
410:
406:
402:
398:
397:
385:
383:
382:
377:
373:
372:
367:
366:
361:
357:
355:
351:
347:
343:
339:
335:
334:Dennis Wilson
331:
327:
323:
319:
315:
311:
310:
305:
300:
298:
294:
290:
286:
282:
281:
271:
260:
254:
247:
243:
237:
236:
233:
230:
229:M.I.U. Album
226:
222:
218:
209:
208:
204:
200:
199:
195:
191:
190:
186:
185:
181:
177:
173:
167:
164:
162:
159:
158:
156:
154:
150:
147:
143:
140:
138:
134:
122:
118:
112:
109:
106:
103:
100:
97:
95:
91:
88:
87:
86:
82:
75:
72:
71:
69:
65:
61:
57:
53:
48:
44:
40:
35:
30:
26:
22:
4344:Sea of Tunes
4336:
4281:Other topics
4269:
4264:Smiling Pets
4262:
4255:
4248:
4241:
4234:
4227:
4219:
4212:
4205:
4190:Murry Wilson
4180:Derek Taylor
4155:Irving Azoff
4032:
4025:
4018:
4011:
4004:
3999:Catch a Wave
3997:
3990:
3983:
3964:
3956:
3948:
3929:
3921:
3913:
3905:
3897:
3889:
3881:
3873:
3865:
3857:
3829:
3822:
3799:
3792:
3780:
3773:
3755:
3748:
3741:
3734:
3727:
3720:
3713:
3706:
3699:
3692:
3685:
3678:
3671:
3664:
3657:
3650:
3643:
3636:
3629:
3622:
3615:
3609:compilations
3595:
3588:
3581:
3574:
3567:
3560:
3553:
3546:
3539:
3532:
3525:
3507:
3500:
3493:
3486:
3479:
3472:
3465:
3460:M.I.U. Album
3459:
3458:
3451:
3444:
3437:
3430:
3423:
3416:
3409:
3402:
3395:
3390:Smiley Smile
3388:
3381:
3374:
3367:
3360:
3353:
3346:
3339:
3332:
3325:
3318:
3311:
3296:Ricky Fataar
3271:
3264:
3257:
3250:
3245:Brian Wilson
3243:
3169:M.I.U. Album
3167:
3142:
3112:
3086:
3060:
3044:
3023:
2997:
2974:
2948:
2938:Bibliography
2927:
2908:– via
2905:Melody Maker
2903:
2888:
2877:
2868:
2849:
2837:
2826:
2816:
2804:
2786:
2747:
2740:
2716:
2709:
2688:
2682:
2672:February 21,
2670:. Retrieved
2650:
2622:. Retrieved
2618:the original
2611:
2605:
2597:
2590:Goldman 1978
2570:
2528:. Retrieved
2523:
2499:. Retrieved
2495:
2485:
2473:. Retrieved
2468:
2444:
2432:
2420:
2408:
2399:
2393:
2381:
2369:
2357:
2311:
2267:. Retrieved
2256:
2231:
2219:
2207:
2195:
2164:
2152:
2140:
2128:
2116:
2104:
2092:
2080:
2036:. Retrieved
2032:
1986:
1974:
1945:
1933:
1902:Bush, John.
1872:
1863:
1854:
1840:
1831:
1810:
1762:
1761:
1746:Earle Mankey
1731:Brian Wilson
1714:
1713:
1684:Jay Migliori
1660:Matt Jardine
1648:Ricky Fataar
1611:
1610:
1600:– flute (12)
1574:Gary Griffin
1548:
1547:
1526:Brian Wilson
1507:
1506:
1503:
1323:Norman Petty
1287:"Kona Coast"
1214:Brian Wilson
1173:
1163:M.I.U. Album
1162:
1160:
1150:
1141:
1131:
1126:Conversely,
1125:
1121:M.I.U. Album
1120:
1117:M.I.U. Album
1116:
1109:
1104:
1095:
1090:
1084:M.I.U. Album
1083:
1082:
1071:
1063:
1062:
1024:
1017:
1010:
972:
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922:
828:
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769:
762:M.I.U. Album
761:
755:
737:
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721:
709:
705:
699:
693:
690:M.I.U. Album
689:
685:
683:
677:
673:
669:
661:
654:
653:
643:
636:
624:
618:
608:
605:Brian Wilson
592:
578:
575:was recorded
573:M.I.U. Album
572:
541:
538:
534:Central Park
530:
525:
521:
515:
504:
495:
483:
480:M.I.U. Album
479:
405:Warner Bros.
394:
391:
379:
375:
369:
363:
359:
358:
341:
326:Brian Wilson
307:
301:
280:M.I.U. Album
279:
278:
277:
228:
205:
198:M.I.U. Album
197:
196:
187:
105:Wally Heider
47:Studio album
32:M.I.U. Album
4398:1978 albums
4170:Jack Rieley
4097:Discography
3844:Documentary
3794:Adult/Child
3519:Live albums
3446:15 Big Ones
3327:Surfer Girl
3286:David Marks
3259:Carl Wilson
2842:Carlin 2006
2809:Gaines 1986
2790:(booklet).
2575:Badman 2004
2563:Dillon 2012
2437:Carlin 2006
2413:Badman 2004
2386:Carlin 2006
2335:Gaines 1986
2316:Gaines 1986
2304:Carlin 2006
2287:Badman 2004
2269:February 1,
2236:Gaines 1986
2212:Carlin 2006
2188:Gaines 1986
2169:Gaines 1986
2157:Gaines 1986
2145:Gaines 1986
2133:Carlin 2006
2121:Gaines 1986
2109:Gaines 1986
2097:Gaines 1986
2085:Carlin 2006
2073:Gaines 1986
2058:Carlin 2006
2006:Gaines 1986
1967:Badman 2004
1950:Badman 2004
1938:Carlin 2006
1740:John Hanlon
1650:– drums (2)
1642:Ray Pohlman
1630:Jay Graydon
1561:Ron Altbach
1536:Carl Wilson
1315:Buddy Holly
1275:Carl Wilson
1222:Ron Altbach
1064:M.I.U Album
726:(1993) and
621:Ron Altbach
522:Adult/Child
508:CBS Records
485:Adult/Child
396:Adult/Child
342:Adult/Child
309:Adult/Child
297:Ron Altbach
166:Ron Altbach
4377:Categories
4107:Unreleased
3767:Unreleased
3750:Feel Flows
3397:Wild Honey
3383:Pet Sounds
3273:Al Jardine
3124:0333649370
3055:Love, Mike
3035:0306806479
2979:. Rodale.
2666:089919026X
2449:White 1996
2200:White 1996
1885:References
1724:– producer
1722:Al Jardine
1514:Al Jardine
1434:"My Diane"
1291:Al Jardine
1250:Al Jardine
1245:C.E. Quick
768: [
498:media help
437:levitation
417:Al Jardine
388:Background
293:Al Jardine
178:chronology
161:Al Jardine
4230:(musical)
4143:Personnel
3425:Surf's Up
3418:Sunflower
3266:Mike Love
3135:(1997) .
2530:March 24,
2501:March 30,
2475:March 31,
2350:Love 2016
2224:Love 2016
2038:March 30,
1991:Love 2016
1979:Love 2016
1811:Billboard
1804:position
1520:Mike Love
1500:Personnel
1475:Ed Tuleja
1473:Altbach,
1459:B. Wilson
1437:B. Wilson
1389:C. Wilson
1369:Writer(s)
1309:Peggy Sue
1270:B. Wilson
1252:with Love
1218:Mike Love
1192:Writer(s)
1068:Nick Kent
631:Stan Love
613:Mike Love
421:Mike Love
350:Peggy Sue
322:Mike Love
242:Peggy Sue
4362:Category
3859:It's OK!
3624:Rarities
3607:Selected
3181:Our Team
3109:(1996).
3083:(2000).
3057:(2016).
3020:(1986).
2971:(2006).
2879:Goldmine
2784:(2000).
2645:(1981).
2492:"GIGS78"
2263:Archived
2029:"GIGS77"
1908:AllMusic
1565:ARP Omni
1530:Minimoog
1356:Side two
1179:Side one
1113:AllMusic
887:AllMusic
706:Our Team
644:Love You
526:Love You
429:TM-Sidhi
153:Producer
67:Recorded
59:Released
49: by
3439:Holland
3404:Friends
3197:YouTube
3186:YouTube
3174:Discogs
2624:June 2,
2613:Blender
1763:Artwork
1327:Jardine
924:Blender
744:Release
740:album.
626:Holland
401:Reprise
352:" and "
225:Singles
211:(1979)
202:(1978)
193:(1977)
146:Reprise
142:Brother
4271:Spring
4122:Dennis
4044:Places
3969:(2014)
3961:(2000)
3953:(1990)
3934:(2024)
3926:(2021)
3918:(2012)
3910:(2004)
3902:(2002)
3894:(1998)
3886:(1996)
3878:(1995)
3870:(1985)
3862:(1976)
3149:
3121:
3095:
3069:
3046:Sounds
3032:
3006:
2983:
2957:
2759:
2728:
2697:
2663:
1877:Iowa."
1792:Charts
1375:Length
1293:, Love
1198:Length
1157:Legacy
1151:M.I.U.
1097:Sounds
881:Rating
878:Source
830:Sounds
823:Rating
820:Source
779:M.I.U.
710:M.I.U.
678:M.I.U.
662:M.I.U.
609:M.I.U.
488:album.
439:under
415:while
409:Dennis
376:M.I.U.
360:M.I.U.
324:, and
120:Length
84:Studio
4112:Brian
4080:Lists
3977:Books
3775:Smile
3411:20/20
1823:Notes
1492:32:19
1366:Title
1189:Title
1147:'
1077:'
1018:woof!
244:" / "
227:from
137:Label
4127:Mike
4117:Carl
3147:ISBN
3119:ISBN
3093:ISBN
3067:ISBN
3030:ISBN
3004:ISBN
2981:ISBN
2955:ISBN
2757:ISBN
2726:ISBN
2695:ISBN
2674:2019
2661:ISBN
2626:2017
2532:2022
2503:2022
2477:2022
2271:2015
2040:2022
1816:151
1802:Peak
1482:3:14
1462:3:29
1445:2:37
1426:3:14
1409:2:27
1406:Love
1392:2:42
1347:2:30
1330:2:15
1299:2:33
1279:2:25
1255:2:06
1229:2:27
766:Epic
716:and
672:and
419:and
413:Carl
411:and
332:and
330:Carl
3816:EPs
3195:on
3184:on
3172:at
1809:US
1362:No.
1185:No.
1133:sic
1094:of
791:' "
771:sic
764:to
589:AFM
583:in
567:in
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316:in
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1892:^
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