336:(1944â48) has become Dallapiccola's best-known work. It tells the chilling story of a political prisoner whose jailor, in an apparent gesture of fraternity, allows him to escape from his cell. At the moment of his freedom, however, he finds he has been the victim of a cruel practical joke as he runs straight into the arms of the Grand Inquisitor, who smilingly leads him off to the stake at which he is to be burned alive. The opera's pessimistic outlook reflects Dallapiccola's complete disillusionment with fascism (which he had naĂŻvely supported when Mussolini first came to power) and the music contained therein is both beautifully realized and supremely disquieting.
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313:(1943). The following decade showed a refinement in his technique and the increasing influence of Webern's work. After this, from the 1950s on, the refined, contemplative style he developed would characterize his output, in contrast to the more raw and passionate works of his youth. Most of his works would be songs for solo voice and instrumental accompaniment. His touch with instrumentation is noted for its
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style with bursts of chromaticism to a consciously serialist outlook. He went from using twelve-tone rows for melodic material to structuring his works entirely serially. With the adoption of serialism, he never lost the feel for the melodic lines that many of the detractors of the Second
Viennese
75:, Austria, where the budding composer did not even have access to a piano, though he did attend performances at the local opera house, which cemented his desire to pursue composition as a career. Once back in his hometown Pisino after the war, he travelled frequently.
149:, who governed Italy from October 1922 to July 1943, coloured his outlook and output for the rest of his life. He once supported Mussolini, believing the propaganda, and it was not until the 1930s that he became passionate about his political views, in protest to the
188:; though he tried to go about his career as usual, and did, to a limited extent. On two occasions he was forced to go into hiding for several months. Dallapiccola continued his touring as a recitalist – but only in countries not occupied by the Nazis.
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music. His disillusionment with
Mussolini's regime effected a change in his style: after the Abyssinian campaign, he claimed that his writing would no longer ever be as light and carefree as it once was. While there are later exceptions, particularly the
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while exiled to
Austria convinced the young man that composition was his calling, but after first hearing Debussy in 1921, at age 17, he stopped composing for three years in order to give this important influence time to sink in. The
67:, then part of the Austro-Hungarian empire, led to instability and frequent moves. His father was headmaster of an Italian-language school – the only one in the city – which was shut down at the start of
277:. Dallapiccola's works of the 1920s (the period of his adherence to fascism) have been withdrawn, with the instruction that they never be performed, though they still exist under controlled access for study.
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developed and embraced by his idols; he was, in fact, the first
Italian to write in the method, and the primary proponent of it in Italy, and he developed serialist techniques to allow for a more lyrical,
309:(1942â45), for solo voice with instruments, would be his first work composed entirely in this twelve-tone style, composed concurrently with his last original purely diatonic work, the ballet
86:. He became a professor at the conservatory in 1931; until his 1967 retirement, he spent his career there teaching lessons in piano as a secondary instrument, replacing his teacher
349:, was the culmination of his life's work. It was composed over eight years, including and developing themes from his earlier works, and was his last large-scale composition.
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of the lungs. There are, however, very few sketches and fragments of work from this period, including a vocal work left unfinished just hours before his death.
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sensuality and soft textures, heavy on sustained notes by woodwinds and strings (particularly middle-range instruments, such as the clarinet and viola).
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would be the peak of his career, after which his compositional output was sparse; his later years were largely spent writing essays rather than music.
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Unlike many composers born into highly musical environments, his early musical career was irregular at best. Political disputes over his birthplace of
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387:(1932â36), 1st series: unaccompanied mixed voices; 2nd series: two sopranos and two altos and 17 instruments; 3rd series: mixed voices and orchestra
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sparking his fame), it was then that his life became relatively quiet. He made frequent travels to the United States, including appearances at
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for chorus and ensemble was the beginning of a loose triptych on the highly personal themes of imprisonment and injustice; the one-act opera
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Kennedy, Steven A.: "On looking up by chance at the constellations: Luigi
Dallapiccola's 'Sicut umbra'". MA thesis, UNC-Chapel Hill, 1990.
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beginning in 1956. He was a sought-after lecturer throughout
Western Europe and the Americas. Dallapiccola's 1968 opera
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Edward
Wilkinson, "An interpretation of serialism in the work of Luigi Dallapiccola". Phd diss., Royal Holloway, 1982
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Ben Earle, "Musical modernism in
Fascist Italy: Dallapiccola in the thirties", Phd diss., Cambridge, 2001
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Though it was only after the war that his compositions made it into the public eye (with his opera
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would figure prominently in his later work, but his biggest influence would be the ideas of the
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82:(now known as the Luigi Cherubini Conservatory) in the 1920s. He also studied composition with
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in the summers of 1951 and 1952 and several semesters of teaching courses in composition at
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Sonatina canonica, in mi bemolle maggiore, su
Capricci di Niccolò Paganini, per pianoforte
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He had no more finished compositions after 1972 due to his failing health, and he died in
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as the older man's illness prevented him from continuing. Dallapiccola's students include
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are reflections of this impassioned concern; the former was his first true protest work.
32:(3 February 1904 – 19 February 1975) was an Italian composer known for his lyrical
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Lanza, Andrea (2008). "An
Outline of Italian Instrumental Music in the 20th Century".
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666:(1971), 3 sopranos, mezzo-soprano/alto, tenor, bass-baritone, chorus and orchestra
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John C.G. Waterhouse; Virgilio Bernardoni (2001). "Dallapiccola, Luigi".
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546:(1953), for mezzo-soprano, piccolo clarinet, clarinet, and bass clarinet
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246:'s music that inspired Dallapiccola to start composing in earnest, and
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691:, Selected writings of Luigi Dallapiccola, Vol 1, Toccata Press (1987)
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Sonus. A Journal of Investigations into Global Musical Possibilities
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Luigi Dallapiccola Correspondence with Rudy Shackelford, 1936-1995
754:"Istria on the Internet - Prominent Istrians - Luigi Dallapiccola"
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409:(1938â41), for chorus, two pianos, 2 harps and percussion (a:
161:'s views on race, which threatened Dallapiccola's Jewish wife
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459:, for singer, piccolo clarinet, A clarinet, viola, piano; c:
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1973:
580:(1955â56), violin and piano, or violin and chamber orchestra
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List of music students by teacher: C to F#Luigi Dallapiccola
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style. Throughout the 1930s his style developed from a
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1950:
925:
The Rosaleen Moldenhauer Memorial Digital Collections
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375:(1934), soprano, flute, oboe, clarinet, viola, cello
463:, for canenda voice, nonnullis comitantibus musicis
1037:"Luigi Dallapiccola (biography, works, resources)"
269:, which he encountered in the 1930s, particularly
634:(1964), version for soprano and chamber orchestra
184:he was in the dangerous position of opposing the
2010:
836:"Luigi Dallapiccola - Classical Music Composers"
963:Waterhouse, John C. G.: "Luigi Dallapiccola".
590:Concerto per la notte di Natale dell'anno 1956
431:Studio sul Capriccio n. 14 di Niccolò Paganini
385:Sei cori di Michelangelo Buonarroti il Giovane
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1193:
1063:
1031:CompositionToday: Luigi Dallapiccola Overview
525:(1950), sacra rappresentazione (mystery play)
2044:Academic staff of the Florence Conservatory
863:The Twelve-Tone Music of Luigi Dallapiccola
811:"Luigi Dallapiccola - CompositionToday.com"
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642:(1960â68), opera in a prologue and two acts
141:Dallapiccola's early experiences under the
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1026:Istria on the Internet: Prominent Istrians
78:Dallapiccola took his piano degree at the
952:Sellors, Anthony: "Luigi Dallapiccola", "
660:(1971), soprano, bass-baritone, orchestra
574:(1955), cantata for soprano and orchestra
568:(1951â55), for mixed chorus and orchestra
921:"Luigi Dallapiccola's Sketch for Ulisse"
648:(1970), mezzo-soprano and 12 instruments
501:(1947), orchestra (version of Due studi)
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20:
859:
792:10.1093/gmo/9781561592630.article.07081
443:Frammenti sinfonici dal balletto Marsia
2011:
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652:Tempus destruendi / Tempus aedificandi
622:(1962), baritone and chamber orchestra
455:, for voice and chamber orchestra; b:
427:(1939â41), piano and chamber orchestra
294:School claimed to be absent in modern
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592:(1957), chamber orchestra and soprano
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425:Piccolo concerto per Muriel Couvreux
301:Piccolo concerto per Muriel Couvreux
250:'s that caused him to stop: hearing
2039:20th-century Italian male musicians
1526:
994:Music Division, Library of Congress
696:Writings in English on Dallapiccola
519:(1949), voice and chamber orchestra
393:(1936â37), voice and 13 instruments
13:
960:". Grove Music Online (OperaBase).
943:
840:Philadelphia Chamber Music Society
632:Quattro liriche di Antonio Machado
586:(1956), baritone and 8 instruments
537:(1952), solo piano, featuring the
505:Quattro liriche di Antonio Machado
332:completed the trilogy. Of these,
14:
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896:"The Music of Luigi Dallapiccola"
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2094:Twelve-tone and serial composers
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614:Three Questions With Two Answers
379:Musica per tre pianoforti (Inni)
373:Divertimento in quattro esercizi
352:
199:, at Dallapiccola's former home.
703:The music of Luigi Dallapiccola
685:, Edizioni Suvini Zerboni, 1970
683:Appunti. Incontri. Meditazioni.
598:(1957â58), chorus and orchestra
554:Quaderno musicale di Annalibera
535:Quaderno musicale di Annalibera
511:Tre episodi dal balletto Marsia
153:and Italy's involvement in the
2034:20th-century Italian composers
1798:Modes of limited transposition
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552:(1954), orchestra (version of
419:Congedo di Girolamo Savonarola
343:, with his own libretto after
1:
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628:(1964), voice and instruments
475:Ciaccona, Intermezzo e Adagio
2074:Italian male opera composers
2054:Florence Conservatory alumni
1017:How to use archival material
672:(1972), soprano and ensemble
531:(1951), violin and orchestra
303:, this is largely the case.
165:, only hardened his stance.
157:. Mussolini's sympathy with
39:
16:Italian composer (1904â1975)
7:
2064:Italian classical composers
2049:Deaths from pulmonary edema
1848:Quartal and quintal harmony
1537:List of modernist composers
705:. New York, Rochester, 2003
610:(1960â61), chamber ensemble
604:(1960), cello and orchestra
495:(1946â47), violin and piano
10:
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664:Ulisse. Suite dall'opera/B
658:Ulisse. Suite dall'opera/A
489:(1946), baritone and piano
411:Preghiera di Maria Stuarda
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1039:(in French and English).
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507:(1948), soprano and piano
457:Due liriche di Anacreonte
453:Cinque frammenti di Saffo
280:His works widely use the
44:Dallapiccola was born in
1375:Gottfried Michael Koenig
866:. Boydell & Brewer.
815:www.compositiontoday.com
677:Writings by Dallapiccola
320:The politically charged
237:
215:Queens College, New York
2069:Italian opera composers
860:Alegant, Brian (2010).
784:Oxford University Press
608:Piccola musica notturna
560:Piccola musica notturna
253:Der fliegende Holländer
116:Ernesto Rubin de Cervin
60:), to Italian parents.
2059:Istrian Italian people
1899:Second Viennese School
1892:Schools of composition
1435:Second Viennese School
477:(1945), for solo cello
267:Second Viennese School
200:
195:Plaque on Via Romana,
26:
2089:Pupils of Vito Frazzi
1883:Twelve-tone technique
1467:Karlheinz Stockhausen
1425:Einojuhani Rautavaara
927:. Library of Congress
689:Dallapiccola on Opera
415:Invocazione di Boezio
401:(1938), one-act opera
194:
132:Raymond Wilding-White
92:Abraham Zalman Walker
80:Florence Conservatory
48:(at the time part of
24:
1410:Krzysztof Penderecki
1365:Josef Matthias Hauer
1305:AndrĂŠ Boucourechliev
1260:Osvaldas Balakauskas
872:10.7722/j.ctt14brrs9
566:Canti di liberazione
445:(1942â43), orchestra
381:(1935), three pianos
363:(1930â32), orchestra
330:Canti di liberazione
2079:Modernist composers
1330:Niccolò Castiglioni
626:Parole di San Paolo
369:(1932), male chorus
151:Abyssinian campaign
25:Luigi Dallapiccola.
1385:Witold LutosĹawski
1350:Luigi Dallapiccola
1245:Hans Erich Apostel
1129:Canti di prigionia
1121:Other compositions
1079:Luigi Dallapiccola
900:Boydell and Brewer
780:Grove Music Online
578:Tartiniana seconda
461:Sex Carmina Alcaei
406:Canti di prigionia
322:Canti di prigionia
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168:Canti di prigionia
30:Luigi Dallapiccola
27:
2084:People from Pazin
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881:978-1-58046-325-6
758:www.istrianet.org
616:(1962), orchestra
562:(1954), orchestra
483:(1946), for piano
471:(1944â48), opera.
439:(1942â43), ballet
155:Spanish Civil War
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468:Il prigioniero
464:
451:(1942â45), a:
449:Liriche greche
446:
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428:
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402:
394:
388:
382:
376:
370:
364:
354:
351:
334:Il prigioniero
326:Il prigioniero
307:Liriche Greche
248:Claude Debussy
244:Richard Wagner
239:
236:
206:Il prigioniero
174:Il prigioniero
163:Laura Luzzatto
120:Arlene Zallman
104:Donald Martino
41:
38:
36:compositions.
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1315:Martin Boykan
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544:Goethe-Lieder
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513:(1949), piano
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433:(1942), piano
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398:Volo di Notte
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353:List of works
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133:
129:
128:Noel Da Costa
125:
124:Roland Trogan
121:
117:
113:
109:
108:Halim El-Dabh
105:
101:
100:Bernard Rands
97:
96:Luciano Berio
93:
89:
85:
81:
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74:
70:
66:
61:
59:
55:
51:
47:
37:
35:
31:
23:
19:
1916:
1878:Tone cluster
1833:Polytonality
1778:Experimental
1482:
1450:Anton Webern
1415:George Perle
1380:Ernst Krenek
1370:Ben Johnston
1349:
1345:Henry Cowell
1290:Erik Bergman
1240:Denis ApIvor
1127:
1108:
1100:
1092:
1078:
964:
957:
953:
929:. Retrieved
924:
915:
903:. Retrieved
899:
890:
862:
855:
843:. Retrieved
839:
830:
818:. Retrieved
814:
779:
773:
761:. Retrieved
757:
720:
716:
702:
688:
682:
669:
663:
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651:
645:
637:
631:
625:
619:
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528:
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504:
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486:
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452:
448:
442:
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396:
390:
384:
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372:
366:
358:
344:
340:
338:
333:
329:
325:
321:
319:
310:
306:
305:
300:
296:dodecaphonic
279:
275:Anton Webern
259:neoclassical
251:
241:
225:
218:
204:
202:
182:World War II
179:
172:
166:
159:Adolf Hitler
140:
77:
62:
43:
29:
28:
18:
2024:1975 deaths
2019:1904 births
1828:Polyrhythms
1803:Neotonality
1691:Szymanowski
1230:Gilbert Amy
1209:Twelve-tone
981:Archives at
966:Grove Music
596:Requiescant
572:An Mathilde
346:The Odyssey
230:in 1975 of
112:Julia Perry
84:Vito Frazzi
69:World War I
34:twelve-tone
2013:Categories
1873:Surrealism
1868:Stochastic
1858:Sound mass
1793:Microtonal
1765:techniques
1763:Genres and
1711:Stravinsky
1671:Skalkottas
1576:Schoenberg
1440:Alban Berg
1400:Luigi Nono
737:References
550:Variazioni
539:BACH motif
529:Tartiniana
487:Rencesvals
271:Alban Berg
211:Tanglewood
145:regime of
52:, current
1991:Biography
1853:Serialism
1773:Atonality
1701:Prokofiev
1544:Composers
1280:JĂźrg Baur
1265:Don Banks
1215:composers
1153:Serialism
729:0739-229X
620:Preghiere
517:Tre poemi
499:Due pezzi
493:Due studi
391:Tre laudi
282:serialism
261:works of
40:Biography
1930:Category
1863:Spectral
1788:Futurism
1722:Americas
1706:Scriabin
1677:Hungary
1652:Germany
1636:Messiaen
1631:Koechlin
1607:Finland
1597:Czechia
1591:Pousseur
1587:Belgium
1557:Austria
1320:Ole Buck
1169:Category
990:Location
931:6 August
905:6 August
845:6 August
820:23 April
763:6 August
723:: 1â21.
670:Commiato
602:Dialoghi
291:diatonic
228:Florence
197:Florence
1953:Portals
1915: â
1843:Process
1732:Antheil
1697:Russia
1687:Poland
1667:Greece
1661:Strauss
1641:Milhaud
1626:Jolivet
1617:France
1611:Bergman
1136:Partita
969:Online.
954:Ulisse"
360:Partita
242:It was
180:During
143:fascist
134:. See:
58:Croatia
1940:Portal
1742:Cowell
1737:Carter
1681:BartĂłk
1646:Varèse
1581:Webern
1571:Mahler
1566:Krenek
1551:Europe
1213:serial
1138:(1930)
1132:(1938)
1113:(1960)
1110:Ulisse
1105:(1944)
1097:(1938)
1000:Source
878:
727:
639:Ulisse
437:Marsia
367:Estate
341:Ulisse
311:Marsia
220:Ulisse
130:, and
65:Istria
2003:Music
1979:Opera
1818:Noise
1656:Reger
1621:Henry
1086:Opera
1041:IRCAM
417:; c:
413:; b:
287:tonal
238:Music
232:edema
186:Nazis
54:Pazin
1747:Ives
1601:HĂĄba
1561:Berg
1484:more
1211:and
933:2024
907:2024
876:ISBN
847:2024
822:2021
765:2024
725:ISSN
721:29/1
273:and
171:and
73:Graz
1487:...
1481:...
956:, "
868:doi
788:doi
523:Job
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923:.
898:.
874:.
838:.
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800:^
786:.
782:.
756:.
745:^
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909:.
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870::
849:.
824:.
794:.
790::
767:.
731:.
556:)
421:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
