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535:(premiered 1977), scored for orchestra, solo voices, and a large choir, whose members are paired with instruments of the orchestra. The work extends over roughly an hour, and explores a number of themes within a framework of folk music from a variety of regions: Chile, North America, Africa. Recurrent themes are the expression of love and passion; the pain of being parted from loved ones; the death of a wife or husband. A line repeated often is "come and see the blood on the streets", a reference to a poem by
1151:) through his compositions. Berio's works are often analytic acts: deliberately analysing myths, stories, the components of words themselves, his own compositions, or preexisting musical works. In other words, it is not only the composition of the collage that conveys meaning; it is the particular composition of the component "sound-image" that conveys meaning, even extra-musical meaning. The technique of the collage, that he is associated with, is, then, less a neutral process than a conscious,
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440:(1961) sees Berio creating a wordless emotional language by cutting up and rearranging a recording of Cathy Berberian's voice; therefore the composition is based on the symbolic and representative charge of gestures and voice inflections, "from inarticulate sounds to syllables, from laughter to tears and singing, from aphasia to inflection patterns from specific languages: English and Italian, Hebrew and the Neapolitan dialect".
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Berio's "central instrumental focus", if such a thing exists, is probably with the voice, the piano, the flute, and the strings. He wrote many remarkable pieces for piano which vary from solo pieces to essentially concerto pieces (points on the curve to find, concerto for two pianos, and
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Perhaps Berio's most notable contribution to the world of post-WWII non-serial experimental music, running throughout most of his works, is his engagement with the broader world of critical theory (epitomized by his lifelong friendship with linguist and critical theorist
510:(1974) is similarly collaged, but with the focus more squarely on the voice. It was originally written as a radio program for five actors, and reworked in 1975 for eight vocalists and an optional keyboard part. The work is one of a number of collaborations with the poet
1143:, and they amuse me only when I'm doing them with my children: then they become an exercise in relativizing and 'decontextualizing' images, an elementary exercise whose healthy cynicism won't do anyone any harm", Berio told interviewer Rossana Dalmonte.
1138:
carefully evokes the context of its original work, creating an open web, but an open web with highly specific referents and a vigorously defined, if self-proliferating, signifier-signified relationship. "I'm not interested in
500:(1967–69), for orchestra and eight amplified voices. The voices are not used in a traditional classical way; they frequently do not sing at all, but speak, whisper and shout. The third movement is a collage of literary and
1128:, preferring instead the position of "transcriber", arguing that "collage" implies a certain arbitrary abandon that runs counter to the careful control of his highly intellectual play, especially within
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shortly before its composition. In it, the voice(s) intones first the vowels, and then the consonants which make up his name, only stringing them together to give his name in full in the final bars.
402:, demonstrating that it was a work of radical genius. The next day he gave another two-hour seminar, with a completely straight face, showing why it was hopelessly flawed and a creative dead-end.
186:, whom he married shortly after graduating (they divorced in 1964). They had one daughter, Cristina Berio (born in 1953). Berio wrote a number of pieces that exploited her distinctive voice.
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175:. He was unable to continue studying the piano because of his injured hand, so instead concentrated on composition. In 1947, he had first public performance of one of his works, a
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Transcription is a vital part of even Berio's original works. In "Two
Interviews", Berio mused about what a college course in transcription would look like, looking not only at
694:(The Words Are Gone). Some of the resulting compositions were performed in Zurich on 2 May 1976 and the whole "Sacher" project was first performed completely by Czech cellist
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unique to Berio that develops in a variety of ways. This occurs in several works, but most recognisably in compositions for small instrumental combinations. Examples are
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and experiments with serial and electronic techniques, while his later works explore indeterminacy and the use of spoken texts as the basic material for composition.
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are the most prominent examples. Berio often offers his compositions as forms of academic or cultural discourse themselves rather than as "mere" fodder for them.
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1124:, himself, and others, but to what extent composition is always self-transcription. In this respect, Berio rejected and distanced himself from notions of
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Listening as a Letter of Uriah: A note on Berio's "Un re in ascolto" (1984) on the occasion of the opera's first performance in London (9 February 1989)
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Stowell, Robin, "Other solo repertory" in R. Stowell (ed.), (1999) The
Cambridge Companion to the Cello. Cambridge: Cambridge University Press, p. 144
416:
Berio's electronic work dates for the most part from his time at Milan's Studio di
Fonologia. One of the most influential works he produced there was
152:, he was conscripted into the army, but on his first day, he injured his hand while learning how a gun worked and spent time in a military hospital.
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Francesco Giomi, Damiano Meacci, Kilian
Schwoon, "Live Electronics in Luciano Berio's Music", Computer Music Journal 27 (2), The MIT Press, 2003.
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Contemporary
Tendencies in the Relationship of Music and Text with Special Reference to "Pli selon pli" (Boulez) and "Laborinthus II" (Berio)
686:'s 70th birthday by composing a solo cello piece using the letters of Sacher's name (eS, A, C, H, E, Re). This was published under the name
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Berio was active as a conductor and continued to compose to the end of his life. He died in 2003 in a hospital in Rome. He was an atheist.
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Verbe et son "centre et absence". Sur "Cummings ist der
Dichter" de Boulez, "O King" de Berio et "Für Stimmen... Missa est" de Schnebel
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was premiered in 1968. In 1972, Berio returned to Italy. From 1974 to 1980, he was the director of the electro-acoustic division of
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In the last period of his production Berio was also interested in the use of live electronics, applied in some compositions as
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for piano. Berio made a living at this time by accompanying singing classes, and it was in doing this that he met the
American
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Berio is known for adapting and transforming the music of others, but he also adapted his own compositions: the series of
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composition in the history of western music made with voice and elaboration of it by technological means. A later work,
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1091:(premiered in Las Palmas on 24 January 2002 and in the same year in Los Angeles, Amsterdam and Salzburg) and in
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He was noted for his sense of humour. He gave a two-hour seminar at a summer school in the United States analyzing
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The
Modification and Instrumentation of a Famous Hornpipe as a Merry and Altogether Sincere Homage to Uncle Alfred
702:
has been performed since by cellists
Siegfried Palm, Jean-Michelle Fonteneau, and Alexander Ezerman among others.
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In 1960, Berio returned to
Tanglewood, this time as Composer in Residence, and in 1962, on an invitation from
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1626:»...dass nichts an sich jemals vollendet ist.« Untersuchungen zum Instrumentalschaffen von Luciano Berio
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Il dialogo con la materia disintegrata e ricomposta, un'analisi di Thema (Omaggio a Joyce) di Luciano Berio
273:
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2014:
550:(1999): the electronic music and technical part of such pieces was always performed by the musicians of
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Zitat, Collage, Palimpsest ─ Zur Textbasis des Musiktheaters bei Luciano Berio und Sylvano Bussotti
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Giacomo Puccinis "Turandot" und ihre Wandlungen ─ Die Ergänzungsversuche des III. "Turandot"-Aktes
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1202:, which has a strong backbone of harmonic and melodic material entirely based on the piano part).
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588:
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2009:
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was, shortly after its completion, integrated into what is perhaps Berio's most famous work,
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1844:
Entre Détermination et aventure. Essais sur la musique de la deuxième moitié du XXème siècle
1731:, (= Oxford Studies of Composers, vol. 24), Oxford, New York: Oxford University Press, 1991.
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Procédés narratifs dans le théâtre musical récent: L. Berio, S. Bussotti et K. Stockhausen
1270:. Judge, Harry George., Toyne, Anthony. Oxford : Oxford University Press. pp. 44–45.
8:
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2019:
2005:
1828:, Studien zur Wertungsforschung 16, Graz, Wien: Universal Edition 1985, pp. 217–227.
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All this time, Berio had been steadily composing and building a reputation, winning the
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Prinzipien des Musiktheaters bei Luciano Berio – "Passaggio", "Laborintus II", "Opera"
1635:, (= »Inventare der Paul Sacher Stiftung«, vol. 2), Basel: Paul Sacher Stiftung, 1988.
1551:"Le Onorificenze – Cavaliere di Gran Croce Ordine al Merito della Repubblica Italiana"
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1967:
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that was commissioned by the French Television to celebrate the 700th anniversary of
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1963:
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272:, and there he founded the Juilliard Ensemble, a group dedicated to performances of
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754:. These works explore the full possibilities of each instrument, often calling for
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514:, who for this piece provided a text full of quotations from sources including the
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1996:
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Musiktheater heute. Internationales Symposion der Paul Sacher Stiftung Basel 2001
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coast of Italy. He was taught piano by his father and grandfather, who were both
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in 1955. He invited a number of significant composers to work there, among them
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Nella festa tutto? Structure and Dramaturgy in Luciano Berio's »La vera storia«
1690:
Un essai sur la composition verbale électronique »Visage« de Luciano Berio
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process of analysis-by-composition, a form of analytic transcription of which
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Berio composed a series of virtuoso works for solo instruments under the name
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Musikalische Avantgarde um 1960. Entwurf einer Theorie der informellen Musik
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1973:
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Luciano Berio. Two Interviews with Rossana Dalmonte and Bálint András Varga
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Sprache und Musik bei Luciano Berio. Untersuchungen zu seinem Vokalschaffen
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276:. In 1966, he married again, this time to the noted philosopher of science
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997:(1967) for viola and adapts it for solo viola and nine other instruments.
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Dissoziation als Prozeß. "Sincronie for string quartet" von Luciano Berio
1762:
La Revue Musicale, numéro spécial Varèse ─ Xenakis ─ Berio ─ Pierre Henry
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Here Comes Nobody: A Dramaturgical Exploration of Luciano Berio's "Outis"
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in 1994. The same year, he became Distinguished Composer in Residence at
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155:
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Vielstimmigkeit und Bedeutungsvielfalt im Musiktheater von Luciano Berio
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Luciano Berio et la phonologie. Une approche jakobsonienne de son œuvre
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860:
800:
770:
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194:
1785:, edited by Luigi Pestalozza, Modena, Milan: Mucchi and Ricordi, 1993.
1105:
and completed them by adding music derived from other Schubert works.
100:(24 October 1925 – 27 May 2003) was an Italian composer noted for his
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2026:
Obituaries: "Luciano Berio Is Dead at 77; Composer of Mind and Heart"
1206:
1182:(1972), all written for Berberian, and a number of stage works, with
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317:
242:
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Oper heute. Formen der Wirklichkeit im zeitgenössischen Musiktheater
573:
539:, written in the context of the outbreak of the civil war in Spain.
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external links, and converting useful links where appropriate into
1647:
Jean-François Lyotard, Miscellaneous Texts II: Contemporary Artists
1087:
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452:
361:
112:
1215:, for flute, harp, clarinet, cello, violin and electronic sounds,
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Knights Grand Cross of the Order of Merit of the Italian Republic
2072:"This Represents at Least a Thousand Words I Was Not Counting On"
1956:
1380:, "La Civiltà Cattolica" no. 3372, 15 December 1990, pp. 593–594.
965:
529:
Another example of the influence of Sanguineti is the large work
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56:
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1319:
1246:
Knight Grand Cross of the Order of Merit of the Italian Republic
32:
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939:
456:
2544:
2368:
Quattro versioni originali della "Ritirata notturna di Madrid"
1859:"È l'ora della prova": Berio's finale for Puccini's "Turandot"
1005:(1968) by the addition of an orchestra, and there also exists
938:(1995; prelude, interlude and ending for an opera fragment by
832:
for soprano saxophone (adaptation by Claude Delangle in 1993);
1977:
1851:"È l'ora della prova": un finale Puccini-Berio per »Turandot«
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515:
464:
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350:
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Zibaldone. Zeitschrift für italienische Kultur der Gegenwart
353:
in Paris. He married the musicologist Talia Pecker in 1977.
388:. In 2000, he became Presidente and Sovrintendente at the
3933:
Academic staff of the Accademia Nazionale di Santa Cecilia
1984:
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but throughout his "deconstructive" works. Rather, each
1029:
were also shaped into new works under titles other than
850:
for alto saxophone (adaptation by the composer in 1981);
820:
for oboe (1969) (rev. by Jacqueline Leclair and renamed
360:, a centre for musical research and production based in
3372:
1831:
Ivanka Stoïanova, "Luciano Berio. Chemins en musique".
1685:, vol. 35, Tübingen: Stauffenburg 2003, pp. 50–77.
1300:
List of music students by teacher: A to B#Luciano Berio
1013:
without the solo viola but with a larger ensemble, and
856:
for bass clarinet (adaptation by Rocco Parisi in 1998);
335:, a work for voices, instruments and tape with text by
189:
In 1952, Berio went to the United States to study with
1692:, ("Quaderni di Musica/Realtà", vol. 30), Modena 1993.
1205:
Lesser known works make use of a very distinguishable
380:, remaining there until 2000. In 1993–94, he gave the
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1510:. Andante. Archived from the original on 5 July 2007.
3908:
Fellows of the American Academy of Arts and Sciences
3903:
Members of the European Academy of Sciences and Arts
2699:
1619:
Les débuts du théâtre musical d'avantgarde en Italie
447:
a work which exists in two versions: one for voice,
1817:, Paris: 10/18, 1978, ("O King", pp. 168–173).
1581:
Sinfonia von Luciano Berio. Eine analytische Studie
343:’s birth. His reputation was strengthened when his
245:. He also produced an electronic music periodical,
1681:, in: Thomas Bremer and Titus Heydenreich (eds.),
1044:As well as original works, Berio made a number of
972:
372:. He was elected a Foreign Honorary Member of the
364:. In 1988, he was made an Honorary Member of the
159:Berio's first wife was the American mezzo-soprano
3018:
1905:may not follow Knowledge's policies or guidelines
1235:for 8 voices, 4 clarinets and saxophone quartet.
3893:International Rostrum of Composers prize-winners
3809:
1857:31/2002, pp. 395–479; English translation:
1715:Playing on Words. A Guide to Berio's »Sinfonia«
1505:
1227:, for marimba, vibraphone, and two pianos, and
280:. They divorced in 1972. His students included
110:and his series of virtuosic solo pieces titled
3898:Honorary members of the Royal Academy of Music
1776:Teatro. K, Passaggio, Traumdeutung, Protocolli
1553:(in Italian). 20 February 2008. Archived from
1528:
422:(1958), based on Cathy Berberian reading from
368:, London. The following year, he received the
264:. From 1960 to 1962, Berio also taught at the
3358:
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2000:, "Luciano Berio" biography and list of works
1974:"Luciano Berio (biography, works, resources)"
1846:, Paris: L'Harmattan, 2004, pp. 243–276.
1704:Pensiero e giuoco nel teatro di Luciano Berio
1699:, Frankfurt, Bern, New York: Peter Lang 1993.
2464:Studio di fonologia musicale di Radio Milano
1987:, centre for music research founded by Berio
1263:
864:for trumpet in C and piano resonance (1984);
233:, an electronic music studio in Milan, with
1600:, Bern/Frankfurt/New York, Peter Lang 2007.
602:. Unsourced material may be challenged and
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3011:
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2678:
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2523:
2110:
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1717:, London (Royal Musical Association) 1985.
1708:Orizzonti musicali italo-europei 1860–1980
1231:, for eleven strings and oboe, as well as
31:
1941:Learn how and when to remove this message
1649:. Leuven: Leuven University Press, 2012.
993:(1967), for instance, takes the original
622:Learn how and when to remove this message
203:Internationale Ferienkurse für Neue Musik
104:work (in particular his 1968 composition
1710:. Rome: Bulzoni. 1990, pp. 299–316.
1631:René Karlen and Sabine Stampfli (eds.),
1223:for flute and four instrumental groups,
1048:of works by other composers, among them
724:of the Netherlands in the Hague in 1972.
711:
481:
384:lectures at Harvard, later published as
167:Following the war, Berio studied at the
154:
1420:
1358:. American Academy of Arts and Sciences
1353:"Book of Members, 1780–2010: Chapter B"
486:Berio with violinist Francesco D'Orazio
432:, which can be considered as the first
3810:
1389:
981:gave rise to a series of works called
266:Dartington International Summer School
3888:Ernst von Siemens Music Prize winners
3346:
2992:
2673:
2518:
2505:
2174:Concerto for Two Pianos and Orchestra
2091:
2078:, by Grant Chu Covell (November 2005)
1674:, Mainz, Schott 2003, p. 97–133.
1534:
1469:
1166:Among Berio's other compositions are
412:List of compositions by Luciano Berio
374:American Academy of Arts and Sciences
197:, from whom he gained an interest in
3878:Recipients of the Praemium Imperiale
2057:A brief analysis of Luciano Berio's
1885:
1329:. London Sinfonietta. Archived from
634:Along with eleven other composers, (
600:adding citations to reliable sources
567:
390:Accademia Nazionale di Santa Cecilia
268:. In 1965, he began to teach at the
3838:20th-century Italian male musicians
1345:
1327:"Luciano Berio, London Sinfonietta"
120:. His early work was influenced by
13:
3948:Pupils of Giorgio Federico Ghedini
1799:, New York, London: Garland, 1989.
1598:Das Musiktheater von Luciano Berio
1583:, Vienna: Universal Edition, 1977.
1572:
1508:"Puccini/Berio: Turandot, Act III"
1264:Norwich, John Julius (1985–1993).
1219:, for three clarinets and voices,
678:), Berio was asked by the cellist
116:), and for his pioneering work in
14:
3974:
2117:
2051:"Berio/Dubuffet – a conversation"
1881:
1037:(1981), for example, is based on
682:to celebrate the Swiss conductor
467:, the other for eight voices and
171:under Giulio Cesare Paribeni and
3848:Italian string quartet composers
3843:Twelve-tone and serial composers
3828:20th-century classical composers
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2488:
2487:
2433:
2320:
1890:
1074:(1964; a set of arrangements of
572:
2084:by Bruce Duffie, 4 January 1993
2066:"The maestro they love to hate"
2053:(compiled by John Fowler, 1996)
1633:Luciano Berio. Musikmanuskripte
1543:
1499:
1490:
1463:
1313:"Laborintus II (author's note)"
1267:Oxford illustrated encyclopedia
1078:). He also wrote an ending for
973:Transcriptions and arrangements
898:for double bass (adaptation by
886:for accordion "Chanson" (1995);
3833:20th-century Italian composers
1824:, in: Otto Kolleritsch (ed.),
1590:, Laaber: Laaber Verlag, 1993.
1506:Robert Hilferty (March 2002).
1472:"The Tragedy of Consciousness"
1441:
1414:
1395:"Luciano Berio: The Godfather"
1383:
1370:
1305:
1292:
1257:
906:
1:
3020:Ernst von Siemens Music Prize
1764:, Paris 1968, pp. 85–93.
1451:. Temporeale.it (Tempo Reale)
1315:. Centro Studi Luciano Berio.
1251:
1233:Canticum novissimi testamenti
1097:(1989) took the few sketches
370:Ernst von Siemens Music Prize
3953:Pupils of Luigi Dallapiccola
3883:Wolf Prize in Arts laureates
3863:Italian male opera composers
2082:Interview with Luciano Berio
1998:The Living Composers Project
1865:16 (2004), pp. 187–238.
1810:, 1 (1974), pp. 79–102.
1001:was itself transformed into
471:. The piece is in memory of
231:Studio di fonologia musicale
127:
16:Italian composer (1925–2003)
7:
3923:Deutsche Grammophon artists
1792:, Kassel: Bärenreiter 2000.
1778:, Milan: Feltrinelli, 1969.
1742:9 (1997), pp. 281–294.
1628:, Bern/Stuttgart/Wien 1995.
1470:Moody, Rick (25 May 2010).
705:
225:. He became interested in
10:
3979:
3913:Harvard University faculty
1957:Centro Studi Luciano Berio
1753:12/2000, pp. 163–178.
1724:. New York/London: , 1985.
1720:David Osmond-Smith (ed.),
1641:, "'A Few Words to Sing':
1621:, Paris, L'Harmattan 2000.
1238:
690:. Berio's piece is called
561:
490:The orchestral version of
409:
256:, took a teaching post at
3963:Milan Conservatory alumni
3680:
3617:
3486:
3381:
3026:
2712:
2559:
2512:
2507:Links to related articles
2485:
2451:
2409:
2400:Requiem of Reconciliation
2384:
2352:
2301:
2235:
2189:
2159:
2134:
2125:
1976:(in French and English).
1876:2/1990, pp. 173–185.
1670:/Matthias Kassel (eds.),
1614:, Regensburg, Bosse 1982.
1603:Claudia Sabine Di Luzio,
1520:: CS1 maint: unfit URL (
1449:"Visage di Luciano Berio"
1068:. For Berberian he wrote
985:each based on one of the
788:for woman's voice (1966);
698:in Prague in 2011. Music
688:12 Hommages à Paul Sacher
557:
443:In 1968, Berio completed
80:
64:
42:
30:
23:
3918:Juilliard School faculty
3067:Dietrich Fischer-Dieskau
2867:Gottfried Michael Koenig
2624:Gottfried Michael Koenig
1842:, in: Ivanka Stoïanova,
1421:Daniele, Romina (2010).
740:came in 1958 and is for
400:Beethoven's 7th Symphony
201:. He later attended the
173:Giorgio Federico Ghedini
3853:Italian opera composers
3718:Michelangelo Pistoletto
3659:Michelangelo Pistoletto
2551:Darmstädter Ferienkurse
2418:Thema (Omaggio a Joyce)
1991:Luciano Berio biography
1874:Cambridge Opera Journal
1868:Matthias Theodor Vogt,
1863:Cambridge Opera Journal
1815:Texte ─ geste ─ musique
1758:Entretien Luciano Berio
1751:Cambridge Opera Journal
1740:Cambridge Opera Journal
1706:, in: Fiamma Nicolodi,
1535:Berio, Luciano (1985).
1188:, a collaboration with
892:for violoncello (2002);
419:Thema (Omaggio a Joyce)
405:
3451:Eduardo Souto de Moura
2927:Second Viennese School
2062:, Allen B. Ruch (2003)
2004:Joseph Stevenson.
1539:. New York: M. Boyars.
964:(2001; ending for the
725:
487:
473:Martin Luther King Jr.
386:Remembering the Future
366:Royal Academy of Music
164:
3938:Mills College faculty
3548:Mstislav Rostropovich
3289:Pierre-Laurent Aimard
3103:Karlheinz Stockhausen
3043:Mstislav Rostropovich
2959:Karlheinz Stockhausen
2917:Einojuhani Rautavaara
2654:Karlheinz Stockhausen
2442:Recital I (for Cathy)
2068:, John Whiting (1996)
1985:Tempo Reale, Florence
1966:biography and works,
1767:Enzo Restagno (ed.),
1639:Jean-François Lyotard
1607:, Mainz, Schott 2010.
1378:La musica e la Bibbia
1179:Recital I (for Cathy)
1122:Johann Sebastian Bach
872:for guitar (1987–88);
715:
680:Mstislav Rostropovich
485:
215:Karlheinz Stockhausen
158:
3868:Grammy Award winners
3858:Electronic composers
3512:Krzysztof Penderecki
3277:Christoph Eschenbach
3199:Nikolaus Harnoncourt
3139:H. C. Robbins Landon
2902:Krzysztof Penderecki
2857:Josef Matthias Hauer
2797:André Boucourechliev
2752:Osvaldas Balakauskas
2393:A Garland for Dr. K.
2128:List of compositions
1911:improve this article
1835:Nos. 375–377 (1985).
1781:Edoardo Sanguineti,
1774:Edoardo Sanguineti,
1771:, Torino: EDT, 1995.
1745:David Osmond-Smith,
1734:David Osmond-Smith,
1727:David Osmond-Smith,
1713:David Osmond-Smith,
1695:Florivaldo Menezes,
1688:Florivaldo Menezes,
915:(1970, revised 1977)
844:for clarinet (1980);
804:for trombone (1966);
596:improve this section
382:Charles Eliot Norton
310:Flavio Emilio Scogna
85:List of compositions
3943:People from Imperia
3873:Prix Italia winners
3477:Yoshiharu Tsukamoto
3157:Harrison Birtwistle
3049:Herbert von Karajan
2822:Niccolò Castiglioni
2594:Niccolò Castiglioni
2478:(completed in 2002)
2020:The Daily Telegraph
1923:footnote references
1788:Charlotte Seither,
1557:on 20 February 2008
1376:Giovanni Arledler,
1021:with an added solo
933:Vor, während, nach
900:Stefano Scodanibbio
880:for bassoon (1995);
756:extended techniques
700:Les mots sont allés
692:Les mots sont allés
356:In 1987, he opened
262:Oakland, California
3928:RCA Victor artists
3441:David Chipperfield
3429:Álvaro Siza Vieira
3399:Giancarlo De Carlo
3375:Wolf Prize in Arts
3235:Anne-Sophie Mutter
3193:Reinhold Brinkmann
3085:Witold Lutosławski
2877:Witold Lutosławski
2842:Luigi Dallapiccola
2737:Hans Erich Apostel
2609:Franco Evangelisti
2410:Other compositions
2236:Instrumental music
2074:review of Berio's
2031:The New York Times
1993:, The Modern Word.
1838:Ivanka Stoïanova,
1820:Ivanka Stoïanova,
1813:Ivanka Stoïanova,
1802:Ivanka Stoïanova,
1756:Michel Philippot,
1617:Giordano Ferrari,
1192:, the best known.
1050:Claudio Monteverdi
838:for violin (1976);
726:
696:František Brikcius
676:Witold Lutosławski
660:Cristóbal Halffter
512:Edoardo Sanguineti
502:musical quotations
488:
378:Harvard University
337:Edoardo Sanguineti
274:contemporary music
229:, co-founding the
191:Luigi Dallapiccola
169:Milan Conservatory
165:
132:Berio was born in
37:Berio in the 1970s
3759:
3758:
3753:
3752:
3665:Rosemarie Trockel
3494:Vladimir Horowitz
3373:Laureates of the
3340:
3339:
3229:Brian Ferneyhough
3169:Helmut Lachenmann
3127:Hans Werner Henze
3109:Leonard Bernstein
2986:
2985:
2937:Arnold Schoenberg
2667:
2666:
2499:
2498:
2294:
2244:Cinque variazioni
2150:Cronaca del luogo
2045:, "Luciano Berio"
1968:Universal Edition
1951:
1950:
1943:
1833:La Revue Musicale
1702:Fiamma Nicolodi,
1655:978-90-586-7886-7
1624:Thomas Gartmann,
1610:Norbert Dressen,
1586:Gianmario Borio,
1434:978-88-904905-1-4
1393:(11 April 2004).
1221:Tempi concertanti
953:Cronaca del luogo
812:for viola (1967);
796:for piano (1966);
774:for flute (1958);
664:Hans Werner Henze
656:Alberto Ginastera
632:
631:
624:
477:been assassinated
306:Giulio Castagnoli
247:Incontri Musicali
90:
89:
3970:
3800:
3799:
3798:
3788:
3787:
3776:
3775:
3774:
3767:
3712:Louise Bourgeois
3688:Eduardo Chillida
3653:Louise Bourgeois
3552:Daniel Barenboim
3498:Olivier Messiaen
3469:Elizabeth Diller
3367:
3360:
3353:
3344:
3343:
3313:Georges Aperghis
3307:Tabea Zimmermann
3301:Rebecca Saunders
3223:Daniel Barenboim
3163:Maurizio Pollini
3037:Olivier Messiaen
3031:Benjamin Britten
3013:
3006:
2999:
2990:
2989:
2969:Charles Wuorinen
2954:Nikos Skalkottas
2847:Karel Goeyvaerts
2727:Louis Andriessen
2694:
2687:
2680:
2671:
2670:
2639:Olivier Messiaen
2614:Karel Goeyvaerts
2546:Darmstadt School
2539:
2532:
2525:
2516:
2515:
2503:
2502:
2491:
2490:
2452:Related articles
2437:
2324:
2254:
2160:Orchestral works
2143:Un re in ascolto
2112:
2105:
2098:
2089:
2088:
2043:CompositionToday
1981:
1960:
1959:
1946:
1939:
1935:
1932:
1926:
1894:
1893:
1886:
1677:Jürgen Maehder,
1596:Ute Brüdermann,
1567:
1566:
1564:
1562:
1547:
1541:
1540:
1532:
1526:
1525:
1519:
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1343:
1342:
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1338:
1323:
1317:
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1309:
1303:
1296:
1290:
1289:
1261:
1185:Un re in ascolto
1114:Ferruccio Busoni
926:Un re in ascolto
782:for harp (1963);
765:are as follows:
718:Princess Beatrix
652:Wolfgang Fortner
644:Benjamin Britten
627:
620:
616:
613:
607:
576:
568:
564:Sacher hexachord
546:(1988–1997) and
314:William Schimmel
302:Luca Francesconi
282:Louis Andriessen
270:Juilliard School
227:electronic music
118:electronic music
99:
71:
52:
50:
35:
21:
20:
3978:
3977:
3973:
3972:
3971:
3969:
3968:
3967:
3808:
3807:
3806:
3796:
3794:
3782:
3778:Classical music
3772:
3770:
3762:
3760:
3755:
3754:
3749:
3734:Lawrence Weiner
3730:Laurie Anderson
3724:Olafur Eliasson
3694:Claes Oldenburg
3676:
3647:Gerhard Richter
3613:
3568:Plácido Domingo
3482:
3457:Phyllis Lambert
3377:
3371:
3341:
3336:
3325:George Benjamin
3259:Friedrich Cerha
3253:Aribert Reimann
3217:Henri Dutilleux
3181:Arditti Quartet
3022:
3017:
2987:
2982:
2922:Humphrey Searle
2897:Juan Carlos Paz
2817:Jacques Calonne
2767:Richard Barrett
2742:Kees van Baaren
2717:Hans Abrahamsen
2708:
2698:
2668:
2663:
2634:Giacomo Manzoni
2604:Franco Donatoni
2564:Hans Abrahamsen
2555:
2543:
2508:
2500:
2495:
2481:
2447:
2405:
2380:
2348:
2343:Cries of London
2297:
2231:
2185:
2155:
2130:
2121:
2116:
2047:by Gavin Thomas
1972:
1955:
1954:
1947:
1936:
1930:
1927:
1908:
1899:This article's
1895:
1891:
1884:
1879:
1849:Marco Uvietta,
1668:Hermann Danuser
1579:Peter Altmann,
1575:
1573:Further reading
1570:
1560:
1558:
1549:
1548:
1544:
1533:
1529:
1513:
1512:
1504:
1500:
1495:
1491:
1481:
1479:
1478:. TheRumpus.net
1468:
1464:
1454:
1452:
1447:
1446:
1442:
1435:
1419:
1415:
1405:
1403:
1400:The Independent
1388:
1384:
1375:
1371:
1361:
1359:
1355:
1351:
1350:
1346:
1336:
1334:
1333:on 12 July 2010
1325:
1324:
1320:
1311:
1310:
1306:
1297:
1293:
1278:
1262:
1258:
1254:
1241:
1118:Igor Stravinsky
1103:Symphony No. 10
1080:Giacomo Puccini
1058:Johannes Brahms
1009:, a version of
975:
909:
710:
648:Henri Dutilleux
628:
617:
611:
608:
593:
577:
566:
560:
434:electroacoustic
414:
408:
341:Dante Alighieri
286:Noah Creshevsky
209:, where he met
184:Cathy Berberian
161:Cathy Berberian
130:
122:Igor Stravinsky
95:
76:
73:
69:
60:
54:
53:24 October 1925
48:
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38:
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12:
11:
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3650:
3644:
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3621:
3619:
3615:
3614:
3612:
3611:
3605:
3595:
3588:Paul McCartney
3585:
3582:Murray Perahia
3575:
3565:
3562:Claudio Abbado
3555:
3545:
3535:
3525:
3518:Yehudi Menuhin
3515:
3505:
3490:
3488:
3484:
3483:
3481:
3480:
3473:Momoyo Kaijima
3466:
3460:
3454:
3448:
3445:Peter Eisenman
3438:
3432:
3426:
3416:
3402:
3392:
3385:
3383:
3379:
3378:
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3362:
3355:
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3335:
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3304:
3298:
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3274:
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3265:Mariss Jansons
3262:
3256:
3250:
3247:Michael Gielen
3244:
3238:
3232:
3226:
3220:
3214:
3211:Alfred Brendel
3208:
3202:
3196:
3190:
3187:Mauricio Kagel
3184:
3178:
3172:
3166:
3160:
3154:
3151:Claudio Abbado
3148:
3142:
3136:
3133:Heinz Holliger
3130:
3124:
3118:
3115:Peter Schreier
3112:
3106:
3100:
3097:Andrés Segovia
3094:
3091:Yehudi Menuhin
3088:
3082:
3076:
3073:Elliott Carter
3070:
3064:
3058:
3052:
3046:
3040:
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3027:
3024:
3023:
3016:
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3008:
3001:
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2984:
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2951:
2949:Roger Sessions
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2919:
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2912:Henri Pousseur
2909:
2904:
2899:
2894:
2889:
2887:Donald Martino
2884:
2879:
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2859:
2854:
2852:Henryk Górecki
2849:
2844:
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2814:
2809:
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2799:
2794:
2792:Konrad Boehmer
2789:
2784:
2779:
2774:
2769:
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2759:
2754:
2749:
2747:Milton Babbitt
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2713:
2710:
2709:
2697:
2696:
2689:
2682:
2674:
2665:
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2662:
2661:
2659:Iannis Xenakis
2656:
2651:
2649:Henri Pousseur
2646:
2641:
2636:
2631:
2626:
2621:
2619:Mauricio Kagel
2616:
2611:
2606:
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2407:
2406:
2404:
2403:
2396:
2388:
2386:
2385:Collaborations
2382:
2381:
2379:
2378:
2375:Op. 120, No. 1
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2048:
2039:
2036:Paul Griffiths
2023:
2012:
2002:
1994:
1988:
1982:
1970:
1961:
1949:
1948:
1903:external links
1898:
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1882:External links
1880:
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1866:
1855:Studi musicali
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1537:Two Interviews
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1427:. Milan: RDM.
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1391:Butler, Martin
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290:Steven Gellman
254:Darius Milhaud
239:Henri Pousseur
223:Mauricio Kagel
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72:(aged 77)
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3894:
3891:
3889:
3886:
3884:
3881:
3879:
3876:
3874:
3871:
3869:
3866:
3864:
3861:
3859:
3856:
3854:
3851:
3849:
3846:
3844:
3841:
3839:
3836:
3834:
3831:
3829:
3826:
3824:
3821:
3819:
3816:
3815:
3813:
3803:
3793:
3791:
3786:
3781:
3779:
3769:
3768:
3765:
3745:
3741:
3740:Fujiko Nakaya
3738:
3735:
3731:
3728:
3725:
3722:
3719:
3716:
3713:
3710:
3707:
3706:James Turrell
3704:
3701:
3698:
3695:
3692:
3689:
3686:
3685:
3683:
3679:
3672:
3671:Cindy Sherman
3669:
3666:
3663:
3660:
3657:
3654:
3651:
3648:
3645:
3642:
3641:Anselm Kiefer
3639:
3636:
3633:
3630:
3629:Antoni Tàpies
3626:
3623:
3622:
3620:
3616:
3609:
3608:György Kurtág
3606:
3603:
3602:Olga Neuwirth
3599:
3598:Stevie Wonder
3596:
3593:
3589:
3586:
3583:
3579:
3578:Jessye Norman
3576:
3573:
3569:
3566:
3563:
3559:
3558:Giya Kancheli
3556:
3553:
3549:
3546:
3543:
3542:Riccardo Muti
3539:
3538:Pierre Boulez
3536:
3533:
3532:György Ligeti
3529:
3526:
3523:
3522:Luciano Berio
3519:
3516:
3513:
3509:
3506:
3503:
3499:
3495:
3492:
3491:
3489:
3485:
3478:
3474:
3470:
3467:
3464:
3461:
3458:
3455:
3452:
3449:
3446:
3442:
3439:
3436:
3433:
3430:
3427:
3424:
3423:Aldo van Eyck
3420:
3417:
3414:
3410:
3406:
3403:
3400:
3396:
3395:Fumihiko Maki
3393:
3390:
3389:Ralph Erskine
3387:
3386:
3384:
3380:
3376:
3368:
3363:
3361:
3356:
3354:
3349:
3348:
3345:
3332:
3329:
3326:
3323:
3320:
3319:Olga Neuwirth
3317:
3314:
3311:
3308:
3305:
3302:
3299:
3296:
3293:
3290:
3287:
3284:
3281:
3278:
3275:
3272:
3269:
3266:
3263:
3260:
3257:
3254:
3251:
3248:
3245:
3242:
3239:
3236:
3233:
3230:
3227:
3224:
3221:
3218:
3215:
3212:
3209:
3206:
3205:Wolfgang Rihm
3203:
3200:
3197:
3194:
3191:
3188:
3185:
3182:
3179:
3176:
3175:György Kurtág
3173:
3170:
3167:
3164:
3161:
3158:
3155:
3152:
3149:
3146:
3145:György Ligeti
3143:
3140:
3137:
3134:
3131:
3128:
3125:
3122:
3121:Luciano Berio
3119:
3116:
3113:
3110:
3107:
3104:
3101:
3098:
3095:
3092:
3089:
3086:
3083:
3080:
3077:
3074:
3071:
3068:
3065:
3062:
3061:Pierre Boulez
3059:
3056:
3055:Rudolf Serkin
3053:
3050:
3047:
3044:
3041:
3038:
3035:
3032:
3029:
3028:
3025:
3021:
3014:
3009:
3007:
3002:
3000:
2995:
2994:
2991:
2978:
2977:
2972:
2970:
2967:
2965:
2964:Richard Swift
2962:
2960:
2957:
2955:
2952:
2950:
2947:
2943:
2940:
2938:
2935:
2933:
2930:
2929:
2928:
2925:
2923:
2920:
2918:
2915:
2913:
2910:
2908:
2905:
2903:
2900:
2898:
2895:
2893:
2890:
2888:
2885:
2883:
2882:Bruno Maderna
2880:
2878:
2875:
2873:
2870:
2868:
2865:
2863:
2860:
2858:
2855:
2853:
2850:
2848:
2845:
2843:
2840:
2838:
2835:
2833:
2832:Aaron Copland
2830:
2828:
2827:Aldo Clementi
2825:
2823:
2820:
2818:
2815:
2813:
2810:
2808:
2807:Martin Boykan
2805:
2803:
2802:Pierre Boulez
2800:
2798:
2795:
2793:
2790:
2788:
2787:Luciano Berio
2785:
2783:
2780:
2778:
2777:Arthur Berger
2775:
2773:
2770:
2768:
2765:
2763:
2762:Jean Barraqué
2760:
2758:
2755:
2753:
2750:
2748:
2745:
2743:
2740:
2738:
2735:
2733:
2730:
2728:
2725:
2723:
2720:
2718:
2715:
2714:
2711:
2706:
2702:
2695:
2690:
2688:
2683:
2681:
2676:
2675:
2672:
2660:
2657:
2655:
2652:
2650:
2647:
2645:
2642:
2640:
2637:
2635:
2632:
2630:
2629:Bruno Maderna
2627:
2625:
2622:
2620:
2617:
2615:
2612:
2610:
2607:
2605:
2602:
2600:
2599:Aldo Clementi
2597:
2595:
2592:
2590:
2587:
2585:
2582:
2580:
2579:Pierre Boulez
2577:
2575:
2574:Luciano Berio
2572:
2570:
2569:Jean Barraqué
2567:
2565:
2562:
2561:
2558:
2553:
2552:
2547:
2540:
2535:
2533:
2528:
2526:
2521:
2520:
2517:
2511:
2504:
2494:
2484:
2477:
2476:
2472:
2470:
2467:
2465:
2462:
2460:
2457:
2456:
2454:
2450:
2444:
2443:
2439:
2436:
2432:
2431:Laborintus II
2429:
2427:
2426:
2422:
2420:
2419:
2415:
2414:
2412:
2408:
2402:
2401:
2397:
2395:
2394:
2390:
2389:
2387:
2383:
2377:
2376:
2372:
2370:
2369:
2365:
2363:
2362:
2358:
2357:
2355:
2351:
2345:
2344:
2340:
2338:
2337:
2333:
2331:
2330:
2326:
2323:
2319:
2318:
2314:
2312:
2311:
2307:
2306:
2304:
2300:
2292:
2291:
2287:
2283:
2279:
2275:
2271:
2267:
2263:
2259:
2253:
2252:
2248:
2246:
2245:
2241:
2240:
2238:
2234:
2228:
2227:
2223:
2221:
2220:
2216:
2214:
2213:
2209:
2207:
2206:
2205:Chamber Music
2202:
2200:
2199:
2195:
2194:
2192:
2190:Chamber music
2188:
2182:
2181:
2177:
2175:
2172:
2170:
2169:
2165:
2164:
2162:
2158:
2152:
2151:
2147:
2145:
2144:
2140:
2139:
2137:
2133:
2129:
2124:
2120:
2119:Luciano Berio
2113:
2108:
2106:
2101:
2099:
2094:
2093:
2090:
2083:
2080:
2077:
2073:
2070:
2067:
2064:
2061:
2060:
2055:
2052:
2049:
2046:
2044:
2040:
2038:(28 May 2003)
2037:
2033:
2032:
2027:
2024:
2022:
2021:
2016:
2013:
2011:
2007:
2006:Luciano Berio
2003:
2001:
1999:
1995:
1992:
1989:
1986:
1983:
1979:
1975:
1971:
1969:
1965:
1964:Luciano Berio
1962:
1958:
1953:
1952:
1945:
1942:
1934:
1924:
1920:
1919:inappropriate
1916:
1912:
1906:
1904:
1897:
1888:
1887:
1875:
1871:
1867:
1864:
1860:
1856:
1852:
1848:
1845:
1841:
1837:
1834:
1830:
1827:
1823:
1819:
1816:
1812:
1809:
1805:
1801:
1798:
1794:
1791:
1787:
1784:
1780:
1777:
1773:
1770:
1766:
1763:
1759:
1755:
1752:
1748:
1744:
1741:
1737:
1733:
1730:
1726:
1723:
1719:
1716:
1712:
1709:
1705:
1701:
1698:
1694:
1691:
1687:
1684:
1680:
1676:
1673:
1669:
1665:
1661:
1658:
1656:
1652:
1648:
1644:
1640:
1637:
1634:
1630:
1627:
1623:
1620:
1616:
1613:
1609:
1606:
1602:
1599:
1595:
1592:
1589:
1585:
1582:
1578:
1577:
1556:
1552:
1546:
1538:
1531:
1523:
1517:
1509:
1502:
1493:
1477:
1473:
1466:
1450:
1444:
1436:
1430:
1426:
1425:
1417:
1402:
1401:
1396:
1392:
1386:
1379:
1373:
1354:
1348:
1332:
1328:
1322:
1314:
1308:
1301:
1295:
1287:
1283:
1279:
1277:0-19-869129-7
1273:
1269:
1268:
1260:
1256:
1247:
1243:
1242:
1236:
1234:
1230:
1226:
1222:
1218:
1214:
1213:
1208:
1203:
1201:
1200:
1193:
1191:
1190:Italo Calvino
1187:
1186:
1181:
1180:
1175:
1171:
1170:
1164:
1162:
1158:
1154:
1150:
1144:
1142:
1137:
1133:
1132:
1127:
1123:
1119:
1115:
1111:
1106:
1104:
1101:made for his
1100:
1096:
1095:
1090:
1089:
1085:
1081:
1077:
1073:
1072:
1067:
1063:
1062:Gustav Mahler
1059:
1055:
1054:Henry Purcell
1051:
1047:
1042:
1040:
1039:Sequenza VIII
1036:
1032:
1028:
1024:
1023:bass clarinet
1020:
1016:
1012:
1008:
1004:
1000:
996:
992:
988:
984:
980:
967:
963:
962:
958:
955:
954:
950:
947:
944:
941:
937:
936:
931:
928:
927:
923:
920:
917:
914:
911:
910:
901:
897:
896:Sequenza XIVb
894:
891:
890:Sequenza XIVa
888:
885:
884:Sequenza XIII
882:
879:
878:
874:
871:
870:
866:
863:
862:
858:
855:
852:
849:
846:
843:
840:
837:
836:Sequenza VIII
834:
831:
830:
829:Sequenza VIIb
826:
823:
822:Sequenza VIIa
819:
818:
814:
811:
810:
806:
803:
802:
798:
795:
794:
790:
787:
784:
781:
780:
776:
773:
772:
768:
767:
766:
764:
759:
757:
753:
749:
748:
743:
739:
738:
734:. The first,
733:
732:
723:
719:
714:
708:
703:
701:
697:
693:
689:
685:
681:
677:
673:
669:
665:
661:
657:
653:
649:
645:
641:
640:Pierre Boulez
637:
626:
623:
615:
612:December 2014
605:
601:
597:
591:
590:
586:
581:This section
579:
575:
570:
569:
565:
555:
553:
549:
545:
540:
538:
534:
533:
527:
525:
521:
517:
513:
509:
508:
503:
499:
498:
493:
484:
480:
478:
474:
470:
466:
462:
458:
454:
450:
446:
441:
439:
435:
431:
430:
425:
421:
420:
413:
403:
401:
396:
393:
391:
387:
383:
379:
375:
371:
367:
363:
359:
354:
352:
348:
347:
342:
338:
334:
333:Laborintus II
330:
325:
323:
322:Grateful Dead
319:
315:
311:
307:
303:
299:
295:
291:
287:
283:
279:
275:
271:
267:
263:
259:
258:Mills College
255:
250:
248:
244:
240:
236:
235:Bruno Maderna
232:
228:
224:
220:
219:György Ligeti
216:
212:
211:Pierre Boulez
208:
204:
200:
196:
192:
187:
185:
182:
181:mezzo-soprano
178:
174:
170:
162:
157:
153:
151:
147:
143:
139:
136:(now part of
135:
125:
123:
119:
115:
114:
109:
108:
103:
98:
94:
93:Luciano Berio
86:
83:
79:
67:
63:
58:
45:
41:
34:
29:
25:Luciano Berio
22:
19:
3744:Richard Long
3700:Bruce Nauman
3635:Jasper Johns
3625:Marc Chagall
3592:Ádám Fischer
3572:Simon Rattle
3521:
3463:Moshe Safdie
3413:Denys Lasdun
3382:Architecture
3120:
3079:Gidon Kremer
2974:
2942:Anton Webern
2907:George Perle
2872:Ernst Krenek
2862:Ben Johnston
2837:Henry Cowell
2786:
2782:Erik Bergman
2732:Denis ApIvor
2573:
2549:
2473:
2440:
2430:
2423:
2416:
2398:
2391:
2373:
2366:
2359:
2353:Arrangements
2341:
2334:
2327:
2315:
2308:
2256:
2249:
2242:
2224:
2217:
2210:
2203:
2196:
2178:
2166:
2148:
2141:
2118:
2075:
2058:
2042:
2029:
2018:
1997:
1937:
1928:
1913:by removing
1900:
1873:
1869:
1862:
1858:
1854:
1850:
1843:
1839:
1832:
1825:
1821:
1814:
1807:
1803:
1796:
1789:
1782:
1775:
1768:
1761:
1757:
1750:
1746:
1739:
1735:
1728:
1721:
1714:
1707:
1703:
1696:
1689:
1682:
1678:
1671:
1663:
1646:
1643:Sequenza III
1642:
1632:
1625:
1618:
1611:
1604:
1597:
1587:
1580:
1559:. Retrieved
1555:the original
1545:
1536:
1530:
1501:
1492:
1480:. Retrieved
1475:
1465:
1453:. Retrieved
1443:
1423:
1416:
1404:. Retrieved
1398:
1385:
1377:
1372:
1360:. Retrieved
1347:
1335:. Retrieved
1331:the original
1321:
1307:
1294:
1266:
1259:
1232:
1228:
1224:
1220:
1216:
1210:
1204:
1197:
1194:
1183:
1177:
1176:(1966), and
1174:Sequenza III
1173:
1167:
1165:
1160:
1156:
1145:
1140:
1129:
1107:
1092:
1086:
1069:
1046:arrangements
1043:
1038:
1034:
1030:
1026:
1018:
1014:
1010:
1006:
1002:
998:
994:
990:
986:
982:
978:
976:
959:
951:
945:
932:
924:
918:
912:
895:
889:
883:
877:Sequenza XII
875:
867:
859:
854:Sequenza IXc
853:
848:Sequenza IXb
847:
842:Sequenza IXa
841:
835:
827:
821:
817:Sequenza VII
815:
807:
799:
791:
786:Sequenza III
785:
777:
769:
762:
761:The various
760:
747:Sequenza XIV
745:
744:; the last,
735:
729:
727:
722:Prince Claus
716:Berio meets
706:
699:
691:
687:
633:
618:
609:
594:Please help
582:
547:
543:
541:
537:Pablo Neruda
530:
528:
505:
495:
491:
489:
444:
442:
437:
427:
417:
415:
397:
394:
385:
355:
344:
332:
331:in 1966 for
326:
251:
246:
188:
166:
150:World War II
131:
111:
105:
102:experimental
92:
91:
70:(2003-05-27)
18:
3823:2003 deaths
3818:1925 births
3528:Zubin Mehta
3508:Isaac Stern
3435:Jean Nouvel
3405:Frank Gehry
3295:Beat Furrer
3283:Per Nørgård
3271:Peter Gülke
3241:Klaus Huber
2722:Gilbert Amy
2701:Twelve-tone
2584:Earle Brown
2469:Tempo Reale
2459:Polystylism
2302:Vocal music
2212:Différences
2135:Stage works
1212:Différences
1149:Umberto Eco
1110:Franz Liszt
1019:Chemins IIb
1017:, which is
1015:Chemins IIc
1007:Chemins IIb
1003:Chemins III
995:Sequenza VI
907:Stage works
869:Sequenza XI
809:Sequenza VI
793:Sequenza IV
779:Sequenza II
684:Paul Sacher
672:Klaus Huber
636:Conrad Beck
552:Tempo Reale
520:T. S. Eliot
424:James Joyce
358:Tempo Reale
329:Prix Italia
298:Steve Reich
294:Dina Koston
278:Susan Oyama
75:Rome, Italy
68:27 May 2003
3812:Categories
3409:Jørn Utzon
3331:Unsuk Chin
2932:Alban Berg
2892:Luigi Nono
2644:Luigi Nono
2310:Folk Songs
1783:Per Musica
1406:8 November
1337:14 October
1252:References
1229:Chemins IV
1076:folk songs
1071:Folk Songs
1066:Kurt Weill
1011:Chemins II
999:Chemins II
991:Chemins II
861:Sequenza X
801:Sequenza V
771:Sequenza I
737:Sequenza I
548:Altra voce
475:, who had
410:See also:
195:Tanglewood
140:), on the
49:1925-10-24
3802:Biography
3681:Sculpture
3502:Josef Tal
3419:Frei Otto
2772:Jürg Baur
2757:Don Banks
2707:composers
2589:John Cage
2198:Due pezzi
2180:Rendering
1931:June 2021
1915:excessive
1482:28 August
1455:28 August
1207:polyphony
1136:quotation
1094:Rendering
902:in 2004).
824:in 2000);
583:does not
524:Karl Marx
469:orchestra
392:in Rome.
318:Phil Lesh
243:John Cage
207:Darmstadt
199:serialism
148:. During
146:organists
128:Biography
3720:(2006/7)
3714:(2002/3)
3690:(1984/5)
3661:(2006/7)
3655:(2002/3)
3649:(1994/5)
3618:Painting
3534:(1995/6)
3425:(1996/7)
3391:(1983/4)
2812:Ole Buck
2493:Category
2475:Turandot
2425:Epifanie
2317:Sinfonia
2251:Sequenza
2076:Sinfonia
2059:Sinfonia
2015:Obituary
2010:AllMusic
1561:9 August
1516:cite web
1476:Articles
1286:11814265
1172:(1960),
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2219:Circles
1909:Please
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1645:", in:
1362:16 June
1239:Honours
1169:Circles
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1126:collage
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604:removed
589:sources
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429:Ulysses
320:of the
138:Imperia
134:Oneglia
59:, Italy
57:Oneglia
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3736:(2017)
3726:(2014)
3708:(1998)
3702:(1993)
3696:(1989)
3673:(2020)
3667:(2011)
3643:(1990)
3637:(1986)
3631:(1981)
3610:(2024)
3604:(2021)
3594:(2018)
3584:(2015)
3574:(2012)
3564:(2008)
3554:(2004)
3544:(2000)
3524:(1991)
3514:(1987)
3504:(1982)
3479:(2022)
3465:(2019)
3459:(2016)
3453:(2013)
3447:(2010)
3437:(2005)
3431:(2001)
3415:(1992)
3401:(1988)
3333:(2024)
3327:(2023)
3321:(2022)
3315:(2021)
3309:(2020)
3303:(2019)
3297:(2018)
3291:(2017)
3285:(2016)
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3267:(2013)
3261:(2012)
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544:Ofanìm
492:O King
457:violin
445:O King
438:Visage
3790:Opera
3487:Music
2168:Nones
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1978:IRCAM
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