375:, which was severely damaged by the great bombing in 1944, was torn down in 1945. It stood approximately where the upper plateau of the stairs is today. In the lines of palaces planned for the long sides of the square, the four smallest buildings on the corners of the square were never erected – which made it possible to have a street running between the orphanage and the church, which detracts from the impression of the square as much as the trees currently there. In contrast to that is the place that Stengel intentionally left open for the view toward Ludwigsberg, which is today occupied by the state chancellery.
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during construction, this concept was changed, so that the building on the east (in which the
Ludwigsgymnasium was housed) was split in two, in favor of a view toward St. Johann (the "Stengel axis", today marked by Wilhelm-Heinrich-StraĂźe). Only the western building was kept (the orphanage at that time, today the seat of the
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Stengel designed not only the overall plan of the church and the surrounding palaces, from the handles for the doors to the overall grounds, but he also fitted the church and the square into the two main viewing axes of the city's layout. One of these axes, from the "Alten Kirche" (Old Church) in the
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The restoration of the original white paint on the exterior is still currently being disputed. Whether it was already lost during the 19th century or during the air raid 1945 is not clear, but it would be important for fitting the church into the surrounding buildings of the square. It has, however,
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The square surrounding the church, Ludwigsplatz, was an integral part of
Stengel's concept from the beginning. The original plan provided for a long, rectangular square, with four differently designed types of noble city palaces along the long sides and two large public buildings on the ends. Even
344:, through the Wilhelm-Heinrich-StraĂźe of today and the main entrance, up to the altar, is still visible today. The other axis points over the exit, which faces the Saarland state chancellery today, toward the former royal summer residences on Ludwigsberg, the so-called Ludwigspark.
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Special features of the interior are the arrangement of the church by and large along the width of the church, on the one hand, and the placement of the altar, pulpit and organ over each other (a so-called
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Until 1944 there was an organ of the company Stumm with 37 stops. The modern organ case is a reconstruction of the historical case. The current organ was built in 1982 by
246:. Construction begun in 1762. After the death of William Henry in 1768, work on it was stopped due to lack of funds. The church was finally completed in 1775 by his son,
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186:-style church. It is the symbol of the city and is considered to be one of the most important Protestant churches in Germany, along with the
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Ludwigskirche and the surrounding
Ludwigsplatz (Ludwig's Square) were designed as a "complete work of art", in the sense of a baroque
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As the symbol of the
Saarland state capital of SaarbrĂĽcken, Ludwigskirche is shown on the German 2 euro commemorative coin in 2009.
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of the church took place on August 25, 1775, with a church service and a cantata composed especially for the occasion.
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Foreign language guidebooks often describe
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figures on the outside are still lacking as well as the exterior finish (c.f. the reconstruction models).
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church built in the 1700s, and it had already been used by
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This article is about the church in SaarbrĂĽcken. For the church in Munich, see
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In 1885-1887 and in 1906-1911, the church underwent restoration. During the
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become quite a strange idea to many local residents in the past decades.
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Handbuch der deutschen
Kunstdenkmäler. Rheinland-Pfalz, Saarland.
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In 1965, Ludwigskirche was depicted on the series of stamps,
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Drawing of the buildings originally planned for
Ludwigsplatz
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Local office of the Ev. Kirchengemeinde Alt-SaarbrĂĽcken:
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The interior of the church is decorated with ornamental
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1130:. Merziger Druckerei & Verlag, Merzig 2008, 229 S.
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Central ceiling decoration: symbol of God in sunbeams
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Ludwigskirche reconstructed exterior finish (model)
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1077:. Munich 1984. pp. 889–892.
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1128:Die Ludwigskirche zu SaarbrĂĽcken
1095:2nd edition. SaarbrĂĽcken 1979.
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1167:Information to organ
1112:. SaarbrĂĽcken 1991,
1038:(in contrast to the
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188:Dresden Frauenkirche
68:49.23278°N 6.98639°E
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734:Holzgedackt
402:I Hauptwerk
283:Evangelists
279:Greek cross
159:Years built
123:Consecrated
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71: /
1318:Categories
1155:References
1062:Literature
962:Mixtur VI
745:Quintadena
632:Flachflöte
506:Mixtur VI
458:Blockflöte
436:Spitzflöte
342:St. Johann
310:cartouches
297:and other
267:balustrade
56:49°13′58″N
1216:in German
1205:in German
1194:in German
1132:in German
1122:in German
1104:in German
1087:in German
1044:Saarlouis
943:Nachthorn
884:Prinzipal
849:Tremulant
767:Rohrflöte
756:Prinzipal
710:Tremulant
584:Schwebung
562:Holzflöte
425:Prinzipal
373:Gymnasium
322:sandstone
318:caryatids
162:1762–1775
92:, Germany
59:6°59′11″E
1253:Saarland
1170:Archived
1138:See also
1040:Catholic
1008:Couplers
992:Trompete
981:Trompete
921:Gemshorn
838:Cromorne
688:Hautbois
658:Sifflöte
573:Gemshorn
525:Trompete
334:Lutheran
314:rocaille
301:people.
299:Biblical
295:prophets
291:apostles
214:Interior
190:and the
181:Lutheran
111:Lutheran
970:Posaune
827:Rankett
699:Clairon
389:Hamburg
198:History
184:Baroque
179:, is a
177:Germany
153:Baroque
117:History
100:Germany
97:Country
84:Address
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910:Oktave
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514:Fagott
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480:Quinte
469:Oktave
414:Bordun
306:stucco
273:Design
1020:Other
862:Pedal
617:Nasal
447:Gamba
379:Organ
248:Louis
238:, by
148:Style
1114:ISBN
1097:ISBN
1079:ISBN
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285:by
171:in
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1120:.
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1070::
902:′
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