220:
22:
364:
316:
101:
216:, and he now determined to become a painter, and only returned to his native country when his master himself was exiled. At Neuchâtel he attracted the notice of Roullet de Mezerac, who enabled him by a timely loan to proceed to Rome. In depicting the customs and life of the people, of southern Italy especially, he showed peculiar feeling for the historical characteristics of their race.
278:. Worn by the vicissitudes of painful feeling, and bitterly discouraged, Robert committed suicide before his easel on 20 March 1835, on the tenth anniversary of the melancholy suicide of a brother to whom he had been much attached. He is buried in the Protestant section of the
227:
After executing many detached studies of
Italian life, Robert conceived the idea of painting four great works which should represent at one and the same time the four seasons in Italy and the four leading races of its people. In the
379:
212:, and Robert was struck off the list of competitors as a foreigner. Whilst continuing his studies under Girardet he had never ceased to frequent the studio of
486:
262:
and her autumn vineyards should now have furnished him with his third subject. He attempted to begin it, but, unable to conquer his passion for
51:
384:
481:
456:
471:
461:
491:
323:
219:
73:
44:
263:
147:
240:
and the spring. This picture, exhibited at the Salon of 1827, achieved undoubted success and was bought for the
348:
466:
266:(then mourning the violent death of her husband, Robert's devoted friend), he threw up his work and went to
279:
291:
125:
34:
327:
38:
30:
476:
55:
194:
451:
446:
283:
241:
8:
245:
213:
208:
for engraving when the events of 1815 blasted his hopes, for Neuchâtel was restored to
190:
121:
253:
296:
427:
440:
388:. Vol. 23 (11th ed.). Cambridge University Press. pp. 402–403.
375:
370:
198:
431:
175:
100:
289:
There are a number of references to Robert's paintings in the novel
270:, where he began and carried through the fourth of the series, the
259:
178:
159:
369:
This article incorporates text from a publication now in the
209:
267:
237:
233:
143:
197:) in Switzerland, but left his native place with the engraver
223:
Portrait of a young woman of Retuna by Louis Léopold Robert
438:
43:but its sources remain unclear because it lacks
250:Summer Reapers arriving in the Pontine Marshe
230:Return from the Fête of the Madonna dell'Arco
406:
248:; but the work which appeared in 1831, the
99:
487:People from the Principality of Neuchâtel
74:Learn how and when to remove this message
374:
218:
256:, established the artist's reputation.
252:(Louvre), which became the property of
439:
310:
174:(13 May 1794 – 20 March 1835) was a
15:
204:He was on the eve of obtaining the
13:
14:
503:
421:
274:. This work was not equal to the
201:at the age of sixteen for Paris.
482:19th-century French male artists
362:
314:
20:
457:Burials at Isola di San Michele
408:Correspondance de L. L. Robert
349:Brigand and His Wife in Prayer
1:
472:People from La Chaux-de-Fonds
394:Notice des tableaux du Louvre
355:
462:19th-century French painters
299:, one being specifically to
184:
7:
492:Artists who died by suicide
264:Princess Charlotte Napoleon
148:Kingdom of Lombardy–Venetia
10:
508:
292:The Count of Monte Cristo
165:
155:
132:
126:Principality of Neuchatel
107:
98:
91:
306:
29:This article includes a
416:Gesch. mod. Jr. Malerei
385:Encyclopædia Britannica
272:Fishers of the Adriatic
58:more precise citations.
407:
224:
404:Feuillet de Conches,
380:Robert, Louis Léopold
222:
467:French male painters
428:Louis Léopold Robert
328:adding missing items
284:Isola di San Michele
280:San Michele cemetery
172:Louis Léopold Robert
93:Louis Léopold Robert
400:Hist. des peintres
326:; you can help by
236:) he depicted the
225:
31:list of references
344:
343:
282:on the island of
191:La Chaux-de-Fonds
169:
168:
122:La Chaux-de-Fonds
84:
83:
76:
499:
410:
389:
368:
366:
365:
339:
336:
318:
317:
311:
139:
117:
115:
103:
89:
88:
79:
72:
68:
65:
59:
54:this article by
45:inline citations
24:
23:
16:
507:
506:
502:
501:
500:
498:
497:
496:
437:
436:
424:
378:, ed. (1911). "
363:
361:
358:
340:
334:
331:
315:
309:
297:Alexandre Dumas
254:Louis Phillippe
189:He was born at
187:
151:
141:
137:
128:
119:
113:
111:
94:
87:
80:
69:
63:
60:
49:
35:related reading
25:
21:
12:
11:
5:
505:
495:
494:
489:
484:
479:
477:1830s suicides
474:
469:
464:
459:
454:
449:
435:
434:
423:
422:External links
420:
419:
418:
414:Julius Meyer,
412:
402:
396:
390:
376:Chisholm, Hugh
357:
354:
353:
352:
342:
341:
321:
319:
308:
305:
186:
183:
167:
166:
163:
162:
157:
156:Known for
153:
152:
142:
140:(aged 40)
134:
130:
129:
120:
109:
105:
104:
96:
95:
92:
86:French painter
85:
82:
81:
39:external links
28:
26:
19:
9:
6:
4:
3:
2:
504:
493:
490:
488:
485:
483:
480:
478:
475:
473:
470:
468:
465:
463:
460:
458:
455:
453:
450:
448:
445:
444:
442:
433:
429:
426:
425:
417:
413:
411:
409:
403:
401:
397:
395:
391:
387:
386:
381:
377:
372:
371:public domain
360:
359:
351:
350:
346:
345:
338:
335:November 2018
329:
325:
322:This list is
320:
313:
312:
304:
302:
298:
294:
293:
287:
285:
281:
277:
273:
269:
265:
261:
257:
255:
251:
247:
243:
239:
235:
231:
221:
217:
215:
211:
207:
202:
200:
199:Jean Girardet
196:
192:
182:
180:
177:
173:
164:
161:
158:
154:
149:
145:
136:20 March 1835
135:
131:
127:
123:
110:
106:
102:
97:
90:
78:
75:
67:
57:
53:
47:
46:
40:
36:
32:
27:
18:
17:
432:Find a Grave
415:
405:
399:
393:
383:
347:
332:
300:
290:
288:
286:in Venice.
275:
271:
258:
249:
229:
226:
205:
203:
188:
171:
170:
138:(1835-03-20)
70:
61:
50:Please help
42:
452:1835 deaths
447:1794 births
301:The Reapers
238:Neapolitans
150:(now Italy)
118:13 May 1794
56:introducing
441:Categories
356:References
324:incomplete
242:Luxembourg
206:grand prix
114:1794-05-13
398:C Blanc,
246:Charles X
195:Neuchâtel
185:Biography
64:July 2024
392:Villot,
260:Florence
160:Painting
373::
276:Reapers
210:Prussia
179:painter
52:improve
367:
268:Venice
234:Louvre
144:Venice
307:Works
214:David
176:Swiss
37:, or
133:Died
108:Born
430:at
382:".
330:.
295:by
244:by
443::
303:.
181:.
146:,
124:,
41:,
33:,
337:)
333:(
232:(
193:(
116:)
112:(
77:)
71:(
66:)
62:(
48:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.