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and the treatment of
Belgian classical painters and the French Romantic school, sincerely aimed at truth. Unfortunately, misled by contemporary taste, he could not conceive of it other than as dressed in sentimentality. As an artist employed by the State, he exercised considerable influence, and for
194:. Both paintings subsequently travelled to exhibitions in many cities in Europe, and enjoyed a particularly enthusiast reception in Germany where they formed an important impetus for the development of a German school of history painting. Official invitations induced him to settle at Brussels.
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184:. The latter painting, which had been commissioned by the Belgian government, was hailed as a triumph and gained him a European reputation. The painting was exhibited together with a painting entitled the
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114:'s abdication. Gallait's works were esteemed because of their realism, faithfulness of the costumes and color composition of his paintings. He was also a distinguished portrait painter.
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Charles Cousin, painter and engraver, in Arab costume at the Palais des Beaux-Arts in Lille, 1838
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The Last Honors paid to Counts Egmont and Horn by the
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was painted in 1852. He also served as the director and president of the
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172:. Gallait next went to Paris, and he sent to the Belgian Salons
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168:. This picture was purchased by subscription and placed in the
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Members of the Royal
Netherlands Academy of Arts and Sciences
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141:, Belgium in 1810. He first studied in his native town under
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The Last Honors to Counts Egmont and Hoorne, reduction, 1859
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a long time he was the leader of public taste in
Brussels.
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Royal
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artist, following the example of the
Flemings of the
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106:painter. He lay at the basis of a revival of
566:(11th ed.). Cambridge University Press.
492:Jacob Burckhardt and the Crisis of Modernity
102:(9 or 10 May 1810 – 20 November 1887) was a
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469:Learn how and when to remove this message
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432:This article includes a list of general
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659:Members of the Royal Academy of Belgium
275:In 1849 he became correspondent of the
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664:Honorary members of the Royal Academy
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438:it lacks sufficient corresponding
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190:by another young Belgian painter,
178:Montaigne Visiting Tasso in Prison
37:Statue of Louis Gallait in Tournai
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335:. The painting shows his sister,
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230:The Temptation of St Anthony
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363:Monk Feeding the Poor, 1845
242:Portrait of M. B. Dumortier
182:The Abdication of Charles V
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143:Philippe Auguste Hennequin
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282:Notable students include
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506:"L. Gallait (1810–1887)"
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166:Christ Healing the Blind
563:Encyclopædia Britannica
453:more precise citations.
159:Mathieu Ignace van Brée
302:: Grand Cordon in the
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649:Belgian male painters
380:Philip I the handsome
337:Queen Mary of Hungary
246:The Plague at Tournay
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629:Artists from Tournai
605:at Wikimedia Commons
234:The Siege of Antioch
187:Compromise of Nobles
133:Gallait was born in
214:The Death of Egmont
174:Job on the Dunghill
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153:. He then went to
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601:Media related to
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74:(1887-10-20)
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451:introducing
269:Renaissance
57:9 June 1810
613:Categories
534:References
434:references
226:Versailles
88:Occupation
53:1810-06-09
290:in 1887.
216:, in the
118:Biography
112:Charles V
82:, Belgium
63:, Belgium
288:Brussels
80:Brussels
590:at the
551::
512:21 July
447:improve
318:Gallery
294:Honours
265:Walloon
155:Antwerp
139:Hainaut
135:Tournai
104:Belgian
92:Painter
61:Tournai
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382:, 1850
220:; the
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415:Notes
378:with
151:Ghent
514:2015
300:1881
244:and
69:Died
43:Born
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
