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Louis Delaporte

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laborieuses, complexes, tourmentĂ©es: superpositions, retraits multiples, labyrinthes, galeries basses Ă  jour, tours dentelĂ©es, pyramides Ă  Ă©tages et Ă  flèches innombrables; une profusion extrĂŞme d'ornements et de sculptures, des effets constants de clair et de sombre qui enrichissent les ensembles sans en altĂ©rer la majestĂ©, et s'harmonisent merveilleusement avec la lumière intense et la vĂ©gĂ©tation luxuriante des rĂ©gions tropicales : c'est, en un mot, une autre forme du beau.
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mazes, galleries shaded from daylight, jagged towers, pyramids with countless stories and arrows, a great profusion of ornaments and sculptures, constant effects of light and shadow that enrich the whole without altering its majesty, and blend beautifully with the intense light and lush tropical vegetations: it is, in short, another form of beauty.
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La vue de ces ruines Ă©tranges me frappa, moi aussi, d'un vif Ă©tonnement : je n'admirais pas moins la conception hardie et grandiose de ces monuments que l'harmonie parfaite de toutes leurs parties. L'art khmer, issu du mĂ©lange de l'Inde et de la Chine, Ă©purĂ©, ennobli par des artistes qu'on
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The expedition was plagued by disasters and difficulties, including many miles of wading barefoot through knee-deep mud infested with leeches. Nevertheless, the team surveyed and mapped 6,000 km, charting the Mekong's course from its mouth in present-day Vietnam through present-day Cambodia,
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The sight of these strange ruins struck me, too, with a keen astonishment, I admired the bold and grandiose design of these monuments no less than the perfect harmony of all their parts. Khmer art, issuing from the mixture of India and China, purified, ennobled by artists whom one might call the
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Il s'Ă©carte, il est vrai, de ces grandes oeuvres classiques du bassin de la MĂ©diterranĂ©e qui pen- dant longtemps ont seules captivĂ© notre admiration : ce ne sont plus ces colonnades majestueuses, ces grandes surfaces calmes de la Grèce ou de l'Egypte; ce sont au contraire des formes
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It differs, indeed, from those great classics of the Mediterranean basin that have long captured our admiration: it is no longer these majestic colonnades, these great calm surfaces of Greece or Egypt; these are, in contrast, forms laborious, complex, tormented: overlays, multiple withdrawals,
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Vous avez pu voir, Monsieur le Ministre, dans l'exposition qui a eu lieu au Palais de l'Industrie en janvier et février 1878 une partie de ces séries. L'Asie y était représentée par des envois nombreux et variés de MM. Delaporte, Harmand, de Ujfalvy, Lansberg, La
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The present structure is a French-directed reconstruction from the 1930s—made to replace an earlier botched French reconstruction of 1900-- and is based on the detailed drawings from the late 1860s by the talented French architect and explorer Louis
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pourrait appeler les Athéniens de l'Extrême-Orient, est resté en effet comme la plus belle expression du génie humain dans cette vaste partie de l'Asie qui s'étend de l'lndus au Pacifique.
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The detailed drawings Delaporte made on this voyage were used to illustrate Garnier's 1870 account of the voyage. Many years later, during the 1930s, drawings Delaporte had made at
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Already, Louis Delaporte's journeys in Siam and Cambodia had provided a collection of Khmer art forming the nucleus of the Paris Musée Indochinois at the Trocadéro, founded in 1882.
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Thailand, Laos, and Burma into China. At the end of the journey, Delaporte returned to France, where he was promoted to the rank of ship's lieutenant and awarded the
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Athenians of the Far East, has remained the most beautiful expression of human genius in this vast part of Asia that extends from the Indus to the Pacific.
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between 1866 and 1868. Delaporte, a young naval officer, was chosen because of his talent in drawing to accompany them through what was then
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opened in Paris, and many Khmer sculptures and Delaporte drawings were displayed at one of the new exhibition buildings, the
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and of several French government ministries for a new expedition. This mission would have a dual purpose: to map Vietnam's
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a shape that locals found unattractive; based on Delaporte's drawings it was restored to its original lotus-bud design.
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In May 1873, his team left France taking with them many gifts, including engravings based on the works of
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Khmer sculpture on display at l'Exposition Universelle de 1878, an engraving by Louis Delaporte
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became the basis for a major reconstruction of that important religious site near
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and sculpture, Delaporte was convinced that it should be compared to the best of
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Voyage d'exploration en Indo-Chine affectué par une commission française
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1866 photograph of Angkor Wat, as Delaporte would have first seen it
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by Francis Garnier with illustrations by Louis Delaporte (1873)
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Print from a drawing by Delaporte of the temple Pha That Luang
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formed the nucleus of exhibitions in Paris, originally at the
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For the Hittitologist Louis-Joseph Delaporte (1874-1944), see
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Les origines du Musée d'Ethnographie. Histoire et documents
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Encyclopedia of nineteenth-century photography, Volume 1
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and to bring back Khmer art for exhibition in France.
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Delaporte's engraving of Angkor Wat, published in 1880
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Ă©diteur non identifiĂ©. pp.  268:Voyage d'exploration en Indo-Chine 196:as well as copies of paintings by 168: 14: 755: 739:Burials at Père Lachaise Cemetery 404: 244:From his earliest encounter with 734:Officers of the Legion of Honour 132:. Years later, in his 1880 book 671: 625: 542: 261: 469: 305: 293:Mekong Expedition of 1866-1868 69:Mekong Expedition of 1866-1868 1: 724:19th-century French explorers 298: 633:Rarities of the MusĂ©e Guimet 610:Delaporte, Louis (1842–1925) 582:Grillo-Nicolini, Elisabeth. 347:. France.com. Archived from 345:"Asiatic Arts Guimet Museum" 101:Reconstructed Pha That Luang 7: 709:19th-century French artists 615:September 30, 2011, at the 434:. CRC Press. p. 1318. 286: 10: 760: 490:Stiebing, William (1994). 66: 20: 16:French explorer and artist 657:Delaporte, Louis (1880). 557:. Lonely Planet. p.  455:Delaporte, Louis (1880). 373:Garnier, Francis (1885). 280:Les monuments du Cambodge 228:. Then, in 1878, a grand 111:Ernest Doudard de LagrĂ©e 526:. Oriental Architecture 428:Hannavy, John (2007). 259: 230:Exposition Universelle 217: 143: 102: 94: 86: 78: 33: 23:Louis-Joseph Delaporte 549:Bush, Austin (2010). 379:. Hachette. pp.  254: 215: 179:SociĂ©tĂ© de GĂ©ographie 138: 100: 92: 84: 76: 49:1878 Paris Exposition 31: 226:Château de Compiègne 631:Auboyer, Jeannine. 234:Palais du TrocadĂ©ro 175:Franco-Prussian War 53:Palais du TrocadĂ©ro 719:People from Loches 553:Lonely Planet Laos 246:Khmer architecture 218: 208:Khmer art in Paris 134:Voyage au Cambodge 103: 95: 87: 79: 34: 729:Explorers of Asia 641:978-0-87848-043-2 568:978-1-74179-153-2 509:978-0-19-508921-9 441:978-0-415-97235-2 351:on March 26, 2012 51:and later at the 751: 683: 675: 669: 668: 654: 648: 629: 623: 607: 596: 595: 593: 591: 579: 573: 572: 556: 546: 540: 539: 533: 531: 520: 514: 513: 497: 487: 481: 473: 467: 466: 452: 446: 445: 425: 419: 418: 416: 414: 402: 385: 384: 370: 364: 363: 358: 356: 341: 335: 334: 328: 326: 309: 163:LĂ©gion d'Honneur 123:French Indochina 759: 758: 754: 753: 752: 750: 749: 748: 689: 688: 687: 686: 676: 672: 655: 651: 630: 626: 617:Wayback Machine 608: 599: 589: 587: 586:. Carnet Escale 580: 576: 569: 547: 543: 529: 527: 522: 521: 517: 510: 488: 484: 474: 470: 453: 449: 442: 426: 422: 412: 410: 409:. Tribune India 405:Singh, Baijit. 403: 388: 371: 367: 354: 352: 343: 342: 338: 324: 322: 310: 306: 301: 289: 264: 242: 210: 202:ThĂ©odore GĂ©rard 198:Nicolas Poussin 171: 169:1873 expedition 115:Francis Garnier 71: 65: 37:Louis Delaporte 32:Louis Delaporte 26: 17: 12: 11: 5: 757: 747: 746: 741: 736: 731: 726: 721: 716: 711: 706: 701: 685: 684: 670: 649: 624: 597: 574: 567: 541: 515: 508: 482: 468: 447: 440: 420: 386: 365: 336: 303: 302: 300: 297: 296: 295: 288: 285: 284: 283: 277: 271: 263: 260: 241: 238: 209: 206: 170: 167: 67:Main article: 64: 61: 15: 9: 6: 4: 3: 2: 756: 745: 742: 740: 737: 735: 732: 730: 727: 725: 722: 720: 717: 715: 712: 710: 707: 705: 702: 700: 697: 696: 694: 681: 674: 666: 662: 661: 653: 646: 642: 638: 634: 628: 622: 621:Guimet Museum 619:, Glossaire, 618: 614: 611: 606: 604: 602: 585: 578: 570: 564: 560: 555: 554: 545: 538: 525: 519: 511: 505: 501: 496: 495: 486: 479: 472: 464: 460: 459: 451: 443: 437: 433: 432: 424: 408: 401: 399: 397: 395: 393: 391: 382: 378: 377: 369: 362: 350: 346: 340: 333: 320: 319: 314: 308: 304: 294: 291: 290: 281: 278: 275: 272: 269: 266: 265: 258: 253: 251: 250:Classical art 247: 237: 235: 231: 227: 223: 214: 205: 203: 199: 195: 191: 186: 184: 180: 176: 166: 164: 158: 156: 152: 148: 142: 137: 135: 131: 126: 124: 120: 116: 112: 108: 99: 91: 83: 75: 70: 60: 58: 57:Guimet Museum 54: 50: 46: 42: 38: 30: 24: 19: 678: 677:(In French, 673: 659: 652: 632: 627: 588:. 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Leroux 744:Angkor Wat 693:Categories 537:Delaporte. 332:Savinière. 313:Hamy, E.T. 299:References 147:That Luang 130:Angkor Wat 190:Rembrandt 183:Red River 151:Vientiane 45:Khmer art 613:Archived 590:July 11, 530:July 10, 413:July 10, 355:July 10, 325:July 10, 315:(1890). 287:See also 639:  565:  506:  438:  282:(1924) 276:(1880) 222:Louvre 194:Rubens 119:Yunnan 41:Loches 645:p. 46 155:stupa 667:–12. 637:ISBN 592:2011 563:ISBN 532:2011 504:ISBN 436:ISBN 415:2011 357:2011 327:2011 220:The 200:and 192:and 113:and 500:205 381:254 695:: 665:10 643:, 600:^ 561:. 559:96 534:. 502:. 463:10 389:^ 359:. 329:. 252:: 165:. 125:. 59:. 682:) 647:. 594:. 571:. 512:. 480:) 465:. 444:. 417:. 383:. 39:( 25:.

Index

Louis-Joseph Delaporte

Loches
Khmer art
1878 Paris Exposition
Palais du Trocadéro
Guimet Museum
Mekong Expedition of 1866-1868




Mekong River
Ernest Doudard de Lagrée
Francis Garnier
Yunnan
French Indochina
Angkor Wat
That Luang
Vientiane
stupa
LĂ©gion d'Honneur
Franco-Prussian War
Société de Géographie
Red River
Rembrandt
Rubens
Nicolas Poussin
Théodore Gérard

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