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198:, with alternating fast and slow sections (four or five movements per sonata), predate all other music specifically written for the piano by about 30 years. Giustini used all the expressive capabilities of the instrument, such as wide dynamic contrast: expressive possibilities which were not available on other keyboard instruments of the time.
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James
Parakilas points out that it is quite surprising that these works should have been published at all. At the time of composition, there existed only a very small number of pianos, owned mainly by royalty. He conjectures that publication of the work was meant as an honor to Giustini; it
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which were performed that year. In 1734 he was hired as organist at S Maria dell'Umiltà, the
Cathedral of Pistoia, a position he held for the rest of his life. In addition to playing the organ at both religious institutions, he performed on the
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In 1725, on his father's death, Giustini became organist at the
Congregazione dello Spirito Santo, and acquired a reputation there as a composer of sacred music: mostly
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in 1732, which is the earliest music in any genre written specifically for the piano. They are dedicated to Dom António de Bragança, the younger brother of King
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While many performances of his large-scale sacred works are documented, all of that music is lost, with the exception of fragments such as scattered
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116:, of a family of musicians which can be traced back to the early 17th century; coincidentally he was born in the same year as
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Lodovico
Giustini, The 12 Sonatas for piano, ed. Dominique Ferran, 3 vol. Paris-San Diego, Drake Mabry Publishing, 2003.
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the pieces are transitional between late
Baroque and early Classical period practice, and include innovations such as
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244:(Note: the articles in the two editions of Grove are by different authors, and each contains unique material)
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of
Portugal (the Portuguese court was one of the few places where the early piano was frequently played).
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Jean Grundy
Fanelli: "Lodovico Giustini", Grove Music Online ed. L. Macy (Accessed November 14, 2005),
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92:(12 December 1685 – 7 February 1743) was an Italian composer and keyboard player of the late
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136:-affiliated group, and an uncle, Domenico Giustini, was also a composer of sacred music.
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12 Sonate da cimbalo di piano e forte detto volgarmente di martelletti, Op.1
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eras. He was the first known composer ever to write music for the
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132:at the Congregazione dello Spirito Santo, a
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77:Learn how and when to remove this message
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168:Giustini's main fame rests on his work
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293:Lodovico Giustini: short biography
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