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Pries's influence and significance were cited by many of his students, notably
Yamasaki in his autobiography and Steinbrueck in several books on Seattle architecture. Pries is also cited in recent monographs on Minoru Yamasaki, A. Quincy Jones, Roland Terry, and Wendell Lovett & Arne Bystrom.
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in the firm Bain & Pries. Initially successful, the firm could not survive the
Depression and dissolved in late 1931. Thereafter Pries focused on his career as an educator, although he occasionally took on architectural projects under his own name.
251:) established the Lionel Pries Endowed Fund, to honor Pries through an annual event as part the College Lecture Series. In 1984, architecture student Drew Rocker published an essay on Pries in the regional design journal
227:, but deeply closeted in the University of Washington community. He anticipated teaching at least until he reached retirement age, but was forced to resign his university position in 1958 after he was picked up in a
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in San
Francisco, known for its departments addressing Chinese and Japanese arts and crafts; as a result young Lionel Pries developed early familiarity with the artistic traditions of Asia. He graduated from
220:, and others. Pries's architectural works from the late 1930s to the 1960s showed a mix of Modernism and regionalism, reflecting the profound influence of what he encountered in Mexico.
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in fall 1928 and soon became the center of the school. From 1928 to 1958, he was the inspirational teacher of a generation of architecture students at
Washington, among them
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with the brick facade designed by Pries in 1926 (to the right); the white stucco portion (to the left) was a later modification by another architect.
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After travel in Europe, he returned to San
Francisco where he practiced architecture for the next four years, although he spent a year in
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Ochsner, Jeffrey Karl, "Modern or
Traditional? Lionel H. Pries and Architectural Education at the University of Washington, 1928–1942,"
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in Los
Angeles. The reason for Pries's abrupt departure from the university was concealed for nearly fifty years.
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Pries worked as a drafter until he was able to retire in 1964, then lived quietly until his death in 1968.
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From 1931 to 1932, Pries served as
Director of the Art Institute of Seattle (predecessor to the
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Lionel H. Pries, Architect, Artist, Educator: From Arts and Crafts to Modern
Architecture
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In 1981, the
University of Washington College of Architecture and Urban Planning (now
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278:"The UW's Lionel Pries - A Visionary Architect and Teacher is Finally Celebrated"
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in San Francisco in 1916. He received his B.A. in Architecture from the
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Beginning in the late 1920s and continuing to 1942, Pries travelled to
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Shaping Seattle Architecture: A Historical Guide to the Architects
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Pries joined the faculty of the Department of Architecture at the
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Rocker, Andrew, "Lionel H. Pries: Educator of Architects,"
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every summer and regularly interacted with leaders in
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349:4 (April/May 1984). pages 1, 8–9.
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83:. He then studied under
58:Lionel Pries was born in
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124:University of Washington
110:In 1928, Pries moved to
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114:to join Penn classmate
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301:Seattle Metropolitan
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263:References
243:Posthumous
229:vice sting
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204:including
284:March 16,
85:Paul Cret
40:architect
112:Seattle
87:at the
64:Oakland
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198:Mexico
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95:Career
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235:Death
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