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daily. Linda has sent money to her parents, but has not heard from them. She hears familiar music from the street below. It is
Pierotto, whom she invites in, and who explains that on arrival in Paris he was taken ill and afterwards was unable to find Linda. He expresses surprise at the luxury of her accommodation, and Linda explains about Carlo, and that their relationship is respectable. Pierotto says that he has seen the Marchese in the street below. After he leaves, the Marchese arrives and tries to persuade Linda to come and live with
1826:
40:
459:— held by the Marchesa — not be called in. Antonio arrives, relieved at having been assured that the Marchesa's brother, the Marchese (Marquis of Boisfleury) will speak on their behalf. The Marchese duly arrives, greeted enthusiastically by the villagers. He asks to see Linda, the Loustolot's beautiful daughter, but she is not there. Her parents assume that she has gone early to church.
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493:. Outraged, Linda orders him out of her house. Carlo arrives having heard the terrible news that his mother has discovered his relationship, and insists that he instead marry a young titled girl immediately. He cannot, however, bring himself to tell Linda, and instead reaffirms his love for her "whatever may happen" before departing again.
496:
Now an old man comes to the door, asking for help. It is
Antonio, and he does not recognise this grand young lady as his daughter. When Linda reveals her identity, he is devastated, believing her to be living a life of sin. She tries to reassure him, but when Pierotto comes back to tell Linda that he
488:
Linda has been followed by Carlo, who has revealed that he is not after all a penniless painter, but the young
Viscount of Sirval, son of the Marchesa, and nephew of the Marchese. He has provided for her an apartment in a fashionable quarter, where she now lives until their marriage. Carlo visits her
474:
Pierotto and the girls leave; then Carlo arrives, and meets Linda. They express their regret at missing each other earlier, and reaffirm their love. They leave, and the
Prefect arrives to see Antonio. But instead of reassuring him of the Marchese's support, he warns Antonio that the Marchese has evil
466:
They leave, and Linda enters. She has not been to church, but rather to keep a rendezvous with her beloved Carlo, an impoverished artist. However she arrived too late, and found only some flowers from him ("O luce di quest'anima"). Some girls arrive, followed by
Pierotto, who sings his latest song
462:
The
Marchese promises Antonio and Maddalena that he will not only renew the lease but also improve the buildings and farmland. There is, however, a hidden agenda: he has designs on Linda, who is the god-daughter of his sister (the Marchesa), and he says that she must come to the castle, where "she
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Pierotto now arrives, with Linda; they have travelled the 600 miles from Paris, and are exhausted. Carlo sees her, and is distraught by her condition. She recognises nobody. But
Pierotto sings to her, his song stirs her, and at last she seems to know her mother. Carlo sings to her of his undying
510:
The villagers welcome the young men returning from Paris at winter's end. Carlo arrives and explains to the
Prefect that his mother has relented and that he can after all marry Linda, whom he now seeks. The Prefect says that Linda was betrayed by a lover in Paris, has not returned, and cannot be
192:
The 1990s began to see a variety of performances given in several countries, most of which were in concert form. These included two, which were both recorded, which appeared in
Stockholm (in September) and in New York (in December) in 1993, the latter presented by the
470:
Pierotto's song is about a young girl who leaves home for a better life, but forgets her vows to her mother, falls in love, and then is betrayed. She returns home to find her mother dead, and spends the rest of her life weeping on her mother's grave.
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intentions towards his beloved daughter. The
Prefect persuades Antonio that Linda must go to Paris with the men of the village, and stay there out of danger, with the Prefect's brother. The village gathers to say farewell to those who are leaving.
514:
The Marchese arrives and tells the villagers that there is to be a wedding, and that all the villagers will be invited to the celebrations. "Just wait 'till you see who the bride is!" he says, not knowing of Linda's illness.
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has discovered that Carlo is to be married to another that very day, Antonio flies into a rage and disowns his daughter. At the thought of her betrayal by Carlo, Linda collapses, losing her mind.
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185:
as Antonio. The production was recorded on 17 March. It was given in Geneva in 1975 with the same three cast members and also recorded, as was the performance at the 1983
162:
in the title role. Through 25 March 1935, the Met presented the opera in seven more performances, all starring Pons. It has not been performed there since.
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love, and when he sings the words they shared when they first met, Linda's reason is restored. The whole village rejoices in anticipation of the wedding.
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Maddalena Loustolot awaits the return of her husband Antonio from a visit to the Marchesa, who owns their farm. Antonio has been anxious that their
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In addition, recordings of live stage performances have begun to appear. A DVD was made of a performance in 1996 given by the
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It is dawn, and the villagers are singing on their way to church, for this is the day the young men go to
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as Linda, while Gruberova reprised the role in a La Scala production in April 1998, with Antonio sung by
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Donizetti and the World of Opera in Italy, Paris, and Vienna in the First Half of the Nineteenth Century
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was first presented in the UK on 1 June 1843, with its New York premiere following on 4 January 1847 at
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found. Carlo is broken-hearted, telling the Prefect that he was her (entirely innocent) lover.
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with Paul Plishka as Il Prefetto. Another was given on 3 November 1997 at London's
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Donizetti: in the light of Romanticism and the teaching of Johann Simon Mayr
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Disegno per copertina di libretto, drawing for Linda di Chamounix (1957).
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929:, Shaftesbury: Element Books, Ltd (UK); Rockport, MA: Element, Inc.(US)
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Orchestra of Eastern Netherlands and Netherlands State Opera Chorus
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Source of recording on operadis-opera-discography.org.uk
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Sadie, Stanley, (Ed.); John Tyrell (Exec. Ed.) (2004),
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The Bel Canto Operas of Rossini, Donizetti, and Bellini
799:(Video recording of a performance at the Zürich Opera)
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for the winter, to earn money as street entertainers.
949:Ashbrook, William (1998), "Donizetti, Gaetano" in
678:(Recording of a performance at La Scala, 16 March)
223:Among other performances, the opera was staged by
1842:
829:Orchestra e Coro del Maggio Musicale Fiorentino
1029:The New Grove Dictionary of Music and Musicians
976:Ashbrook, William and Sarah Hibberd (2001), in
959:, Vol. One. London: Macmillan Publishers, Inc.
169:produced the opera in March 1972 conducted by
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997:Donizetti’s Operas in Naples, 1822–1848
1111:
1097:
38:
1084:International Music Score Library Project
892:Opera South's website at operasouth.co.uk
1426:Le convenienze ed inconvenienze teatrali
1322:Le convenienze ed inconvenienze teatrali
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154:On 1 March 1934, the opera received its
793:Orchester der Oper Zurich and Chor des
1843:
1006:, 2nd edition. Rowman and Littlefield
890:Peter J. Clarke, programme notes for
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834:Teatro del Maggio Musicale Fiorentino
455:on the farm be renewed, and that the
1378:Elisabetta al castello di Kenilworth
1032:. 2nd edition. London: Macmillan.
1016:, Portland, Oregon: Amadeus Press.
864:
1482:Il furioso all'isola di San Domingo
585:Audio CD: Walhall «Eternity Series»
13:
14:
1897:
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956:The New Grove Dictionary of Opera
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1825:
1824:
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1004:Annals of Opera, 1597–1940
999:. London: The Donizetti Society.
867:"Linda di Chamounix - Barcelone"
752:Swedish Radio Symphony Orchestra
582:RAI Milano Orchestra and Chorus
415:Place: Chamonix, the French Alps
392:Savoyards of the 1760s, children
802:DVD: TDK Marketing Europe GmbH
467:while playing his hurdy-gurdy.
254:(Conductor: Gaetano Donizetti)
1226:Chiara e Serafina, o Il pirata
939:, Cambridge University Press.
904:
858:
759:Audio CD: Nightingale Classics
1:
1179:I piccioli virtuosi ambulanti
925:Allitt, John Stewart (1991),
846:
522:
463:may complete her education".
1599:Betly, o La capanna svizzera
1062:, New York: Pantheon Books.
984:, New York: Penguin Putnam.
7:
1856:Operas by Gaetano Donizetti
1442:La romanziera e l'uomo nero
1080:Complete score and libretto
1058:Weinstock, Herbert (1963),
1002:Loewenberg, Alfred (1970).
982:The New Penguin Opera Guide
484:Three months later in Paris
399:
195:Opera Orchestra of New York
10:
1902:
1338:L'eremitaggio di Liverpool
754:and Mikaeli Chamber Choir,
544:Opera House and Orchestra
252:Premiere Cast, 19 May 1842
227:, Barcelona, in 2011 with
16:Opera by Gaetano Donizetti
1881:Libretti by Gaetano Rossi
1820:
1794:
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1346:Alina, regina di Golconda
1314:Il borgomastro di Saardam
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901:Retrieved 27 January 2013
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506:Spring again in Chamounix
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937:Donizetti and His Operas
840:Dynamic: CDS7911.03 DDD
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1851:Italian-language operas
1186:Il falegname di Livonia
1812:Donizetti's birthplace
1530:Rosmonda d'Inghilterra
1402:Imelda de' Lambertazzi
428:The village square in
409:
328:Marquis de Boisfleury
218:Anthony Michaels-Moore
187:Wexford Opera Festival
1522:Il diluvio universale
1394:Il diluvio universale
681:Audio CD: Opera d'Oro
676:Orchestra and Chorus,
632:Orchestra and Chorus
407:
225:Gran Teatre del Liceu
75:18 May 1842
1866:Operas set in France
1695:La fille du régiment
1490:Otto mesi in due ore
1458:Ugo, conte di Parigi
1386:I pazzi per progetto
1306:Otto mesi in due ore
1250:L'ajo nell'imbarazzo
1242:Il fortunato inganno
995:Black, John (1982),
992:. pp. 224–247.
836:; 15, January 2021)
670:Gianandrea Gavazzeni
171:Gianandrea Gavazzeni
28:melodramma semiserio
1886:Operas set in Paris
1655:Lucie de Lammermoor
1607:L'assedio di Calais
1570:Lucia di Lammermoor
1474:Sancia di Castiglia
1258:Emilia di Liverpool
865:Brunetto, Antoine.
710:Stefano Antoniozzi
199:Royal Festival Hall
149:Palmo's Opera House
140:Performance history
128:. It premiered in
1802:Donizetti Monument
1778:Other compositions
1735:Linda di Chamounix
1290:Gabriella di Vergy
1218:La lettera anonima
1202:Zoraida di Granata
1164:Enrico di Borgogna
897:2016-03-04 at the
820:Fabio Capitanucci
780:Armando Ariostini,
774:Deon van der Walt,
761:Cat: NC 070 561-2
708:Donato di Stefano,
646:Margherita Rinaldi
556:Margherita Carosio
539:Prefect, Marquis)
537:Antonio, Pierotto,
410:
304:Marietta Brambilla
175:Margherita Rinaldi
156:Metropolitan Opera
145:Linda di Chamounix
136:, on 19 May 1842.
134:Kärntnertortheater
100:Linda di Chamounix
87:Kärntnertortheater
22:Linda di Chamounix
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1434:Francesca di Foix
1370:Il giovedì grasso
1266:Alahor in Granata
1234:Alfredo il grande
1194:Le nozze in villa
1120:Gaetano Donizetti
1038:978-0-19-517067-2
933:Ashbrook, William
844:
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814:Francesco Demuro
785:Cornelia Kallisch
674:Teatro alla Scala
635:Audio CD: Philips
596:Antonietta Stella
580:Alfredo Simonetto
397:
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373:Maddalena Nottes
286:Napoleone Moriani
276:Vicomte de Sirval
233:Juan Diego Flórez
167:Teatro alla Scala
115:Gaetano Donizetti
113:in three acts by
96:
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32:Gaetano Donizetti
1893:
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1807:Donizetti Museum
1743:Caterina Cornaro
1671:L'Ange de Nisida
1623:Roberto Devereux
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1418:Gianni di Parigi
1354:Gianni di Calais
1298:Olivo e Pasquale
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573:Giuseppe Modesti
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1144:Il Pigmalione
1141:
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1046:0-19-517067-9
1043:
1040:(hardcover).
1039:
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1025:
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1022:0-931340-71-3
1019:
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990:0-14-029312-4
987:
983:
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972:1-56159-228-5
969:
966:
965:0-333-73432-7
962:
958:
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951:Stanley Sadie
948:
946:
945:0-521-23526-X
942:
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815:
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811:Jessica Pratt
809:
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786:
782:Nadine Asher,
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764:
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749:
746:
741:
737:Monika Groop,
730:
727:
724:
723:
720:Cat: 47151-2
717:
712:
703:
698:
697:Luca Canonici
693:
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652:
651:Alfredo Kraus
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183:Renato Bruson
181:as Carlo and
180:
179:Alfredo Kraus
176:
172:
168:
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157:
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150:
146:
137:
135:
131:
127:
126:Gaetano Rossi
123:
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106:
102:
101:
88:
73:
69:
65:
61:
58:
57:Gaetano Rossi
55:
51:
46:
41:
36:
33:
29:
25:
20:
1765:
1757:
1751:Don Pasquale
1749:
1741:
1734:
1733:
1725:
1717:
1709:
1701:
1693:
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1677:
1669:
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1637:
1629:
1621:
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1605:
1597:
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1568:
1560:
1552:
1546:Buondelmonte
1544:
1536:
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1512:
1504:
1496:
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1328:
1320:
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1296:
1288:
1280:
1274:Don Gregorio
1272:
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1027:
1013:
1003:
996:
981:
954:
936:
926:
919:
918:
906:
886:
874:. Retrieved
870:
860:
851:
850:
831:
828:
822:
819:
816:
813:
790:Adam Fischer
660:Elena Zilio,
517:
513:
509:
505:
504:
495:
490:
487:
483:
482:
473:
469:
465:
461:
450:
443:
427:
426:
411:
391:
363:
311:
293:
275:
229:Diana Damrau
222:
210:Zurich Opera
207:
191:
164:
153:
144:
143:
107:
99:
98:
97:
27:
1876:1842 operas
1703:La favorite
1687:Les martyrs
1410:Anna Bolena
1012:, (1994),
776:Jacob Will,
735:Ettore Kim,
662:Carlo Cava,
570:Rina Corsi,
362:Maddalena,
332:basso buffo
249:Voice type
1845:Categories
1210:La zingara
1172:Una follia
847:References
542:Conductor,
523:Recordings
418:Time: 1760
378:Intendant
292:Pierotto,
203:Mark Elder
177:as Linda,
109:melodramma
79:1842-05-18
53:Librettist
1583:Belisario
1421:(1828-31)
1151:Olimpiade
1053:419285866
665:Enzo Dara
430:Chamounix
310:Antonio,
299:contralto
294:an orphan
160:Lily Pons
132:, at the
111:semiserio
1830:Category
1498:Parisina
1362:Il paria
1068:63-13703
1055:(eBook).
953:(Ed.),
935:(1982),
895:Archived
876:20 April
457:mortgage
400:Synopsis
347:Prefect
336:baritone
317:baritone
122:libretto
105:operatic
89:, Vienna
71:Premiere
63:Language
1795:Related
1785:Requiem
1639:Poliuto
1573:(1835)
1082:at the
980:(Ed.),
920:Sources
369:soprano
274:Carlo,
263:soprano
119:Italian
117:. The
77: (
66:Italian
1871:Operas
1787:(1835)
1770:(1843)
1762:(1843)
1754:(1843)
1746:(1844)
1738:(1842)
1730:(1841)
1722:(1841)
1714:(1841)
1711:Adelia
1706:(1840)
1698:(1840)
1690:(1840)
1682:(1840)
1674:(1839)
1666:(1839)
1658:(1839)
1650:(1838)
1642:(1838)
1634:(1838)
1626:(1837)
1618:(1837)
1610:(1836)
1602:(1836)
1594:(1836)
1586:(1836)
1565:(1835)
1557:(1834)
1549:(1834)
1541:(1834)
1533:(1834)
1525:(1834)
1517:(1833)
1509:(1833)
1501:(1833)
1493:(1833)
1485:(1833)
1477:(1832)
1469:(1832)
1461:(1832)
1453:(1832)
1450:Fausta
1445:(1831)
1437:(1831)
1429:(1831)
1413:(1830)
1405:(1830)
1397:(1830)
1389:(1830)
1381:(1829)
1373:(1829)
1365:(1829)
1357:(1828)
1349:(1828)
1341:(1828)
1333:(1828)
1325:(1827)
1317:(1827)
1309:(1827)
1301:(1827)
1293:(1826)
1285:(1826)
1282:Elvida
1277:(1826)
1269:(1826)
1261:(1824)
1253:(1824)
1245:(1823)
1237:(1823)
1229:(1822)
1221:(1822)
1213:(1822)
1205:(1822)
1197:(1820)
1189:(1819)
1181:(1819)
1175:(1818)
1167:(1818)
1159:(1817)
1153:(1817)
1147:(1816)
1136:Operas
1066:
1051:
1044:
1036:
1020:
988:
970:
963:
943:
547:Label
438:France
259:Linda
201:under
130:Vienna
103:is an
852:Notes
807:2021
766:1996
725:1993
688:1991
642:1972
592:1956
552:1953
533:Cast
530:Year
501:Act 3
479:Act 2
453:lease
446:Paris
434:Savoy
423:Act 1
382:tenor
281:tenor
246:Role
239:Roles
212:with
173:with
1719:Rita
1064:LCCN
1049:OCLC
1042:ISBN
1034:ISBN
1018:ISBN
986:ISBN
968:ISBN
961:ISBN
941:ISBN
878:2018
231:and
165:The
491:him
334:or
30:by
1847::
869:.
441:.
436:,
432:,
235:.
220:.
205:.
189:.
151:.
1112:e
1105:t
1098:v
880:.
797:,
772:,
742:,
731:,
704:,
699:,
694:,
658:,
653:,
648:,
618:,
613:,
608:,
603:,
598:,
575:,
568:,
563:,
558:,
81:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
