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245:, he invited Kustodiev to be his assistant. The painting was extremely complex and involved a great deal of hard work. Together with his teacher, the young artist made portrait studies for the painting, and then executed the right-hand side of the final work. Also at this time, Kustodiev made a series of portraits of contemporaries whom he felt to be his spiritual comrades. These included the artist
423:. "Now my whole world is my room", he wrote. His ability to remain joyful and lively despite his paralysis amazed others. His colourful paintings and joyful genre pieces do not reveal his physical suffering, and on the contrary give the impression of a carefree and cheerful life.
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the artist worked with great inspiration in various fields. Contemporary themes became the basis for his work, being embodied in drawings for calendars and book covers, and in illustrations and sketches of street decorations, as well as some portraits
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412:, where he spent a year undergoing treatment in a private clinic. He pined for his distant homeland, and Russian themes continued to provide the basic material for the works he painted during that year. In 1918, he painted
295:– he felt the irresistible pull of his motherland. After five months in France he returned to Russia, writing with evident joy to his friend Mate that he was back once more "in our blessed Russian land".
530:. The milieu of Ostrovsky's plays—provincial life and the world of the merchant class—was close to Kustodiev's own genre paintings, and he worked easily and quickly on the stage sets.
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In 1905, Kustodiev first turned to book illustrating, a genre in which he worked throughout his entire life. He illustrated many works of classical
Russian literature, including
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The artist was also interested in designing stage scenery. He first started work in the theatre in 1911, when he designed the sets for
Alexander Ostrovsky's
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Between 1893 and 1896, Kustodiev studied in theological seminary and took private art lessons in
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play." The artist retained these childhood observations for years, recreating them later in oils and water-colours.
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attracted attention because of their vividness and the sharpness of their subject matter. Kustodiev also worked in
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were landmarks in the history of
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on a grant from the
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History of creating of the painting to commemorate the 100th anniversary of the State
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large-scale canvas to commemorate the 100th anniversary of the State
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23 February] 1878 – 28 May 1927) was a
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Boris
Kustodiyev 125th Anniversary exhibition at the Russian Museum.
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Kustodiev and Petrov-Vodkin as members of Mir Iskusstva
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In 1903, he married Julia Proshinskaya (1880–1942).
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1012:Portrait of young woman
206:Winter-festivities 1919
57:Troitse-Sergiyeva Lavra
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516:It's a Family Affair
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224:St. Petersburg
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116:Russian SFSR
106:(1927-05-28)
82:7 March 1878
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1279:1927 deaths
1274:1878 births
896:Vasily Mate
865: 1910
824:Nicholas II
661:Show booths
481:'s stories
471:lithography
430:(1916) and
410:Switzerland
375:Leo Tolstoy
313:Butter Week
269:René Ménard
198:Art studies
104:28 May 1927
1268:Categories
1069:References
630:The Beauty
483:The Darner
421:paraplegic
383:The Candle
351:Dead Souls
293:Versailles
216:Ilya Repin
180:literature
172:philosophy
162:Early life
78:1878-03-07
945:Shalyapin
795:Portraits
724:Bolshevik
528:The Storm
369:Oprichnik
228:sculpture
192:Ostrovsky
168:Astrakhan
112:Leningrad
86:Astrakhan
18:Kustodiev
1239:Archived
1218:Archived
1057:See also
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788:Merchant
770:Russian
475:Nekrasov
432:Fontanka
188:seminary
59:, 1912,
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708:Country
587:(1910)
507:at the
438:banks.
404:of the
289:Seville
285:Germany
281:Austria
249:(1901,
176:history
152:painter
140:Russian
127:Painter
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572:(1909)
557:(1909)
526:, and
479:Leskov
373:; and
357:, and
328:Zhupel
317:(1916)
299:Career
261:France
182:, and
61:Uffizi
822:Tsar
772:Venus
436:Volga
406:spine
277:Italy
273:Paris
265:Spain
239:Repin
184:logic
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585:Fair
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101:Died
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