1417:
364:
1024:, while Venkataramayya was influential in productions for public performances and developing specialized forms of Yakshagana β another classical Indian dance, and Kuchipudi. Sastri is also remembered for encouraging and teaching Indian women to dance Kuchipudi as solo performers and in teams, as well as working with artists of other classical dances such as the Bharatanatyam that enabled the sharing and cross flow of ideas. Vempati Venkatanarayana Sastri was the guru of Sastri, taught him Kuchipudi, and was a key figure in helping preserve Kuchipudi. The historic All India Dance Seminar, organized by the national arts organization
131:
995:. Andhra was a part of the Madras Presidency. During the colonial era, Hindu arts and traditions such as dance-drama were ridiculed. Christian missionaries and British officials stereotyped and denigrated dancers, calling Indian classical dances as evidence of a tradition of "harlots, debased erotic culture, slavery to idols and priests". Christian missionaries launched the "anti-dance movement" in 1892, to ban all such dance forms. The anti-dance camp accused the various classical Indian dance forms as a front for prostitution, while revivalists questioned the constructed histories by the colonial writers.
1498:
142:
452:, when he was the high priest at his matha at Srikurmam and Simhachalam. To instill bhakti in layman he is credited to organizing Bhagavata Mela's throughout the nights and adapted many dance forms from the Srimad Bhagavatha Puranas. Vaishnavism received a big boost in the Kalinga regions of Andhra and Orissa due to the efforts of Narahari Tirtha, Sri Jagannatha Tirtha and his disciples, the message of Bhakti was percolated through the masses via Kuchpudi and The Bhagavata Melas of Sri Narahari Tirtha and his disciples.
456:
1624:
40:
615:
4601:
1110:), who moved from village to village, and performed on a stage set next to a Hindu temple. The male artists would dress up and act out the female role in a drama performed by these traveling troupes. In modern times, Kuchipudi has diversified, women have joined Kuchipudi dance, outnumber male artists, and are among its most celebrated artists. In some cases now, it is the Kuchipudi girl artists who dress up and act out the role of boys.
1075:
2507:"A summation of the signal importance of the Natyasastra for Hindu religion and culture has been provided by Susan Schwartz, "In short, the Natyasastra is an exhaustive encyclopedic dissertation of the arts, with an emphasis on performing arts as its central feature. It is also full of invocations to deities, acknowledging the divine origins of the arts and the central role of performance arts in achieving divine goals (...)".
5413:
930:
979:
375:, a foundational treatise on the performing arts. Its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters. The text, states Natalia Lidova, describes the theory of TΔαΉαΈava dance (
2620:
1149:, the dance-acting expands to include silent expression of words through gestures and body motion set to musical notes. The Kuchipudi actor articulates a story (particularly of Krishna) or a spiritual message. This part of a repertoire is more than sensory enjoyment, it aims to engage the emotions and mind of the viewer.
2621:
https://books.google.co.in/books?id=FT6uDwAAQBAJ&pg=PA77&lpg=PA77&dq=kuchipudi+narahari+tirtha&source=bl&ots=cC0C0iV8Sv&sig=ACfU3U0Ef7iXnc6E_Jfbp6BB88PbO4J0Ig&hl=en&sa=X&ved=2ahUKEwift-f8qaWDAxWRSmwGHWVOBDo4PBDoAXoECAMQAw#v=onepage&q=kuchipudi%20narahari%20tirtha&f=false
1441:, who typically keeps the beat using cymbals and also recites the musical syllables; the conductor may also sing out the story or spiritual message being enacted, or this may be a role of a separate vocalist or occasionally the dancer-actors themselves. The Kuchipudi orchestra ensemble includes a drummer (
1654:
Kuchipudi training, as with all major classical Indian arts, have traditionally begun at a young age. The training includes physical exercises, theory, demonstration lessons and a lot of practice. The physical exercises range from yoga to special exercises to develop a supple body and flexibility in
1488:
The dance styles are based on the standard treatises, Abhinaya
Darpana and Bharatarnava of Nandikeswara, which is sub-divided into Nattuva Mala and Natya Mala. Nattuva Mala is of two types β the Puja dance performed on the Balipitha in the temple and the Kalika dance performed in a Kalyana Mandapam.
1352:
in both hands, as the show goes on. Some artists dip their foot on a wet ink pad, then dance rhythmically on a blank white piece of paper, thus painting it; alternatively, the troupe places coloured rice powder on floor and on top the white piece of paper, then dances the musical composition on it,
1019:
The three influential figures in
Kuchipudi, during the first half of twentieth century, were Vedantam Lakshminarayana Sastri, Vempati Venkatanarayana Sastri and Chinta Venkataramayya. Sastri focused on reviving and relaunching Kuchipudi after classical Hindu dances came under sustained ridicule and
1400:
is held fast under a light metallic (golden or brass) belt at waist. A Kuchipudi artist braids her hair somewhat differently than a
Bharatanatyam artist, to reflect the regional traditions, yet wearing flowers are common. Both have symbolic elements embedded in their hair and face jewelry, such as
1424:
Some special
Kuchipudi plays may include unusual costumes and theatrics, such as round bottom water pot balanced on the head, dancing with gymnastics or stilt athletics. Other plays may include wing props, a transparent head sheet, or peacock feathered crown to identify the actor playing Krishna.
555:
The region saw wars and political turmoil with
Islamic invasions and the formation of Deccan Sultanates in the 16th century. With the fall of Vijayanagara Empire and the destruction of temples and Deccan cities by the Muslim army around 1565, musicians and dance-drama artists migrated south, and
1244:
The conductor of the performance enters and plants an "Indra's banner" staff, then introduces all the actors and the characters they play, who are revealed behind a curtain, and when each actor arrives, colored resin is thrown into the flame of one or more torches for dramatic color effects and
1031:
Some
Western dancers joined the Indians in preserving dance. The American dancer Esther Sherman, for example, moved to India in 1930, learnt Indian classical dances, changed her name to Ragini Devi, and joined the movement to save and revive classical Indian dances. Her daughter Indrani Bajpai
379:), the theory of rasa, of bhΔva, expression, gestures, acting techniques, basic steps, standing postures β all of which are part of Indian classical dances. Dance and performance arts, states this ancient text, are a form of expression of spiritual ideas, virtues and the essence of scriptures.
1101:
Ardhamandali or
Aramadi"(half seating position or a partial squat, legs bent or knees flexed out). However, there are important differences, such as Bharatanatyam as a Hindu temple tradition trending towards geometric perfection and the spiritual, while Kuchipudi as a Hindu festival tradition
1006:
After the ban, many
Indians protested against the caricature and cultural discrimination, launching their efforts to preserve and reinvigorate their culture. Due to these efforts from 1920s onwards, the classical Indian dances witnessed a period of renaissance. Vedantam Lakshminarayana Sastri
1224:
A Kuchipudi performance traditionally is a night performance, when rural families return from their farms and are free of their daily work. It has been performed in or next to a Hindu temple, and the stage lit by the yellow lights of castor oil burning torches. The dance-drama begins with an
1137:
performance is abstract, fast and rhythmic aspect of the dance. The viewer is presented with pure movement in Nritta, wherein the emphasis is the beauty in motion, form, speed, range and pattern. This part of the repertoire has no interpretative aspect, no telling of story. It is a technical
1320:, and this is the heart of the play. The actor-dancer uses hand mudras and facial expressions inspired by the sign language in ancient Sanskrit texts, with an exacting footwork, to communicate the underlying story to the audience. A solo play or solo part of the performance is called a
1082:
Kuchipudi is a team performance, with roots in Hindu religious festivals. The drama-dance involves extensive stage movements and exacting footwork, wherein the underlying drama is mimed by expressive gestures of hand (mudras), eye and face movements. The expressive style is through a
583:. In order to regulate public and private morals, as well as end un-Islamic practices, Aurangzeb banned public performances of all music and dance arts, along with ordering the confiscation and destruction of musical instruments in Indian subcontinent under control of his
1044:
outside of Andhra region, created wider enthusiasm and more interest through new students and the expansion of
Kuchipudi as a creative performance art both within India and internationally. The latter half of the twentieth century was dominated by the Kuchipudi school of
986:
After the death of
Aurangzeb in 1707, the Mughal Empire collapsed, Hindu rebellion sprouted in many parts of India, including the Deccan region. In the second half of the 18th century, during this period of political turmoil, the colonial Europeans arrived, the
1752:
if he told this love epic. In another, Sidhyendra promises Krishna to dedicate his life to bhakti if his life was saved during a dangerous river-crossing. In the third, Sidhyendra was simply inspired by his devotion and love for God to compose the work. The
1007:(1886β1956) was the influential figure who led the effort to save, reconstruct and revive Kuchipudi performance art. Sastri worked closely with other revivalists, between 1920 and 1950, particularly Balasaraswati and others determined to save and revive
579:, saw a Kuchipudi performance and was so pleased that he granted the dancers lands around the Kuchipudi village, with the stipulation that they continue the dance-drama. The Shia Sultanate was overthrown in 1687 by the Sunni Mughal Emperor
1002:
of the British Empire altogether banned temple dancing. Kuchipudi, which was traditionally staged at night on a stage attached to a Hindu temple, was impacted and like all classical Indian dances declined during the colonial rule period.
1457:(styles), which developed because of the uniqueness and creativity of gurus (teachers). This openness and flexibility has been a historic tradition in Indian dance culture, and is traceable to early times in Kuchipudi as the
1348:, wherein the dancer adds acrobatics to the complexity of presentation. For example, the dancer may perform the footwork, rhythmically to music, while balancing a series of pots on his or her head, and then add burning
2852:
479:. This royal sponsorship, states Varadpande, encouraged many poets and dance-drama troupes to adopt Radha-Krishna themes into the then prevailing versions of classical Kuchipudi. These were regionally called Vaishnava
1291:(gait), that visually appeals to the audience wherever he or may be sitting. Each dance unit, according to the ancient text, is best performed to certain recitation of mnemonic syllables and musical beat. A series of
1683:. They are educated in Sanskrit and Telugu. They must also learn music, literature and become vocalists. Training has expanded from within traditional families to anyone across the world due to its popularization.
543:
Kuchipudi enjoyed support from medieval era rulers. Copper inscriptions suggest that the dance-drama was seen by the royalty and was influential by 1502 and through the late 16th century. The court records of the
1099:. The dance is accompanied with Carnatic music, while the recital is in Telugu language. Just like the Carnatic music style, Kuchipudi shares many postures and expressive gestures with Bharatanatyam, such as the
1249:
accompanied by a short musical piece, as the vocalist describes his or her role. The conductor is typically present throughout the performance, on the stage, explains the play, talks and humors the audience.
289:
with light makeup. The Kuchipudi performance usually begins with an invocation. Then, each costumed actor is introduced, their role stated, and they then perform a short preliminary dance set to music (
556:
Tanjore kingdom records suggest some 500 such Kuchipudi artist families arrived from Andhra, were welcomed and granted land by the Hindu king Achyutappa Nayak, a settlement that grew to become modern
1835:
1156:
is a play, typically a team performance, but can be acted out by a solo performer where the dancer uses certain standardized body movements to indicate a new character in the underlying story. A
3495:
1353:
their weight and steps causing the pigment to stick. At the end of the performance, the artist shows the audience the nature scenery or bird or flower or Ganesha or something that results. A
441:
found in Karnataka, all three involve Carnatic music, but these dance-drama traditions have differences such as in costumes, structure, interpretation and creative innovations.
552:
from Kuchipudi village performed at the royal court. However, various historical inscriptions often indicate that this dance form can be tracked back to the first century BCE.
258:
persuasion, and his disciple, an orphan named Siddhendra Yogi, founded and systematized the modern version of Kuchipudi in the 17th century. Kuchipudi largely developed as a
535:
boys to perform the play. According to the tradition, Sidhyendra requested and the villagers agreed to perform the play once a year, and this came to be known as Kuchipudi.
1413:). The forehead has a round red bindi or a symmetric tillaka, while the eyes are typically ringed with black collyrium to ease the viewing of expressions by the audience.
1802:
styles are found in other classical Hindu dances as well, with Margi being those that aim to uplift thoughts, imagination or devotional, focus on spiritual ideas, while
508:
and introduced sequences of rhythmic dance syllables at the end of the cantos, he wrote this work as a libretto for a dance-drama. Narayanayati lived for a while in the
1433:
Musical instruments used in Kuchipudi are cymbals, mridangam, violin, thambura, flute. The Kuchipudi performance is led by a conductor (chief musician) called the
527:. When Sidhyendra Yogi finished the play, he had trouble finding suitable performers. So he went to Kuchelapuram, the village of his wife's family and present-day
1405:
style which represents the three worlds. Her jewelry may include hair jewelry, ear, nose, armlets, necklaces and often a leather anklet piece with little bells (
1145:
is slower and expressive aspect of the dance that attempts to communicate feelings, storyline particularly with spiritual themes in Hindu dance traditions. In a
1844:, pp. 83β84, the other major classical Indian dances are: Kathak, Odissi, Bharatanatyam, Kathakali, Manipuri, Chhau, Satriya, Kuchipudi and Mohiniyattam..
1485:
styles, Senapati describes Rasaka, Charchari, Bhandika, Kollata and others. Some of these styles are discernible in Warangal sculptures of the 13th century.
347:β shortened form of the full name Kuchelapuram or Kuchilapuri β where it developed. The name of village, states Ragini Devi, is itself derived from Sanskrit
1392:
Modern productions retain the male dress, but are more elaborate and Bharatanatyam-like for the female roles. Women artists wear a brilliantly colourful
246:
Evidence of Kuchipudi's existence in an older version are found in copper inscriptions of the 10th century, and by the 15th century in texts such as the
402:, and is discussed in many other 1st millennium Sanskrit texts. Some, state Bruno Nettle and others, place the origins of Kuchipudi to 3rd century BCE.
3487:
1854:
4282:
437:. According to Saskia Kersenboom, both the Telugu Kuchipudi and Tamil Bhagavata Mela are strongly related to the classical Hindu dance tradition of
2094:
5255:
1559:
Traditional compositions that have been internationally performed by Kuchipudi artists, particularly among Telugu diaspora communities, include
1113:
The repertoire of Kuchipudi, like all major classical Indian dance forms, follows the three categories of performance in the ancient Hindu text
5384:
5379:
5003:
806:
5207:
2921:, Quote: "(...) the last Golconda ruler Abul Hasan, known as Tana Shah, who was credited with reviving the dying art of the Kuchipudi dance".
5394:
1164:. Kuchipudi, in its history relied on a team of dance-actors, while in modern times Kuchipudi productions include solo or duo performances.
5389:
960:
1259:
part of the Kuchipudi performance starts. The actors present a pure dance (jatis or jatiswarams), performed rhythmically to a musical
243:. It developed as a religious art linked to traveling bards, temples and spiritual beliefs, like all major classical dances of India.
5240:
5202:
1332:(emotional taste), and this can be solo or group. Parts set to poetry that are love lyrics or express deeper sentiments are called a
564:). Not everyone left the old Andhra village of Kuchipudi, and those remaining became the sole custodians of its tradition in Andhra.
6189:
5448:
5245:
4589:
1237:, the Hindu god of good beginnings, or may be an invocation expressing reverence to various Hindu gods, goddesses, earth, or one's
876:
1806:
are festive, folksy, focus on celebration and entertainment. According to Kothari and Pasricha, the styles are reflected in the
1344:
are a feature of the performance that is distinctive to Kuchipudi. These are performed either as nritta or nritya, to different
6122:
4117:
The Dance in India: The Origin and History, Foundations, the Art and Science of the Dance in India β Classical, Folk and Tribal
2796:
The Dance in India: The Origin and History, Foundations, the Art and Science of the Dance in India β Classical, Folk and Tribal
2634:
1396:(or a body fitting dress) with a pleated fan stitched in front to help highlight the exacting footwork. The end of the wrapped
433:
in Tamil region of south India. In Andhra, this performance art evolved into Kuchipudi, while in Tamil Nadu it became known as
2649:
1445:), a clarinetist and a violinist. Depending on the legend being danced out, other musicians such as a flutist may be present.
1416:
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leg muscles, lower body, core, arms, shoulders and neck. Some examples of special exercises, state Kothari and Pasricha, are
871:
5036:
729:
4567:
5250:
5194:
4837:
6194:
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3389:
1489:
Natya Mala is of three kinds β ritual dance for gods, Kalika dance for intellectuals and Bhagavatam for common place.
5399:
4809:
4388:
3419:
3048:
2823:
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203:
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styles, he describes Vedayata, Veddangam, Bommalata, Perani, Chindu, Bahurupam, Pagativeshalu and others; while for
409:, in Telugu-speaking parts of South India, are evidenced in 10th-century copper inscriptions, and these were called
5235:
5230:
5225:
1401:
the Vedic symbolisms for the sun and the moon, the soul and the nature, and she sometimes sets her hairdo in the
1060:
started their career as a Kuchipudi and Bharatanatyam dancer. Kuchipudi performances have now spread world-wide.
363:
4845:
4663:
953:
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6112:
4925:
1336:, and this part constitutes expressing the emotional, the allegorical and the spiritual aspects of the play.
5441:
4648:
4582:
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1185:. The nritta or pure abstract dance parts of Kuchipudi, states Reginald Massey, may include parts such as
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894:
762:
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228:
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22:
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The Concise Garland Encyclopedia of World Music: The Middle East, South Asia, East Asia, Southeast Asia
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2279:
789:
704:
2120:
2118:
2116:
1385:(a single pleated piece of cloth hanging down from the waist). A dancer in a female role would wear a
382:
The dance-drama tradition in Andhra Pradesh is of ancient origins, and the region is mentioned in the
285:(a single pleated piece of cloth hanging down from the waist). A dancer in a female role would wear a
6137:
5270:
5217:
4698:
4673:
4668:
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1049:, whose efforts to further codify the modern repertoire earned him multiple accolades, including the
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594:
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yields the painting of a lion, each set to a certain classical composition and beat, for instance.
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861:
651:
2227:
2225:
1786:, which explains its purpose as 'form an emotional connection between the actor and the audience'.
5434:
5318:
4945:
4630:
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1373:
The traditional Kuchipudi was performed by all males troupe. A dancer in a male role would be in
1303:
through Sanskrit mnemonics, later written, and these form the foundation of what is performed in
784:
567:
Kuchipudi declined and was a dying art in 17th-century Andhra, but in 1678, the last Shia Muslim
273:
The traditional Kuchipudi was performed by all males troupe. A dancer in a male role would be in
130:
1635:
6096:
5506:
4965:
4955:
4880:
4042:
2520:
2222:
1064:
239:. Kuchipudi is a dance-drama performance, with its roots in the ancient Hindu Sanskrit text of
224:
64:
3668:
2248:
2163:
2087:
1954:
355:
is a term found in ancient Sanskrit texts and refers to "traveling bard, dancer, newsmonger".
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According to Manohar Varadpande, the Kuchipudi dance emerged in the late 13th century, when
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1036:) learnt and became a celebrated Kuchipudi dancer. The public performances of Kuchipudi by
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8:
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The largest group performance with a total of 6,117 dancers in Vijayawada got into the
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in solo or group performance, but when the underlying text is a play, it may include a
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371:
Kuchipudi, like other classical dance forms in India, traces its roots to the Sanskrit
311:
language accompanies the performance. The typical musical instruments in Kuchipudi are
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Migration and Religion in Europe: Comparative Perspectives on South Asian Experiences
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in Natya Shastra. Each basic unit combines hand and foot movement into a harmonious
459:
A portrait of Siddhendra Yogi, to whom modern Kuchipudi is traditionally attributed.
331:. The popularity of Kuchipudi has grown within India and it is performed worldwide.
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386:. Bharata Muni credits a graceful movement to Andhra region and discusses it as
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2853:"Between History and Historiography: The Origins of Classical Kuchipudi Dance"
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421:. This art was likely adopted by the musical and dancing Bhakti traditions of
303:), where rhythmic hand gestures help convey the story. Vocal and instrumental
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2060:(Pbk. ed.). Cambridge, England: Cambridge University Press. p. 96.
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548:β known for its patronage of the arts β indicate that drama-dance troupes of
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Narayanayati's disciple, Sidhyendra Yogi, followed up with another play, the
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were patrons of performance arts based on the 12th-century Sanskrit scholar
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4449:
3958:
2775:
2557:
1823:
1745:
934:
476:
449:
232:
4505:
Wallace Dace (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory".
3694:
3692:
3690:
3178:
Donors, Devotees, and Daughters of God: Temple Women in Medieval Tamilnadu
3097:
Resonances of the Raj: India in the English Musical Imagination, 1897β1947
2054:
Banham, edited by James R. Brandon ; advisory editor, Martin (1993).
1532:, which portrays the theme of an ethical satirical conversation between a
1106:
Traditionally the traveling dance troupe consisted entirely of men (often
6020:
6010:
5920:
5860:
5815:
5705:
5695:
5670:
5660:
5577:
5496:
5486:
5131:
5091:
4827:
2407:
A Sanskrit-English Dictionary: Etymologically and philologically arranged
2101:
1473:
styles referred to one that incorporated innovations to the conservative
1349:
1057:
1021:
422:
263:
39:
21:
For the village where this dance came from in Andhra Pradesh, India, see
3161:
3148:
Amrit Srinivasan (1983). "The Hindu Temple-dancer: Prostitute or Nun?".
1623:
1520:, a story of Krishna's life beginning from his birth to his marriage to
991:
was formed by the East India Company officials and became a part of the
6040:
5995:
5985:
5965:
5925:
5855:
5730:
5720:
5690:
5476:
5166:
5136:
5021:
4988:
4526:
4283:"In the Shadow of Hollywood Orientalism: Authentic East Indian Dancing"
3687:
2326:
Global Indian Diasporas: Exploring Trajectories of Migration and Theory
1766:
1549:
674:
2368:
When God is a Customer: Telugu Courtesan Songs by KαΉ£Δtrayya and Others
1761:
asked Krishna to get her the Parijata tree from the garden of the god
1138:
performance, and aims to engage the senses (prakriti) of the audience.
6035:
5980:
5950:
5870:
5865:
5825:
5770:
5665:
5627:
5531:
5146:
5126:
5121:
5016:
4759:
4621:
1541:
1078:
A dancer in a costume, an expressive part of a Kuchipudi performance.
580:
561:
312:
251:
77:
4518:
2161:
297:). This is followed with by the expressive part of the performance (
6158:
5960:
5880:
5850:
5830:
5820:
5810:
5750:
5725:
5710:
5617:
5556:
5156:
5076:
5066:
5056:
5051:
5031:
4119:. India: D. B. Taraporevala Sons & Co. Private Ltd. p. 62.
2798:. India: D. B. Taraporevala Sons & Co. Private Ltd. p. 57.
2365:
A. K. Ramanujan; Velcheru Narayana Rao; David Dean Shulman (1994).
1536:
and a Brahmin. Other commonly performed plays are the dance-songs (
1245:
audience's attention. Each actor performs a short dance called the
1074:
491:
472:
406:
5935:
3628:
Farley P. Richmond, Darius L. Swann & Phillip B. Zarrilli 1993
3587:
Farley P. Richmond, Darius L. Swann & Phillip B. Zarrilli 1993
3201:
2455:
2431:
2289:
Farley P. Richmond, Darius L. Swann & Phillip B. Zarrilli 1993
2125:
Farley P. Richmond, Darius L. Swann & Phillip B. Zarrilli 1993
2028:
2026:
2024:
1984:
1982:
1980:
1978:
1976:
6163:
6030:
6015:
5930:
5895:
5840:
5800:
5760:
5735:
5622:
5592:
5491:
5426:
5106:
5096:
5081:
4751:
4534:
Farley P. Richmond; Darius L. Swann; Phillip B. Zarrilli (1993).
1758:
1521:
1234:
1107:
532:
513:
509:
499:
418:
328:
316:
259:
3739:
3737:
3645:
2832:
2673:
2671:
2385:
6066:
5990:
5945:
5890:
5875:
5835:
5795:
5785:
5775:
5582:
5551:
5526:
5481:
5151:
5116:
5111:
5071:
5061:
5041:
3762:
3760:
3758:
3756:
3754:
3752:
2303:
2301:
2299:
2297:
2021:
1973:
1749:
568:
299:
101:
83:
4123:
3987:
2162:
Bruno Nettl; Ruth M. Stone; James Porter; et al. (1998).
2011:
2009:
2007:
2005:
2003:
2001:
1999:
1997:
1915:
1913:
1328:
combines dance with mime in order to draw out and express the
6000:
5905:
5900:
5885:
5780:
5765:
5745:
5655:
5632:
5046:
5011:
4221:
4141:
4077:
4065:
3981:
3964:
3952:
3940:
3923:
3911:
3872:
3857:
3845:
3828:
3816:
3789:
3734:
3639:
3473:
3461:
3325:. Wesleyan University Press. pp. 77, 138β141, 179, 289.
2961:
Emperors of the Peacock Throne: The Saga of the Great Mughals
2781:
2713:
2668:
2563:
2534:
2421:
2419:
2417:
2273:
2231:
2107:
1931:
1829:
1762:
1553:
1205:. The nritya or expressive performance in Kuchipudi includes
1087:
that follows the classical pan-Indian Sanskrit texts such as
606:
425:
which grew in the 2nd millennium, whose devotees were called
376:
324:
320:
189:
177:
174:
150:
95:
89:
3749:
3352:. Oxford University Press. pp. 180, 225, 327, 422β428.
2931:
Ahsan Jan Qaisar; Som Prakash Verma; Mohammad Habib (1996).
2467:
2348:
2346:
2294:
5161:
3414:. India: Avinash Publications. pp. 7, 39β40, 192β193.
3231:
2592:
2518:
2443:
1994:
1910:
1580:
1533:
1260:
1238:
502:
orphan named Sidhyendra Yogi. Tirtha Narayanayati authored
195:
3205:
Dance Matters: Performing India on Local and Global Stages
2414:
334:
4037:
Kathakali Dance-drama: Where Gods and Demons Come to Play
3607:. The Rosen Publishing Group. pp. 103β104, 376β377.
3018:. Cambridge University Press. pp. 273β286, 290β291.
2343:
2035:
1889:
978:
180:
4356:
India's Dances: Their History, Technique, and Repertoire
4157:
India's Dances: Their History, Technique, and Repertoire
3438:
At Home in the World: Bharata Natyam on the Global Stage
2759:
The Dances of India: A General Survey and Dancers' Guide
2492:. University of South Carolina Press. pp. 138β139.
417:. The medieval era dance-drama performance artists were
3785:
3783:
3781:
3779:
3777:
3775:
1810:
or the basic building blocks of the dance in Kuchipudi.
1324:, and this may be set to a poem, a verse or a prose. A
2157:
2155:
2153:
1173:
A complete Kuchipudi show sequence always consists of
2151:
2149:
2147:
2145:
2143:
2141:
2139:
2137:
2135:
2133:
1744:
There are three versions of the story. In the first,
250:. Kuchipudi tradition holds that Narahari Tirtha β a
204:
171:
168:
3772:
3100:. Oxford University Press. pp. 97 footnote 72.
3066:
2032:
Krishna Chaitanya (1987), "Arts of India.", pages.74
1885:
1883:
1881:
1879:
1877:
1875:
1102:
trending towards more sensual supple and the folksy.
192:
186:
4032:
3709:
3707:
3598:
3488:"6,117 Kuchipudi dancers put A.P. in Guinness book"
3062:
3060:
1952:
498:persuasion and particularly his disciple, a Telugu
183:
4373:
4200:
4034:
3600:
3523:
3264:
3233:
3120:
2724:
2722:
2546:
2489:Sonic Liturgy: Ritual and Music in Hindu Tradition
2461:
2130:
4421:Classical Indian dance in literature and the arts
3555:
3553:
3551:
3549:
3547:
3318:
2242:
2240:
2197:
2195:
2193:
2191:
2189:
2187:
2185:
1872:
1271:. A basic unit of dance in Kuchipudi is called a
1028:in 1958, thrust Kuchipudi to the national stage.
486:The modern version of Kuchipudi is attributed to
394:, that is from Andhra. The Andhri, is related to
6176:
4459:Aesthetic theories and forms in Indian tradition
4456:
4439:
4418:
4397:
4005:
3884:
3704:
3434:
3147:
3057:
3011:
2902:
2473:
1959:. The Rosen Publishing Group. pp. 376β377.
390:. The pre-2nd century CE text calls one raga as
4352:
4129:
4089:
3993:
3743:
3713:
3698:
3651:
3559:
3384:. Abhinav Publications. pp. 120, 155β161.
3379:
2898:
2896:
2894:
2838:
2813:
2761:. United Kingdom: Tricolour Books. p. 27.
2719:
2677:
2403:
2391:
2318:
2316:
2246:
2201:
1988:
1948:
1946:
1944:
1942:
1940:
1614:
5385:List of urban agglomerations in Andhra Pradesh
5380:List of cities in Andhra Pradesh by population
4259:
4242:
3796:. Cambridge University Press. pp. 96β97.
3544:
3268:India's Kathak Dance in Historical Perspective
3195:
3124:India's Kathak Dance in Historical Perspective
3073:. Rowman & Littlefield. pp. 165β168.
2550:Dattilam: A Compendium of Ancient Indian Music
2425:
2237:
2182:
1719:His name is sometimes spelled Siddhendra Yogi.
512:district and presented the dance-drama in the
293:). Next, the performance presents pure dance (
5442:
4583:
3666:
3662:
3660:
3603:The Illustrated Encyclopedia of Hinduism: A-M
3202:Pallabi Chakravorty; Nilanjana Gupta (2012).
3181:. Oxford University Press. pp. 5, 8β17.
3174:
3114:
3093:
3087:
2957:
2951:
2934:Art and Culture: Endeavours in Interpretation
2575:
2371:. University of California Press. p. 3.
2322:
1956:The Illustrated Encyclopedia of Hinduism: A-M
1477:styles. Senapati lists examples of each. For
1469:of Jaya Senapati. According to Senapati, the
954:
5395:List of urban local bodies in Andhra Pradesh
4504:
4483:
4009:The Square and the Circle of the Indian Arts
3227:
3225:
2984:
2891:
2752:
2449:
2313:
1937:
448:, the disciple of Sri Ananda Tirtha a.k.a -
444:Kuchipudi traces its origins to its founder
51:
5390:List of revenue divisions in Andhra Pradesh
4331:
4198:
4183:"INHERITANCE AND GROWTH OF KUCHIPUDI DANCE"
4094:. India: Abhinav Publications. p. 38.
3766:
3563:The Sterling Book of Indian Classical Dance
3519:
3517:
3515:
3513:
3291:
3039:Kulke, Hermann; Dietmar Rothermund (2004).
2818:. India: Abhinav Publications. p. 33.
2485:
2437:
2352:
2329:. Amsterdam University Press. p. 109.
2307:
2205:The Sterling Book of Indian Classical Dance
2041:
2015:
1919:
1253:After the actors have been introduced, the
1056:Some of the Indian movie actresses such as
5449:
5435:
4590:
4576:
4090:Kothari, Sunil; Pasricha, Avinash (2001).
3657:
3524:Beth Osnes; Sam Gill (2001). "Kuchipudi".
3380:Kothari, Sunil; Pasricha, Avinash (2001).
3345:
3168:
3141:
2814:Kothari, Sunil; Pasricha, Avinash (2001).
1357:dance produces a painting of a peacock, a
961:
947:
266:tradition, and it is known by the name of
38:
4537:Indian Theatre: Traditions of Performance
4335:Sanskrit Play Production in Ancient India
4142:Sunil Kothari & Avinash Pasricha 2001
4078:Sunil Kothari & Avinash Pasricha 2001
4066:Sunil Kothari & Avinash Pasricha 2001
3982:Sunil Kothari & Avinash Pasricha 2001
3965:Sunil Kothari & Avinash Pasricha 2001
3953:Sunil Kothari & Avinash Pasricha 2001
3941:Sunil Kothari & Avinash Pasricha 2001
3924:Sunil Kothari & Avinash Pasricha 2001
3912:Sunil Kothari & Avinash Pasricha 2001
3873:Sunil Kothari & Avinash Pasricha 2001
3858:Sunil Kothari & Avinash Pasricha 2001
3846:Sunil Kothari & Avinash Pasricha 2001
3829:Sunil Kothari & Avinash Pasricha 2001
3817:Sunil Kothari & Avinash Pasricha 2001
3640:Sunil Kothari & Avinash Pasricha 2001
3474:Sunil Kothari & Avinash Pasricha 2001
3462:Sunil Kothari & Avinash Pasricha 2001
3222:
2782:Sunil Kothari & Avinash Pasricha 2001
2714:Sunil Kothari & Avinash Pasricha 2001
2564:Sunil Kothari & Avinash Pasricha 2001
2535:Sunil Kothari & Avinash Pasricha 2001
2274:Sunil Kothari & Avinash Pasricha 2001
2232:Sunil Kothari & Avinash Pasricha 2001
2108:Sunil Kothari & Avinash Pasricha 2001
2093:CS1 maint: multiple names: authors list (
1932:Sunil Kothari & Avinash Pasricha 2001
1830:Sunil Kothari & Avinash Pasricha 2001
1492:
4280:
4222:Sunil Kothari; Avinash Pasricha (2001).
4114:
4012:. Abhinav Publications. pp. 41β47.
3790:James R. Brandon; Martin Banham (1997).
3510:
3441:. Wesleyan University Press. p. 7.
2793:
2635:"Religious Debates in Indian Philosophy"
2633:Babloo, Ravi Prakash (15 January 2022).
1841:
1496:
1415:
1073:
977:
454:
405:Dance-drama performance arts related to
362:
339:Kuchipudi is named after the village in
140:
129:
3409:
3038:
2410:. Oxford University Press. p. 243.
1748:appears before Sidhyendra and promises
973:
538:
351:, which means "the village of actors".
335:Nomenclature, orthography and etymology
6177:
4153:
3375:
3373:
3371:
3369:
3349:The Oxford Companion to Indian Theatre
3232:Debra Craine; Judith Mackrell (2010).
2909:. Penguin Books. pp. 132, 71β74.
2850:
2728:
2698:
2632:
2593:Mohan Khokar; Gurmeet Thukral (1985).
2553:. Brill Archive. pp. 25, 291β293.
2523:. Harvard University Press. p. 4.
2053:
1847:
1428:
5430:
4571:
4092:Kuchipudi: Indian Classical Dance Art
3560:Shovana Narayan (2011). "Kuchipudi".
3527:Acting: An International Encyclopedia
3498:from the original on 26 December 2016
3412:Kuchipudi: Indian Classical Dance Art
3405:
3403:
3401:
3382:Kuchipudi: Indian Classical Dance Art
3150:The Cambridge Journal of Anthropology
2816:Kuchipudi: Indian Classical Dance Art
2809:
2807:
2805:
2748:
2746:
2744:
2742:
2740:
2694:
2692:
2690:
2688:
2686:
2512:
2202:Shovana Narayan (2011). "Kuchipudi".
1896:. Abhinav Publications. p. 133.
1855:"'Art has to be nurtured to sustain'"
1233:). This may be an on stage prayer to
531:, where he enlisted a group of young
367:Kuchipudi dancers performing in Paris
227:. It originates from a village named
4180:
3793:The Cambridge Guide to Asian Theatre
3240:. Oxford University Press. pp.
3070:The Encyclopedia of World Folk Dance
2988:Traditions of Indian classical dance
2733:. India: Clarion Books. p. 169.
2731:Traditions of Indian Classical Dance
2703:. India: Clarion Books. p. 158.
2701:Traditions of Indian Classical Dance
2647:
2519:Coormaraswamy and Duggirala (1917).
2057:The Cambridge guide to Asian theatre
1618:
4380:Indian Music: History and Structure
4083:
3366:
2964:. Penguin Books. pp. 408β409.
2937:. Abhinav Publications. p. 7.
1567:(marriage of Krishna and Rukmini),
13:
5456:
4263:Drama and Ritual of Early Hinduism
3888:Encyclopedia of Asian Theatre: A-N
3398:
2851:Putcha, Rumya S. (December 2013).
2802:
2737:
2683:
2234:, pp. 43β45, 97β104, 117β121.
1890:Manohar Laxman Varadpande (1982).
1524:. Ramaiah Sastri, inspired by the
613:
14:
6206:
5400:List of mandals of Andhra Pradesh
4555:
1501:A Kuchipudi dancer performing at
5411:
4599:
4174:
4147:
4108:
4026:
3999:
2582:. Marg Publications. p. 13.
2253:. De Gruyter. pp. 310β319.
1934:, pp. 43β46, 80 footnote 8.
1789:
1622:
1508:The most popular dance-drama is
1014:
928:
164:
6190:Classical dance genres of India
4192:
3878:
3592:
3485:
3479:
3428:
3339:
3322:Balasaraswati: Her Art and Life
3312:
3285:
3258:
3032:
3005:
2978:
2924:
2844:
2787:
2648:Devi, Ragini (5 January 1990).
2641:
2626:
2613:
2586:
2569:
2540:
2479:
2397:
2358:
2250:Body β Language β Communication
2168:. Routledge. pp. 516β518.
2047:
1772:
1738:
1722:
1713:
1453:Kuchipudi has several regional
1279:), and these correspond to the
1160:incorporates the elements of a
4253:10.1093/obo/9780195399318-0071
3530:. ABC-CLIO. pp. 183β184.
3271:. Routledge. pp. 99β102.
3236:The Oxford Dictionary of Dance
1299:, formalized originally as an
982:A Kuchipudi dance in progress.
1:
4181:Basa, Murali (1 March 2021).
3127:. Routledge. pp. 94β98.
3067:Mary Ellen Snodgrass (2016).
2596:The splendors of Indian dance
1817:
1316:, the expressive part called
1069:
1020:political degradation in the
523:, more commonly known as the
4876:Dr. B. R. Ambedkar Konaseema
4562:Kuchipudi Academies in India
4033:Phillip B. Zarrilli (2000).
3720:. Infobase. pp. 45β46.
3599:James G. Lochtefeld (2002).
3566:. Sterling. pp. 48β49.
2654:. Motilal Banarsidass Publ.
2208:. Sterling. pp. 50β51.
1953:James G. Lochtefeld (2002).
1615:Schools and training centers
1595:(probably the oldest play),
223:) is one of the eight major
7:
6057:Hindi cinema song and dance
4936:Sri Potti Sriramulu Nellore
4507:Educational Theatre Journal
4247:. Oxford University Press.
3265:Margaret E. Walker (2016).
3121:Margaret E. Walker (2016).
2547:Emmie te Nijenhuis (1970).
1731:means "The Stealing of the
1686:
1368:
1168:
505:Sri Krishna Leela Tarangini
23:Kuchipudi, Krishna district
10:
6211:
4115:Bhavnani, Enakshi (1965).
3891:. Greenwood. p. 352.
3673:. Routledge. p. 955.
3642:, pp. 20β21, 190β204.
3589:, pp. 23β24, 173β174.
3319:Douglas M. Knight (2010).
3043:. Routledge. p. 245.
2991:. Peter Owen. p. 51.
2794:Bhavnani, Enakshi (1965).
560:near Tanjore (also called
358:
20:
6195:Culture of Andhra Pradesh
6151:
6105:
6075:
6049:
5641:
5610:
5565:
5514:
5505:
5464:
5408:
5372:
5269:
5216:
5185:
5002:
4979:
4836:
4808:
4717:
4629:
4617:
4457:Kapila Vatsyayan (2008).
4444:. Sangeet Natak Akademi.
4440:Kapila Vatsyayan (1974).
4423:. Sangeet Natak Akademi.
4419:Kapila Vatsyayan (1977).
4398:Kapila Vatsyayan (2001).
4302:10.1080/08949460490274013
4154:Massey, Reginald (2004).
4006:Kapila Vatsyayan (1997).
3885:Samuel L. Leiter (2007).
3298:. Routledge. p. 32.
3208:. Routledge. p. 30.
3012:John F. Richards (1995).
2903:Bilkees I. Latif (2010).
2869:10.1017/S0149767713000260
1583:festival-related story),
1448:
220:
110:
70:
60:
52:
46:
37:
4490:. Abhinav Publications.
4487:Dance In Indian Painting
4461:. Munshiram Manoharlal.
4401:Bharata, the NΔαΉyaΕΔstra
4359:. Abhinav Publications.
4353:Reginald Massey (2004).
4228:. Abhinav Publications.
4160:. Abhinav Publications.
3714:Janet Descutner (2010).
3701:, pp. 33β38, 83β84.
2599:. Hyperion. p. 76.
2404:Monier Williams (1872).
2247:Cornelia MΓΌller (2013).
1893:Krishna Theatre in India
1769:'s jealousy as a result.
1706:
1548:out of 4500 composed by
1544:, and the 700 surviving
490:, a 17th-century Telugu
343:of Andhra Pradesh named
5319:Western Chalukya Empire
4540:. Motilal Banarsidass.
4338:. Motilal Banarsidass.
4296:(1). Routledge: 69β98.
4281:Williams, Drid (2004).
4266:. Motilal Banarsidass.
4260:Natalia Lidova (1994).
4243:Natalia Lidova (2014).
4207:. Motilal Banarsidass.
4203:Dance Dialects of India
3410:Kothari, Sunil (2001).
2651:Dance Dialects of India
2521:"The Mirror of Gesture"
2462:Emmie Te Nijenhuis 1974
2440:, pp. xxiv, 19β20.
1757:tells the story of how
1307:sequence of Kuchipudi.
1263:, and these are called
225:Indian classical dances
4442:Indian classical dance
3667:Ellen Koskoff (2008).
3175:Leslie C. Orr (2000).
3094:Nalini Ghuman (2014).
2958:Abraham Eraly (2000).
2857:Dance Research Journal
2729:Khokar, Mohan (1984).
2699:Khokar, Mohan (1984).
2576:Sunil Kothari (1979).
2323:Gijsbert Oonk (2007).
1605:Ardhanareeswaram Sabda
1569:Sakuntalam Bhamakalpam
1518:Krishna Lila Tarangini
1505:
1493:Major Kuchipudi dramas
1421:
1079:
1065:Guinness World Records
983:
618:
460:
368:
154:
138:
65:Indian classical dance
18:Indian classical dance
5976:Poikkal Kuthiraiattam
5359:Sultanate of Golconda
5339:Eastern Ganga dynasty
5299:Vishnukundina dynasty
4846:Alluri Sitharama Raju
4041:. Routledge. p.
3435:Janet O'Shea (2007).
2985:Mohan Khokar (1984).
2525:; Also see chapter 36
2474:Kapila Vatsyayan 2001
1500:
1419:
1310:Thereafter comes the
1077:
1047:Vempati Chinna Satyam
1026:Sangeet Natak Akademi
981:
617:
458:
435:Bhagavata Mela Nataka
429:in Andhra region and
366:
144:
133:
5256:Wildlife sanctuaries
4926:Parvathipuram Manyam
4768:Rose-ringed parakeet
4332:Tarla Mehta (1995).
4199:Ragini Devi (1990).
4130:Reginald Massey 2004
3994:Reginald Massey 2004
3744:Reginald Massey 2004
3699:Reginald Massey 2004
3652:Reginald Massey 2004
3292:Ester Gallo (2016).
2839:Reginald Massey 2004
2678:Reginald Massey 2004
2486:Guy L. Beck (2012).
2392:Reginald Massey 2004
1989:Reginald Massey 2004
1782:in the ancient text
1512:of Sidhyendra Yogi.
974:Colonial rule period
872:World Heritage Sites
577:Abul Hasan Tana Shah
539:Late medieval period
134:Dancer performing a
5472:Perini Sivatandavam
5364:Vijayanagara Empire
5294:Salankayana dynasty
4728:Maa Telugu Thalliki
4404:. Sahitya Akademi.
4290:Visual Anthropology
4144:, pp. 120β121.
4068:, pp. 129β142.
3943:, pp. 112β113.
3926:, pp. 109β112.
3914:, pp. 102β109.
3860:, pp. 120β142.
3848:, pp. 117β121.
3831:, p. 102, 120.
3630:, pp. 173β174.
3486:Rao, G.V.R. Subba.
3346:Ananda Lal (2004).
2426:Natalia Lidova 2014
2291:, pp. 172β173.
2276:, pp. 147β149.
1698:Perini Sivatandavam
1601:Chamundeswari Sabda
1589:Sasirekha Parinayam
1465:styles in the text
1429:Musical instruments
1389:with light makeup.
1363:Simhanandi Kavutvam
1042:Yamini Krishnamurti
900:Ministry of Tourism
895:Ministry of Culture
669:Arts and literature
546:Vijayanagara Empire
488:Tirtha Narayanayati
475:, particularly the
34:
5324:Rashtrakuta Empire
5279:Satavahana dynasty
4792:Banginapalli Mango
4484:Kapila Vatsyayan.
4383:. BRILL Academic.
4375:Emmie Te Nijenhuis
3875:, pp. 97β102.
3041:A History of India
2753:Massey, Reginald;
2716:, pp. 31, 45.
2086:has generic name (
1634:. You can help by
1577:Prahlada Charitram
1561:Srinivasa Kalyanam
1506:
1422:
1420:Kuchipudi costumes
1080:
984:
619:
461:
369:
155:
139:
30:
6172:
6171:
6062:Hindi dance songs
5606:
5605:
5424:
5423:
5314:Eastern Chalukyas
4547:978-81-208-0981-9
4497:978-81-7017-153-9
4435:Table of Contents
4411:978-81-260-1220-6
4366:978-81-7017-434-9
4345:978-81-208-1057-0
4273:978-81-208-1234-5
4235:978-81-7017-359-5
4214:978-81-208-0674-0
4167:978-81-7017-434-9
4052:978-0-415-13109-4
4019:978-81-7017-362-5
3984:, pp. 24β25.
3898:978-0-313-33530-3
3803:978-0-521-58822-5
3769:, pp. 68β69.
3727:978-1-4381-3078-1
3680:978-0-415-99404-0
3654:, pp. 83β84.
3614:978-0-8239-3179-8
3573:978-81-207-9078-0
3537:978-0-87436-795-9
3448:978-0-8195-6837-3
3359:978-0-19-564446-3
3332:978-0-8195-6906-6
3305:978-1-317-09637-5
3278:978-1-317-11737-7
3251:978-0-19-956344-9
3215:978-1-136-51612-2
3188:978-0-19-535672-4
3134:978-1-317-11737-7
3107:978-0-19-931489-8
3080:978-1-4422-5749-8
3025:978-0-521-56603-2
3015:The Mughal Empire
2998:978-0-7206-0574-7
2971:978-0-14-100143-2
2944:978-81-7017-315-1
2916:978-0-14-306454-1
2841:, pp. 79β80.
2661:978-81-208-0674-0
2606:978-81-7002-002-8
2537:, pp. 23β24.
2499:978-1-61117-108-2
2450:Wallace Dace 1963
2394:, pp. 80β81.
2378:978-0-520-08069-0
2336:978-90-5356-035-8
2310:, pp. 73β76.
2260:978-3-11-026131-8
2215:978-81-207-9078-0
2175:978-0-8240-4946-1
2067:978-0-521-58822-5
2018:, pp. 67β68.
1991:, pp. 79β81.
1966:978-0-8239-3179-8
1922:, pp. 60β68.
1903:978-81-7017-151-5
1652:
1651:
1597:Mohini Rukmangada
1359:Vinayaka Kavutvam
1000:Madras Presidency
989:Madras Presidency
971:
970:
248:Machupalli Kaifat
128:
127:
6202:
6123:Himachal Pradesh
6026:Thitambu Nritham
5512:
5511:
5451:
5444:
5437:
5428:
5427:
5418:India portal
5416:
5415:
5414:
5349:Musunuri Nayakas
5329:Kakatiya dynasty
5304:Chalukya dynasty
4604:
4603:
4602:
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4585:
4578:
4569:
4568:
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4501:
4480:
4453:
4432:
4415:
4394:
4370:
4349:
4328:
4326:
4324:
4318:
4312:. Archived from
4287:
4277:
4256:
4239:
4218:
4206:
4187:
4186:
4178:
4172:
4171:
4151:
4145:
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3902:
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3861:
3855:
3849:
3843:
3832:
3826:
3820:
3814:
3808:
3807:
3787:
3770:
3767:Ragini Devi 1990
3764:
3747:
3741:
3732:
3731:
3711:
3702:
3696:
3685:
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3655:
3649:
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3309:
3289:
3283:
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3199:
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3172:
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3145:
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3111:
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2800:
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2779:
2773:
2772:
2750:
2735:
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2726:
2717:
2711:
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2696:
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2675:
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2665:
2645:
2639:
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2630:
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2617:
2611:
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2590:
2584:
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2573:
2567:
2561:
2555:
2554:
2544:
2538:
2532:
2526:
2524:
2516:
2510:
2509:
2483:
2477:
2471:
2465:
2464:, pp. 1β25.
2459:
2453:
2447:
2441:
2438:Tarla Mehta 1995
2435:
2429:
2423:
2412:
2411:
2401:
2395:
2389:
2383:
2382:
2362:
2356:
2353:Ragini Devi 1990
2350:
2341:
2340:
2320:
2311:
2308:Ragini Devi 1990
2305:
2292:
2286:
2277:
2271:
2265:
2264:
2244:
2235:
2229:
2220:
2219:
2199:
2180:
2179:
2159:
2128:
2122:
2111:
2105:
2099:
2098:
2091:
2085:
2081:
2079:
2071:
2051:
2045:
2042:Ragini Devi 1990
2039:
2033:
2030:
2019:
2016:Ragini Devi 1990
2013:
1992:
1986:
1971:
1970:
1950:
1935:
1929:
1923:
1920:Ragini Devi 1990
1917:
1908:
1907:
1887:
1870:
1869:
1867:
1865:
1851:
1845:
1839:
1833:
1827:
1811:
1793:
1787:
1776:
1770:
1755:Parijatapaharana
1742:
1736:
1729:Parijatapaharana
1726:
1720:
1717:
1647:
1644:
1626:
1619:
1609:Perini Thandavam
1565:Rukmini Kalyanam
1514:Narayana Teertha
1377:, also known as
1093:Abhinaya Darpana
963:
956:
949:
935:India portal
933:
932:
931:
915:Incredible India
785:Physical culture
616:
590:
589:
521:Parijatapaharana
341:Krishna district
277:, also known as
222:
211:
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201:
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185:
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119:Krishna district
56:
55:
54:
42:
35:
29:
6210:
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6203:
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6200:
6199:
6175:
6174:
6173:
6168:
6147:
6101:
6091:Abhinavabharati
6071:
6045:
5916:Mardana Jhumair
5637:
5602:
5561:
5501:
5460:
5455:
5425:
5420:
5412:
5410:
5404:
5368:
5344:Gajapati Empire
5334:Velanati Chodas
5309:Pallava dynasty
5284:Andhra Ikshvaku
5265:
5212:
5181:
4998:
4975:
4832:
4804:
4776:Great Snakehead
4713:
4625:
4613:
4600:
4598:
4596:
4558:
4548:
4519:10.2307/3204783
4498:
4469:
4412:
4391:
4367:
4346:
4322:
4320:
4319:on 25 June 2013
4316:
4285:
4274:
4236:
4215:
4195:
4190:
4179:
4175:
4168:
4152:
4148:
4140:
4136:
4128:
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4113:
4109:
4102:
4088:
4084:
4076:
4072:
4064:
4060:
4053:
4031:
4027:
4020:
4004:
4000:
3992:
3988:
3980:
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3963:
3959:
3951:
3947:
3939:
3930:
3922:
3918:
3910:
3906:
3899:
3883:
3879:
3871:
3864:
3856:
3852:
3844:
3835:
3827:
3823:
3815:
3811:
3804:
3788:
3773:
3765:
3750:
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3728:
3712:
3705:
3697:
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3646:
3638:
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3626:
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3501:
3499:
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3422:
3408:
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3333:
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3313:
3306:
3290:
3286:
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3263:
3259:
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3200:
3196:
3189:
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3146:
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3119:
3115:
3108:
3092:
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3026:
3010:
3006:
2999:
2983:
2979:
2972:
2956:
2952:
2945:
2929:
2925:
2917:
2901:
2892:
2849:
2845:
2837:
2833:
2826:
2812:
2803:
2792:
2788:
2780:
2776:
2769:
2751:
2738:
2727:
2720:
2712:
2708:
2697:
2684:
2676:
2669:
2662:
2646:
2642:
2631:
2627:
2618:
2614:
2607:
2591:
2587:
2579:Parata NΔαΉαΉiyam
2574:
2570:
2562:
2558:
2545:
2541:
2533:
2529:
2517:
2513:
2500:
2484:
2480:
2472:
2468:
2460:
2456:
2448:
2444:
2436:
2432:
2424:
2415:
2402:
2398:
2390:
2386:
2379:
2363:
2359:
2351:
2344:
2337:
2321:
2314:
2306:
2295:
2287:
2280:
2272:
2268:
2261:
2245:
2238:
2230:
2223:
2216:
2200:
2183:
2176:
2160:
2131:
2123:
2114:
2106:
2102:
2092:
2083:
2082:
2073:
2072:
2068:
2052:
2048:
2040:
2036:
2031:
2022:
2014:
1995:
1987:
1974:
1967:
1951:
1938:
1930:
1926:
1918:
1911:
1904:
1888:
1873:
1863:
1861:
1853:
1852:
1848:
1840:
1836:
1828:
1824:
1820:
1815:
1814:
1794:
1790:
1778:This is called
1777:
1773:
1743:
1739:
1727:
1723:
1718:
1714:
1709:
1702:Vilasini Natyam
1689:
1648:
1642:
1639:
1632:needs expansion
1617:
1495:
1467:Nrittaratnavali
1451:
1431:
1371:
1355:Mayura Kavutvam
1171:
1097:Nrityararnavali
1072:
1017:
976:
967:
929:
927:
920:
919:
890:
882:
881:
847:
839:
838:
748:
740:
739:
670:
662:
661:
627:
614:
541:
496:Advaita Vedanta
446:Narahari Tirtha
388:Kaishiki vritti
361:
337:
221:ΰ°ΰ±ΰ°ΰ°Ώΰ°ͺΰ±ΰ°‘ΰ°Ώ ΰ°¨ΰ±ΰ°€ΰ±ΰ°―ΰ°
209:
205:
167:
163:
53:ΰ°ΰ±ΰ°ΰ°Ώΰ°ͺΰ±ΰ°‘ΰ°Ώ ΰ°¨ΰ±ΰ°€ΰ±ΰ°―ΰ°
50:
26:
19:
12:
11:
5:
6208:
6198:
6197:
6192:
6187:
6170:
6169:
6167:
6166:
6161:
6155:
6153:
6149:
6148:
6146:
6145:
6140:
6135:
6130:
6125:
6120:
6115:
6113:Andhra Pradesh
6109:
6107:
6103:
6102:
6100:
6099:
6094:
6087:
6079:
6077:
6073:
6072:
6070:
6069:
6064:
6059:
6053:
6051:
6047:
6046:
6044:
6043:
6038:
6033:
6028:
6023:
6018:
6013:
6008:
6003:
5998:
5993:
5988:
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5978:
5973:
5968:
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5958:
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5938:
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5918:
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5748:
5743:
5738:
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5728:
5723:
5718:
5713:
5708:
5703:
5701:Chakyar koothu
5698:
5693:
5688:
5683:
5678:
5673:
5668:
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5658:
5652:
5650:
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5500:
5499:
5494:
5489:
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5479:
5474:
5468:
5466:
5462:
5461:
5458:Dance in India
5454:
5453:
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5439:
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5422:
5421:
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5406:
5405:
5403:
5402:
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5316:
5311:
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5301:
5296:
5291:
5289:Ananda Gotrika
5286:
5281:
5275:
5273:
5267:
5266:
5264:
5263:
5258:
5253:
5248:
5243:
5241:National parks
5238:
5233:
5228:
5222:
5220:
5214:
5213:
5211:
5210:
5205:
5200:
5197:
5191:
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5183:
5182:
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5142:Tadepalligudem
5139:
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5119:
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5109:
5104:
5099:
5094:
5089:
5084:
5079:
5074:
5069:
5064:
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5049:
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5029:
5027:Chilakaluripet
5024:
5019:
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5008:
5006:
5000:
4999:
4997:
4996:
4991:
4985:
4983:
4977:
4976:
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4958:
4953:
4948:
4946:Sri Sathya Sai
4943:
4938:
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4918:
4913:
4908:
4903:
4898:
4893:
4888:
4883:
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4863:
4858:
4853:
4848:
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4840:
4834:
4833:
4831:
4830:
4825:
4823:Coastal Andhra
4820:
4814:
4812:
4806:
4805:
4803:
4802:
4797:
4794:
4789:
4786:
4781:
4778:
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4757:
4754:
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4725:
4721:
4719:
4715:
4714:
4712:
4711:
4706:
4701:
4696:
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4686:
4681:
4676:
4671:
4666:
4661:
4656:
4651:
4646:
4641:
4635:
4633:
4627:
4626:
4618:
4615:
4614:
4611:Andhra Pradesh
4595:
4594:
4587:
4580:
4572:
4566:
4565:
4557:
4556:External links
4554:
4553:
4552:
4546:
4531:
4513:(3): 249β254.
4502:
4496:
4481:
4468:978-8187586357
4467:
4454:
4437:
4416:
4410:
4395:
4389:
4371:
4365:
4350:
4344:
4329:
4278:
4272:
4257:
4240:
4234:
4219:
4213:
4194:
4191:
4189:
4188:
4173:
4166:
4146:
4134:
4122:
4107:
4101:978-8170173595
4100:
4082:
4070:
4058:
4051:
4025:
4018:
3998:
3996:, pp. 32.
3986:
3969:
3957:
3955:, p. 153.
3945:
3928:
3916:
3904:
3897:
3877:
3862:
3850:
3833:
3821:
3819:, p. 102.
3809:
3802:
3771:
3748:
3733:
3726:
3703:
3686:
3679:
3656:
3644:
3632:
3620:
3613:
3591:
3579:
3572:
3543:
3536:
3509:
3478:
3476:, p. 203.
3466:
3464:, p. 190.
3454:
3447:
3427:
3420:
3397:
3391:978-8170173595
3390:
3365:
3358:
3338:
3331:
3311:
3304:
3284:
3277:
3257:
3250:
3221:
3214:
3194:
3187:
3167:
3140:
3133:
3113:
3106:
3086:
3079:
3056:
3049:
3031:
3024:
3004:
2997:
2977:
2970:
2950:
2943:
2923:
2915:
2890:
2843:
2831:
2824:
2801:
2786:
2774:
2767:
2755:Massey, Jamila
2736:
2718:
2706:
2682:
2667:
2660:
2640:
2625:
2612:
2605:
2585:
2568:
2556:
2539:
2527:
2511:
2498:
2478:
2466:
2454:
2452:, p. 249.
2442:
2430:
2413:
2396:
2384:
2377:
2357:
2342:
2335:
2312:
2293:
2278:
2266:
2259:
2236:
2221:
2214:
2181:
2174:
2129:
2127:, p. 173.
2112:
2100:
2066:
2046:
2034:
2020:
1993:
1972:
1965:
1936:
1924:
1909:
1902:
1871:
1846:
1834:
1832:, p. 117.
1821:
1819:
1816:
1813:
1812:
1788:
1771:
1737:
1721:
1711:
1710:
1708:
1705:
1704:
1703:
1700:
1695:
1688:
1685:
1650:
1649:
1629:
1627:
1616:
1613:
1585:Usha Parinayam
1494:
1491:
1450:
1447:
1430:
1427:
1370:
1367:
1361:of Ganesha, a
1301:oral tradition
1287:(posture) and
1170:
1167:
1166:
1165:
1150:
1139:
1071:
1068:
1038:Indrani Rahman
1034:Indrani Rahman
1016:
1013:
993:British Empire
975:
972:
969:
968:
966:
965:
958:
951:
943:
940:
939:
938:
937:
922:
921:
918:
917:
912:
907:
902:
897:
891:
888:
887:
884:
883:
880:
879:
874:
869:
864:
859:
854:
848:
845:
844:
841:
840:
837:
836:
831:
830:
829:
824:
819:
814:
804:
799:
794:
793:
792:
787:
777:
776:
775:
770:
765:
755:
749:
746:
745:
742:
741:
738:
737:
732:
727:
722:
717:
712:
707:
702:
697:
692:
687:
682:
677:
671:
668:
667:
664:
663:
660:
659:
654:
649:
644:
639:
634:
628:
625:
624:
621:
620:
610:
609:
599:
598:
540:
537:
411:Brahmana Melas
360:
357:
349:Kusilava-puram
336:
333:
305:Carnatic music
270:in Thanjavur.
268:Bhagavata Mela
256:Dvaita Vedanta
237:Andhra Pradesh
126:
125:
123:Andhra Pradesh
112:
108:
107:
106:
105:
98:
93:
86:
81:
72:
68:
67:
62:
58:
57:
48:
44:
43:
17:
9:
6:
4:
3:
2:
6207:
6196:
6193:
6191:
6188:
6186:
6183:
6182:
6180:
6165:
6162:
6160:
6157:
6156:
6154:
6150:
6144:
6141:
6139:
6136:
6134:
6131:
6129:
6126:
6124:
6121:
6119:
6116:
6114:
6111:
6110:
6108:
6104:
6098:
6095:
6093:
6092:
6088:
6086:
6085:
6084:Natya Shastra
6081:
6080:
6078:
6074:
6068:
6065:
6063:
6060:
6058:
6055:
6054:
6052:
6048:
6042:
6039:
6037:
6034:
6032:
6029:
6027:
6024:
6022:
6019:
6017:
6014:
6012:
6009:
6007:
6004:
6002:
5999:
5997:
5994:
5992:
5989:
5987:
5984:
5982:
5979:
5977:
5974:
5972:
5969:
5967:
5964:
5962:
5959:
5957:
5954:
5952:
5949:
5947:
5944:
5942:
5939:
5937:
5934:
5932:
5929:
5927:
5924:
5922:
5919:
5917:
5914:
5912:
5911:Malwai Giddha
5909:
5907:
5904:
5902:
5899:
5897:
5894:
5892:
5889:
5887:
5884:
5882:
5879:
5877:
5874:
5872:
5869:
5867:
5864:
5862:
5859:
5857:
5854:
5852:
5849:
5847:
5844:
5842:
5839:
5837:
5834:
5832:
5829:
5827:
5824:
5822:
5819:
5817:
5814:
5812:
5809:
5807:
5804:
5802:
5799:
5797:
5794:
5792:
5789:
5787:
5784:
5782:
5779:
5777:
5774:
5772:
5769:
5767:
5764:
5762:
5759:
5757:
5756:Dollu Kunitha
5754:
5752:
5749:
5747:
5744:
5742:
5739:
5737:
5734:
5732:
5729:
5727:
5724:
5722:
5719:
5717:
5714:
5712:
5709:
5707:
5704:
5702:
5699:
5697:
5694:
5692:
5689:
5687:
5684:
5682:
5679:
5677:
5676:Bardwi Sikhla
5674:
5672:
5669:
5667:
5664:
5662:
5659:
5657:
5654:
5653:
5651:
5648:
5644:
5640:
5634:
5631:
5629:
5626:
5624:
5621:
5619:
5616:
5615:
5613:
5609:
5599:
5596:
5594:
5591:
5589:
5586:
5584:
5581:
5579:
5576:
5574:
5573:Andhra Natyam
5571:
5570:
5568:
5564:
5558:
5555:
5553:
5550:
5548:
5545:
5543:
5540:
5538:
5535:
5533:
5530:
5528:
5525:
5523:
5522:Bharatanatyam
5520:
5519:
5517:
5513:
5510:
5508:
5504:
5498:
5495:
5493:
5490:
5488:
5485:
5483:
5480:
5478:
5475:
5473:
5470:
5469:
5467:
5463:
5459:
5452:
5447:
5445:
5440:
5438:
5433:
5432:
5429:
5419:
5407:
5401:
5398:
5396:
5393:
5391:
5388:
5386:
5383:
5381:
5378:
5377:
5375:
5373:Related lists
5371:
5365:
5362:
5360:
5357:
5355:
5352:
5350:
5347:
5345:
5342:
5340:
5337:
5335:
5332:
5330:
5327:
5325:
5322:
5320:
5317:
5315:
5312:
5310:
5307:
5305:
5302:
5300:
5297:
5295:
5292:
5290:
5287:
5285:
5282:
5280:
5277:
5276:
5274:
5272:
5268:
5262:
5259:
5257:
5254:
5252:
5249:
5247:
5246:Hindu temples
5244:
5242:
5239:
5237:
5234:
5232:
5229:
5227:
5224:
5223:
5221:
5219:
5215:
5209:
5206:
5204:
5201:
5198:
5196:
5193:
5192:
5190:
5188:
5184:
5178:
5175:
5173:
5172:Visakhapatnam
5170:
5168:
5165:
5163:
5160:
5158:
5155:
5153:
5150:
5148:
5145:
5143:
5140:
5138:
5135:
5133:
5130:
5128:
5125:
5123:
5120:
5118:
5115:
5113:
5110:
5108:
5105:
5103:
5100:
5098:
5095:
5093:
5090:
5088:
5087:Machilipatnam
5085:
5083:
5080:
5078:
5075:
5073:
5070:
5068:
5065:
5063:
5060:
5058:
5055:
5053:
5050:
5048:
5045:
5043:
5040:
5038:
5035:
5033:
5030:
5028:
5025:
5023:
5020:
5018:
5015:
5013:
5010:
5009:
5007:
5005:
5001:
4995:
4994:Visakhapatnam
4992:
4990:
4987:
4986:
4984:
4982:
4978:
4972:
4969:
4967:
4966:West Godavari
4964:
4962:
4959:
4957:
4956:Visakhapatnam
4954:
4952:
4949:
4947:
4944:
4942:
4939:
4937:
4934:
4932:
4929:
4927:
4924:
4922:
4919:
4917:
4914:
4912:
4909:
4907:
4904:
4902:
4899:
4897:
4894:
4892:
4889:
4887:
4884:
4882:
4881:East Godavari
4879:
4877:
4874:
4872:
4869:
4867:
4864:
4862:
4859:
4857:
4854:
4852:
4849:
4847:
4844:
4843:
4841:
4839:
4835:
4829:
4826:
4824:
4821:
4819:
4816:
4815:
4813:
4811:
4807:
4801:
4798:
4795:
4793:
4790:
4787:
4785:
4782:
4779:
4777:
4774:
4771:
4769:
4766:
4763:
4761:
4758:
4755:
4753:
4750:
4747:
4745:
4742:
4739:
4737:
4734:
4731:
4729:
4726:
4723:
4722:
4720:
4716:
4710:
4707:
4705:
4702:
4700:
4697:
4695:
4692:
4690:
4687:
4685:
4682:
4680:
4677:
4675:
4672:
4670:
4667:
4665:
4662:
4660:
4657:
4655:
4652:
4650:
4647:
4645:
4642:
4640:
4637:
4636:
4634:
4632:
4628:
4624:
4623:
4616:
4612:
4608:
4593:
4588:
4586:
4581:
4579:
4574:
4573:
4570:
4563:
4560:
4559:
4549:
4543:
4539:
4538:
4532:
4528:
4524:
4520:
4516:
4512:
4508:
4503:
4499:
4493:
4489:
4488:
4482:
4478:
4474:
4470:
4464:
4460:
4455:
4451:
4447:
4443:
4438:
4436:
4430:
4426:
4422:
4417:
4413:
4407:
4403:
4402:
4396:
4392:
4390:90-04-03978-3
4386:
4382:
4381:
4376:
4372:
4368:
4362:
4358:
4357:
4351:
4347:
4341:
4337:
4336:
4330:
4315:
4311:
4307:
4303:
4299:
4295:
4291:
4284:
4279:
4275:
4269:
4265:
4264:
4258:
4254:
4250:
4246:
4241:
4237:
4231:
4227:
4226:
4220:
4216:
4210:
4205:
4204:
4197:
4196:
4184:
4177:
4169:
4163:
4159:
4158:
4150:
4143:
4138:
4132:, p. 82.
4131:
4126:
4118:
4111:
4103:
4097:
4093:
4086:
4080:, p. 28.
4079:
4074:
4067:
4062:
4054:
4048:
4044:
4039:
4038:
4029:
4021:
4015:
4011:
4010:
4002:
3995:
3990:
3983:
3978:
3976:
3974:
3966:
3961:
3954:
3949:
3942:
3937:
3935:
3933:
3925:
3920:
3913:
3908:
3900:
3894:
3890:
3889:
3881:
3874:
3869:
3867:
3859:
3854:
3847:
3842:
3840:
3838:
3830:
3825:
3818:
3813:
3805:
3799:
3795:
3794:
3786:
3784:
3782:
3780:
3778:
3776:
3768:
3763:
3761:
3759:
3757:
3755:
3753:
3746:, p. 83.
3745:
3740:
3738:
3729:
3723:
3719:
3718:
3710:
3708:
3700:
3695:
3693:
3691:
3682:
3676:
3672:
3671:
3663:
3661:
3653:
3648:
3641:
3636:
3629:
3624:
3616:
3610:
3605:
3604:
3595:
3588:
3583:
3575:
3569:
3565:
3564:
3556:
3554:
3552:
3550:
3548:
3539:
3533:
3529:
3528:
3520:
3518:
3516:
3514:
3497:
3493:
3489:
3482:
3475:
3470:
3463:
3458:
3450:
3444:
3440:
3439:
3431:
3423:
3421:9788170173595
3417:
3413:
3406:
3404:
3402:
3393:
3387:
3383:
3376:
3374:
3372:
3370:
3361:
3355:
3351:
3350:
3342:
3334:
3328:
3324:
3323:
3315:
3307:
3301:
3297:
3296:
3288:
3280:
3274:
3270:
3269:
3261:
3253:
3247:
3243:
3238:
3237:
3228:
3226:
3217:
3211:
3207:
3206:
3198:
3190:
3184:
3180:
3179:
3171:
3163:
3159:
3155:
3151:
3144:
3136:
3130:
3126:
3125:
3117:
3109:
3103:
3099:
3098:
3090:
3082:
3076:
3072:
3071:
3063:
3061:
3052:
3050:0-415-32919-1
3046:
3042:
3035:
3027:
3021:
3017:
3016:
3008:
3000:
2994:
2990:
2989:
2981:
2973:
2967:
2963:
2962:
2954:
2946:
2940:
2936:
2935:
2927:
2918:
2912:
2908:
2907:
2899:
2897:
2895:
2886:
2882:
2878:
2874:
2870:
2866:
2863:(3): 91β110.
2862:
2858:
2854:
2847:
2840:
2835:
2827:
2825:9788170173595
2821:
2817:
2810:
2808:
2806:
2797:
2790:
2784:, p. 32.
2783:
2778:
2770:
2768:0-948725-04-4
2764:
2760:
2756:
2749:
2747:
2745:
2743:
2741:
2732:
2725:
2723:
2715:
2710:
2702:
2695:
2693:
2691:
2689:
2687:
2680:, p. 80.
2679:
2674:
2672:
2663:
2657:
2653:
2652:
2644:
2636:
2629:
2622:
2616:
2608:
2602:
2598:
2597:
2589:
2581:
2580:
2572:
2566:, p. 29.
2565:
2560:
2552:
2551:
2543:
2536:
2531:
2522:
2515:
2508:
2506:
2501:
2495:
2491:
2490:
2482:
2475:
2470:
2463:
2458:
2451:
2446:
2439:
2434:
2427:
2422:
2420:
2418:
2409:
2408:
2400:
2393:
2388:
2380:
2374:
2370:
2369:
2361:
2355:, p. 67.
2354:
2349:
2347:
2338:
2332:
2328:
2327:
2319:
2317:
2309:
2304:
2302:
2300:
2298:
2290:
2285:
2283:
2275:
2270:
2262:
2256:
2252:
2251:
2243:
2241:
2233:
2228:
2226:
2217:
2211:
2207:
2206:
2198:
2196:
2194:
2192:
2190:
2188:
2186:
2177:
2171:
2167:
2166:
2158:
2156:
2154:
2152:
2150:
2148:
2146:
2144:
2142:
2140:
2138:
2136:
2134:
2126:
2121:
2119:
2117:
2109:
2104:
2096:
2089:
2077:
2069:
2063:
2059:
2058:
2050:
2044:, p. 73.
2043:
2038:
2029:
2027:
2025:
2017:
2012:
2010:
2008:
2006:
2004:
2002:
2000:
1998:
1990:
1985:
1983:
1981:
1979:
1977:
1968:
1962:
1958:
1957:
1949:
1947:
1945:
1943:
1941:
1933:
1928:
1921:
1916:
1914:
1905:
1899:
1895:
1894:
1886:
1884:
1882:
1880:
1878:
1876:
1860:
1856:
1850:
1843:
1842:Williams 2004
1838:
1831:
1826:
1822:
1809:
1805:
1801:
1797:
1792:
1785:
1784:Natya Shastra
1781:
1775:
1768:
1764:
1760:
1756:
1751:
1747:
1741:
1734:
1730:
1725:
1716:
1712:
1701:
1699:
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1527:
1526:Bhama Kalapam
1523:
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1516:composed the
1515:
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1510:Bhama Kalapam
1504:
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1086:
1085:sign language
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28:
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6050:Contemporary
6006:Singhi Chham
5846:Kachhi Ghodi
5741:Dandiya Raas
5681:Bedara Vesha
5611:Divine forms
5547:Mohiniyattam
5536:
5177:Vizianagaram
5102:Narasaraopet
4961:Vizianagaram
4818:North Andhra
4743:
4664:Demographics
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4321:. Retrieved
4314:the original
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4193:Bibliography
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1955:
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1862:. Retrieved
1858:
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1746:Lord Krishna
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1636:adding to it
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1593:Rama Natakam
1592:
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1573:Hara Vilasam
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1246:
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1225:invocation (
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1117:. These are
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857:State Emblem
680:Architecture
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485:
480:
477:Gita Govinda
467:rulers from
462:
450:Madhvacharya
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415:Brahma Melas
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233:Indian state
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145:A Kuchipudi
135:
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88:
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31:
27:
15:
6152:Accessories
6021:Thirayattam
6011:Sword dance
5696:Bommalattam
5671:Bardo Chham
5661:Baagh Naach
5497:Veeranatyam
5487:Parai Attam
5132:Rajahmundry
5092:Madanapalle
5037:Dharmavaram
4828:Rayalaseema
3717:Asian Dance
1350:Diya (lamp)
1241:(teacher).
1195:jatiswarams
1058:Hema Malini
1022:British Raj
797:Video games
790:Traditional
481:Bhagavatulu
431:Bhagavatars
427:Bhagavatulu
423:Vaishnavism
264:Vaishnavism
47:Native name
6179:Categories
6138:Tamil Nadu
6076:Literature
6041:Yakshagana
5996:Raut Nacha
5986:Puliyattam
5966:Pavri Nach
5956:Paampattam
5926:Mayilattam
5856:Karakattam
5731:Corridinho
5721:Chheih Lam
5515:Recognised
5477:Margamkali
5261:Waterfalls
5167:Vijayawada
5137:Srikakulam
5022:Bhimavaram
4989:Vijayawada
4981:Metropolis
4941:Srikakulam
4851:Anakapalli
4649:Government
4564:, Narthaki
1818:References
1767:Satyabhama
1550:Kshetrayya
1542:Thyagaraja
1439:Nattuvanar
1435:Sutradhara
1403:tribhuvana
1379:Bagalbandi
1375:Angavastra
1269:Patakshara
1070:Repertoire
867:Miss India
773:Television
763:Newspapers
710:Literature
550:Bhagavatas
439:Yakshagana
279:Bagalbandi
275:Agnivastra
262:-oriented
6185:Kuchipudi
6036:Veeragase
5981:Puli Kali
5951:Oyilattam
5871:Khual Lam
5866:Keisabadi
5826:Hulivesha
5771:Duffmuttu
5666:Bagurumba
5628:Rasa lila
5537:Kuchipudi
5532:Kathakali
5507:Classical
5187:Transport
5147:Tadipatri
5127:Proddatur
5122:Palakollu
5017:Anantapur
4861:Annamayya
4856:Anantapur
4838:Districts
4760:Blackbuck
4744:Kuchipudi
4709:Transport
4684:Education
4644:Geography
4622:Amaravati
4619:Capital:
4477:286469807
4429:233639306
4225:Kuchipudi
3492:The Hindu
2906:Forgotten
2885:191350966
2877:0149-7677
2076:cite book
1859:The Hindu
1643:July 2016
1443:mridangam
1381:, wear a
1341:Kavutvams
1265:Sollakath
1231:puvaranga
1227:melavimpu
877:Monuments
807:Mythology
730:Sculpture
705:Festivals
700:Education
647:Languages
581:Aurangzeb
562:Thanjavur
529:Kuchipudi
345:Kuchipudi
313:mridangam
281:, wear a
252:sanyassin
229:Kuchipudi
159:Kuchipudi
115:Kuchipudi
78:Mridangam
32:Kuchipudi
6159:Ghungroo
6106:By state
5971:Phulpati
5961:Padayani
5881:Kolattam
5851:Kalbelia
5831:Jhijhiya
5821:Hojagiri
5811:Gombhira
5751:Dhunachi
5726:Chholiya
5711:Chang Lo
5618:Nataraja
5557:Sattriya
5542:Manipuri
5354:Bahmanis
5251:Churches
5208:Seaports
5203:Roadways
5199:Railways
5195:Airports
5157:Tirupati
5077:Kakinada
5067:Hindupur
5057:Guntakal
5052:Gudivada
5032:Chittoor
4951:Tirupati
4931:Prakasam
4896:Kakinada
4871:Chittoor
4732:Language
4679:Politics
4654:Language
4377:(1974).
4323:30 March
4310:29065670
3502:18 April
3496:Archived
3162:23816342
2757:(1989).
1735:Flower".
1733:Parijata
1687:See also
1673:Kailsamu
1669:Gunjeelu
1411:ghungroo
1369:Costumes
1318:abhinaya
1215:shabdams
1203:tillanas
1199:tirmanas
1169:Sequence
1108:Brahmins
834:Folklore
827:Buddhist
725:Painting
657:Religion
652:Holidays
637:Folklore
595:a series
593:Part of
573:Golkonda
558:Melattur
516:temple.
492:sanyasin
473:Jayadeva
419:Brahmins
407:Shaivism
396:Gandhari
353:Kusilava
327:and the
136:tarangam
6164:Silambu
6143:Tripura
6031:Tippani
6016:Tertali
5931:Mussoll
5896:Lahasua
5841:Jhumair
5806:Ghumura
5801:Ghoomar
5761:Domkach
5736:Dalkhai
5686:Bhangra
5623:Tandava
5593:Gotipua
5588:Gaudiya
5492:Theyyam
5465:Ancient
5271:History
5218:Tourism
5107:Nellore
5097:Nandyal
5082:Kurnool
4921:Palnadu
4911:Nandyal
4906:Kurnool
4901:Krishna
4866:Bapatla
4810:Regions
4784:Jasmine
4752:Kabaddi
4718:Symbols
4699:Tourism
4689:Cuisine
4674:Economy
4669:Culture
4639:History
4527:3204783
4450:2238067
1864:5 April
1808:adugulu
1759:Rukmini
1681:Moggalu
1677:Kappilu
1665:Ekapada
1657:Dandemu
1522:Rukmini
1407:gajjelu
1322:Shabdam
1295:form a
1277:adugulu
1235:Ganesha
1219:shlokas
1211:varnams
910:Museums
905:Tourism
846:Symbols
802:Fashion
753:Cuisine
735:Theatre
642:History
632:Indians
626:Society
603:Culture
533:Brahmin
514:Tanjore
510:Tanjore
500:Brahmin
469:Kalinga
400:Arsabhi
359:History
329:tambura
317:cymbals
307:in the
291:dharavu
260:Krishna
231:in the
102:Tambura
84:Cymbals
6133:Punjab
6128:Odisha
6097:Mudras
6067:Nautch
5991:Rasiya
5946:Oppana
5891:Lavani
5876:Kikkli
5836:Jhumar
5796:Giddha
5786:Garadi
5776:Dumhal
5716:Cheraw
5598:Mahari
5583:Deknni
5566:Others
5552:Odissi
5527:Kathak
5482:Koothu
5152:Tenali
5117:Ongole
5112:Nuzvid
5072:Kadapa
5062:Guntur
5042:Kadiri
5004:Cities
4891:Guntur
4780:Flower
4756:Animal
4736:Telugu
4704:Sports
4694:Cinema
4659:People
4631:Topics
4605:
4544:
4525:
4494:
4475:
4465:
4448:
4427:
4408:
4387:
4363:
4342:
4308:
4270:
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4211:
4164:
4098:
4049:
4016:
3895:
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3724:
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3611:
3570:
3534:
3445:
3418:
3388:
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3329:
3302:
3275:
3248:
3212:
3185:
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3131:
3104:
3077:
3047:
3022:
2995:
2968:
2941:
2913:
2883:
2875:
2822:
2765:
2658:
2603:
2505:Quote:
2496:
2375:
2333:
2257:
2212:
2172:
2064:
1963:
1900:
1780:Dhruva
1750:moksha
1546:padams
1538:kritis
1449:Styles
1326:varnam
1313:nritya
1305:nritta
1293:karana
1285:sthana
1281:karana
1256:nritta
1207:padams
1179:nritya
1175:nritta
1162:Nritya
1154:Natyam
1147:nritya
1143:Nritya
1135:Nritta
1123:Nritya
1119:Nritta
862:Anthem
822:Meitei
780:Sports
747:Others
715:Poetry
690:Comics
685:Cinema
597:on the
569:Sultan
392:Andhri
309:Telugu
300:nritya
295:nritta
217:Telugu
208:-chih-
111:Origin
6118:Assam
6001:Saang
5936:NacnΔ«
5921:Matki
5906:Maach
5901:Lezim
5886:Kummi
5861:Karma
5816:Grida
5791:Garba
5781:Fugdi
5766:Domni
5746:Dhalo
5706:Chang
5656:Alkap
5633:Lasya
5578:Chhau
5236:Lakes
5231:Forts
5047:Eluru
5012:Adoni
4886:Eluru
4788:Fruit
4748:Sport
4740:Dance
4607:State
4523:JSTOR
4317:(PDF)
4306:S2CID
4286:(PDF)
3158:JSTOR
2881:S2CID
1804:Deshi
1800:Deshi
1796:Margi
1763:Indra
1707:Notes
1554:Movva
1540:) of
1479:Margi
1475:Margi
1459:Margi
1455:banis
1383:dhoti
1346:talas
1334:padam
1289:chari
1273:adugu
1191:jatis
1187:darus
1183:natya
1158:Natya
1127:Natya
817:Vedic
812:Hindu
768:Radio
758:Media
720:Music
695:Dance
607:India
465:Ganga
377:Shiva
325:flute
321:veena
283:dhoti
151:mudra
147:hasta
96:Flute
90:Veena
61:Genre
5941:Nati
5691:Bihu
5647:list
5643:Folk
5226:Dams
5162:Tuni
4800:Neem
4796:Tree
4772:Fish
4764:Bird
4724:Song
4542:ISBN
4492:ISBN
4473:OCLC
4463:ISBN
4446:OCLC
4425:OCLC
4406:ISBN
4385:ISBN
4361:ISBN
4340:ISBN
4325:2023
4268:ISBN
4230:ISBN
4209:ISBN
4162:ISBN
4096:ISBN
4047:ISBN
4014:ISBN
3893:ISBN
3798:ISBN
3722:ISBN
3675:ISBN
3609:ISBN
3568:ISBN
3532:ISBN
3504:2017
3443:ISBN
3416:ISBN
3386:ISBN
3354:ISBN
3327:ISBN
3300:ISBN
3273:ISBN
3246:ISBN
3210:ISBN
3183:ISBN
3129:ISBN
3102:ISBN
3075:ISBN
3045:ISBN
3020:ISBN
2993:ISBN
2966:ISBN
2939:ISBN
2911:ISBN
2873:ISSN
2820:ISBN
2763:ISBN
2656:ISBN
2601:ISBN
2494:ISBN
2373:ISBN
2331:ISBN
2255:ISBN
2210:ISBN
2170:ISBN
2095:link
2088:help
2062:ISBN
1961:ISBN
1898:ISBN
1866:2017
1798:and
1765:and
1679:and
1607:and
1581:Holi
1534:Gopi
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