416:, was attached to General Nikolai Nikolaevich Tatishchev's staff. On 22 February he enlisted in the Petersburg battalion of the Militia as sotennyi (a junior officer), and immediately set out for the West. On 2 March he was in Narva, on the 19 March in Riga, from where he sent letters to Gnedich, containing an impromptu and another verse epistle. When taking part in the Prussian campaign, he met Ivan Aleksandrovich Petin, an officer, who was to become another close friend. Batyushkov fought at the battle of Gutstadt (22—27 May); on 29 May he was seriously wounded at the battle of Heilsberg. (A year later, on 20 May 1808, he was awarded the Order of St. Anne, 3rd class, for bravery.) After the battle he was transported to hospital and then to Riga where he was convalescing during June and July 1807.
384:'s spiritual odes (Echoes of Derzhavin continued to appear in Batyushkov's mature work, but as only one element of his own, highly individual, style). The other poem is "Mechta" (the title, usually translated as "Dream", can also mean "Fantasy" or "Imagination"). Never satisfied with the realization of his idea, Batyushkov reworked "Mechta" for the rest of his literary life; thus it is possible to illustrate the evolution of Batiushkov's versification and verbal style using only examples from successive wordings of this piece. Including both original and translated fragments, this piece became a manifesto of Batiushkov's own aesthetics: "Mechtan'e est' dusha poetov i stikhov" (Dreaming is the soul of poets and of verse). This brings him close to
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series of quarrels on relatively insignificant grounds. In 1820 an editor of "Syn otechestva" journal, Aleksandr
Voeikov, permitted himself an unauthorized publication of an epitaph by Batyushkov. The author overreacted: Batyushkov, infuriated, sent Gnedich a letter intended for "Syn otechestva", claiming he had abandoned his writing forever. Pletnev, a genuine admirer of Batyushkov, attempted to palliate his "guilt" by publishing a panegyrical "inscription" to Batyushkov — who took it as yet another insult. Batyushkov's mind became clouded, and in a fit of depression he destroyed his latest manuscripts.
574:. On 4 April 1823 he was sent to St. Petersburg, supervised by a doctor. For a whole year his relatives and friends looked after him. In April 1824 he wrote a completely mad letter to the Emperor with a request to enter a monastery. After a word with Zhukovsky, Alexander I decided to send the unfortunate writer for treatment at state expense. From 1824 to 1828 Batyushkov was at the "Maison de santé" in Sonnenstein (Saxony), from 1828 to 1833 in Moscow; and from 1833 onward he lived in Vologda. On 9 December 1833 the incurable Batyushkov was at last released from service and granted a life pension.
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502:, entered France and moved in on the capital. The first month in Paris was an exciting time for Batyushkov. He even managed to attend a meeting of the Academy. Batyushkov's impressions were negative and he wrote on 25 April 1814 that the age of glory for French literature had passed. This letter was also a literary work; an abridged version was published by the poet's friends in 1827. In May Batyushkov fell ill, grew depressed and decided to return home. Batyushkov arrived in
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of junior captain. It was the events of 1812 that dictated the mood of an epistle-elegy, "K Dashkovu" (To
Dashkov), a turning-point in Batyushkov's poetics and weltanschauung. The poem echoes his personal letters and expresses his feelings on seeing Moscow in ruins. The War becomes an incarnation of Evil: "Moi drug! ia videl more zla / I neba mstitel'nogo kary" (My friend! I saw a sea of evil / And wrath of the avenging heavens).
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free version of
Charles-Hubert Millevoye's "La Chute des feuilles", one of the most popular elegies among Russian translators of the 1810s and 1820s. Another translation, "Mshchenie" (Vengeance) from Parny, was composed both as an addition to the earlier "Prividenie" (a "mirror image" of the same theme), and a possible sublimation of his disappointment in love, which was still eloquent in his poems.
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undefined organizing principle, for some reason followed by three of
Batiushkov's most recent works). Public recognition immediately followed. On 17 October 1817 Batyushkov became an honorary member of the "Military Society", on 18 November he was made an honorary librarian at the Public Library; and in April 1818 he became an honorary member of the "Free Society of the Lovers of Russian Letters".
455:). "Videnie..." soon became widely known and brought the author a certain notoriety. In October 1809 it was sent to Gnedich who allowed to make a copy, which rapidly multiplied. Batyushkov wrote the poem following the French satirical tradition, but its material was wholly Russian: it describes a dream in which all contemporary Russian poets have unexpectedly died and turned up in
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The verse volume of Opyty appeared in
October 1817. It was divided into genre sections: "elegies" (opened by "Nadezhda" and concluded by a new version of "Mechta"); "epistles" (first, a "friendly" one, "Moi Penaty", and last, a "didactic" one to Murav'ev-Apostol); and "miscellanea" (a section with an
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on 1 April 1810 that he had composed his first poem at the age of fifteen. Batyushkov quotes two lines; he felt that their main idea — dissatisfaction with reality and a longing for "distant lands", both geographic and spiritual — anticipated his mature work: "Муза моя, ещё девственница, угадала" (My
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The idea of presenting the main works of world literature in the
Russian language and making them part of Russian belles lettres is characteristic of the early nineteenth century. Batyushkov might have come to similar ideas under the influence of Gnedich who was already working on his translation of
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During 1820 Batyushkov's depression grew. In August he applied for leave to go to
Germany, which was confirmed only in April 1821. From December 1820 to May 1821 he lived in Rome, then went to Teplitz for convalescence; in November he moved to Dresden. The first signs of approaching insanity were a
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The scenes of destruction deeply affected him and determined his attitude to the war; he wrote to
Gnedich of the French: "Barbarians! Vandals! And this nation of monsters even dares to speak of freedom, of philosophy, of philanthropy!". On 29 March Batyushkov entered military service, with the rank
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at a monastery in
Tikhvin. It seems that Batyushkov experienced a religious conversion, evidence of which may be found in a poem of this year, "Nadezhda" (Hope). Apparently in the same year he composed a poem combining the motifs of love and fatal illness: "Posledniaia vesna" (The Last Spring), a
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who was generally despised at that time. "Videnie" performs a balancing act between ridicule and obscenity, it is full of caustic allusions and offensively transformed or reinterpreted quotations. With "Videnie", Batyushkov's reputation was established; he began to regard himself as a mature and
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Batyushkov's earliest extant letter from St. Petersburg is dated 6 July 1797. His first years there were spent in
Pensionnats (private boarding schools). Contact with his relatives was restricted to correspondence and rare meetings. From 1797 to 1800 he studied at the Pensionnat directed by O.P.
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The journals, in which Batyushkov's first poems were published, are easy to link to his personal contacts. His first poetic offering was the satirical "Poslanie k stikham moim" (Epistle to My Verses); in January 1805 it appeared in "Novosti russkoi literatury", supplement to the periodical of
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In Riga, Batyushkov was living at the house of a merchant, Müguel, with whose daughter Emilie he fell in love. This episode formed the background for two poems: "Vyzdorovleniie" (Convalescence, 1815—16?), considered by Pushkin one of Batyushkov's best elegies, and "Vospominaniia 1807 goda"
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When ill, he wrote only a few incoherent texts. His final poem was written in Vologda on 14 May 1853; it is a quatrain which concludes as follows: "Ia prosypaius', chtob zasnut', / I spliu, chtob vechno prosypat'sia" (I only wake to fall asleep / And sleep, to awake without end).
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Batyushkov began to write poetry seriously in 1804 (at least, the dating of his first works from 1802 to 1803 is not documented). Two poems are conventionally regarded as having been written before the first published one. The first of these, "Bog" (God), is a direct imitation of
440:. First and foremost in importance to the literati were heroic epopees. This is why in Batyushkov's correspondence with Gnedich, "your poet" and "my poet" are Homer and Tasso, although Batyushkov considered only two extracts from his incomplete verse translation of
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On 18 September and 12 December 1821 Batyushkov applied for retirement. Instead, the Emperor Alexander I granted him indefinite leave. He came to St. Petersburg on 14 April 1822 and travelled to the Caucasus from May to July; in August he arrived in
392:, but even in "Mechta", the literary pose of an escapist and hedonist is already evident. It was most likely the programmatic nature of this, on the whole rather weak, poem that continued to hold the interest of its otherwise self-critical author.
459:; their works are immersed in the waters of the Lethe: those found wanting sink into oblivion. The Russian writers of the eighteenth century were not the main concern of the satire. In the poem, it is not only the notorious
287:; the exact place he lived from 1792 to 1796 is unknown: possibly with his father, possibly with his grandfather, Lev Andreyevich Batyushkov, on their family estate, the village of Danilovskoe, Bezhetski district,
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and Uvarov. In June he bought an apartment nearby. The quiet life ("thank God, I have wine, friends, tobacco...") was clouded only by ill-health ("I am so weak that shall not even outlive my verses").
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In early January 1815 a crash of matrimonial hopes coupled with serious illness caused a nervous reaction. In March Batyushkov set off in search of spiritual healing. He spent the second week of
432:(Recollections of 1807), whose popularity is also testified to by Pushkin's note in his epistle "To Batyushkov" (1814). Both works strongly influenced the Russian elegy of the 1810s and 1820s.
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occupied Berlin and most of Prussia, Russia's ally; Alexander I declared a mass levy. On 13 January 1807 Batyushkov, with the civil rank corresponding to the
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worth publishing. In his translation Batyushkov ignored the metric and stanzaic form of the Italian original, octave, and used the "classical" alexandrine.
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in mid May and spent two weeks in England. On 25 May he was issued a passport to travel home via Sweden, and from 30 May to June was sailing from
351:. In 1801 Batyushkov entered a Pensionnat run by an Italian, I.A. Tripoli; he graduated in 1802. It was here that Batyushkov began to study
271:. He also served in the diplomatic corps, spending an extended period in 1818 and 1819 as a secretary to the Russian diplomatic mission at
514:. The crossing was described in a letter on 19 June 1814; Batyushkov later revised it as a traveller's sketch which was published in 1827.
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On 22 April 1812 Batyushkov became an Assistant Keeper of Manuscripts at the Imperial Public Library. His colleagues included Gnedich,
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The early years of Konstantin Batyushkov's life are difficult to reconstruct. He probably spent the first four years of his life in
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1802 is conventionally considered the beginning of Batyushkov's poetic career. He wrote in a letter to
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which played the most important part in his development as a poet.
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18 May] 1787 – 19 July [
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In the first half of 1815 Batyushkov came to meet the young
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province. However, it was Konstantin's youth spent in
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invaded Russia on 12 June 1812. Batyushkov wrote to
49:. Unsourced material may be challenged and removed.
244:[kənstɐnʲˈtʲinnʲɪkɐˈla(j)ɪvʲɪdʑˈbatʲʊʂkəf]
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1407:P. B. Shelley
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945:Mal du siècle
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547:Tsarskoe Selo
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528:Nikolai Utkin
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414:twelfth class
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60: –
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54:Find sources:
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44:
38:
37:
32:This article
30:
26:
21:
20:
3074:
3067:
3060:
3044:
2764:Porto-Alegre
2418:Philosophers
2302:Rachmaninoff
1751:Chavchavadze
1741:Baratashvili
1623:
1501:João de Deus
1470:Wincenty Pol
1262:Küchelbecker
990:
956:Noble savage
943:
909:
884:Wallenrodism
861:
847:
778:Coppet group
712:(literature)
621:
605:
600:
580:
576:
564:
560:
551:
540:
532:
497:
493:
482:
475:
450:
434:
430:
423:Portrait by
407:
394:
378:
370:
297:
282:
269:Romantic era
265:Russian poet
229:
228:
196:(1855-07-19)
194:19 July 1855
138:
131:Nikolayevich
130:
105:
96:
86:
79:
72:
65:
53:
41:Please help
36:verification
33:
3107:1855 deaths
3102:1787 births
2754:Michałowski
2586:Wackenroder
2551:F. Schlegel
2546:A. Schlegel
2322:Tchaikovsky
2211:Bortkiewicz
2083:R. Schumann
2078:C. Schumann
2043:Kalkbrenner
2012:Saint-Saëns
1317:Anne Brontë
1202:Eichendorff
1187:B. v. Arnim
1182:A. v. Arnim
992:Weltschmerz
951:Medievalism
900:Blue flower
828:Nationalist
773:Bohemianism
685:Romanticism
461:Ivan Barkov
404:In the army
367:Early works
341:calligraphy
178:29 May 1787
135:family name
3096:Categories
2629:Chassériau
2604:Aivazovsky
2312:Rubinstein
2297:Mussorgsky
2246:Wieniawski
2231:Paderewski
2073:Moszkowski
1856:Vörösmarty
1846:Shevchenko
1700:Longfellow
1624:Batyushkov
1619:Baratynsky
1588:Espronceda
1455:Mickiewicz
1450:Malczewski
1417:Wordsworth
1402:M. Shelley
1357:de Quincey
1222:Günderrode
1106:Baudelaire
986:Wanderlust
823:Lake Poets
568:Simferopol
512:Gothenburg
329:arithmetic
325:statistics
217:translator
205:Occupation
174:1787-05-29
139:Batyushkov
127:patronymic
69:newspapers
3069:Modernism
2729:Kiprensky
2689:Géricault
2674:Friedrich
2664:Delacroix
2639:Constable
2619:Bonington
2609:Bierstadt
2561:Senancour
2536:Schelling
2491:Lamennais
2486:Khomyakov
2451:Coleridge
2446:Chaadayev
2353:Stanković
2348:Mokranjac
2267:Balakirev
2226:Moniuszko
2175:Donizetti
2170:Cherubini
2068:Meyerbeer
2053:Marschner
2028:Beethoven
1941:Moscheles
1875:Musicians
1861:Wergeland
1826:Orbeliani
1781:Grundtvig
1685:Hawthorne
1654:Zhukovsky
1649:Vyazemsky
1634:Lermontov
1593:Gutiérrez
1552:Radičević
1516:Herculano
1440:Krasiński
1382:Radcliffe
1352:Coleridge
1327:E. Brontë
1322:C. Brontë
1252:Jean Paul
1247:Hölderlin
1136:Lamartine
1073:Magalhães
1063:Guimarães
971:Pantheism
961:Nostalgia
813:Indianism
761:Movements
692:Countries
518:1815-1817
333:chemistry
317:geography
279:Biography
3081:Category
2897:Dahlhaus
2882:Blanning
2849:Scholars
2819:Tropinin
2814:Tidemand
2804:Stattler
2799:Scheffer
2699:Głowacki
2669:Edelfelt
2624:Bryullov
2566:Snellman
2541:Schiller
2531:Rousseau
2511:Michelet
2456:Constant
2426:Belinsky
2399:Sibelius
2343:Konjović
2317:Scriabin
2287:Lyapunov
2221:Lipiński
2190:Spontini
2180:Paganini
2124:Goldmark
1915:Thalberg
1910:Schubert
1890:Bruckner
1851:Topelius
1841:Runeberg
1831:Prešeren
1801:Leopardi
1766:Frashëri
1756:Eminescu
1736:Andersen
1644:Tyutchev
1629:Karamzin
1603:Zorrilla
1598:Saavedra
1496:Castilho
1484:Portugal
1475:Słowacki
1377:Polidori
1307:Barbauld
1242:Hoffmann
1197:Brentano
1111:Bertrand
932:Romantic
768:Ancients
742:Scotland
485:Napoleon
410:Napoleon
388:and the
313:divinity
220:diplomat
214:essayist
2922:Lovejoy
2857:Abraham
2779:Richard
2769:Préault
2694:Girodet
2576:Thoreau
2521:Novalis
2506:Mazzini
2501:Maistre
2476:Hazlitt
2461:Emerson
2441:Carlyle
2431:Berchet
2374:Berwald
2369:Bennett
2338:Hristić
2292:Medtner
2272:Borodin
2262:Arensky
2185:Rossini
2160:Bellini
2139:Joachim
2112:Hungary
2093:Strauss
2021:Germany
1987:Berlioz
1956:Voříšek
1951:Smetana
1929:Czechia
1883:Austria
1816:Maturin
1811:Manzoni
1786:Heliade
1761:Foscolo
1731:Alfieri
1726:Abovian
1680:Emerson
1639:Pushkin
1578:Bécquer
1511:Garrett
1465:Potocki
1412:Southey
1372:Maturin
1342:Carlyle
1299:Britain
1272:Novalis
1227:Gutzkow
1175:Germany
1141:Mérimée
1126:Gautier
1053:Barreto
1048:Azevedo
1028:Alencar
1008:Writers
927:Byronic
863:Purismo
717:Germany
699:Denmark
572:suicide
508:Harwich
457:Elysium
353:Italian
349:dancing
345:drawing
321:history
301:Russian
285:Vologda
181:Vologda
83:scholar
2947:Wellek
2927:de Man
2912:Janion
2902:Ferber
2877:Berlin
2872:Beiser
2867:Barzun
2862:Abrams
2839:Wiertz
2824:Turner
2774:Révoil
2759:Palmer
2749:Martin
2744:Leutze
2719:Janmot
2679:Fuseli
2634:Church
2526:Quinet
2516:Müller
2471:Goethe
2466:Fichte
2389:Franck
2331:Serbia
2282:Glinka
2255:Russia
2241:Tausig
2236:Stolpe
2216:Chopin
2204:Poland
2165:Busoni
2129:Heller
2098:Wagner
2033:Brahms
2007:Onslow
1997:Halévy
1965:France
1946:Reicha
1936:Dvořák
1905:Mahler
1900:Hummel
1895:Czerny
1791:Isaacs
1771:Geijer
1705:Lowell
1695:Irving
1675:Cooper
1670:Bryant
1612:Russia
1547:Njegoš
1542:Kostić
1537:Jakšić
1530:Serbia
1460:Norwid
1435:Fredro
1427:Poland
1397:Seward
1287:Uhland
1277:Schwab
1267:Mörike
1257:Kleist
1212:Goethe
1207:Fouqué
1156:Nodier
1151:Nerval
1146:Musset
1098:France
1088:Varela
1083:Taunay
1068:Macedo
1016:Brazil
966:Ossian
893:Themes
732:Poland
727:Norway
709:France
628:
583:typhus
504:London
478:Krylov
427:(1815)
357:Platon
337:botany
309:German
305:French
273:Naples
125:, the
85:
78:
71:
64:
56:
3033:Bacon
2942:Rosen
2937:Ricks
2932:Nancy
2892:Blume
2887:Bloom
2809:Stroy
2794:Saleh
2789:Runge
2739:Lampi
2724:Jones
2714:Hayez
2649:Corot
2614:Blake
2581:Tieck
2571:Staël
2496:Larra
2481:Hegel
2436:Burke
2394:Grieg
2384:Field
2379:Elgar
2362:Other
2195:Verdi
2153:Italy
2144:Liszt
2134:Hubay
2119:Erkel
2103:Weber
2088:Spohr
2048:Loewe
2038:Bruch
2002:Méhul
1992:Fauré
1982:Auber
1977:Alkan
1836:Raffi
1806:Mácha
1796:Lenau
1746:Botev
1719:Other
1571:Spain
1506:Dinis
1392:Scott
1367:Keats
1347:Clare
1337:Byron
1332:Burns
1312:Blake
1297:Great
1282:Tieck
1237:Heine
1232:Hauff
1166:Vigny
1161:Staël
1121:Dumas
1043:Assis
1038:Alves
1023:Abreu
976:Rhine
879:Ultra
722:Japan
500:Rhine
453:Lethe
438:Iliad
90:JSTOR
76:books
2907:Frye
2834:Ward
2829:Veit
2784:Rude
2734:Koch
2709:Gude
2704:Goya
2654:Dahl
2644:Cole
1972:Adam
1920:Wolf
1663:U.S.
1562:Zmaj
1192:Beer
1131:Hugo
1078:Reis
1058:Dias
922:Hero
857:Post
818:Jena
788:Dark
626:ISBN
535:Lent
436:the
347:and
289:Tver
261:O.S.
257:O.S.
240:IPA:
211:Poet
191:Died
166:Born
62:news
2404:Sor
2277:Cui
1710:Poe
843:Pre
838:Neo
545:at
510:to
444:'s
137:is
129:is
45:by
3098::
3059:←
400:.
363:.
343:,
339:,
335:,
331:,
327:,
323:,
319:,
315:,
311:,
307:,
303:,
275:.
238:,
183:,
3072:→
677:e
670:t
663:v
632:)
176:)
172:(
141:.
112:)
106:(
101:)
97:(
87:·
80:·
73:·
66:·
39:.
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