430:, who pierced the uni-colored canvas with a sharped-edged dagger, Kimsooja also made art that was no longer a screen of illusion but a three-dimensional structure as she weaved through the surface of the work, piercing holes into it. These early sewn works, in turn, were inspired by the fabric and clothes that her grandmother had owned, while also fueled by Kimsooja's own interest in the traditional association between female labor and needlework in Korean culture along with the dynamics of civic and domestic power and the noticeable disconnect of public and private space. Growing up female in South Korea during the mid to late 1990s, Kimsooja created work that many Korean women could relate to through their collective attempts to remove themselves from the patriarchal social systems at play. With such media she intertwines tradition with contemporary art and feminism in South Korea. Kimsooja’s work forces spectators to separate the art from the artist and question humanity’s existence.
569:, which commissioned the piece, is located, and at the same time which is just on the border of south east of Paris, where many immigrants from China, the Middle East, Africa and Europe live. She moves on to different neighborhoods of Paris, which signifies the history of immigrants in France: Ivry (large Chinese community), Place d’Italy, Bastille, Place de la Republic, Canal Saint-Martin(which used to have tents along the canal area from homeless people, now much cleaned, making a water tunnel), Gare du Nord, Goutte d’Or (a large African, Middle Eastern, Indian community), to the destination ‘Église Saint-Bernard’, where most of the illegal immigrants settled down and protested their right to live in France in 1996; that has become a big political issue in French society.
275:, Seoul. Currently, her work is featured in countless international museums and galleries as well as public art fairs and other spaces. Her practice combines performance, film, photo, and site-specific installation using textile, light, and sound. Kimsooja's work investigates questions concerning the conditions of humanity, while engaging issues of aesthetics, culture, politics, and the environment. Her principle of ‘non-doing’ and ‘non-making,’ which follows a conceptual and structural investigation of performance through modes of mobility and immobility, inverts the notion of the artist as the predominant actor.
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397:(2003). Kimsooja links this project along with sharing the importance of her name and describes this action as, "A one word name refuses gender identity, marital status, socio-political or cultural and geographical identity by not separating the family name and the first name..." Kimsooja alluded to the struggles and challenges she once faced in finding her voice and expanding her artistic vision. By adopting the single word name, she not only established herself as a "less is more" contemporary artist but also claimed her name as hers and hers alone.
601:, the artist is seen with her back facing the camera, wearing precisely the same clothes and standing precisely the same way in various metropolises: Tokyo, Shanghai, Delhi, New York, Mexico City, Cairo, Lagos, London, Patan, Nepal (1999–2001); and in a second series of performances: Havana, Cuba; N’Djamena, Chad; Rio de Janeiro, Brazil; Sana’a, Yemen; and Jerusalem (2005). Some locations visited in the work are places of violence, disrepair, or unresolved conflict, lending to the needle a metaphoric function as an instrument of healing. Also in
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443:). She created sculptures inspired from Korean bedcover cloth bundles that are associated in Korean culture with travel and migration, and may also be interpreted in her work as an allusion to restrictions on female activities. These bedcover bundles inspired the title of a number of sculptures and installation works that Kimsooja titled after the Korean word,
842:(2019) consisting in a shipping container painted using Obangseak colors and filled with the artist's personal belongings, accumulated in her New York apartment over twenty years. Kimsooja wraps her belongings in a container, and transports them from one continent to another, a metaphor for her perpetual nomadic Bottari.
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in 1980. This work established an analogy between the structure of fabric and that of the land, which was of particular importance in terms of confirming the three-dimensionality and spatial topology of fabric in
Kimsooja's work, as well as establishing her body in performance as a needle that weaves
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in France. In the summer of 2020, Kimsooja opened up a new installation in Wanås, Sweden called "Sowing into
Painting" where she featured film, sculpture, painting, and planting. This projected was created with the idea of, "By planting a field of flax plants, she metaphorically encapsulates the
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for the first edition of
Traversées, a new international artistic and cultural event, closely linked to the fate of a major landmark, the Palace of the Dukes of Aquitaine, and its surrounding district, the heart of the city's history and heritage. For Traversées\Kimsooja, curated by the artistic
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chants, which echoed throughout the room and united at the hollow center. According to
Kimsooja, this is the realm of "Zero," in which different faiths form a harmonious union that transcends into a space for meditation and contemplation. The many lanterns hung overhead were meant to humble the
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While in
University, Kimsooja discovered her love for understanding the connection of aesthetics and human psychology which lead to the motive behind many of her works. Kimsooja references, from her first work to her most recent, how humans react to fabric, paint, sculpture and more, and how we
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Public
Commission for the new metro station Mairie de Saint-Ouen in Paris (2020), 21st century new stained-glass commission for the Saint-Etienne Cathedral in Metz, France (2021), Asia Society Triennial, New York (2020). Kimsooja has exhibited in major museums and institutions around the world,
684:. Divided into six chapters, the series unfolds as an anthropological poem that takes the act of threading as a central subject. It takes place in six different cultural zones around the world, its six preliminary chapters shot in Peru, Europe, India, China, North America, and North Africa.
675:, Guatemala, and Greenland. Here, the concept of fusion enhanced the idea of earlier experiments in immobility, continually incarnated in the artist's persistent representation of permanence and impermanence, horizontal and vertical structures, the forward and backward movements of sewing.
385:: ANTIDORON – The EMST Collection (2017), and has taken part in international biennials and triennials: Busan (2016, 2002), Venice (2019, 2013, 2007, 2005, 2001, 1999), Gwangju (2012, 2002,1995), Moscow(2009), Istanbul (1997), Lyon(2002), and Manifesta 1 (1996) among others.
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cloth, a traditional Korean wrapping cloth, typically made and used by women. She utilized fabric forming cruciform structures that synthesized an entangled and knotted vision of society and the world into a system of horizontals and verticals. Like the
Spatialist painter
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in Madrid in 2006, was a mirror installation that covered the flooring of the
Palacio. The entire cupola of the palace was covered with a translucent film that diffracted daylight and the Palacio was also replete with the sound of the artist's breathing.
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entire cycle of material production and considers the interplay of impermanence and perpetuity, and of life and art. These plants, which are grown and harvested in a period of several months, will transform into paintings that could last for centuries."
660:, commissioned by the Shiseido Art Foundation in 2008, Kimsooja filmed the sun setting and the moon rising along the beach of Goa, India. The artist then digitally layered an eclipse, in which the footage of the Sun and the Moon were fused together.
458:, took up an entire brick wall where small torn pieces of used Korean bedcover fabric were inserted by the artist in tiny holes between the bricks. The sculptural elements alongside the wall installation were composed of everyday objects wrapped in
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Over the last two decades, Kimsooja has developed works that uses lights and color–in parallel to
Obangseak color spectrum, which represents 5 cardinal directionality in Korean philosophy–in response to many historical and modern buildings.
267:, Seoul and continued to pursue her M.F.A there, obtaining the degree in 1984 at the age of 27. Her origin as a painter was a crucial starting point for the development of her art. That same year, she received a scholarship to study art at
477:(1999), made on the road as a truck heaped with piles of clothing, wrapped in silk bedcovers, travelled from one location to another. Kimsooja dedicated the piece, which was presented at the Venice Biennale, to refugees of the Kosovo war.
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exposed the artist's stances on non-doing and immobility as a form of art practice; specifically, lending to the action of immobility the virtue of inverting an audience's linear perception of space and time. The first version of
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In 2007, Kimsooja records her performance in Paris, where she contemplates our reality of constant migration in a global society that drives us as migrateurs of every society we come from and are heading toward.
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was made of local immigrants’ bedcovers and used clothing donated from all over Paris that was loaded on top of an old French
Peugeot pick-up truck. Kim started from ‘Place de la Liberation’ where Musée
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being transported across the country. Documenting part of her 11-day performance on her journey to places she resided before she made a cultural exile from Korea to New York at the end of the 1990s.
763:, Lille, Kimsooja hung six rows of concentric circles consisting of 384 temple lanterns in the shape of lotus blossoms from the glass pavilion. Six speakers aligned the circle simultaneously played
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After having to pick a domain name for her website, Kimsooja thought about the conceptual implications of combining her name into one word. She commemorated this act in a conceptual piece titled
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experience the world as humans. Kimsooja's "Sewing" series (1983–1992), her first work with fabric, brought forth an assemblage of systems of horizontals and verticals. Her use of fabric evoked
795:, Kimsooja wrapped the entirety of the national pavilion's interior with a translucent film that diffracted daylight, showering the internal structure with spectrums of light. Her sound piece
698:(2004) accompanied the piece, forming a couplet of inhalation and exhalation of the artist's own breathing that became increasingly less agile as the color spectrum continued its gestation.
513:(formerly spelled Kwangju), South Korea, picking up scattered bedcovers on the valley's floor and wrapping them into a bundle. A year later, Kimsooja returned to the valley for the first
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presented the artist laying horizontally on a rock and it established nature and spatial orientation as a central subject in her work. As well, her use of the Korean color spectrum (
713:(2002) was a site-specific installation where Kimsooja used light, color, and sound to transform the abandoned lighthouse in Morris Island (Charleston, South Carolina) for the 2002
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Ingrid Commandeur, Kimsooja: Black holes, Meditative Vanishings and Nature as a Mirror of the Universe, in Windflower, Perceptions of Nature, NAI and Kroller-Muller Museum, 2012
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in Korea and scattered various clothes made of traditional Korean fabrics on the ground of a forest. This installation, made of 2.5 tons of second-hand clothes and entitled
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Arum Sok, Christina, Kimsooja: A Modern Day Global Nomad Transcending boundaries, re-constructing a global identity 2014, paper Abstract, in Kimsooja's official website:
818:, which premiered at The Project in New York City in 2003 and consisted of the sound of Tibetan, Gregorian, and Islamic chants animating a large target-shaped jukebox.
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directors Emma Lavigne and Emmanuelle de Montgazon, the artist presented more than a dozen specific installations within the historic monuments of the city, including
667:, a multi-channel video projection that premiered at the 2009 Lanzarote Biennale, Spain, the fusion of basic elements was grasped live by the artist on the Island of
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694:, Venice in 2006, was a nine-minute video projection of a color spectrum that filled the entirety of the theater's stage. A five-channel audio track entitled
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Anonymous Was A Woman Foundation Award, New York, Artist of the American Art Award, Whitney Museum of America, Sponsored by Cartier Co., New York, 2002.
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981:, A Site-Specific Installation at La Fenice Theater, in conjunction with a joint Solo Exhibition at Fondazione Bevilacqua la Masa, Venice, Italy, 2006.
466:, Kimsooja favours second-hand clothes to allude to the passage of time and the objects’ previous life before they were transformed into works of art.
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799:(2004–2013) also filled the pavilion with the sound of the artist inhaling and exhaling. These aspects of light and sound were further heightened by
1009:, traveling solo show, Museum Kunst Palast, Düsseldorf, Germany; Padiglione d'Arte Contemporanea, PAC, Milan; Museum of Contemporary Art, Lyon 2004.
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cloth, such as a carrier, a doorframe, a hook, a saw, a spool, a shovel, a clothing rack, or a ladder. While any kind of fabric can be used to make
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Yilmaz Dziewior, Cities on the Move, exhibition catalogue, Art-Worlds in Dialogue: From Gauguin to the Global Present, Museum Ludwig Cologne, 2000.
803:(2013), an anechoic chamber where the audience would be cast in complete darkness and devoid of sound except for that of the viewer's own body.
597:, a performance video piece that premiered at CCA Kitakyushu and further evolved in subsequent showings as a multi-channel video projection. In
2017:
Madoff, Steven Henry, "Gnomon of Place, Gnomon of foreignness." Host & Guest catalogue for group exhibition at Tel Aviv Museum of Art, 2013
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810:(2014), a monumental 46-foot-tall sculpture commissioned and installed for the Cornell Council for the Arts 2014 Biennial on the campus of
784:; she wanted to create a place where different religions and people of different cultures could live in a state of harmonious coexistence.
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605:(2000), a performance video piece shot in India, Kimsooja is seen immobile and standing in front of a river where debris seemingly drift.
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974:, a site-specific installation at the Crystal Palace, commissioned by Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain, 2006.
1994:. Korean Cultural Service (New York, N.Y.) Gallery Korea. Sylvia Wald and Po Kim Art Gallery (New York, N.Y.) Queens Museum of Art.
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Aqui ! - Le journal numérique de Nouvelle-Aquitaine. Toute l'actualité des départements de Nouvelle-Aquitaine et bien au delà.
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In 2020, Kimsooja is the first contemporary artist of the 21st century to have been commissioned permanent stained glasses for the
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Residency Award, World Views – at World Trade Center, New York, awarded by the Lower Manhattan Cultural Council, New York, 1998.
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Geusa, Antonio, Calm Chaos: Earth-Water-Fire-Air, catalogue for exhibition at Permm, Published by Permm, Russia, 2012 pp.30–38
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Grant recipient, New York State Council on the Arts, New York An Album: Hudson Guild commissioned by More Art, New York, 2009.
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in 1992–93, Kimsooja initiated a series of site-specific installations that found their origin in the Korean color spectrum (
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1204:, The Third ICP Triennial of Photography and Video, International Center for Photography, New York, United States, 2009.
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Mello Laetitia, The Pilgrimage of Our Own Existence, Arte Al Limite, Published by Arte Al Limite, March 2012. Pp.30-38
1319:, Host and Guest, Catalogue for group exhibition at Tel Aviv Museum of Art, Published by Tel Aviv Museum of Art, 2013.
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2576:"Asia Society to Honor Hon Chi Fun, Kimsooja, Rashid Rana and Hiroshi Sugimoto at Asia Arts Awards Gala in Hong Kong"
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1364:, Catalogue of Kimsooja A Mirror Woman: The Sun & The Moon, Foundation d'Entreprise Hermes, 2008, pp. 30–35.
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Korea Culture & Arts Foundation Award, Seoul, Award for the Best Show of the Year 2000, for the solo exhibition
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741:, is a video project created in collaboration with the Hudson Guild Senior Center in Chelsea, New York, in 2009.
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251:. Kimsooja is a multi-disciplinary conceptual artist who travels between her three homes and places of work in
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was unveiled. "To Breathe" comprises glass walls that diffract light, installed in the station concourse.
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Ricky D'ambrose, Kim Sooja: To Breathe: Invisible Mirror / Invisible Needle, les presses du reel, 2013
1944:. Chung, Yeon Shim,, Kim, Sunjung,, Chung, Kimberly,, Wagner, Keith B., 1978-. London. 25 March 2020.
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624:), in which each color stands for a cardinal direction in Korean tradition, took up great importance.
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Brewinska, Maria, from the exhibition catalogue Kimsooja at the Zacheta Gallery of Art, Warsaw, 2003.
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71st Whitney Biennial, Central Park, Whitney Museum of American Art, New York, United States, 2002.
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1079:, commissioned by CCA on the occasion of first Cornell University Biennale Ithaca, New York, 2014.
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1894:. Morrill, Rebecca,, Wright, Karen, 1950 November 15-, Elderton, Louisa. London. 2 October 2019.
885:, Inaugural biennale featuring more than ten site-specific installations, Poitiers, France, 2019.
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1153:, Inaugural biennale featuring more than ten site-specific installations, Poitiers, France, 2019
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Suh Young–hee, Contemplating a System of Horizontals and Verticals, Vancouver Art Museum, 2013.
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Chevalier de l'Ordre des Arts et des Lettres from the French Minister of Culture, France, 2017.
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in Paris, France, where she studied Printmaking. Her first solo exhibition was held in 1988 at
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2241:"Ligne 14 : découvrez l'oeuvre de l'artiste Kimsooja à la station Mairie de Saint-Ouen"
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1391:. Edited by Markus Brüderlin, Hartmut Böhme, and Amy Klement. Ostfildern: Hatje Cantz, 2013.
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447:, that intimates the idea of travel but also refers to concepts of wrapping and unfolding.
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Art & Textiles: Fabric as Material and Concept in Modern Art from Klimt to the Present
1381:. Chapel Hill, N.C: Ackland Art Museum, University of North Carolina at Chapel Hill, 2004.
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2243:[Line 14: discover the work of artist Kimsooja at Mairie de Saint-Ouen station].
2155:"A Needle Woman: Galaxy Was a Memory, Earth is a Souvenir - Cornell Council for the Arts"
1806:. Stephanie Rebick and Art Gallery Vancouver. Vancouver, B.C.: Hatje Cantz. p. 115.
1595:"Contemporary artworks as transformational objects in art psychotherapy museum groupwork"
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at the Shiseido Gallery, Tokyo, Published by Shiseido Corporate Culture Department, 2008
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Doris Van Drathen, Standing at the Point Zero Catalogue for a solo exhibition Kimsooja,
367:, Leeum Samsung Museum of Fine Art (2000); ICC Tokyo (2001); and CCA Kitakyushu (1999).
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The International Biennial of Contemporary Art of Cartagena de Indias, Colombia, 2014.
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viewer and remind them of their relationship with their community. Kimsooja created
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inaugurated a series of work the artist created as memorial projects that includes:
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Kimsooja: Black holes, Meditative Vanishings and Nature as a Mirror of the Universe
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1091:- Paris, Hôtel De Ville Paris, Commissioned by Nuit Blanche, Paris, France, 2009.
961:- Paris, Hôtel De Ville Paris, Commissioned by Nuit Blanche, Paris, France, 2009.
955:, Feldkirch Church, Co-organized by Kunstmuseum Lichtenstein, Lichtenstein, 2010.
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2614:"Kimsooja and David Bellos to Receive Insignia of the Order of Arts and Letters"
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http://kimsooja.com/images/works/installations/deductive_object_ps1_1993.html#
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967:, Hirshhorn Museum and Sculpture Garden, Washington D.C., United States, 2008.
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1329:, in Windflower, Perceptions of Nature, NAI and Kroller-Muller Museum, 2012.
1322:"MoMA PS1: Exhibitions: Kim Sooja: A Needle Woman." Accessed March 27, 2018.
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Beyond Mediations, Poznan Biennale, Zamek Art Center, Poznan, Poland, 2010.
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Ioannides, Elisabeth; Pantagoutsou, Aphrodite; Jury, Helen (2021-04-01).
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Intimate Cosmologies: The Aesthetics of Scale in an Age of Nanotechnology
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100 years, 100 art-works : a history of modern and contemporary art
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1284:, Arte Al Limite, Published by Arte Al Limite March 2012, pp. 30–38
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Cities on the Move: 2727km Bottari Truck and Bottari Truck - Migrateurs
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1023:, P.S.1 Contemporary Art Center / MOMA, New York, United States, 2001.
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1108:, Theatre Chatelet, Commissioned by Nuit Blanche Paris, France, 2006.
988:, Theatre Chatelet, Commissioned by Nuit Blanche Paris, France, 2006.
903:, PICA, Perth Institute of Contemporary Arts, Perth, Australia, 2018.
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Kimsooja represented Korea for the South Korean pavilion at the 55th
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Artist in Residence, PS1 Contemporary Art Center, New York, 1992–93.
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1244:, The 5th Biennale de Lyon, Halle Tony Garnier, Lyon, France, 2000.
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http://kimsooja.com/images/works/installations/bottari_venice.html
1171:, HEART Herning Museum of Contemporary Art, Herning, Denmark, 2017
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Starting in 2010, Kimsooja initiated a 16mm film project entitled
942:, The Korean Pavilion, 55th Venice Biennale, Venice, Italy, 2013.
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and the act of travel continue to be central themes for her work
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Korean art from 1953 : collision, innovation, interaction
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The 10th Biennial of Moving Images, Geneva, Switzerland, 2003.
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Korean Pavilion, The 55th Venice Biennale, Venice, Italy 2013.
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Ho-Am prize for the Arts, Ho-Am foundation, South Korea, 2016.
1183:. The 1st Cornell University Biennale Ithaca, New York, 2014.
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Faces & facts : contemporary Korean art in New York
1210:- The 3rd Moscow Biennale, The Garage, Moscow, Russia, 2009.
1159:, Museum of Contemporary Art Yinchuan, Yinchuan, China, 2018
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Video still of Kimsooja's 1999 performance "A Needle Woman."
2269:"Wanås Konst > Art > Art Projects 2020 > Kimsooja"
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Five Artists, Five Faiths: Spirituality in Contemporary Art
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John Simon Guggenheim Memorial Foundation Fellowship, 2014.
1219:, The 51st Venice Biennale, Arsenale, Venice, Italy, 2005.
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Sewing Into Walking - Dedicated to the victims of Kwangju
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A Needle Woman: Galaxy was a Memory, Earth is a Souvenir
915:, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein, 2017.
873:, Inaugural Asia Society Triennial, New York, USA, 2020.
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A Needle Woman: Galaxy was a Memory, Earth is a Souvenir
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Sewing into Walking- Dedicated to the victims of Kwangju
2657:"Kimsooja – John Simon Guggenheim Memorial Foundation…"
2415:"National Museum of Modern and Contemporary Art, Korea"
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2489:"kimsooja: korean pavilion at the venice art biennale"
2129:"kimsooja: korean pavilion at the venice art biennale"
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Korea Culture & Arts Foundation Grant, Seoul, for
263:. In 1980 Kim graduated with a B.F.A in Painting from
2551:"Kimsooja reçoit la médaille de la ville de Poitiers"
1343:, in Kimsooja Unfolding, Vancouver Art Gallery, 2014.
1308:, exhibition catalogue, Art-Worlds in Dialogue: From
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The 1st Gwangju Biennale, Gwangju, South Korea, 1995.
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The 24th São Paulo Biennial, São Paulo, Brazil, 1998.
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Grant recipient, New York State Council of the Arts,
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kimsooja: korean pavilion at the venice art biennale
2464:"Kimsooja: Thread Routes | Guggenheim Museum Bilbao"
2064:"Kimsooja: Thread Routes - Guggenheim Museum Bilbao"
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Contemplating a system of horizontals and Verticals
1228:, the 2nd Valencia Biennale, Valencia, Spain, 2003.
1115:, the 51st Venice Biennale, Arsenale, Venice, 2005.
521:, commemorated the victims of the suppression of a
2639:"Kimsooja Wins Samsung's Ho-Am Prize For The Arts"
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1706:"Transboundary Aesthetics in Korean Women Artists"
1125:at Rodin Gallery, Samsung Art Museum, Seoul, 2001.
1067:Kim Se-Choong Sculpture Award, Seoul, Korea, 2017.
591:In 1999, Kimsooja presented her most iconic work:
45:inline external links should be formatted as refs.
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1287:Seungduk Kim, Centripedal Acceleration, Kimsooja
1261:, Brisbane, Australia, 1999.APT3 - Artist's Work.
948:, Vancouver Art Gallery, Vancouver, Canada, 2013.
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1250:, The 48th Venice Biennale, Venice, Italy, 1999.
891:, Yorkshire Sculpture Park, Wakefield, UK, 2019.
737:(2003). Another commemorative work, Kimsooja's
645:To Breathe - Invisible Mirror / Invisible Needle
2493:designboom | architecture & design magazine
2179:http://kimsooja.com/projects_2019_Poitiers.html
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1355:To Breathe: Invisible Mirror / Invisible Needle
1177:- Busan Biennale 2014, Busan, South Korea 2014.
1128:Paradise Culture Foundation Award, Seoul, 2000.
1106:To Breathe: Invisible Mirror / Invisible Needle
1101:Musee d'Art Contemporain du Val-de-Marne, 2008.
1056:Awards, fellowships and commissions (selection)
986:To Breathe: Invisible Mirror / Invisible Needle
345:The National Museum of Contemporary Art, Athens
1195:, The 9th Gwangju Biennale, South Korea, 2012.
1140:Song-Un culture Foundation Award, Seoul, 1991.
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688:To Breathe: Invisible Mirror/ Invisible Needle
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347:(2005); Kunstmuseum Palast Düsseldorf (2004);
2487:designboom, anita hackethal I. (2013-06-05).
2220:kimsooja "Sowing into Painting" announcements
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1163:Documenta 14: ANTIDORON - The EMST Collection
1137:The 11th Suk-Nam Fine Art Award, Seoul, 1992.
1123:A Needle Woman – A Woman Who Weaves the World
1002:, Peter Blum Gallery, Chelsea New York, 2006.
995:, The Project, New York, United States, 2006.
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509:(1994), Kimsooja is seen atop the valleys of
1051:, 48th Venice Biennale, Venice, Italy, 1999.
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2810:South Korean emigrants to the United States
2737:Kimsooja: A Wind Woman | Peter Blum Gallery
2298:traversees-poitiers.fr : Site Internet
2037:"Past Exhibition｜SHISEIDO GALLERY｜SHISEIDO"
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1098:, commissioned by More Art, New York, 2009.
526:through the fabric of humanity and nature.
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1972:: CS1 maint: location missing publisher (
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1704:Fernández-Gómez, María Rosa (2019-09-16).
1374:and Kimsooja, Vancouver Art Gallery, 2013.
1267:Manifesta 1, Rotterdam, Netherlands, 1996.
1255:Asia-Pacific Triennial of Contemporary Art
1213:The 4th Fukuoka Asian Art Triennial, 2009.
1037:, Sprengel Museum, Hanover, Germany, 2001.
1030:, Kunsthalle Bern, Bern, Switzerland 2001.
864:
806:Other notable public commissions include:
547:Cities on the Move – 2727 km Bottari Truck
103:
2835:Recipients of the Ho-Am Prize in the Arts
2013:
2011:
2009:
1654:10.1093/gao/9781884446054.article.T097927
1064:Asia Society Arts Award, Hong Kong, 2017.
909:, Perth Festival, Perth, Australia, 2018.
897:, Peabody Essex Museum, Salem, USA, 2019.
278:Kimsooja's recent major projects include
269:Ecole Nationale Supérieure des Beaux-Arts
68:Learn how and when to remove this message
2090:
1801:
1500:
879:, Wanås Foundation, Wanås, Sweden, 2020.
638:
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2246:Régie autonome des transports parisiens
2078:
505:In Kimsooja's first video performance,
2767:
2700:http://momaps1.org/exhibitions/view/24
2389:"Kunstmuseum Liechtenstein: Rückschau"
2098:A Mirror Woman: The Sun & The Moon
2006:
1843:
1672:kimsooja interview with Daina Augaitis
1317:Gnomon of Place, Gnomon of foreignness
1165:, Fridericianum, Kassel, Germany, 2017
395:A One-Word Name Is An Anarchist's Name
735:A Mirror Woman: The Ground of Nowhere
2393:Kunstmuseum Liechtenstein: Rückschau
2109:
1771:
1441:
1439:
1419:
1417:
1145:Biennials and triennials (selection)
1061:Medal of the City of Poitiers, 2019.
658:A Mirror Woman: The Sun and The Moon
534:and Bottari Truck - Migrateurs": -->
414:National Museum of Women in the Arts
301:Perth Institute of Contemporary Arts
18:
2412:
1639:
1423:
1334:Calm Chaos: Earth, Water, Fire, Air
1282:The Pilgrimage of our Own Existence
499:Dedicated to the victims of Kwangju
370:Kimsooja represented Korea for the
339:, Brussels (2008); Crystal Palace,
13:
2636:
2439:"Exposition Kimsooja - To Breathe"
1274:
1016:, Kunsthalle, Wien, Austria, 2002.
855:Mairie de Saint-Ouen metro station
349:Museum of Contemporary Art in Lyon
333:Baltic Center for Contemporary Art
325:Museum of Modern Art Saint-Etienne
14:
2846:
2825:South Korean contemporary artists
2708:
1772:Paik, Sherry (8 September 2021).
1573:kimsooja Name and Website project
1436:
1414:
821:In 2019, Kimsooja takes over the
572:
486:Early performance and video works
2800:South Korean performance artists
1640:Kee, Joan (September 22, 2005).
853:In 2023, a permanent artwork at
791:in 2013. For the piece entitled
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2195:kimsooja "Sowing into Painting"
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1446:von Drathen, Doris (May 2020).
1387:, and Stuttgart Staatsgalerie.
400:
2723:Cornell Council for the Arts,
1586:
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1482:
1458:
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1312:, Museum Ludwig Cologne, 2000.
1302:, Vancouver Art Gallery, 2013.
877:Kimsooja: Sowing into Painting
562:The Bottari Truck - Migrateurs
552:Kimsooja sits atop a mound of
286:Poitiers, France (2019-2020),
243:
196:
16:South Korean conceptual artist
1:
2110:Laurence, Robin. "Kimsooja".
1448:"Kimsooja, Schauendes Denken"
1395:
1341:Kimsooja and the Art of Place
1336:, Permm Museum, Russia, 2012.
1310:Gauguin to the Global Present
928:, Centre Pompidou Metz, 2015.
523:democratic protest in Gwangju
433:Subsequent to a residency at
2725:Cornell Council for the Arts
2249:(in French). 11 October 2023
1468:. Silvana Editoriale. 2019.
1357:, les presses du reel, 2013.
1353:Ricky D'ambrose, Kim Sooja:
1348:Kimsooja To Breather Bottari
1291:, les presses du reel, 2013.
1157:The Second Yinchuan Biennale
731:Mandala: Chant for Auschwitz
7:
2537:"Kim Sooja: A Needle Woman"
2344:"Kimsooja: Archive of Mind"
1494:Kimsooja's official website
1350:, les presses du reel 2013.
1238:, Busan, South Korea, 2002.
972:To Breathe - A Mirror Woman
921:, MMCA, Seoul, Korea, 2016.
745:To Breathe – A Mirror Woman
702:Site-specific installations
507:Sewing into Walking-Kyungju
481:Performance and video works
225:
211:
132:1957 (age 66–67)
43:. The specific problem is:
10:
2851:
2820:South Korean women artists
2805:South Korean video artists
2790:21st-century women artists
2785:20th-century women artists
2744:"Kimsooja | More Art"
1519:"kimsooja.com - biography"
1426:"Kimsooja, The New Normal"
1362:Standing at the Point Zero
1044:, ICC, Tokyo, Japan, 2000.
935:, Guggenheim Bilbao, 2015.
919:KIMSOOJA / Archive of Mind
665:Earth – Water – Fire – Air
652:Other video and film works
584:
450:In 1992, the installation
351:(2003); PAC Milan (2003);
79:
2758:Kimsooja featured on PBS
2681:www.visualarts.qld.gov.au
2468:www.guggenheim-bilbao.eus
1804:Kimsooja : Unfolding
1611:10.1016/j.aip.2021.101759
1599:The Arts in Psychotherapy
1370:, A conversation between
895:Kimsooja: Archive of Mind
633:Thread Routes - Chapter I
377:(2013), and for the 24th
305:Kunstmuseum Liechtenstein
247:; born 1957) was born in
218:
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2795:Hongik University alumni
2637:Ko, Hanae (2015-06-05).
2368:"Zone of Nowhere - PICA"
2323:Yorkshire Sculpture Park
2292:traversees-poitiers.fr.
1452:Kunstforum International
1234:The 1st Busan Biennale,
747:, was developed for the
381:(1998), participated in
317:Guggenheim Museum Bilbao
299:and Chapel (2018-2019);
297:Yorkshire Sculpture Park
2517:www.vanartgallery.bc.ca
2294:"Traversées \ Kimsooja"
1368:Kimsooja: Ways Of Being
1217:Always a Little Further
1169:Socle du Monde Biennale
1113:Always a Little Further
953:Mumbai: A Laundry Field
865:Exhibitions (selection)
759:was first installed at
388:
282:, Wanas Konst, Sweden,
2677:"APT3 - Artist's Work"
2319:"Kimsooja: To Breathe"
2066:. guggenheim-bilbao.es
1844:Berecz, Agnes (2019).
1721:Cite journal requires
1259:Queensland Art Gallery
1096:An Album: Hudson Guild
1049:Bottari Truck in Exile
1007:Conditions of Humanity
979:To Breathe / Respirare
907:To Breathe - The Flags
836:To Breathe - The Flags
739:An Album: Hudson Guild
648:
636:
582:
502:
475:Bottari Truck in Exile
417:
335:Gateshead, UK (2009);
329:Pérez Art Museum Miami
2114:. Mar–May 2014: 92–3.
1976:) CS1 maint: others (
1926:) CS1 maint: others (
1432:. Summer 2020: 48–55.
1385:Kunstmuseum Wolfsburg
1377:Ackland, Art Museum.
1315:Steven Henry Madoff,
871:We Do Not Dream Alone
816:Mandala: Zone of Zero
690:, which premiered at
642:
630:
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496:Sewing into Walking -
493:
408:
321:Vancouver Art Gallery
84:, the family name is
2830:Installation artists
2735:Peter Blum Gallery,
2513:"KIMSOOJA Unfolding"
2443:Centre Pompidou Metz
2041:gallery.shiseido.com
1226:Ideal City - Solares
1175:Inhabiting the World
946:Kimsooja / Unfolding
889:Kimsooja: To Breathe
801:To Breathe: Blackout
372:55th Venice Biennale
313:Centre Pompidou Metz
293:Peabody Essex Museum
284:Traversées\Kimsooja,
280:Sowing into Painting
206:Revised Romanization
50:improve this article
39:to meet Knowledge's
2594:www.kimsechoong.com
1892:Great women artists
1466:Traversées Kimsooja
1454:. Bd. 267: 199–211.
1360:Doris Van Drathen,
1325:Ingrid Commandeur,
1300:Kimsooja: Unfolding
1289:To Breathe: Bottari
1236:Metropolitan Museum
1151:Traversées\Kimsooja
965:Black Box: Kimsooja
940:To Breathe: Bottari
883:Traversées\Kimsooja
797:The Weaving Factory
793:To Breathe: Bottari
780:in response to the
778:Lotus: Zone of Zero
757:Lotus: Zone of Zero
696:The Weaving Factory
383:Kassel Documenta 14
1306:Cities on the Move
812:Cornell University
749:Palacio de Cristal
719:A Lighthouse Woman
711:A Lighthouse Woman
649:
637:
583:
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418:
379:São Paulo Biennale
341:Museum Reina Sofia
265:Hong-Ik University
249:Daegu, South Korea
2815:People from Daegu
2729:Anita Hackethal,
2273:www.wanaskonst.se
1951:978-0-7148-7833-1
1901:978-0-7148-7877-5
1855:978-3-7913-8484-9
1802:Kimsooja (2014).
1294:Suh Young – Hee:
1208:Against Exclusion
913:Weaving the World
840:Bottari 1999-2019
452:Deductive Objects
232:
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220:McCune–Reischauer
156:Hongik University
109:Video still from
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32:This article may
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1275:Further reading
1242:Sharing Exotism
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901:Zone of Nowhere
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828:Archive of Mind
789:Venice Biennale
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357:Kunsthalle Bern
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331:(PAMM) (2012);
273:Gallery Hyundai
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152:Alma mater
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127:
115:Yamuna River
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48:Please help
44:
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2775:1957 births
2557:(in French)
2445:(in French)
2395:(in German)
2300:(in French)
2164:18 December
2139:18 December
1528:18 December
1346:Biography,
1248:D'APERTutto
1202:Dress Codes
454:, shown at
288:To Breathe,
241::
184:Korean name
144:Nationality
82:Korean name
52:if you can.
2769:Categories
2686:2024-09-22
2662:2024-09-22
2623:2024-09-22
2599:2024-09-22
2561:2024-09-22
2522:2024-09-22
2498:2024-09-22
2473:2024-09-22
2449:2024-09-22
2424:2024-09-22
2399:2024-09-22
2374:2024-09-22
2353:2024-09-22
2329:2024-09-22
2304:2024-09-22
2278:2024-09-22
2225:11 October
2216:"Kimsooja"
2200:11 October
2191:"Kimsooja"
2133:designboom
1960:1140152367
1910:1099690505
1864:1045665384
1848:. Munich.
1774:"Kimsooja"
1677:11 October
1668:"Kimsooja"
1642:"Kimsooja"
1605:: 101759.
1578:11 October
1569:"Kimsooja"
1544:"Kimsooja"
1490:"Kimsooja"
1396:References
1193:ROUNDTABLE
1104:Kimsooja,
1047:Kimsooja,
1040:Kimsooja,
1033:Kimsooja,
1026:Kimsooja,
1019:Kimsooja,
1012:Kimsooja,
1005:Kimsooja,
998:Kimsooja,
991:Kimsooja,
984:Kimsooja,
977:Kimsooja,
970:Kimsooja,
951:Kimsooja,
938:Kimsooja,
931:Kimsooja,
926:To Breathe
924:Kimsooja,
832:To Breathe
643:Kimsooja,
631:Kimsooja,
494:Kimsooja,
291:including
166:Conceptual
128:Kim Soo-Ja
2413:국립현대미술관.
2000:928427087
1968:cite book
1918:cite book
1872:cite book
1822:858813976
1627:233571210
1619:0197-4556
765:Gregorian
692:La Fenice
669:Lanzarote
621:Obangsaek
440:obangsaek
410:The Earth
2590:"김세중조각상"
834:(2019),
830:(2019),
782:Iraq War
729:(2002);
725:(1995);
456:MoMA PS1
435:MoMA PS1
363:(2001);
361:MoMA PS1
359:(2001);
355:(2002);
327:(2012);
323:(2013);
319:(2015);
315:(2015);
307:(2017);
303:(2018);
295:(2019);
235:Kimsooja
226:Kim Suja
212:Gim Suja
97:Kimsooja
80:In this
34:require
2348:pem.org
1553:7 March
1035:Bottari
773:Islamic
769:Tibetan
671:in the
647:, 2006.
567:MAC/VAL
554:bottari
511:Gwangju
471:bottari
464:bottari
460:Bottari
445:bottari
423:bottari
416:in 2023
36:cleanup
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635:, 2010
501:, 1995
259:, and
239:Korean
190:Hangul
2760:Art21
2253:6 Dec
1778:Ocula
1623:S2CID
1548:Artsy
1298:, in
859:Paris
337:BOZAR
261:Seoul
257:Paris
136:Daegu
2752:2015
2255:2023
2227:2020
2202:2020
2166:2018
2141:2018
2072:2015
1996:OCLC
1978:link
1974:link
1956:OCLC
1946:ISBN
1928:link
1924:link
1906:OCLC
1896:ISBN
1878:link
1860:OCLC
1850:ISBN
1818:OCLC
1808:ISBN
1727:help
1679:2020
1615:ISSN
1580:2020
1555:2015
1530:2018
1470:ISBN
656:For
609:and
536:edit
469:The
389:Name
309:MMCA
168:and
123:Born
1650:doi
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