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Kanał

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328:. Upon reaching a dead end, Mądry cries out that he has somebody to live for. When Halinka asks who, he tells her that he has a wife and child. She asks him to turn off his flashlight, and then shoots herself. Mądry finds an exit, but as soon as he has climbed out of the sewer he is disarmed by a German soldier and placed into the courtyard along with others who have come through the same manhole. Despondent, he kneels beside the bodies of others who have already been executed. 42: 331:
Zadra, Kula and Smukły miss the exit at Wilcza Street but find another - however it is booby trapped. Smukły disarms two German grenades, but is killed by the third and last. Zadra and Kula emerge from the sewer to find themselves in a deserted part of the ruined city. When Zadra tells Kula to bring
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on the opposite wall, but cannot quite make it out. Daisy tells him it says "I love Janek", when the name is actually Jacek, Korab's first name. She decides that they should head in the direction of the river, which is only a short distance away and drives him on, not letting him stop. Finally, they
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Daisy, their guide, asks Zadra to let her help Korab, claiming that the others can find their way easily enough. Zadra consents. However, the pair fall further and further behind. When they reach the designated exit at Wilcza Street, Korab is too weak to climb the upward sloping tunnel, so they rest
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The composer Michał manages to telephone his wife and child in another part of the city that is being overrun by the Germans. After a few words, she tells him that the Germans are clearing the building and that they are coming for her. Then the line goes dead. The next morning, 23-year-old Officer
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The main group follows Zadra for a while, but they become lost without Daisy. Finally, when Zadra tells Sergeant Kula to order them onward after a brief rest, they remain where they are. Kula lies and tells Zadra they are following in order to get him to keep going. Eventually, the only remaining
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By the mid-1950s, two fundamental perceptions had become established among Poles regarding the event. One was a popular romantic image of gallant young martyrs who died defending the homeland. The second was official skepticism as to the purity of the high-command’s motives in committing men and
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One must bear in mind that the events in question were charged with controversy. The outbreak of the Rising on August 1, 1944 was ordered by the Home Army leaders in agreement with the Government-in-Exile in London, but no clear understanding was made with the command of the approaching Soviet
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provoked widespread controversy and debate among Poles as to its merits. Donota Niemitz and Stefan Steinberg remark that “the film was not received favorably in Poland. The futile death of the uprising’s heroes, covered in dirt and excrement, did not correspond to the idealized picture of the
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was “an honest and valuable attempt to portray the complexity of Polish contemporary history and politics.” The film “masterfully” dramatizes the tragic fate of the men and women of a small unit of Polish Home Army resistance fighters. Biographer Bolestaw Michalek provides the context:
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is “Polish heroism” and the notion that Poles have historically been prone to “acts of courage as futile as they desperate.” Wajda initially considered referencing some celebrated - and semi-suicidal - cavalry charges in Polish history, including those during the Napoleonic era’s
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Michalek, 1973 p. 30-31, And p. 53: “...two attitudes to this event were current in the public mind: skepticism…of what seemed another heroic but misguided episode in Polish history, and whole-hearted and unqualified acclamation of the legend of the valiant, indomitable young
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Here we have a definite comment “on Polish heroism”, an implicit critique of “Polishness”, the lack of political and social common sense, the propensity for disproportionately high sacrifices. According to this line of thinking, national history was one long chain of
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Historic manifestations of “romanticism and heroism” were deemed anachronistic in post-war Poland and challenged by appeals to “reason” and “political common sense.” Despite these political exposures, Wajda’s romantic, sensual style endows the characters in
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is permeated by a virtually unrelieved mood of despair, bitterness and resignation. The whole structure is pivoted on the idea that there is no way out, no hope, no chance of deliverance. As in Dante, there is only a succession of narrowing circles of
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see sunlight. By this time, Korab is half blind and at the end of his strength. He cannot see that the exit is closed off by metal bars. Daisy finally reveals her feelings for him, kissing him before telling him that he can rest for a while.
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Michalek, 1973 p. 25: Stawiński’s “experiences as a young officer in the underground Army the Warsaw Rising of August 1944…treatment of the events in which he had been directly involved…” And: “...story and screenplay…’ by
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will mark the beginning of the truth being told about history, about ourselves, about a whole generation. Perhaps it will prove to be art as a warning, art of purgation, a triumph of the heroism of life over the heroism of
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Biographer Boleslaw Michalek adds that Jackiewicz placed emphasis on the skeptical note in the film, its confrontation with the legend of the Warsaw Rising, and by and large this was how reviewers hailed
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Cadet Korab apologizes after walking into a room to find the second in command, Lieutenant Mądry, and messenger girl Halinka in bed together (Halinka later reveals that Mądry is her first lover). A
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Niemtz and Steinberg, 2016: “Controversy surrounded Wajda’s attitude towards national symbols and heroes…Wajda was widely criticized by some for accommodating himself to the Stalinist regime.”
623:. After two months of fighting, the Home Army command surrendered,,,the price paid for the Rising was several hundred thousand dead and the immolation of the homes of over one million people. 1543: 619:
armies…when a deadlock was reached at the Soviet front, a war of attrition was mounted against the insurgents…Gradually the remorseless German assault forced the insurgents to withdraw to
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up the rest of the men, Kula admits he lied and that they left them behind a long time ago. Enraged, Zadra shoots Kula and reluctantly heads back down into the sewer to search for his men.
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Niemtz and Steinberg, 2016: “...Wajda masterfully recreates the last days in the lives of several Warsaw uprising fighters who attempt to make their way through the city’s sewer system.”
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Surrounded by the enemy, Zadra is ordered to retreat through the sewers to the city centre. Now down to 27 fit to travel, including Korab, they slog through the filth.
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Michalek adds that “Wajda’s treatment of the Warsaw Rising and the retreat through the sewers had a definite and deliberate historical and social edge.”
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Michalek, 1973 p. 25: “...a streak of skepticism as to the purpose and price of the heroism.” And: p.33: The “moral and historical ambiguity” of Kanal.
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for the Rising and, on the other hand, the emotional pressure against taking a merciless criticism of the Rising. The film stopped halfway.
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Niemitz and Steinberg, 2016: Kanal “an honest and valuable attempt to portray the complexity of Polish contemporary history and politics.”
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commented on the contrasting “heroic dimensions” of the characters in Kanal and the “latent skepticism” concerning the 1944 uprising:
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was one of the most politically and socially charged topics in post-war Poland. Like the other films in his war trilogy,
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WSWS, 2019: “When the Nazis abandoned the city in early 1945, 85 percent of its pre-war buildings no longer existed.”
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Meanwhile, Mądry, Halinka and Michał are also lost. Eventually, Michał loses his mind and wanders away, playing an
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Zadra leads a unit of 43 soldiers and civilians to a new position amidst the ruins of the now isolated southern
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In April 2019, a restored version of the film was selected to be shown in the Cannes Classics section at the
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who himself survived in the sewers as an officer of Armia Krajowa (the Polish underground resistance
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complained “This whole Warsaw, this whole Rising wallows in filth, in the gutters of history…”
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Michalek, 1973 p. 35: “...a disgruntled critic…”, And see footnote p. 172 for source
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Niemitz and Steinberg, 2016: “Awarded the Silver Palm at the Cannes Film Festival…”
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Wajda, responding to these dual social outlooks, attempted to synthesis these in
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75 years ago: Warsaw uprising violently suppressed by Nazi occupiers
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Michalek, 1973 p. 36: “The premiere took place on April 20, 1957…”
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Polish film and theatre director Andrzej Wajda dead at 90.
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attack is stopped, but Korab is wounded while disabling a
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https://www.wsws.org/en/articles/2019/09/30/twih-s30.html
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https://www.wsws.org/en/articles/2016/10/14/wajd-o14.html
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at Wytwornia Filmow Fabularnych (Feature Film Studio) in
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soldier following Zadra and Kula is the mechanic Smukły.
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The Tanvity Press. A. S. Barnes and Company. New York.
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as Michał, the composer (credited as Władysław Sheybal)
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It is 25 September 1944, during the last days of the
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It was released after the fall of the 600: 484:nation’s martyrs.” Critic Leon Buko in 423:premiered in Warsaw on April 20, 1957. 14: 2301: 1621: 1208: 631:women patriots to a doomed endeavor. 584:depiction of the souls damned in his 398:The story and script were written by 205: 226:, telling the story of a company of 1544:The Condemnation of Franciszek Klos 24: 246:is the second film of Wajda's War 25: 2375: 1234: 1130: 523:as a landmark in Polish cinema.” 230:resistance fighters escaping the 2005:Don't Forget You're Going to Die 1480:A Chronicle of Amorous Accidents 924:"Kanal (1961) - Rotten Tomatoes" 2354:Films directed by Andrzej Wajda 2349:Works about the Warsaw Uprising 1649:Cannes Film Festival Jury Prize 1118:World Socialist Web Site. 2019 1069: 1060: 1051: 1041: 1032: 1023: 1014: 1005: 996: 987: 978: 969: 960: 951: 942: 907: 898: 889: 880: 854: 820: 811: 546:One of the principal themes in 265:The film was the winner of the 801: 788: 779: 753: 732: 723: 714: 705: 684: 456:, which followed the death of 13: 1: 673:List of Polish language films 559:in WWI and the legend of the 393: 312:for a while. He notices some 234:onslaught through the city's 2334:Polish black-and-white films 1092:The Cinema of Andrzej Wajda. 720:Niemitz and Steinberg, 2016. 678: 470: 389:Teresa Berezowska as Halinka 7: 2329:1950s German-language films 2324:1950s Polish-language films 2063:Songs from the Second Floor 1607:Film New Europe Association 886:Niemitz and Steinberg, 2016 837:"Festival de Cannes: Kanał" 661: 426: 10: 2380: 1931:A Short Film About Killing 1384:Landscape After the Battle 1081: 577:with “heroic dimensions.” 46:Theatrical release poster. 2364:Polish World War II films 2073: 1876: 1756:Mother Joan of the Angels 1655: 1594: 1255: 1242: 640:Krzysztof Teodor Toeplitz 475:While Wajda’s debut film 465:2019 Cannes Film Festival 440:1957 Cannes Film Festival 409:The film was produced by 184: 174: 164: 141: 125: 71: 61: 51: 39: 34: 2090:At Five in the Afternoon 1860:The Hourglass Sanatorium 1830:The Strawberry Statement 1764:The Trial of Joan of Arc 1109:World Socialist Web Site 541: 1923:Shinran: Path to Purity 1664:The Battle of the Rails 1448:The Orchestra Conductor 1075:Michalek, 1973 p. 34-35 362:as Sgt. "Kula" (Bullet) 335: 276: 2319:Polish war drama films 1704:The Mystery of Picasso 1504:The Crowned-Eagle Ring 1126:Retrieved 8 July 2022. 1115:Retrieved 4 July 2022. 862:"Cannes Classics 2019" 659: 625: 598: 570: 516: 400:Jerzy Stefan Stawiński 344:as "Stokrotka" (Daisy) 240:Jerzy Stefan Stawinski 66:Jerzy Stefan Stawiński 2314:1950s war drama films 2182:Like Father, Like Son 1320:Siberian Lady Macbeth 817:Michalek, 1973 p. 160 729:Michalek, 1973 p. 160 651: 616: 590: 565: 507: 490:Aleksander Jackiewicz 411:Zespół Filmowy "Kadr" 374:as Lt. "Mądry" (Wise) 203:Polish pronunciation: 1680:We Are All Murderers 1180:Criterion Collection 1038:Michalek, 1973 p. 30 1020:Michalek, 1973 p. 30 993:Michalek, 1973 p. 30 984:Michałek, 1973 p. 30 975:Michałek, 1973 p. 34 966:Michałek, 1973 p. 33 957:Michałek, 1973 p. 33 948:Michałek, 1973 p. 33 913:Michalek, 1973 p. 36 904:Michalek, 1973 p. 36 761:"festivalcannes.com" 711:Michalek, 1973 p. 25 601:Political assessment 553:Battle of Samosierra 303:Goliath tracked mine 293:district of Warsaw. 271:Cannes Film Festival 2344:Films set in Warsaw 2270:The Eight Mountains 2196:Goodbye to Language 2082:Divine Intervention 1975:An Independent Life 1885:The Constant Factor 1852:Slaughterhouse-Five 1576:Walesa: Man of Hope 1360:Everything for Sale 1111:, 14 October 2016. 928:Rotten Tomatoes.com 841:festival-cannes.com 360:Tadeusz Gwiazdowski 354:Wieńczysław Gliński 94:Tadeusz Gwiazdowski 89:Wieńczysław Gliński 1792:Woman in the Dunes 1602:Zespół Filmowy "X" 1440:The Maids of Wilko 1432:Without Anesthesia 1304:Innocent Sorcerers 1288:Ashes and Diamonds 1088:Michalek, Boleslaw 866:Festival de Cannes 767:on 6 February 2015 561:Charge at Krojanty 538:rating of 8.1/10. 436:Special Jury Prize 378:Maciej Maciejewski 368:as "Smukły" (Slim) 366:Stanisław Mikulski 350:as "Korab" (Jacek) 267:Special Jury Award 259:Ashes and Diamonds 109:Maciej Maciejewski 99:Stanisław Mikulski 2296: 2295: 2174:The Angels' Share 1939:Jesus of Montreal 1784:The Cassandra Cat 1615: 1614: 1472:A Love in Germany 1408:The Promised Land 1392:Pilate and Others 1344:Gates to Paradise 1197:Andrzej Wajda on 930:. Rotten Tomatoes 557:Charge of Rokitna 434:earned Wajda the 218:film directed by 194: 193: 118:Teresa Berezowska 16:(Redirected from 2371: 2359:1957 drama films 1983:The Puppetmaster 1718:The Seventh Seal 1642: 1635: 1628: 1619: 1618: 1229: 1222: 1215: 1206: 1205: 1076: 1073: 1067: 1064: 1058: 1055: 1049: 1045: 1039: 1036: 1030: 1027: 1021: 1018: 1012: 1009: 1003: 1000: 994: 991: 985: 982: 976: 973: 967: 964: 958: 955: 949: 946: 940: 939: 937: 935: 920: 914: 911: 905: 902: 896: 893: 887: 884: 878: 877: 875: 873: 858: 852: 851: 849: 847: 833: 827: 824: 818: 815: 809: 805: 799: 792: 786: 783: 777: 776: 774: 772: 763:. Archived from 757: 751: 750: 748: 746: 736: 730: 727: 721: 718: 712: 709: 703: 702: 700: 698: 688: 668:Cinema of Poland 648: 638:. Polish critic 536:weighted average 533: 498: 256:and followed by 209: 207:[ˈkanaw] 204: 157: 155: 44: 32: 31: 27:1957 Polish film 21: 2379: 2378: 2374: 2373: 2372: 2370: 2369: 2368: 2299: 2298: 2297: 2292: 2158:A Screaming Man 2106:Shanghai Dreams 2098:Tropical Malady 2069: 1997:La Reine Margot 1872: 1688:Knave of Hearts 1651: 1646: 1616: 1611: 1590: 1416:The Shadow Line 1272:Towards the Sun 1251: 1238: 1233: 1165:Rotten Tomatoes 1133: 1084: 1079: 1074: 1070: 1065: 1061: 1056: 1052: 1046: 1042: 1037: 1033: 1028: 1024: 1019: 1015: 1010: 1006: 1001: 997: 992: 988: 983: 979: 974: 970: 965: 961: 956: 952: 947: 943: 933: 931: 922: 921: 917: 912: 908: 903: 899: 894: 890: 885: 881: 871: 869: 868:. 26 April 2019 860: 859: 855: 845: 843: 835: 834: 830: 825: 821: 816: 812: 806: 802: 793: 789: 784: 780: 770: 768: 759: 758: 754: 744: 742: 738: 737: 733: 728: 724: 719: 715: 710: 706: 696: 694: 690: 689: 685: 681: 664: 642: 603: 544: 531: 528:Rotten Tomatoes 492: 486:Dziennik polski 473: 454:Bolesław Bierut 429: 396: 348:Tadeusz Janczar 338: 283:Warsaw Uprising 279: 224:Warsaw Uprising 202: 167: 160: 153: 151: 144: 137: 130: 128: 121: 84:Tadeusz Janczar 47: 28: 23: 22: 15: 12: 11: 5: 2377: 2367: 2366: 2361: 2356: 2351: 2346: 2341: 2336: 2331: 2326: 2321: 2316: 2311: 2294: 2293: 2291: 2290: 2282: 2274: 2260: 2246: 2242:Les Misérables 2232: 2224: 2216: 2212:American Honey 2208: 2200: 2186: 2178: 2170: 2162: 2154: 2140: 2132: 2118: 2110: 2102: 2094: 2086: 2077: 2075: 2071: 2070: 2068: 2067: 2053: 2045: 2031: 2023: 2015: 2001: 1993: 1989:Raining Stones 1979: 1969:Dream of Light 1965: 1951: 1943: 1935: 1927: 1913: 1905: 1897: 1889: 1880: 1878: 1874: 1873: 1871: 1870: 1866:The Invitation 1856: 1848: 1834: 1820: 1812: 1804: 1796: 1788: 1774: 1760: 1752: 1738: 1730: 1722: 1708: 1700: 1696:Lost Continent 1692: 1684: 1676: 1668: 1659: 1657: 1653: 1652: 1645: 1644: 1637: 1630: 1622: 1613: 1612: 1610: 1609: 1604: 1598: 1596: 1592: 1591: 1589: 1588: 1580: 1572: 1564: 1556: 1548: 1540: 1532: 1524: 1516: 1508: 1500: 1492: 1484: 1476: 1468: 1460: 1452: 1444: 1436: 1428: 1420: 1412: 1404: 1396: 1388: 1380: 1376:The Birch Wood 1372: 1364: 1356: 1348: 1340: 1332: 1328:Love at Twenty 1324: 1316: 1308: 1300: 1292: 1284: 1276: 1268: 1259: 1257: 1256:Films directed 1253: 1252: 1250: 1249: 1243: 1240: 1239: 1232: 1231: 1224: 1217: 1209: 1203: 1202: 1194: 1182: 1167: 1156: 1145: 1132: 1131:External links 1129: 1128: 1127: 1116: 1102: 1083: 1080: 1078: 1077: 1068: 1059: 1050: 1040: 1031: 1022: 1013: 1004: 995: 986: 977: 968: 959: 950: 941: 915: 906: 897: 888: 879: 853: 828: 819: 810: 800: 787: 778: 752: 731: 722: 713: 704: 682: 680: 677: 676: 675: 670: 663: 660: 602: 599: 568:foolhardiness. 543: 540: 472: 469: 428: 425: 395: 392: 391: 390: 387: 384:Vladek Sheybal 381: 375: 369: 363: 357: 356:as Lt. "Zadra" 351: 345: 342:Teresa Iżewska 337: 334: 278: 275: 250:, preceded by 192: 191: 186: 182: 181: 176: 172: 171: 168: 165: 162: 161: 159: 158: 147: 145: 142: 139: 138: 133: 131: 126: 123: 122: 120: 119: 116: 114:Vladek Sheybal 111: 106: 101: 96: 91: 86: 81: 79:Teresa Iżewska 75: 73: 69: 68: 63: 59: 58: 53: 49: 48: 45: 37: 36: 26: 9: 6: 4: 3: 2: 2376: 2365: 2362: 2360: 2357: 2355: 2352: 2350: 2347: 2345: 2342: 2340: 2337: 2335: 2332: 2330: 2327: 2325: 2322: 2320: 2317: 2315: 2312: 2310: 2307: 2306: 2304: 2288: 2287: 2283: 2280: 2279: 2278:Fallen Leaves 2275: 2272: 2271: 2266: 2265: 2261: 2258: 2257: 2252: 2251: 2247: 2244: 2243: 2238: 2237: 2233: 2230: 2229: 2225: 2222: 2221: 2217: 2214: 2213: 2209: 2206: 2205: 2201: 2198: 2197: 2192: 2191: 2187: 2184: 2183: 2179: 2176: 2175: 2171: 2168: 2167: 2163: 2160: 2159: 2155: 2152: 2151: 2146: 2145: 2141: 2138: 2137: 2133: 2130: 2129: 2124: 2123: 2119: 2116: 2115: 2111: 2108: 2107: 2103: 2100: 2099: 2095: 2092: 2091: 2087: 2084: 2083: 2079: 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Retrieved 927: 918: 909: 900: 891: 882: 870:. Retrieved 865: 856: 844:. Retrieved 840: 831: 822: 813: 803: 790: 781: 769:. Retrieved 765:the original 755: 743:. Retrieved 734: 725: 716: 707: 695:. Retrieved 686: 654: 652: 635: 633: 629: 626: 617: 610: 606: 604: 592: 591: 579: 574: 571: 566: 547: 545: 525: 520: 517: 510: 508: 502:Trybuna Ludu 500: 485: 480: 477:A Generation 476: 474: 462: 445:A Generation 443: 431: 430: 420: 419: 408: 397: 330: 323: 319: 310: 307: 295: 280: 269:at the 1957 264: 257: 253:A Generation 251: 243: 214:) is a 1957 211: 197: 196: 195: 166:Running time 143:Release date 29: 18:Kanał (film) 2250:Ahed's Knee 2204:The Lobster 2057:Blackboards 1961:Out of Life 1824:The Falcons 1742:L'Avventura 1552:The Revenge 1536:Pan Tadeusz 1528:Miss Nobody 1456:Man of Iron 1400:The Wedding 1247:Filmography 643: [ 493: [ 380:as "Gustaw" 52:Directed by 2309:1957 films 2303:Categories 2122:Persepolis 2049:The Letter 2035:Class Trip 2011:Carrington 1584:Afterimage 1568:Sweet Rush 1176:John Simon 846:8 February 808:Stawiński. 771:6 February 452:regime of 417:, Poland. 394:Production 287:Lieutenant 170:95 minutes 127:Production 62:Written by 2228:Capernaum 2150:Fish Tank 1877:1980–2000 1770:L'Eclisse 1726:Mon Oncle 1656:1946–1973 1595:Companies 1520:Holy Week 1336:The Ashes 679:Footnotes 534:, with a 532:8 reviews 499:, of the 471:Reception 450:Stalinist 404:Home Army 228:Home Army 2220:Loveless 2114:Red Road 1844:Joe Hill 1778:Harakiri 1512:Nastasja 1193:database 1154:AllMovie 1090:. 1973. 872:26 April 745:20 April 697:20 April 662:See also 655:apologia 596:torment. 427:Releases 314:graffiti 185:Language 72:Starring 2256:Memoria 2236:Bacurau 2166:Polisse 2136:Il Divo 2027:Western 1909:Thérèse 1800:Kwaidan 1496:Korczak 1178:at the 1082:Sources 1048:Poles.” 798:(2002). 692:"Kanał" 621:Mokotów 586:Inferno 582:Dante’s 514:death.” 505:wrote: 438:at the 326:ocarina 291:Mokotów 248:Trilogy 175:Country 152: ( 129:company 2289:(2024) 2281:(2023) 2273:(2022) 2259:(2021) 2245:(2019) 2231:(2018) 2223:(2017) 2215:(2016) 2207:(2015) 2199:(2014) 2185:(2013) 2177:(2012) 2169:(2011) 2161:(2010) 2153:(2009) 2144:Thirst 2139:(2008) 2131:(2007) 2117:(2006) 2109:(2005) 2101:(2004) 2093:(2003) 2085:(2002) 2066:(2000) 2052:(1999) 2044:(1998) 2041:Festen 2030:(1997) 2022:(1996) 2014:(1995) 2000:(1994) 1992:(1993) 1978:(1992) 1964:(1991) 1955:Europa 1950:(1990) 1942:(1989) 1934:(1988) 1926:(1987) 1917:Yeelen 1912:(1986) 1904:(1985) 1896:(1983) 1893:Kharij 1888:(1980) 1869:(1973) 1855:(1972) 1847:(1971) 1833:(1970) 1819:(1969) 1811:(1966) 1803:(1965) 1795:(1964) 1787:(1963) 1773:(1962) 1759:(1961) 1751:(1960) 1737:(1959) 1729:(1958) 1721:(1957) 1707:(1956) 1699:(1955) 1691:(1954) 1683:(1952) 1675:(1951) 1667:(1946) 1587:(2016) 1579:(2013) 1571:(2009) 1563:(2007) 1555:(2002) 1547:(2000) 1539:(1999) 1531:(1996) 1523:(1995) 1515:(1994) 1507:(1993) 1499:(1990) 1491:(1988) 1483:(1986) 1475:(1983) 1467:(1983) 1464:Danton 1459:(1981) 1451:(1980) 1443:(1979) 1435:(1978) 1427:(1977) 1419:(1976) 1411:(1975) 1403:(1972) 1395:(1972) 1387:(1970) 1379:(1970) 1371:(1969) 1363:(1969) 1355:(1968) 1347:(1968) 1339:(1965) 1331:(1962) 1323:(1962) 1315:(1961) 1312:Samson 1307:(1960) 1299:(1959) 1291:(1958) 1283:(1957) 1275:(1955) 1267:(1955) 1098:  934:6 July 555:, the 509:Maybe 299:German 236:sewers 216:Polish 189:Polish 179:Poland 2190:Mommy 2019:Crash 1808:Alfie 1734:Stars 1712:Kanał 1560:Katyń 1296:Lotna 1280:Kanał 1199:Kanał 1186:Kanał 1171:Kanał 1160:Kanal 1149:Kanał 1138:Kanal 647:] 636:Kanal 611:Kanal 607:Kanal 593:Kanał 575:Kanał 548:Kanał 542:Theme 521:Kanal 511:Kanal 497:] 481:Kanal 432:Kanał 421:Kanal 244:Kanał 212:Sewer 198:Kanał 35:Kanał 1838:Love 1143:IMDb 1096:ISBN 936:2024 874:2019 848:2009 773:2015 747:2020 699:2020 415:Łódź 336:Cast 277:Plot 232:Nazi 154:1957 150:1957 135:KADR 1189:on 1163:at 1152:at 1141:at 526:On 2305:: 2267:/ 2264:EO 2253:/ 2239:/ 2193:/ 2147:/ 2125:/ 2060:/ 2038:/ 2008:/ 1986:/ 1972:/ 1958:/ 1920:/ 1863:/ 1841:/ 1827:/ 1781:/ 1767:/ 1745:/ 1715:/ 926:. 864:. 839:. 645:pl 495:pl 467:. 460:. 305:. 285:. 273:. 262:. 242:. 210:, 1816:Z 1641:e 1634:t 1627:v 1228:e 1221:t 1214:v 938:. 876:. 850:. 775:. 749:. 701:. 201:( 156:) 20:)

Index

Kanał (film)

Andrzej Wajda
Jerzy Stefan Stawiński
Teresa Iżewska
Tadeusz Janczar
Wieńczysław Gliński
Tadeusz Gwiazdowski
Stanisław Mikulski
Emil Karewicz
Maciej Maciejewski
Vladek Sheybal
KADR
Poland
Polish
[ˈkanaw]
Polish
Andrzej Wajda
Warsaw Uprising
Home Army
Nazi
sewers
Jerzy Stefan Stawinski
Trilogy
A Generation
Ashes and Diamonds
Special Jury Award
Cannes Film Festival
Warsaw Uprising
Lieutenant

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