317:. Upon reaching a dead end, Mądry cries out that he has somebody to live for. When Halinka asks who, he tells her that he has a wife and child. She asks him to turn off his flashlight, and then shoots herself. Mądry finds an exit, but as soon as he has climbed out of the sewer he is disarmed by a German soldier and placed into the courtyard along with others who have come through the same manhole. Despondent, he kneels beside the bodies of others who have already been executed.
31:
320:
Zadra, Kula and Smukły miss the exit at Wilcza Street but find another - however it is booby trapped. Smukły disarms two German grenades, but is killed by the third and last. Zadra and Kula emerge from the sewer to find themselves in a deserted part of the ruined city. When Zadra tells Kula to bring
305:
on the opposite wall, but cannot quite make it out. Daisy tells him it says "I love Janek", when the name is actually Jacek, Korab's first name. She decides that they should head in the direction of the river, which is only a short distance away and drives him on, not letting him stop. Finally, they
300:
Daisy, their guide, asks Zadra to let her help Korab, claiming that the others can find their way easily enough. Zadra consents. However, the pair fall further and further behind. When they reach the designated exit at Wilcza Street, Korab is too weak to climb the upward sloping tunnel, so they rest
285:
The composer Michał manages to telephone his wife and child in another part of the city that is being overrun by the
Germans. After a few words, she tells him that the Germans are clearing the building and that they are coming for her. Then the line goes dead. The next morning, 23-year-old Officer
309:
The main group follows Zadra for a while, but they become lost without Daisy. Finally, when Zadra tells
Sergeant Kula to order them onward after a brief rest, they remain where they are. Kula lies and tells Zadra they are following in order to get him to keep going. Eventually, the only remaining
619:
By the mid-1950s, two fundamental perceptions had become established among Poles regarding the event. One was a popular romantic image of gallant young martyrs who died defending the homeland. The second was official skepticism as to the purity of the high-command’s motives in committing men and
607:
One must bear in mind that the events in question were charged with controversy. The outbreak of the Rising on August 1, 1944 was ordered by the Home Army leaders in agreement with the
Government-in-Exile in London, but no clear understanding was made with the command of the approaching Soviet
472:
provoked widespread controversy and debate among Poles as to its merits. Donota
Niemitz and Stefan Steinberg remark that “the film was not received favorably in Poland. The futile death of the uprising’s heroes, covered in dirt and excrement, did not correspond to the idealized picture of the
602:
was “an honest and valuable attempt to portray the complexity of Polish contemporary history and politics.” The film “masterfully” dramatizes the tragic fate of the men and women of a small unit of Polish Home Army resistance fighters. Biographer
Bolestaw Michalek provides the context:
539:
is “Polish heroism” and the notion that Poles have historically been prone to “acts of courage as futile as they desperate.” Wajda initially considered referencing some celebrated - and semi-suicidal - cavalry charges in Polish history, including those during the
Napoleonic era’s
1036:
Michalek, 1973 p. 30-31, And p. 53: “...two attitudes to this event were current in the public mind: skepticism…of what seemed another heroic but misguided episode in Polish history, and whole-hearted and unqualified acclamation of the legend of the valiant, indomitable young
556:
Here we have a definite comment “on Polish heroism”, an implicit critique of “Polishness”, the lack of political and social common sense, the propensity for disproportionately high sacrifices. According to this line of thinking, national history was one long chain of
561:
Historic manifestations of “romanticism and heroism” were deemed anachronistic in post-war Poland and challenged by appeals to “reason” and “political common sense.” Despite these political exposures, Wajda’s romantic, sensual style endows the characters in
584:
is permeated by a virtually unrelieved mood of despair, bitterness and resignation. The whole structure is pivoted on the idea that there is no way out, no hope, no chance of deliverance. As in Dante, there is only a succession of narrowing circles of
306:
see sunlight. By this time, Korab is half blind and at the end of his strength. He cannot see that the exit is closed off by metal bars. Daisy finally reveals her feelings for him, kissing him before telling him that he can rest for a while.
796:
Michalek, 1973 p. 25: Stawiński’s “experiences as a young officer in the underground Army the Warsaw Rising of August 1944…treatment of the events in which he had been directly involved…” And: “...story and screenplay…’ by
502:
will mark the beginning of the truth being told about history, about ourselves, about a whole generation. Perhaps it will prove to be art as a warning, art of purgation, a triumph of the heroism of life over the heroism of
507:
Biographer
Boleslaw Michalek adds that Jackiewicz placed emphasis on the skeptical note in the film, its confrontation with the legend of the Warsaw Rising, and by and large this was how reviewers hailed
286:
Cadet Korab apologizes after walking into a room to find the second in command, Lieutenant Mądry, and messenger girl
Halinka in bed together (Halinka later reveals that Mądry is her first lover). A
1046:
Niemtz and
Steinberg, 2016: “Controversy surrounded Wajda’s attitude towards national symbols and heroes…Wajda was widely criticized by some for accommodating himself to the Stalinist regime.”
612:. After two months of fighting, the Home Army command surrendered,,,the price paid for the Rising was several hundred thousand dead and the immolation of the homes of over one million people.
1532:
608:
armies…when a deadlock was reached at the Soviet front, a war of attrition was mounted against the insurgents…Gradually the remorseless German assault forced the insurgents to withdraw to
321:
up the rest of the men, Kula admits he lied and that they left them behind a long time ago. Enraged, Zadra shoots Kula and reluctantly heads back down into the sewer to search for his men.
1000:
Niemtz and
Steinberg, 2016: “...Wajda masterfully recreates the last days in the lives of several Warsaw uprising fighters who attempt to make their way through the city’s sewer system.”
628:
297:
Surrounded by the enemy, Zadra is ordered to retreat through the sewers to the city centre. Now down to 27 fit to travel, including Korab, they slog through the filth.
2327:
1628:
1492:
1404:
1076:
552:, reputedly on German tanks in 1939. These were to be presented in a pre-credit sequence of but ultimately were abandoned. Biographer Bolesław Michałek observes:
478:
642:“Like all artists approaching this subject, Wajda has succumbed to certain pressures. On the one hand there was the rational pressure against delivering an
616:
Michalek adds that “Wajda’s treatment of the Warsaw Rising and the retreat through the sewers had a definite and deliberate historical and social edge.”
1055:
Michalek, 1973 p. 25: “...a streak of skepticism as to the purpose and price of the heroism.” And: p.33: The “moral and historical ambiguity” of Kanal.
784:
1621:
646:
for the Rising and, on the other hand, the emotional pressure against taking a merciless criticism of the Rising. The film stopped halfway.
991:
Niemitz and Steinberg, 2016: Kanal “an honest and valuable attempt to portray the complexity of Polish contemporary history and politics.”
749:
638:
commented on the contrasting “heroic dimensions” of the characters in Kanal and the “latent skepticism” concerning the 1944 uprising:
850:
2342:
2337:
1614:
1215:
1993:
2322:
2317:
2312:
598:
was one of the most politically and socially charged topics in post-war Poland. Like the other films in his war trilogy,
2352:
2170:
1637:
1088:
1018:
WSWS, 2019: “When the Nazis abandoned the city in early 1945, 85 percent of its pre-war buildings no longer existed.”
424:
255:
1468:
313:
Meanwhile, Mądry, Halinka and Michał are also lost. Eventually, Michał loses his mind and wanders away, playing an
2307:
2070:
1818:
1348:
278:
Zadra leads a unit of 43 soldiers and civilians to a new position amidst the ruins of the now isolated southern
2302:
1590:
728:
825:
1396:
661:
452:
In April 2019, a restored version of the film was selected to be shown in the Cannes Classics section at the
2230:
2332:
633:
2051:
1985:
1595:
1208:
342:
77:
1919:
1854:
1840:
1684:
1372:
2347:
1935:
1744:
1476:
1356:
1300:
1276:
1235:
453:
428:
391:
who himself survived in the sewers as an officer of Armia Krajowa (the Polish underground resistance
247:
388:
54:
2078:
1848:
1752:
1097:
483:
1971:
1911:
1652:
1524:
1516:
1436:
1388:
431:. The film is largely free of the overt communist propaganda that characterised its predecessor,
2037:
1692:
1676:
1260:
1201:
753:
477:
complained “This whole Warsaw, this whole Rising wallows in filth, in the gutters of history…”
228:
2200:
1308:
1112:
1101:
354:
87:
2266:
2162:
1766:
1668:
1168:
541:
291:
259:
8:
2297:
2258:
2244:
2184:
2015:
1963:
1897:
1873:
1564:
1164:
348:
82:
2132:
1943:
1812:
1780:
1540:
1452:
1428:
1420:
1292:
549:
366:
97:
442:
2178:
2110:
2007:
1999:
1927:
1796:
1772:
1572:
1460:
1380:
1332:
1158:
1131:
1084:
545:
884:
Michalek, 1973 p. 35: “...a disgruntled critic…”, And see footnote p. 172 for source
330:
67:
2216:
2138:
1826:
1706:
1508:
1324:
774:
Niemitz and Steinberg, 2016: “Awarded the Silver Palm at the Cannes Film Festival…”
656:
524:
1606:
1340:
2208:
2146:
2102:
2094:
2086:
1832:
1153:
623:
Wajda, responding to these dual social outlooks, attempted to synthesis these in
574:
570:
516:
336:
271:
212:
204:
195:
177:
72:
2274:
1548:
30:
2238:
2124:
1977:
1957:
1788:
1730:
1484:
1364:
1316:
1173:
912:
372:
224:
102:
1147:
2291:
1804:
1736:
1660:
1412:
1224:
446:
399:
360:
208:
123:
92:
44:
2116:
1889:
1758:
1722:
1252:
1185:
490:
433:
287:
241:
577:, and acknowledged as such by Wajda. Biographer Bolesław Michałek writes:
403:
2192:
2045:
1949:
1444:
1136:
1125:
2023:
275:
609:
279:
2252:
1714:
680:
438:
392:
216:
1109:
75 years ago: Warsaw uprising violently suppressed by Nazi occupiers
1500:
1142:
302:
815:
Michalek, 1973 p. 36: “The premiere took place on April 20, 1957…”
2224:
2154:
1556:
314:
236:
1193:
2029:
1905:
1881:
220:
167:
1284:
1095:
Polish film and theatre director Andrzej Wajda dead at 90.
290:
attack is stopped, but Korab is wounded while disabling a
227:. The film is adapted from the story “They Loved Life” by
1113:
https://www.wsws.org/en/articles/2019/09/30/twih-s30.html
1102:
https://www.wsws.org/en/articles/2016/10/14/wajd-o14.html
402:
at Wytwornia Filmow Fabularnych (Feature Film Studio) in
310:
soldier following Zadra and Kula is the mechanic Smukły.
1083:
The Tanvity Press. A. S. Barnes and Company. New York.
375:
as Michał, the composer (credited as Władysław Sheybal)
519:, the film holds an approval rating of 100% based on
270:
It is 25 September 1944, during the last days of the
1636:
818:
2328:Films about Polish resistance during World War II
569:The descent into the sewers has been compared to
2289:
1111:. World Socialist Web Site. 30 September 2019.
594:The historical subject that Wajda addressed in
785:Harry Potter and the Chamber of Secrets (film)
468:(1955) received a measured critical response,
1622:
1209:
1093:Niemitz, Dorata and Steinberg, Stefan. 2016.
395:) during the Warsaw Uprising of August 1944.
905:
729:"NAJLEPSZE FILMY HISTORYCZNE ANDRZEJA WAJDY"
211:. It was the first film made about the 1944
783:This scene is referenced toward the end of
1629:
1615:
1216:
1202:
29:
437:. It was released after the fall of the
589:
473:nation’s martyrs.” Critic Leon Buko in
412:premiered in Warsaw on April 20, 1957.
2290:
1610:
1197:
620:women patriots to a doomed endeavor.
573:depiction of the souls damned in his
387:The story and script were written by
194:
215:, telling the story of a company of
1533:The Condemnation of Franciszek Klos
13:
235:is the second film of Wajda's War
14:
2364:
1223:
1119:
512:as a landmark in Polish cinema.”
219:resistance fighters escaping the
1994:Don't Forget You're Going to Die
1469:A Chronicle of Amorous Accidents
913:"Kanal (1961) - Rotten Tomatoes"
2343:Films directed by Andrzej Wajda
2338:Works about the Warsaw Uprising
1638:Cannes Film Festival Jury Prize
1107:World Socialist Web Site. 2019
1058:
1049:
1040:
1030:
1021:
1012:
1003:
994:
985:
976:
967:
958:
949:
940:
931:
896:
887:
878:
869:
843:
809:
800:
535:One of the principal themes in
254:The film was the winner of the
790:
777:
768:
742:
721:
712:
703:
694:
673:
445:, which followed the death of
1:
662:List of Polish language films
548:in WWI and the legend of the
382:
301:for a while. He notices some
223:onslaught through the city's
2323:Polish black-and-white films
1081:The Cinema of Andrzej Wajda.
709:Niemitz and Steinberg, 2016.
667:
459:
378:Teresa Berezowska as Halinka
7:
2318:1950s German-language films
2313:1950s Polish-language films
2052:Songs from the Second Floor
1596:Film New Europe Association
875:Niemitz and Steinberg, 2016
826:"Festival de Cannes: Kanał"
650:
415:
10:
2369:
1920:A Short Film About Killing
1373:Landscape After the Battle
1070:
566:with “heroic dimensions.”
35:Theatrical release poster.
2353:Polish World War II films
2062:
1865:
1745:Mother Joan of the Angels
1644:
1583:
1244:
1231:
629:Krzysztof Teodor Toeplitz
464:While Wajda’s debut film
454:2019 Cannes Film Festival
429:1957 Cannes Film Festival
398:The film was produced by
173:
163:
153:
130:
114:
60:
50:
40:
28:
23:
2079:At Five in the Afternoon
1849:The Hourglass Sanatorium
1819:The Strawberry Statement
1753:The Trial of Joan of Arc
1098:World Socialist Web Site
530:
1912:Shinran: Path to Purity
1653:The Battle of the Rails
1437:The Orchestra Conductor
1064:Michalek, 1973 p. 34-35
351:as Sgt. "Kula" (Bullet)
324:
265:
2308:Polish war drama films
1693:The Mystery of Picasso
1493:The Crowned-Eagle Ring
1115:Retrieved 8 July 2022.
1104:Retrieved 4 July 2022.
851:"Cannes Classics 2019"
648:
614:
587:
559:
505:
389:Jerzy Stefan Stawiński
333:as "Stokrotka" (Daisy)
229:Jerzy Stefan Stawinski
55:Jerzy Stefan Stawiński
2303:1950s war drama films
2171:Like Father, Like Son
1309:Siberian Lady Macbeth
806:Michalek, 1973 p. 160
718:Michalek, 1973 p. 160
640:
605:
579:
554:
496:
479:Aleksander Jackiewicz
400:Zespół Filmowy "Kadr"
363:as Lt. "Mądry" (Wise)
192:Polish pronunciation:
1669:We Are All Murderers
1169:Criterion Collection
1027:Michalek, 1973 p. 30
1009:Michalek, 1973 p. 30
982:Michalek, 1973 p. 30
973:Michałek, 1973 p. 30
964:Michałek, 1973 p. 34
955:Michałek, 1973 p. 33
946:Michałek, 1973 p. 33
937:Michałek, 1973 p. 33
902:Michalek, 1973 p. 36
893:Michalek, 1973 p. 36
750:"festivalcannes.com"
700:Michalek, 1973 p. 25
590:Political assessment
542:Battle of Samosierra
292:Goliath tracked mine
282:district of Warsaw.
260:Cannes Film Festival
2333:Films set in Warsaw
2259:The Eight Mountains
2185:Goodbye to Language
2071:Divine Intervention
1964:An Independent Life
1874:The Constant Factor
1841:Slaughterhouse-Five
1565:Walesa: Man of Hope
1349:Everything for Sale
1100:, 14 October 2016.
917:Rotten Tomatoes.com
830:festival-cannes.com
349:Tadeusz Gwiazdowski
343:Wieńczysław Gliński
83:Tadeusz Gwiazdowski
78:Wieńczysław Gliński
1781:Woman in the Dunes
1591:Zespół Filmowy "X"
1429:The Maids of Wilko
1421:Without Anesthesia
1293:Innocent Sorcerers
1277:Ashes and Diamonds
1077:Michalek, Boleslaw
855:Festival de Cannes
756:on 6 February 2015
550:Charge at Krojanty
527:rating of 8.1/10.
425:Special Jury Prize
367:Maciej Maciejewski
357:as "Smukły" (Slim)
355:Stanisław Mikulski
339:as "Korab" (Jacek)
256:Special Jury Award
248:Ashes and Diamonds
98:Maciej Maciejewski
88:Stanisław Mikulski
2285:
2284:
2163:The Angels' Share
1928:Jesus of Montreal
1773:The Cassandra Cat
1604:
1603:
1461:A Love in Germany
1397:The Promised Land
1381:Pilate and Others
1333:Gates to Paradise
1186:Andrzej Wajda on
919:. Rotten Tomatoes
546:Charge of Rokitna
423:earned Wajda the
207:film directed by
183:
182:
107:Teresa Berezowska
2360:
2348:1957 drama films
1972:The Puppetmaster
1707:The Seventh Seal
1631:
1624:
1617:
1608:
1607:
1218:
1211:
1204:
1195:
1194:
1065:
1062:
1056:
1053:
1047:
1044:
1038:
1034:
1028:
1025:
1019:
1016:
1010:
1007:
1001:
998:
992:
989:
983:
980:
974:
971:
965:
962:
956:
953:
947:
944:
938:
935:
929:
928:
926:
924:
909:
903:
900:
894:
891:
885:
882:
876:
873:
867:
866:
864:
862:
847:
841:
840:
838:
836:
822:
816:
813:
807:
804:
798:
794:
788:
781:
775:
772:
766:
765:
763:
761:
752:. Archived from
746:
740:
739:
737:
735:
725:
719:
716:
710:
707:
701:
698:
692:
691:
689:
687:
677:
657:Cinema of Poland
637:
627:. Polish critic
525:weighted average
522:
487:
245:and followed by
198:
196:[ˈkanaw]
193:
146:
144:
33:
21:
20:
16:1957 Polish film
2368:
2367:
2363:
2362:
2361:
2359:
2358:
2357:
2288:
2287:
2286:
2281:
2147:A Screaming Man
2095:Shanghai Dreams
2087:Tropical Malady
2058:
1986:La Reine Margot
1861:
1677:Knave of Hearts
1640:
1635:
1605:
1600:
1579:
1405:The Shadow Line
1261:Towards the Sun
1240:
1227:
1222:
1154:Rotten Tomatoes
1122:
1073:
1068:
1063:
1059:
1054:
1050:
1045:
1041:
1035:
1031:
1026:
1022:
1017:
1013:
1008:
1004:
999:
995:
990:
986:
981:
977:
972:
968:
963:
959:
954:
950:
945:
941:
936:
932:
922:
920:
911:
910:
906:
901:
897:
892:
888:
883:
879:
874:
870:
860:
858:
857:. 26 April 2019
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773:
769:
759:
757:
748:
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743:
733:
731:
727:
726:
722:
717:
713:
708:
704:
699:
695:
685:
683:
679:
678:
674:
670:
653:
631:
592:
533:
520:
517:Rotten Tomatoes
481:
475:Dziennik polski
462:
443:Bolesław Bierut
418:
385:
337:Tadeusz Janczar
327:
272:Warsaw Uprising
268:
213:Warsaw Uprising
191:
156:
149:
142:
140:
133:
126:
119:
117:
110:
73:Tadeusz Janczar
36:
17:
12:
11:
5:
2366:
2356:
2355:
2350:
2345:
2340:
2335:
2330:
2325:
2320:
2315:
2310:
2305:
2300:
2283:
2282:
2280:
2279:
2271:
2263:
2249:
2235:
2231:Les Misérables
2221:
2213:
2205:
2201:American Honey
2197:
2189:
2175:
2167:
2159:
2151:
2143:
2129:
2121:
2107:
2099:
2091:
2083:
2075:
2066:
2064:
2060:
2059:
2057:
2056:
2042:
2034:
2020:
2012:
2004:
1990:
1982:
1978:Raining Stones
1968:
1958:Dream of Light
1954:
1940:
1932:
1924:
1916:
1902:
1894:
1886:
1878:
1869:
1867:
1863:
1862:
1860:
1859:
1855:The Invitation
1845:
1837:
1823:
1809:
1801:
1793:
1785:
1777:
1763:
1749:
1741:
1727:
1719:
1711:
1697:
1689:
1685:Lost Continent
1681:
1673:
1665:
1657:
1648:
1646:
1642:
1641:
1634:
1633:
1626:
1619:
1611:
1602:
1601:
1599:
1598:
1593:
1587:
1585:
1581:
1580:
1578:
1577:
1569:
1561:
1553:
1545:
1537:
1529:
1521:
1513:
1505:
1497:
1489:
1481:
1473:
1465:
1457:
1449:
1441:
1433:
1425:
1417:
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1401:
1393:
1385:
1377:
1369:
1365:The Birch Wood
1361:
1353:
1345:
1337:
1329:
1321:
1317:Love at Twenty
1313:
1305:
1297:
1289:
1281:
1273:
1265:
1257:
1248:
1246:
1245:Films directed
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1232:
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1120:External links
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1039:
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2117:Silent Light
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2063:2002–present
2050:
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1998:
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1984:
1976:
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1956:
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1890:Colonel Redl
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1253:A Generation
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1163:an essay by
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871:
859:. Retrieved
854:
845:
833:. Retrieved
829:
820:
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779:
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758:. Retrieved
754:the original
744:
732:. Retrieved
723:
714:
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684:. Retrieved
675:
643:
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606:
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581:
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560:
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491:Trybuna Ludu
489:
474:
469:
466:A Generation
465:
463:
451:
434:A Generation
432:
420:
419:
409:
408:
397:
386:
319:
312:
308:
299:
296:
284:
269:
258:at the 1957
253:
246:
242:A Generation
240:
232:
203:) is a 1957
200:
186:
185:
184:
155:Running time
132:Release date
18:
2239:Ahed's Knee
2193:The Lobster
2046:Blackboards
1950:Out of Life
1813:The Falcons
1731:L'Avventura
1541:The Revenge
1525:Pan Tadeusz
1517:Miss Nobody
1445:Man of Iron
1389:The Wedding
1236:Filmography
632: [
482: [
369:as "Gustaw"
41:Directed by
2298:1957 films
2292:Categories
2111:Persepolis
2038:The Letter
2024:Class Trip
2000:Carrington
1573:Afterimage
1557:Sweet Rush
1165:John Simon
835:8 February
797:Stawiński.
760:6 February
441:regime of
406:, Poland.
383:Production
276:Lieutenant
159:95 minutes
116:Production
51:Written by
2217:Capernaum
2139:Fish Tank
1866:1980–2000
1759:L'Eclisse
1715:Mon Oncle
1645:1946–1973
1584:Companies
1509:Holy Week
1325:The Ashes
668:Footnotes
523:, with a
521:8 reviews
488:, of the
460:Reception
439:Stalinist
393:Home Army
217:Home Army
2209:Loveless
2103:Red Road
1833:Joe Hill
1767:Harakiri
1501:Nastasja
1182:database
1143:AllMovie
1079:. 1973.
861:26 April
734:20 April
686:20 April
651:See also
644:apologia
585:torment.
416:Releases
303:graffiti
174:Language
61:Starring
2245:Memoria
2225:Bacurau
2155:Polisse
2125:Il Divo
2016:Western
1898:Thérèse
1789:Kwaidan
1485:Korczak
1167:at the
1071:Sources
1037:Poles.”
787:(2002).
681:"Kanał"
610:Mokotów
575:Inferno
571:Dante’s
503:death.”
494:wrote:
427:at the
315:ocarina
280:Mokotów
237:Trilogy
164:Country
141: (
118:company
2278:(2024)
2270:(2023)
2262:(2022)
2248:(2021)
2234:(2019)
2220:(2018)
2212:(2017)
2204:(2016)
2196:(2015)
2188:(2014)
2174:(2013)
2166:(2012)
2158:(2011)
2150:(2010)
2142:(2009)
2133:Thirst
2128:(2008)
2120:(2007)
2106:(2006)
2098:(2005)
2090:(2004)
2082:(2003)
2074:(2002)
2055:(2000)
2041:(1999)
2033:(1998)
2030:Festen
2019:(1997)
2011:(1996)
2003:(1995)
1989:(1994)
1981:(1993)
1967:(1992)
1953:(1991)
1944:Europa
1939:(1990)
1931:(1989)
1923:(1988)
1915:(1987)
1906:Yeelen
1901:(1986)
1893:(1985)
1885:(1983)
1882:Kharij
1877:(1980)
1858:(1973)
1844:(1972)
1836:(1971)
1822:(1970)
1808:(1969)
1800:(1966)
1792:(1965)
1784:(1964)
1776:(1963)
1762:(1962)
1748:(1961)
1740:(1960)
1726:(1959)
1718:(1958)
1710:(1957)
1696:(1956)
1688:(1955)
1680:(1954)
1672:(1952)
1664:(1951)
1656:(1946)
1576:(2016)
1568:(2013)
1560:(2009)
1552:(2007)
1544:(2002)
1536:(2000)
1528:(1999)
1520:(1996)
1512:(1995)
1504:(1994)
1496:(1993)
1488:(1990)
1480:(1988)
1472:(1986)
1464:(1983)
1456:(1983)
1453:Danton
1448:(1981)
1440:(1980)
1432:(1979)
1424:(1978)
1416:(1977)
1408:(1976)
1400:(1975)
1392:(1972)
1384:(1972)
1376:(1970)
1368:(1970)
1360:(1969)
1352:(1969)
1344:(1968)
1336:(1968)
1328:(1965)
1320:(1962)
1312:(1962)
1304:(1961)
1301:Samson
1296:(1960)
1288:(1959)
1280:(1958)
1272:(1957)
1264:(1955)
1256:(1955)
1087:
923:6 July
544:, the
498:Maybe
288:German
225:sewers
205:Polish
178:Polish
168:Poland
2179:Mommy
2008:Crash
1797:Alfie
1723:Stars
1701:Kanał
1549:Katyń
1285:Lotna
1269:Kanał
1188:Kanał
1175:Kanał
1160:Kanał
1149:Kanal
1138:Kanał
1127:Kanal
636:]
625:Kanal
600:Kanal
596:Kanal
582:Kanał
564:Kanał
537:Kanał
531:Theme
510:Kanal
500:Kanal
486:]
470:Kanal
421:Kanał
410:Kanal
233:Kanał
201:Sewer
187:Kanał
24:Kanał
1827:Love
1132:IMDb
1085:ISBN
925:2024
863:2019
837:2009
762:2015
736:2020
688:2020
404:Łódź
325:Cast
266:Plot
221:Nazi
143:1957
139:1957
124:KADR
1178:on
1152:at
1141:at
1130:at
515:On
2294::
2256:/
2253:EO
2242:/
2228:/
2182:/
2136:/
2114:/
2049:/
2027:/
1997:/
1975:/
1961:/
1947:/
1909:/
1852:/
1830:/
1816:/
1770:/
1756:/
1734:/
1704:/
915:.
853:.
828:.
634:pl
484:pl
456:.
449:.
294:.
274:.
262:.
251:.
231:.
199:,
1805:Z
1630:e
1623:t
1616:v
1217:e
1210:t
1203:v
927:.
865:.
839:.
764:.
738:.
690:.
190:(
145:)
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