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Kairouani calligraphy

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147:“ And a Khitmah of Qur’an in sixty juz’, of big format, with a Kufic Rayhani script, five lines, on parchment. Each juz’ of it has a gilded opening, surah headings and hizb markers and tenth’s markers. Some of them are gilded in their closing. Vocalizations are in red, green and azure. Some of them are covered in leather on wood, others in silk on leather on wood, and some in silk on wood. All of them have lost their ornamentation. This is how the description of this Khitmah appears in the Sigill cited20, and this is how it appears now, with its bindings destroyed.” 177: 623: 20: 208:
In 2017, The Tunisian Association for the Art of Calligraphy conducted a research on the script and introduced it in its curriculum. In partnership with some other private institutions and associations, the calligraphers gave courses for the local community of the medina and all people interested to
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According to the national institute of heritage, the book is divided into 60 hizbs with over 2900 folios of parchment in total. The page measure 44,5x30cm and contain five lines (6 cm high) each. These leaves are currently exposed in different museums of the world such as the
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The Kairouani style remained very discrete and very few examples where it was is used during the same period as Quran of the Nurse were found. Among these examples, we can mention a small travel pocket Quran written on parchment dating from the 10th century.
271:(a second upper horizontal line or a rectangle) is added and stretched horizontally proportionally to the left space and the length of the word to make it first in the line. Final characteristic is that words do not split and verse markers are absent. 142:. According to this inventory, the manuscript is just an element of a 125 religious manuscripts collection, 65 of which are Qurans. This document gave a legal status to the manuscript as a protected item of the library. 65:
Kairouani style was used for the first time in the Nurse's Quran, finished in 1020 during the last decades of Kairouan’s intellectual and political golden era. The manuscript was kept for centuries in the
251:(ل) are perfectly perpendicular, with the first aleph always distinguished with an extra lower tail finishing horizantally to the right to Kufic styles in general. On the other hand, low letters such as 216:
2017 was dedicated to the Kairouani style, and as a way to emphasize on its importance, many Tunisian calligraphy masters presented paintings featuring the Kairouani script such as
116:. This Quran was later donated to enrich the library of the great mosque as part of a political strategy endorsed by the Qadi of Kairouan, Abdallah Ben Hachem. 213: 81:
The Nurse's Quran was discovered after the publication of an article in an Egyptian journal in 1897 criticizing the conservation of the collections of the
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In general, the letters in Kairouani style are bold and angular. They are not dotted, and well seated on a horizontal line. Vertical letters like
221: 469: 407:(2010). "A note on the Medieval inventory of the manuscripts kept in the Great Mosque of Kairouan". In Kerr, Robert M.; Milo, Thomas (eds.). 201:, this style remained used only in the Djerid in the south ouest of Tunisia as this region is very far geographically from the influence of 259:(س), are characterized by their parallel and closely grouped short dents. Finally, for some other letters that have bulbs like the 108:
prince's nurse, commissioned the creation of the manuscript for the Great Mosque. Additionally, according to some historians,
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la bibliothèque de la Grande Mosquée de Kairouan: Une contribution à l'histoire du mâlikisme kairouannais
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By the 11th century, the presence of Kairouani calligraphy started to decline with the arrival of the
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conducted deeper research on the manuscripts. He disassembled them and took their bindings to the
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An old Sigill of the library of the mosque of Qairawan, "Majallat Ma'had al makhtoutat, 2"
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In 2018, the script got digitalized and a digital typo that can be used on any
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describing the people engaged in the manuscript's creation, the chief of the
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wall that served as a library, in the main prayer room of the Great Mosque.
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leaving the parchments separated, and classified by size and condition.
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Besides this, another trace of the Nurse’s Quran can be found in the
743: 526: 67: 19: 672: 647: 541: 692: 652: 559: 113: 748: 657: 564: 531: 516: 244: 170: 75: 264: 235:-based processing software became available for download. 23:
A page from the Nurse's Quran, written in Kairouani style.
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Writings and writing from another world and another era
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W. Kwiatowski, M. Franzer and (2006). "Ink and Gold".
104:, Ali Ibn Ahmed al-Warraq, and Fatimah Hadhinah, the 338: 180:Kairouani calligrapher holding a training session 818: 74:, a small cell measuring 8x6 meters next to the 388: 112:, a second woman was the boss' secretary or a 463: 436: 127:confirms that the book was written by women 43: 470: 456: 391:Objets Kairouanais IXeme au XIIIeme siecle 85:. Later in 1948, the French archaeologist 138:inventory set in 1294 by a scribe called 389:Louis Poinssot, Georges Marçais (1948). 358: 175: 18: 477: 403: 819: 421: 373: 209:learn the basics of Kairouani script. 770:Al-Furqan Islamic Heritage Foundation 451: 336: 354: 352: 314:"Blue Fish | Kairaouani Calligraphy" 308: 306: 304: 302: 300: 61:The Nurse's Quran (Mushaf al-Hadina) 44: 35: 13: 14: 843: 780:Society of Iranian Calligraphists 775:Museum of Turkish Calligraphy Art 349: 297: 621: 374:Bayram, Mohamed Al Hedi (1897). 40:Kairouani Kufi style calligraphy 663:Islamic illuminated manuscript 430: 415: 397: 382: 367: 330: 238: 129:‘’she wrote it with her hands” 1: 719:List of Persian calligraphers 714:List of Ottoman calligraphers 439:Islamic Calligraphy, Sam Fogg 291: 341:The Great Mosque of Kairouan 184: 123:, one of the sentences of a 7: 274: 10: 848: 359:Chabbouh, Ibrahim (1956). 197:calligraphy. According to 55: 804: 788: 762: 727: 706: 630: 619: 601: 578: 550: 492: 485: 16:Islamic calligraphy style 83:Great Mosque of Kairouan 426:. Arabica. p. 693. 411:. Cambridge: Archetype. 422:Voguet, Elise (2003). 181: 150: 24: 212:The fifth edition of 179: 144: 91:Bardo National Museum 45:الخط الكوفي القيرواني 22: 678:Ottoman illumination 638:Arabic calligraffiti 337:Sebag, Paul (1965). 214:Tunisian Calligraphy 159:The David Collection 48:), is one style of I 698:Islamic zoomorphism 479:Islamic calligraphy 155:Metropolitan Museum 121:Quran of the Fadhel 827:Arabic calligraphy 182: 50:slamic calligraphy 25: 814: 813: 688:Persian miniature 683:Ottoman miniature 617: 616: 405:Déroche, François 281:Kufic Calligraphy 218:Alhassoumi Zitoun 839: 668:Mughal miniature 643:Arabic miniature 625: 490: 489: 472: 465: 458: 449: 448: 443: 442: 434: 428: 427: 419: 413: 412: 401: 395: 394: 386: 380: 379: 371: 365: 364: 356: 347: 346: 344: 334: 328: 327: 325: 324: 310: 47: 46: 37: 847: 846: 842: 841: 840: 838: 837: 836: 817: 816: 815: 810: 800: 784: 758: 737: 723: 702: 626: 613: 597: 574: 546: 481: 476: 446: 435: 431: 420: 416: 402: 398: 387: 383: 372: 368: 357: 350: 335: 331: 322: 320: 312: 311: 298: 294: 277: 241: 226:Zouhour Arfaoui 187: 110:Dora Al Katibah 96:According to a 63: 58: 28:Kairouani style 17: 12: 11: 5: 845: 835: 834: 829: 812: 811: 805: 802: 801: 799: 798: 792: 790: 786: 785: 783: 782: 777: 772: 766: 764: 760: 759: 757: 756: 751: 746: 740: 738: 736: 735: 732: 728: 725: 724: 722: 721: 716: 710: 708: 704: 703: 701: 700: 695: 690: 685: 680: 675: 670: 665: 660: 655: 650: 645: 640: 634: 632: 628: 627: 620: 618: 615: 614: 612: 611: 605: 603: 599: 598: 596: 595: 590: 584: 582: 576: 575: 573: 572: 567: 562: 556: 554: 548: 547: 545: 544: 539: 534: 529: 524: 519: 514: 509: 504: 498: 496: 487: 483: 482: 475: 474: 467: 460: 452: 445: 444: 429: 414: 396: 381: 366: 348: 329: 295: 293: 290: 289: 288: 283: 276: 273: 240: 237: 233:Microsoft Word 186: 183: 62: 59: 57: 54: 36:الخط القيرواني 15: 9: 6: 4: 3: 2: 844: 833: 830: 828: 825: 824: 822: 809: 803: 797: 794: 793: 791: 787: 781: 778: 776: 773: 771: 768: 767: 765: 763:Organizations 761: 755: 752: 750: 747: 745: 742: 741: 739: 733: 730: 729: 726: 720: 717: 715: 712: 711: 709: 707:Calligraphers 705: 699: 696: 694: 691: 689: 686: 684: 681: 679: 676: 674: 671: 669: 666: 664: 661: 659: 656: 654: 651: 649: 646: 644: 641: 639: 636: 635: 633: 629: 624: 610: 607: 606: 604: 600: 594: 591: 589: 586: 585: 583: 581: 577: 571: 568: 566: 565:Tawqi (Tevki) 563: 561: 558: 557: 555: 553: 549: 543: 540: 538: 535: 533: 530: 528: 525: 523: 520: 518: 515: 513: 510: 508: 505: 503: 500: 499: 497: 495: 491: 488: 484: 480: 473: 468: 466: 461: 459: 454: 453: 450: 440: 433: 425: 418: 410: 406: 400: 392: 385: 377: 370: 362: 355: 353: 343: 342: 333: 319: 315: 309: 307: 305: 303: 301: 296: 287: 284: 282: 279: 278: 272: 270: 266: 262: 258: 254: 250: 246: 236: 234: 229: 227: 223: 222:Najet Ennouri 219: 215: 210: 206: 204: 200: 196: 191: 178: 174: 172: 168: 164: 160: 157:in New York, 156: 149: 148: 143: 141: 137: 132: 130: 126: 122: 117: 115: 111: 107: 103: 99: 94: 92: 88: 87:Louis Poinsot 84: 79: 77: 73: 69: 53: 51: 41: 33: 29: 21: 832:Tunisian art 808:Islamic arts 796:Pseudo-Kufic 754:Word heaping 511: 507:Jeli Thuluth 438: 432: 423: 417: 408: 399: 390: 384: 375: 369: 360: 340: 332: 321:. Retrieved 317: 268: 242: 230: 211: 207: 192: 188: 167:Bardo Museum 151: 146: 145: 140:Al Khalidini 139: 133: 128: 120: 118: 109: 97: 95: 80: 64: 39: 27: 26: 376:Al Muqtataf 318:bluefish.me 263:(ض) or the 239:Description 199:Ibn Khaldun 102:scriptorium 821:Categories 789:Influences 734:Techniques 323:2019-02-19 292:References 163:Copenhagen 588:Nasta'liq 512:Kairouani 205:culture. 185:Evolution 136:mediaeval 72:Ibn Badis 806:Part of 744:Kasheeda 527:Muhaqqaq 522:Maghrebi 275:See also 247:(ا) and 165:and the 125:colophon 68:maqsurah 673:Muraqqa 648:Basmala 631:Objects 580:Persian 552:Ottoman 542:Thuluth 267:(ك) a m 255:(ب) or 119:In the 98:tahbiss 56:History 693:Tughra 653:Firman 602:Others 593:Taʿlīq 570:Ruq'ah 560:Diwani 502:Hijazi 494:Arabic 486:Styles 203:andalu 195:andalu 114:scribe 38:), or 32:Arabic 749:Qalam 731:Tools 658:Hilya 537:Naskh 532:Mashq 517:Kufic 286:Naskh 245:aleph 171:Tunis 106:Zirid 76:qibla 609:Sini 269:ashq 257:shin 224:and 265:kef 261:dal 253:beh 249:lam 169:in 161:in 70:of 823:: 351:^ 316:. 299:^ 228:. 220:, 131:. 52:. 34:: 471:e 464:t 457:v 441:. 393:. 378:. 363:. 345:. 326:. 42:( 30:(

Index


Arabic
slamic calligraphy
maqsurah
Ibn Badis
qibla
Great Mosque of Kairouan
Louis Poinsot
Bardo National Museum
scriptorium
Zirid
scribe
colophon
mediaeval
Metropolitan Museum
The David Collection
Copenhagen
Bardo Museum
Tunis

andalu
Ibn Khaldun
andalu
Tunisian Calligraphy
Alhassoumi Zitoun
Najet Ennouri
Zouhour Arfaoui
Microsoft Word
aleph
lam

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