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Judith Dupré

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31: 183:. Page designs include deep-captioned photographs, floating quotations, timelines, and sidebar explorations. The page layouts suggest a kinetic reading experience beyond the turning of successive pages, and have been designed to create individualized reading experiences, where the reader chooses how to engage the array of images, essays and marginal commentaries. 202:
vow to rebuild on September 12, 2001, through the complex, often contentious interactions between multiple public and private agencies with a stake in the project, to the placing of One World Trade Center’s spire in 2013. The book incorporates over seventy interviews with major participants,
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Her books have been translated into fourteen languages. Their unusual shapes and bindings echo their subject matter, and honor the tradition and material presence of the illuminated book.
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housing on Sterling Quad at Yale Divinity School in 2007. From 1979 through 1990, she curated the Harry N. Abrams Art Collection, an important collection of
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on art, design, and architecture. She has been described as “a scholar with a novelist’s eye for detail and a journalist’s easy style.”
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Dupré was born in Providence, Rhode Island into a family of architectural preservationists. She earned a M.Div. from
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Strauss, Barry. “Carved in Stone: On Monuments: America's History in Art and Memory by Judith Dupré,”
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is a yard-wide when open, to accommodate its panoramic photos of the longest structures. The cover of
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is a replica, in raised relief, of ancient stones; its title lettering was drawn for the book by
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named Dupré an inaugural Public Scholar in 2015. She has received awards and fellowships from
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Frederick M. Winship, "Churches Architecture is Subject of New Books,"
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Prescott, Theodore. “Monuments: America’s History in Art and Memory,”
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is split down the center so that it opens like the doors of a
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at Yale University and a Dominique de Menil scholar at the
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One World Trade Center: Biography of the Building website
280:(2013, 2008, 1997). Black Dog & Leventhal. 2013 ed.: 583:"One WTC Book: Biography of the Building - Judith Dupré" 517:
IA, The Journal of the Society for Industrial Archeology
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Bridges: A History of the World's Most Spectacular Spans
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Full of Grace: Encountering Mary in Faith, Art and Life
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Lucie Young, "A Book Shaped Like Its Subject Matter,”
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Stammer, “Houses of the Holy,” 412: 241:Institute of Museum and Library Services 608: 587:One WTC Book: Biography of the Building 403: 131:Dupré serves on the editorial board of 122:Open Atelier of Design and Architecture 680: 604: 602: 513: 385: 381:Brief autobiography at judithdupre.com 708:Writers from Providence, Rhode Island 633:National Endowment for the Humanities 229:National Endowment for the Humanities 116:in 1978 and did postgraduate work at 147:assembled by the art book publisher 723:21st-century American women writers 599: 374: 267:(2016). Little, Brown and Company. 13: 718:American women non-fiction writers 237:New York State Council on the Arts 95: 14: 734: 650: 413:Gonzalez, Susan (25 April 2008). 514:DeLony, Eric (1998). "Bridges". 245:New York Foundation for the Arts 621: 575: 562: 549: 258: 154: 609:Skinner, David (Summer 2016). 536: 507: 494: 481: 457: 433: 1: 367: 465:"Yale Bulletin and Calendar" 104:in 2011. She is a fellow of 7: 698:Yale Divinity School alumni 617:. Vol. 37, no. 3. 399:, vol. 26, March, 2008, 69. 190:and official biographer of 16:American cultural historian 10: 739: 489:United Press International 419:Yale Bulletin and Calendar 546:, June 30, 2002, pp 8, 9. 504:, September 26, 1996, C3. 247:. She is a Fellow of the 222: 110:Institute of Sacred Music 65: 57: 49: 37: 28: 21: 713:Architectural historians 82:Providence, Rhode Island 43:Providence, Rhode Island 703:Brown University alumni 570:American Arts Quarterly 330:(2001). HarperCollins. 469:archives.news.yale.edu 356:(2010). Random House; 343:(2007). Random House. 192:One World Trade Center 203:including architects 673:Judith Dupré website 102:Yale Divinity School 688:Cultural historians 557:The Washington Post 491:, October 18, 2001. 559:, Nov. 7, 1996, 5. 502:The New York Times 213:Santiago Calatrava 544:Los Angeles Times 397:The New Criterion 349:978-1-4000-6582-0 323:978-1-884822-75-9 302:978-1-884822-45-2 286:978-1-57912-942-2 75: 74: 730: 644: 643: 641: 640: 625: 619: 618: 606: 597: 596: 594: 593: 579: 573: 566: 560: 553: 547: 540: 534: 533: 511: 505: 498: 492: 485: 479: 478: 476: 475: 461: 455: 454: 452: 451: 445:Faith & Form 437: 431: 430: 428: 426: 421:. 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The cover of 157: 98: 96:Life and career 45: 24: 17: 12: 11: 5: 736: 726: 725: 720: 715: 710: 705: 700: 695: 690: 676: 675: 670: 665: 660: 652: 651:External links 649: 646: 645: 620: 598: 574: 572:, Summer 2008. 561: 548: 535: 506: 493: 480: 456: 432: 402: 384: 372: 371: 369: 366: 365: 364: 351: 338: 325: 315:978-0316507943 304: 275: 260: 257: 224: 221: 156: 153: 118:Hunter College 97: 94: 86:New York Times 73: 72: 67: 63: 62: 59: 55: 54: 51: 47: 46: 41: 39: 35: 34: 26: 25: 22: 15: 9: 6: 4: 3: 2: 735: 724: 721: 719: 716: 714: 711: 709: 706: 704: 701: 699: 696: 694: 693:Living people 691: 689: 686: 685: 683: 674: 671: 669: 666: 664: 661: 658: 655: 654: 634: 630: 624: 616: 612: 605: 603: 588: 584: 578: 571: 565: 558: 552: 545: 539: 531: 527: 523: 519: 518: 510: 503: 497: 490: 484: 470: 466: 460: 446: 442: 436: 420: 416: 409: 407: 400: 398: 391: 389: 382: 377: 373: 363: 362:1-4000-6585-2 359: 355: 352: 350: 346: 342: 339: 337: 336:0-06-019438-3 333: 329: 326: 324: 320: 316: 312: 308: 305: 303: 299: 295: 294:1-57912-787-8 291: 287: 283: 279: 276: 274: 270: 266: 263: 262: 256: 254: 253:Artists Award 250: 246: 242: 238: 234: 230: 220: 218: 214: 210: 206: 201: 197: 193: 189: 184: 182: 178: 174: 170: 166: 163:is 18” high. 162: 152: 150: 146: 142: 138: 134: 129: 127: 126:New York City 123: 119: 115: 111: 107: 103: 93: 91: 87: 83: 79: 71: 68: 64: 60: 56: 52: 48: 44: 40: 36: 32: 27: 20: 637:. 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Retrieved 418: 396: 376: 353: 340: 327: 317:/ 1997 ed.: 306: 296:/ 1996 ed.: 277: 264: 259:Bibliography 226: 217:Michael Arad 187: 185: 176: 168: 164: 160: 158: 155:Publications 149:Harry Abrams 130: 99: 85: 78:Judith Dupré 77: 76: 70:Judith Dupré 23:Judith Dupré 425:20 February 288:/ 2008 ed: 278:Skyscrapers 161:Skyscrapers 50:Nationality 682:Categories 639:2018-04-12 615:Humanities 592:2018-04-12 474:2018-04-13 450:2018-04-13 368:References 273:0316336319 243:, and the 124:, both in 90:nonfiction 58:Occupation 524:(2): 56. 173:cathedral 80:(born in 530:40968442 328:Churches 169:Churches 120:and the 53:American 165:Bridges 145:Pop Art 141:refugee 66:Website 528:  360:  347:  334:  321:  313:  300:  292:  284:  271:  223:Awards 215:, and 61:Author 526:JSTOR 427:2020 358:ISBN 345:ISBN 332:ISBN 319:ISBN 311:ISBN 298:ISBN 290:ISBN 282:ISBN 269:ISBN 227:The 38:Born 684:: 631:. 613:. 601:^ 585:. 522:24 520:. 467:. 443:. 417:. 405:^ 387:^ 239:, 235:, 219:. 211:, 207:, 151:. 128:. 642:. 595:. 532:. 477:. 453:. 429:.

Index


Providence, Rhode Island
Judith Dupré
Providence, Rhode Island
nonfiction
Yale Divinity School
Saybrook College
Institute of Sacred Music
Brown University
Hunter College
Open Atelier of Design and Architecture
New York City
Faith & Form
Interfaith Forum on Religion, Art and Architecture
refugee
Pop Art
Harry Abrams
cathedral
Nicholas Benson
One World Trade Center
The Port Authority of New York & New Jersey
Rudy Giuliani's
David M. Childs
Daniel Libeskind
Santiago Calatrava
Michael Arad
National Endowment for the Humanities
Yale University
New York State Council on the Arts
Institute of Museum and Library Services

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