535:
1010:). Businesses were established, growing and trading in cotton, coffee, and coconut products. J. C. Godeffroy & Co. withdrew their investments from Fiji in about 1867, after which the Hennings brothers' businesses were financed by the Sydney firm of Rabone, Feez & Co. By the early 1870s the precarious financial position of the brothers became apparent, with local creditors pressing for payments. In March 1874 Rabone, Feez & Co. put F. & W. Hennings into liquidation. During the 1870s, Carl Sahl, the German Consul-General in Sydney and a managing-partner of Rabone, Feez & Co., sought ways to utilise the liquidated assets in Fiji. In 1879 he negotiated with the
397:
797:
667:
30:
750:
437:, in describing his work for the 1861 pantomime at the Theatre Royal, wrote that "it is seldom that we find a scenic artist applying himself to his fugitive work in so conscientious and intelligent a spirit as Mr. Hennings does, or combining skill with research". Hennings growing prominence within the Melbourne theatre scene was further reinforced by the departure to Sydney in the early 1860s of the talented scenic artists,
384:, "irradiated with stars", for the German Association in Melbourne to celebrate the birthday of the German scientist and naturalist. In September 1860 a German gymnasium was opened in Russell Street, with its interior decorated with four "large and beautiful" paintings by Hennings, "illustrative of the principal rivers of Germany". In late November 1860 a festival commemorating the birth of the German poet and dramatist
773:, who had recently arrived from England. The scenery was described as being "of that high artistic character which compels admiration from all classes of playgoers, the patrons of the circle joining with the gallery boys in their enthusiastic applause". By the mid to late 1880s Hennings was sharing work with a younger generation of scenic artists such as Brunton and
896:
fault of their late bread-winner's, but from a series of misfortunes, such as failing eyesight, etc., which befell him of late years". Each member of the audience received a numbered coupon and during the matinee performances numbers were drawn to win one of a selection of oil paintings and watercolours by the late artist.
734:, at the Theatre Royal in Melbourne. Hennings and his assistant John Little, with the theatre mechanic W. H. Scott, produced a range of backdrops and moving scenery, including the "grand transformation scene" presenting "The Apotheosis of Victoria's Progress in four Decades, from 1841 to 1881, from Chaos to Splendour".
985:
as an agent for the German firm of J. C. Godeffroy & Co., for the purpose of commercial and plantation development on the islands. He was soon joined by two other brothers, William and
Gustave Hennings. The brothers formed F. & W. Hennings, founded on credit from Godeffroys, and established
113:
During a career of over thirty-five years
Hennings worked as a scenic artist in a variety of theatres, mainly in Melbourne, but also in Sydney. He worked for a number of theatre managers in productions ranging across opera, drama and pantomime. For much of his career Hennings was closely associated
941:
In later years Ellen was referred to as
Hennings' wife, but it is uncertain whether the couple were ever married as there is no record of a civil registration of marriage. In any case, Ellen Targett was professionally known as 'Miss Targett' up until January 1862 when she performed as Harlequina in
416:
to cross the
Australian continent. The news of the expedition's tragic fate had reached Melbourne only six weeks previously. The centrepiece of the painting depicted a statue of Burke on horseback, set amongst a grove of fern-trees. Ballet dancers at the base held shields inscribed with the names
154:
where he "received the groundwork of the excellent art education". For a brief period he studied architectural drawing and perspective at the DĂĽsseldorf
Academy of Art, but discontinued his studies to return to decorative art. While working as a house decorator Hennings worked at localities in the
602:
newspaper in the following terms: "it is the scene of a carnival... given over to rejoicings in transparencies, loyalty in fireworks, triumph in gaslight, and a vast and overwhelming mass of people in the streets". A multitude of illuminated transparencies adorned the streets, shops and businesses
590:
day, describing the scene as "one of extraordinary bustle and excitement" introducing "every possible element of the great mass of human beings who throng a racecourse". During 1867 Hennings redecorated the
Theatre Royal auditorium and established a picture gallery within the lobby of the theatre.
314:
wrote that the width of the stage had been "indefinitely expanded by the far-stretching architectural perspectives which present themselves at its extreme limits". The writer described how, with "a skilled arrangement" of columns in the foreground, "and the prolongation of the pillared avenue upon
299:
at the
Theatre Royal, the writer praised the "scenic and processional effects" of the production, adding: "It is due to the stage manager, to the costumier, property maker, and Messrs Pitt and Henning, the scenic artists, to state that all these points have been reproduced on the stage of the Royal
895:
On 24 November 1898 the theatrical fraternity of
Melbourne came together to stage a benefit matinee at the Princess's Theatre in support of Hennings' widow and children. A newspaper article announcing the event stated that Ellen Hennings and her children were "left unprovided for, not through any
792:
newspaper in early March 1889 disclosed that "within the last few years" Hennings had "lost most of his savings through investments in Fiji". On 23 March 1889 two separate "grand performances" were staged at the Royal and
Princess's theatres for the benefit of Hennings (although the scenic artist
891:
After John
Hennings died in October 1898 it was found that his wife Ellen was not named as a beneficiary in his will. In the document Hennings left ÂŁ100 to "Lizzie Collins, known as Mrs. Gardiner". He named as his executor his "reputed daughter, Florence Targett, known as Kitty Hennings". In a
662:
at the Royal (representing Jack's journey through the world). A critic reviewing the production "emphasised the importance of Hennings' pictures over the inconsequential pantomime stories": "When in the enjoyment of this admirable array of pictures one felt most strongly how much the artist had
121:
Hennings' theatre scenery was popular with the public and favoured by theatrical managers. He was known for his dramatic visual imagination, attention to detail and skillful representation of perspective in the production of backdrops, panoramas and transformation scenes. Hennings' spectacular
190:
had caused employment difficulties. Hennings' brother had previously emigrated to Australia and on several occasions he wrote to Johann urging him to do likewise. In Hennings' words: "Finding my prospects at home to be not very brilliant, and getting no better very fast, I determined to go to
682:
The Theatre Royal was destroyed by fire in the early hours of 20 March 1872. In June 1872 work commenced to rebuild the theatre and the partnership of Coppin, Harwood, Stewart and Hennings was reconstituted to manage the new Theatre Royal. The decorations of the new theatre were designed by
729:
Hennings' dramatic visual imagination in the creation of backdrops, panoramas and transformation scenes for the annual Christmas pantomime in Melbourne were consistently popular and an integral part of each production and it become a tradition for the audience to call for the scenic artist's
490:
was staged at the Theatre Royal with scenery "painted in Mr. Hennings's best style". Hennings remained as the principal scene-painter at the Theatre Royal under Sullivan's management until February 1866, when Sullivan played his last night and relinquished management of the theatre. After
887:
By the early 1870s Hennings had formed a relationship with Elizabeth Collins, referred to as "his mistress". In 1872 in Fitzroy, Elizabeth Collins gave birth to a son, registered under the name 'John Henry Hennings Collins'. In 1912 John Henry Hennings (as he was known) was recorded as a
456:. The new venue was ornamented with pictorial decorations, "principally the work of Mr. John Hennings", and "antique statuary" in the corners and niches. In October 1862 it was reported that Hennings was in charge of the decorators making alterations to the interior of the Theatre Royal.
836:
of "old London in 1666" and live performances of singing and dancing (including a Maypole dance) as well as pyrotechnic effects and a firework display. Hennings was one of four artists involved in painting the "mammoth picture" (the others being Mills, Harry Grist and Fred Kneebone).
663:
supplanted the writer, with this as the result, that the attention of the audience is carried away from the action of a few odd and funny persons, and turned to the contemplation of scenes of beauty and grandeur which the painter has selected from nature's storehouse of wonders".
360:
was staged in December with new scenery by Hennings. During 1860 Brooke presented a succession of Shakespearian plays at the Royal with the production of scenery under the supervision of Hennings. In April 1860 his scenery for a production at the Theatre Royal of Shakespeare's
474:
Hennings maintained an interest in fine art and was a member of the Victorian Society of Fine Arts. Three paintings by Hennings – 'Fruit Piece', 'View in North Germany' and 'Yarra Falls' – were included in the annual exhibition of the society which opened in March 1864 at
638:
On 16 June 1871 Coppin bought out Hennings, Stewart and Harwood and assumed sole control of the Theatre Royal. With Hennings now free from his connection with the Royal he took his services to W. S. Lyster at the Princess's Theatre and began working on scenery for
607:
holding a banner inscribed with the Royal arms and riding in a vehicle drawn by sea-horses, surrounded by boys holding baskets of flowers. The words "Australia's greeting" were prominent, together with other "congratulatory sentences in festooned drapery".
122:
scenic designs for the various annual productions of the Christmas pantomime in Melbourne were consistently popular with the public and it become a tradition for the audience to call for the scenic artist's appearance on stage during the performances.
611:
After Lambert returned to England in March 1868 and the death of Vincent two months later, the remaining consortium members, Harwood, Stewart and Hennings, joined with George Coppin as co-lessee's of the Theatre Royal. In 1869 the comic actor
432:
Within six years of his arrival in the colony of Victoria Hennings was widely recognised and popularly appreciated as an accomplished scenic artist, known for his attention to detail and skillful representation of perspective. A reviewer for
286:
In August 1856 Hennings was listed as one of three scenic artists under William Pitt's supervision, employed by Coppin for a two month "dramatic season" at Melbourne's Theatre Royal in Bourke Street, featuring "the celebrated tragedian",
683:
Hennings who supervised a team of six to carry out the work. The domed ceiling was adorned with painted views of London (from Blackfriars Bridge) and of Melbourne (from St Kilda Road). Portraits of the actors G. V. Brooke and
171:. Hennings specialised in the painting of flower and fruit panels. His first experience as a theatrical painter was in 1852 when he was engaged "to paint the necessary scenery for a gorgeous opera flower ballet" staged at the
1014:
to grow and mill sugar-cane on the Hennings estates. Ultimately, however, the extra investment in sugar-cane production failed to recoup the losses of the previous decades, a situation exacerbated by falling sugar prices in
788:". Hennings could "still see a little" and it was expected the artist would ultimately retain his sight. In May 1888 it was reported that Hennings was further incapacitated after he fell and broke his leg. An article in
329:. Much of the success of the "various burlesques and extravaganzas" recently staged at the theatre was directly attributed to the "respective talents" of Hennings and Renno. The evening's entertainment included the
867:
Although Ellen ('Nellie') Targett was referred to as John Hennings' wife, it is uncertain whether the couple were ever married. Whether or not not Hennings and Targett were married, the couple had two children.
804:
In June 1889 it was reported that Hennings "is rapidly recovering from his late severe attack of illness" and had commenced working, having just completed "an Italian Lake scene, with wings, etc." for the
883:
in Bourke Street. According to her father's obituary, Kitty was married by October 1898. Hennings may have been unsure of Kitty's paternity, referring to her in his will as his "reputed daughter".
704:
used Hennings as a model for his character of 'Vandyke Brown', the scene-painter, in 'Rehearsing a Pantomime', one of twelve satirical articles collectively titled 'The Wicked World' (serialised in
318:
Hennings formed a relationship with Ellen Targett, an English-born ballet dancer, who had arrived in Melbourne in October 1857. Ellen was associated with the Theatre Royal as a dancer and actress.
726:, with Greville in a central role. However, their leasehold of the Victoria Theatre was short-lived, coming to an abrupt end on the night of 22 July 1880 when the theatre was destroyed by fire.
780:
In January 1888 it was reported that Hennings had been confined to a private hospital "through a dangerous affliction with his eyesight". His medical attendant stated that "the disease is
388:
was held in a large hall in the Criterion Hotel. The room was decorated for the occasion, including "a very beautiful transparency of Schiller, designed and executed by Mr. Hennings".
325:
at Melbourne's Princess's Theatre, which opened in late December 1857. On the evening of 4 March 1858 a benefit production for Hennings and the machinist John Renno was staged at the
872:
Frances ('Fanny') Hennings was born in about 1858. On 27 August 1878 she married the actor Hans Phillips and the couple had three children. Frances Phillips died on 5 December 1904.
118:
in Melbourne and in 1867 he joined a consortium of actors to take over the lease of the theatre. He was involved in theatre management with various partners until the early 1880s.
574:, which opened in mid-February 1867, but the play closed after several weeks and was not considered a success. Their next production, however, became "a grand success".
915:
400:
An illustration of Hennings' scenic painting for the 1861 Christmas pantomime at the Theatre Royal, commemorating the tragic Burke and Wills expedition (December 1861).
603:
of Melbourne to greet the prince. Hennings contribution to the celebrations was a transparency at the Theatre Royal, measuring thirty by twelve feet, which depicted
110:(6 July 1835 – 13 October 1898) was a German-born theatrical scene painter and theatre manager active in Melbourne, Australia, from the mid-1850s to the early 1890s.
522:
featuring "a magnificent new scene" by Hennings depicting "the interior of the exhibition". Hennings and Pitt painted new scenery for Hoskins for the production of
981:
The investments John Hennings made in Fiji were probably related to his brothers' businesses there. In the late 1850s Hennings' eldest brother Frederic arrived in
658:
In December 1871 a panorama by Hennings, a ten-scene journey across the Pacific Ocean and America from the west coast to Washington D.C., featured in the pantomime
542:
In February 1867 Hennings became involved in theatre management when he joined with five others, all actors, to take over the lease of the Theatre Royal. The
491:
Sullivan's departure Hennings briefly worked for Achilles King who had leased and remodelled the Princess's Theatre. By about April 1866 Hennings had joined
2632:
969:
for the ensuing twelve months. In February 1867 Hoskins passed it on to the consortium of Stewart, Harwood, Bellair, Vincent, Hennings and Lambert.
965:
from March 1863 to 16 February 1866, when he played his last night and relinquished management of the theatre. He then sublet the Theatre Royal to
380:
Hennings developed and maintained strong links with the German community in Melbourne. In September 1859 he painted a transparency portrait of
582:
opened at the Theatre Royal on 16 March 1867. A reviewer of the play was particularly complimentary of Hennings' scene-painting depicting the
463:(described as an "Operatic Spectacle") at the Royal Haymarket Theatre in March 1863. By July 1863 Hennings was engaged by the English actor
2642:
840:
In 1892 Hennings was commissioned by the Victorian Exhibition Trustees to paint a cyclorama of early Melbourne to be displayed in the
2627:
2321:
310:, opened at the Theatre Royal. Pitt and Hennings were the scenic artists responsible for the acclaimed scenery. A reviewer in
262:), opened on Boxing night, 26 December 1855. The scenery for the production was described as "to say the least, appropriate".
252:". This met with the stage manager's approval and Hennings was then asked to paint "a fairy scene" on canvas. The pantomime,
914:
The scenic painter, Johann Friederich (John) Hennings (1835 – 1898), the subject of this article, should not be confused with
347:
at Princess's Theatre was described in the following terms: "Each picture is a gem, alike effective, artistic, and original".
595:
2637:
2518:
769:, opened at the Theatre Royal with the scenery for the production painted by both Hennings and a younger scenic artist,
730:
appearance on stage during the performances. His scenery was once again a feature of the Christmas pantomime for 1880,
2569:
Deryck Scarr (1972), 'Creditors and the House of Hennings: An Elegy from the Social and Economic History of Fiji',
315:
canvas, the spectator obtains an impression of vastness and is the victim of a very agreeable pictorial delusion".
223:. Soon afterwards he found work as a draughtsman in an architect's office, "drawing and preparing land sketches".
635:. The transformation scene, occupying twenty minutes, included "eight changes, and numerous mechanical effects".
300:
in a manner which would not disgrace any theatre". In October 1857 Coppin and Brooke's spectacular production of
875:
Kitty Hennings, possibly born in 1863. In January 1880, when she was aged about seventeen, Kitty performed in a
624:
371:
newspaper as "being without exception the very best we have ever seen in a colonial theatre". In December 1860
248:
streets, where the stage manager set him to work on a wood panel, painting "the ogre's cavern for the Christmas
2523:
719:
534:
464:
269:
to join a team of scene-painters, under the supervision of William Pitt and Edward Opie, for the production of
518:
was staged at the theatre with new scenery by John Hennings and William Pitt, performed in a double-bill with
774:
448:
In early July 1862 George Coppin opened the Apollo Music Hall, in the same building as the newly-constructed
396:
237:
377:
was staged at the Theatre Royal as a benefit night for Hennings, the resident scenic artist at the theatre.
958:
920:
770:
449:
326:
271:
2497:
899:'Nellie' Hennings died on 25 March 1915, aged 79, at the residence of her grand-daughter in Albert Park.
408:
at the Theatre Royal. The closing scene of the production featured an heroic painting commemorating the
2583:
856:
409:
363:
276:
880:
841:
684:
645:
632:
563:
551:
480:
172:
962:
334:
292:
233:
219:
on 2 August. Hennings' first job after he arrived in Melbourne was for a wool-washing facility at
115:
627:
in Sydney. The final scene was painted according to a model devised by the English scene-painter
1045:
966:
511:
288:
241:
1902:
1686:
265:
Know by the anglicised name of 'John', Hennings was next engaged by the theatrical entrepreneur
2403:
Victorian birth registration (1872): John Henry Hennings Collins, Fitzroy; reg. no.: 8267/1872.
796:
666:
583:
413:
381:
245:
2605:
Canvas Documentaries: Panoramic Entertainments in Nineteenth-century Australia and New Zealand
1052:
website, National Centre of Biography, Australian National University; accessed 18 April 2024.
2647:
2390:
2372:
2354:
852:
628:
492:
228:
79:
1886:
1793:
1585:
1449:
29:
2652:
2472:
Victorian death registration (1915): Nellie Hennings, South Melbourne; reg. no.: 2470/1915.
829:
821:
422:
749:
143:, to Danish-born parents, the "prominent merchant" Johann Hennings and his wife Caroline (
8:
651:
302:
1231:
892:
subsequent affidavit, his daughter Kitty denied ever being known as 'Florence Targett'.
711:
In October 1877 Harwood left the partnership at the Theatre Royal to return to England.
333:, featuring the Gougenheim sisters, as well as "a grand pictorial representation of the
2553:
2456:
2412:
2257:
2225:
2201:
2185:
2169:
2153:
2137:
2118:
2070:
2054:
2039:
1975:
1959:
1934:
1918:
1843:
1777:
1761:
1753:
1654:
1617:
1601:
1553:
1537:
1521:
1465:
1433:
1417:
1401:
1385:
1353:
1345:
1329:
1267:
1198:
1182:
1139:
1085:
828:
In January 1890 the entrepreneur James Pain presented a "scenic representation" of the
418:
385:
373:
220:
2440:
2241:
2023:
2007:
1670:
746:
took over the lease of the Theatre Royal and engaged Hennings as their scenic artist.
495:'s touring opera company and his paintings were included in the Sydney productions of
2537:
2481:
2302:
2298:
2282:
2209:
2102:
1991:
1737:
1718:
1702:
1569:
1502:
1486:
1369:
1308:
1283:
1251:
1235:
1214:
1104:
640:
2514:
743:
555:
236:, but was told the vacancy had been filled. It was suggested he "go up to the old
216:
2612:
The Golden Age of Australian Opera : W.S. Lyster and His Companies, 1861-1880
845:
722:
in Pitt Street. The partners commenced the season with a drama set in New York,
575:
476:
280:
800:
A section of the cyclorama of early Melbourne, painted by John Hennings in 1892.
697:
was painted above the stalls. The new Theatre Royal opened on 6 November 1872.
546:(described in the press as "a commonwealth of actors") was made up of Hennings,
275:. The biblical drama, described as a "grand oriental spectacle", opened at the
150:
In about 1850, aged fifteen, Johann was apprenticed to "a decorative artist" in
810:
715:
613:
594:
In November 1867 the city of Melbourne greeted the visit of Prince Alfred, the
510:
After Sullivan's departure from the Theatre Royal, the lease was taken over by
503:
351:
339:
1825:
1636:
825:
which opened at Melbourne's Her Majesty's Opera House in early November 1889.
343:
painted and arranged" by Hennings. In May 1858 Hennings' scene-paintings for
2621:
2367:
766:
701:
693:
559:
547:
453:
266:
2385:
2349:
1809:
151:
2527:(in German), vol. 50, Leipzig: Duncker & Humblot, pp. 195–196
999:
438:
1011:
819:
at the Alexandra Theatre. Hennings painted the scenery for a revival of
785:
587:
442:
187:
1003:
781:
688:
567:
543:
497:
350:
In late 1859 G. V. Brooke leased the Theatre Royal in Melbourne, where
321:
Hennings painted the scenery for the Gougenheim sisters' production of
307:
926:
851:
Hennings died of chronic pneumonia at his home at 40 Victoria Avenue,
793:
was unable to attend either performance on the advice of his doctor).
1007:
833:
619:
Hennings contributed painted scenes to the 1870 Christmas pantomime,
604:
258:
249:
212:
200:
995:
179:
566:. The first production under the new management was a revival of
2328:
website, Theatre Heritage Australia Inc.; accessed 25 April 2024.
1830:
1641:
806:
714:
In June 1880 Hennings became a co-lessee, with George Coppin and
232:
newspaper, Hennings took his sketches and samples of work to the
204:
160:
140:
61:
459:
Hennings produced new scenery for James Simmonds' production of
991:
987:
815:
356:
291:, "for a limited number of nights". In a March 1857 review of
183:
168:
164:
136:
57:
761:
Williamson, Garner and Musgrove's 1886 Christmas pantomime of
876:
832:
in the Friendly Societies' Gardens in Melbourne, featuring a
426:
404:
Hennings painted the scenes for the 1861 Christmas pantomime
156:
929:), a landscape painter with a considerable career in Europe.
1170:
Passengers' List (1855), Immigration records, Ancestry.com.
982:
425:
and Gray. Above Burke's statue was the personification of
467:
to paint new scenery for his production of Shakespeare's
687:
were placed on either side of the stage and the copy of
226:
In response to an advertisement for a scene-painter in
186:, but hostilities in the wider region which led to the
598:, with a spectacular night-time display, described in
135:
Johann Friederich Hennings was born on 6 July 1835 in
855:, on 13 October 1898, aged 63. He was buried at the
538:
The Theatre Royal in Melbourne, photographed in 1861.
429:, holding wreaths of laurel over "the brave leader".
2044:
The Lorgnette (Melbourne), 31 December 1880, page 1.
674:(Theatre Royal) showing Hennings' scenic backdrop (
486:In November 1865 a production of Dion Boucicault's
616:took on the role of stage manager of the theatre.
1538:Theatricals and Music: Coppin's Apollo Music Hall
471:, which opened at the Theatre Royal on 1 August.
256:(described as "a rich burlesque on Shakespeare's
2619:
2513:
199:Encouraged by his brother, Hennings migrated to
1482:
1480:
1478:
1558:Bell's Life in Victoria and Sporting Chronicle
1542:Bell's Life in Victoria and Sporting Chronicle
1178:
1176:
621:The Babes in the Wood, or Harlequin Robin Hood
1935:Two new theatres are in course of erection...
1733:
1731:
1632:
1630:
254:Harlequin King Blear, and His Three Daughters
2386:Intercolonial Juvenile Industrial Exhibition
1475:
1325:
1323:
1321:
1135:
1133:
1131:
1129:
1127:
1125:
1123:
1121:
1119:
1117:
2336:
2334:
1844:Our Amusements: Prince of Wales Opera House
1503:Victorian Expedition: The Continent Crossed
1173:
1100:
1098:
888:"theatrical employee" living in Melbourne.
809:Town Hall. In July 1889 he was engaged by
529:
2258:Pain's Fireworks: The Great Fire of London
1728:
1627:
1517:
1515:
1450:The opening of the new German gymnasium...
580:The Flying Scud; or, a Four-Legged Fortune
391:
211:, carrying 131 passengers, and arrived at
28:
2633:Australian theatre managers and producers
2498:Johann Friedrich Hennings Sold at Auction
2317:
2315:
2309:(Melbourne), 14 October 1898, pages 1, 6.
1800:(Melbourne), 27 November 1867, pages 1-4.
1794:The Illuminations in the City and Suburbs
1336:(Melbourne), 15 November 1889, pages 4-5.
1318:
1114:
813:to paint new scenery for a production of
2607:, Melbourne: Melbourne University Press.
2427:
2425:
2331:
2096:
2089:
2087:
2085:
2083:
1224:
1095:
961:had been sole lessee and manager of the
795:
748:
665:
533:
395:
2419:(Melbourne), 22 February 1912, page 10.
2289:(Melbourne), 10 September 1892, page 5.
2061:(Melbourne), 25 December 1886, page 10.
1760:(Melbourne), 18 February 1867, page 5;
1512:
1456:(Melbourne), 18 September 1860, page 5.
1440:(Melbourne), 15 September 1859, page 5.
1080:
1078:
34:Portrait of John Hennings (about 1869).
2620:
2560:(Melbourne), 18 January 1862, page 43.
2463:(Melbourne), 25 November 1898, page 4.
2447:(Melbourne), 19 November 1898, page 2.
2312:
2133:
2131:
1893:(Melbourne), 27 December 1871, page 6.
1744:(Melbourne), 18 February 1867, page 5.
1709:(Melbourne), 23 November 1866, page 8.
1645:(Melbourne), 12 February 1866, page 8.
1624:(Melbourne), 13 November 1865, page 5.
1493:(Melbourne), 27 December 1861, page 5.
1424:(Melbourne), 12 December 1860, page 5.
1315:(Melbourne), 29 December 1857, page 8.
1205:(Melbourne), 27 December 1855, page 4.
1189:(Melbourne), 23 February 1889, page 6.
1154:
1152:
1076:
1074:
1072:
1070:
1068:
1066:
1064:
1062:
1060:
1058:
526:at the Theatre Royal in January 1867.
2422:
2394:(Melbourne), 23 January 1880, page 8.
2376:(Melbourne), 6 December 1904, page 1.
2264:(Melbourne), 27 January 1890, page 6.
2248:(Melbourne), 7 November 1889, page 2.
2232:(Melbourne), 1 November 1889, page 5.
2080:
1998:(Melbourne), 23 October 1877, page 5.
1982:(Melbourne), 31 January 1874, page 9.
1966:(Melbourne), 9 November 1872, page 9.
1925:(Melbourne), 17 June 1872, pages 3-4.
1725:(Melbourne), 24 January 1867, page 8.
1693:(Melbourne), 14 July 1866, pages 1-2.
1661:(Melbourne), 25 January 1873, page 9.
1528:(Melbourne), 14 October 1898, page 5.
1509:(Melbourne), 4 November 1861, page 5.
1472:(Melbourne), 1 December 1860, page 6.
1392:(Melbourne), 3 December 1859, page 1.
1290:(Melbourne), 20 October 1857, page 5.
1111:(Melbourne), 14 October 1898, page 6.
1040:
1038:
1036:
1034:
1032:
1030:
520:A Day at the Intercolonial Exhibition
2488:(Melbourne), 27 March 1915, page 11.
2358:(Melbourne), 28 August 1878, page 1.
2216:(Melbourne), 19 August 1889, page 7.
2208:(Melbourne), 13 July 1889, page 27;
2154:The Testimonial to Mr. John Hennings
2144:(Melbourne), 30 March 1889, page 30.
1992:Theatre Royal: Mr. Harwood's Benefit
1560:(Melbourne), 4 October 1862, page 2.
1554:Theatricals and Music: Theatre Royal
1299:Mimi Colligan (2002), pages 116-117.
1258:(Melbourne), 25 August 1856, page 8.
1221:(Melbourne), 22 March 1856, page 10.
2176:(Melbourne), 30 March 1889, page 6.
2128:
2024:Destruction of the Victoria Theatre
1941:(Melbourne), 13 July 1872, page 17.
1909:(Melbourne), 20 March 1872, page 2.
1903:The Theatre Royal Destroyed by Fire
1850:(Sydney), 24 December 1870, page 9.
1816:(Melbourne), 23 March 1868, page 4.
1784:(Melbourne), 19 March 1867, page 6.
1592:(Melbourne), 1 August 1863, page 5.
1576:(Melbourne), 16 March 1863, page 8.
1570:Amusements: Royal Haymarket Theatre
1408:(Melbourne), 10 April 1860, page 5.
1352:(Melbourne), 3 March 1858, page 1;
1274:(Melbourne), 17 March 1857, page 5.
1149:
1055:
862:
13:
2643:People from the Colony of Victoria
2544:(Melbourne), 29 June 1859, page 7.
2192:(Melbourne), 15 June 1889, page 5.
2160:(Melbourne), 5 March 1889, page 5.
2109:(Hobart), 19 January 1888, page 2.
1768:(Melbourne), 2 March 1867, page 2.
1608:(Melbourne), 2 March 1864, page 5.
1050:Australian Dictionary of Biography
1027:
976:
953:
936:
909:
14:
2664:
2202:Mr. John Henning has recovered...
1834:(Melbourne), 11 May 1868, page 5.
1544:(Melbourne), 5 July 1862, page 2.
1376:(melbourne), 18 May 1858, page 5.
1240:Design & Art Australia Online
1090:Design & Art Australia Online
670:A wood engraving of a scene from
283:on Easter Monday, 24 March 1856.
2628:19th-century Australian painters
2504:website; accessed 20 April 2024.
2125:(Melbourne), 5 May 1888, page 4.
2040:Theatre Royal: Sinbad the Sailor
1370:The Theatres: Princess's Theatre
1242:website; accessed 22 April 2024.
1092:website; accessed 19 April 2024.
178:In 1854 Hennings was working in
101:(2) Elizabeth Collins (mistress)
2576:
2563:
2547:
2531:
2507:
2491:
2475:
2466:
2450:
2434:
2431:Mimi Colligan (2002), page 117.
2406:
2397:
2379:
2361:
2343:
2292:
2276:
2273:Mimi Colligan (2002), page 151.
2267:
2251:
2235:
2219:
2195:
2179:
2163:
2147:
2112:
2103:Mr. Hennings, the scene painter
2093:Mimi Colligan (2002), page 116.
2064:
2048:
2033:
2017:
2001:
1985:
1969:
1953:
1950:Mimi Colligan (2002), page 112.
1944:
1928:
1912:
1896:
1880:
1877:Mimi Colligan (2002), page 106.
1871:
1862:
1853:
1837:
1819:
1803:
1787:
1771:
1747:
1712:
1696:
1680:
1664:
1648:
1611:
1595:
1579:
1563:
1547:
1531:
1496:
1459:
1443:
1427:
1411:
1395:
1379:
1363:
1339:
1302:
1293:
1277:
1261:
1245:
744:Williamson, Garner and Musgrove
367:was described by a reviewer in
2571:The Journal of Pacific History
2524:Allgemeine Deutsche Biographie
2186:The friends of John Henning...
1602:Annual Exhibition of Fine Arts
1402:Easter Holidays: Theatre Royal
1208:
1192:
1161:
1158:Mimi Colligan (2002), page 65.
944:Harlequin, Valentine and Orson
737:
516:Jessie, the Heroine of Lucknow
130:
1:
2340:Family records, Ancestry.com.
1868:Harold Love (1981), page 216.
1859:Harold Love (1981), page 214.
1677:(Sydney), 2 May 1866, page 5.
1487:The Pantomimes: Theatre Royal
1020:
708:from January to April 1874).
572:The Serf; or, Love Levels All
514:. In November 1866 the play
91:theatre scenic artist; artist
2008:Amusements: Victoria Theatre
631:in a production at London's
207:on 22 April 1855 aboard the
194:
125:
7:
2638:Australian scenic designers
2590:, 1 November 1948, page 43.
2558:Illustrated Australian Mail
2077:, 30 December 1886, page 8.
753:Portrait of John Hennings (
99:(1) Ellen 'Nellie' Targett
10:
2669:
2519:Hennings, Johann Friedrich
2441:The Late Mr. John Hennings
2326:Theatre Heritage Australia
2322:Hennings, John (1835-1898)
2303:Death of Mr. John Hennings
2246:Mercury and Weekly Courier
1887:The Pantomime at the Royal
1655:Death of Mr. Achilles King
1522:Death of Mr. John Hennings
1105:Death of Mr. John Hennings
986:stores and plantations at
857:Melbourne General Cemetery
765:, written and arranged by
297:The Cataract of the Ganges
44:Johann Friederich Hennings
2614:, Sydney: Currency Press.
2350:Family Notices: Marriages
2242:Her Majesty's Opera House
1687:L'Africaine, at the Royal
1637:Amusements: Theatre Royal
1418:The "Comedy of Errors"...
1146:, 21 March 1889, page 16.
1140:An Artist's Reminiscences
1046:John Hennings (1835–1898)
916:Johann Friedrich Hennings
95:
87:
68:
39:
27:
20:
2573:, Vol. 7, pages 104-123.
2554:The Christmas Pantomimes
2055:The Christmas Pantomimes
902:
530:Theatre Royal management
2588:Pacific Islands Monthly
2030:, 24 July 1880, page 6.
2014:, 16 June 1880, page 6.
1360:, 4 March 1858, page 5.
1268:The Theatres: The Royal
1084:Anita Callaway (1992),
1012:Colonial Sugar Refinery
879:recital at Melbourne's
625:Prince of Wales Theatre
392:Freelance scenic artist
2603:Mimi Colligan (2002),
2368:Family Notices: Deaths
2299:Family Notices: Deaths
1044:Mimi Colligan (2005),
801:
758:
720:Royal Victoria Theatre
679:
660:Jack and the Beanstalk
584:Epsom Downs racecourse
539:
401:
382:Alexander von Humboldt
345:The Queen of the Frogs
159:country" and later in
2156:(by 'The Vagabond'),
2138:The Theatres, &c.
2028:Sydney Morning Herald
2012:Sydney Morning Herald
1960:The New Theatre Royal
1466:The Schiller Festival
799:
752:
676:Australasian Sketcher
669:
537:
452:on the south side of
399:
80:Albert Park, Victoria
2610:Harold Love (1981),
2582:Elisabeth Hennings,
2457:The Hennings Benefit
2226:Antony and Cleopatra
1826:Death of Mr. Vincent
1586:The Theatre Royal...
1232:William Pitt b. 1819
1230:Joan Maslen (2011),
925:(1838 Bremen – 1899
842:Exhibition buildings
830:Great Fire of London
822:Antony and Cleopatra
364:Love's Labour's Lost
240:", on the corner of
203:. He departed from
1236:Edward Opie b. 1809
1199:The Queen's Theatre
724:The Irish Detective
414:Robert O'Hara Burke
406:Valentine and Orson
331:Pride of the Market
272:Azael, the Prodigal
173:Kärntnertor Theatre
1354:Princess's Theatre
1346:Princess's Theatre
1309:Princess's Theatre
990:(on the island of
802:
759:
680:
678:, 1 January 1881).
633:Drury Lane Theatre
578:'s sporting drama
540:
402:
386:Friedrich Schiller
374:A Comedy of Errors
327:Princess's Theatre
2170:Mr. John Hennings
2071:The Scene Shifter
1919:New Theatre Royal
1434:Humboldt Festival
1330:Mr. John Hennings
1183:Mr. John Hennings
757:, 28 March 1889).
732:Sinbad the Sailor
685:Walter Montgomery
672:Sinbad the Sailor
646:Orphée aux enfers
596:Duke of Edinburgh
450:Haymarket Theatre
439:William J. Wilson
215:in the colony of
182:, the capital of
105:
104:
2660:
2591:
2580:
2574:
2567:
2561:
2551:
2545:
2535:
2529:
2528:
2515:Hyacinth Holland
2511:
2505:
2495:
2489:
2479:
2473:
2470:
2464:
2454:
2448:
2438:
2432:
2429:
2420:
2410:
2404:
2401:
2395:
2383:
2377:
2365:
2359:
2347:
2341:
2338:
2329:
2319:
2310:
2296:
2290:
2280:
2274:
2271:
2265:
2255:
2249:
2239:
2233:
2223:
2217:
2199:
2193:
2183:
2177:
2167:
2161:
2151:
2145:
2142:The Australasian
2135:
2126:
2116:
2110:
2100:
2094:
2091:
2078:
2068:
2062:
2052:
2046:
2037:
2031:
2021:
2015:
2005:
1999:
1989:
1983:
1976:The Wicked World
1973:
1967:
1957:
1951:
1948:
1942:
1939:The Australasian
1932:
1926:
1916:
1910:
1900:
1894:
1884:
1878:
1875:
1869:
1866:
1860:
1857:
1851:
1841:
1835:
1823:
1817:
1807:
1801:
1791:
1785:
1775:
1769:
1751:
1745:
1735:
1726:
1716:
1710:
1700:
1694:
1684:
1678:
1668:
1662:
1652:
1646:
1634:
1625:
1615:
1609:
1599:
1593:
1583:
1577:
1567:
1561:
1551:
1545:
1535:
1529:
1519:
1510:
1500:
1494:
1484:
1473:
1463:
1457:
1447:
1441:
1431:
1425:
1415:
1409:
1399:
1393:
1383:
1377:
1367:
1361:
1343:
1337:
1327:
1316:
1306:
1300:
1297:
1291:
1281:
1275:
1265:
1259:
1249:
1243:
1228:
1222:
1215:Coppin's Olympic
1212:
1206:
1196:
1190:
1180:
1171:
1165:
1159:
1156:
1147:
1137:
1112:
1102:
1093:
1082:
1053:
1042:
1016:
979:
970:
956:
947:
939:
930:
924:
912:
863:Hennings' family
706:The Weekly Times
556:Henry R. Harwood
75:
53:
51:
32:
18:
17:
2668:
2667:
2663:
2662:
2661:
2659:
2658:
2657:
2618:
2617:
2595:
2594:
2581:
2577:
2568:
2564:
2552:
2548:
2536:
2532:
2512:
2508:
2496:
2492:
2480:
2476:
2471:
2467:
2455:
2451:
2439:
2435:
2430:
2423:
2411:
2407:
2402:
2398:
2384:
2380:
2366:
2362:
2348:
2344:
2339:
2332:
2320:
2313:
2297:
2293:
2283:Early Melbourne
2281:
2277:
2272:
2268:
2256:
2252:
2240:
2236:
2224:
2220:
2200:
2196:
2184:
2180:
2168:
2164:
2152:
2148:
2136:
2129:
2117:
2113:
2101:
2097:
2092:
2081:
2075:Melbourne Punch
2069:
2065:
2053:
2049:
2038:
2034:
2022:
2018:
2006:
2002:
1990:
1986:
1974:
1970:
1958:
1954:
1949:
1945:
1933:
1929:
1917:
1913:
1901:
1897:
1885:
1881:
1876:
1872:
1867:
1863:
1858:
1854:
1842:
1838:
1824:
1820:
1808:
1804:
1792:
1788:
1776:
1772:
1752:
1748:
1736:
1729:
1717:
1713:
1701:
1697:
1685:
1681:
1669:
1665:
1653:
1649:
1635:
1628:
1616:
1612:
1600:
1596:
1584:
1580:
1568:
1564:
1552:
1548:
1536:
1532:
1520:
1513:
1501:
1497:
1485:
1476:
1464:
1460:
1448:
1444:
1432:
1428:
1416:
1412:
1400:
1396:
1384:
1380:
1368:
1364:
1344:
1340:
1328:
1319:
1307:
1303:
1298:
1294:
1282:
1278:
1266:
1262:
1250:
1246:
1229:
1225:
1213:
1209:
1197:
1193:
1181:
1174:
1166:
1162:
1157:
1150:
1144:Melbourne Punch
1138:
1115:
1103:
1096:
1083:
1056:
1043:
1028:
1023:
980:
967:William Hoskins
957:
940:
918:
913:
905:
865:
846:Carlton Gardens
763:Robinson Crusoe
755:Melbourne Punch
740:
629:William Beverly
576:Dion Boucicault
564:Richard Stewart
552:Charles Vincent
532:
524:A Winter's Tale
512:William Hoskins
477:Charles Summers
461:The Enchantress
443:Alexander Habbe
394:
306:, a tragedy by
281:Lonsdale Street
277:Olympic Theatre
246:Little Lonsdale
238:Queen's Theatre
197:
133:
128:
100:
83:
77:
73:
72:13 October 1898
64:
55:
49:
47:
46:
45:
35:
23:
12:
11:
5:
2666:
2656:
2655:
2650:
2645:
2640:
2635:
2630:
2616:
2615:
2608:
2600:
2599:
2593:
2592:
2575:
2562:
2546:
2530:
2506:
2490:
2482:Family Notices
2474:
2465:
2449:
2433:
2421:
2405:
2396:
2378:
2360:
2342:
2330:
2311:
2291:
2275:
2266:
2250:
2234:
2218:
2194:
2178:
2162:
2146:
2127:
2119:Here and There
2111:
2095:
2079:
2063:
2047:
2032:
2016:
2000:
1984:
1968:
1952:
1943:
1927:
1911:
1895:
1879:
1870:
1861:
1852:
1836:
1818:
1802:
1786:
1770:
1746:
1727:
1711:
1695:
1679:
1663:
1647:
1626:
1610:
1594:
1578:
1562:
1546:
1530:
1511:
1495:
1474:
1458:
1442:
1426:
1410:
1394:
1378:
1362:
1338:
1317:
1301:
1292:
1276:
1260:
1244:
1223:
1207:
1191:
1172:
1160:
1148:
1113:
1094:
1054:
1025:
1024:
1022:
1019:
1018:
1017:
972:
971:
959:Barry Sullivan
949:
948:
942:the pantomime
932:
931:
904:
901:
885:
884:
881:Eastern Market
873:
864:
861:
811:Alfred Dampier
739:
736:
718:, of Sydney’s
716:J. R. Greville
623:staged in the
614:J. R. Greville
531:
528:
488:Arrah-na-Pogue
481:Collins Street
469:As You Like It
465:Barry Sullivan
393:
390:
340:tableau vivant
196:
193:
132:
129:
127:
124:
103:
102:
97:
93:
92:
89:
85:
84:
78:
76:(aged 63)
70:
66:
65:
56:
43:
41:
37:
36:
33:
25:
24:
21:
9:
6:
4:
3:
2:
2665:
2654:
2651:
2649:
2646:
2644:
2641:
2639:
2636:
2634:
2631:
2629:
2626:
2625:
2623:
2613:
2609:
2606:
2602:
2601:
2597:
2596:
2589:
2585:
2584:'Vaka Totomi'
2579:
2572:
2566:
2559:
2555:
2550:
2543:
2539:
2534:
2526:
2525:
2520:
2516:
2510:
2503:
2499:
2494:
2487:
2483:
2478:
2469:
2462:
2458:
2453:
2446:
2442:
2437:
2428:
2426:
2418:
2414:
2413:Divorce Court
2409:
2400:
2393:
2392:
2387:
2382:
2375:
2374:
2369:
2364:
2357:
2356:
2351:
2346:
2337:
2335:
2327:
2323:
2318:
2316:
2308:
2304:
2300:
2295:
2288:
2284:
2279:
2270:
2263:
2259:
2254:
2247:
2243:
2238:
2231:
2227:
2222:
2215:
2211:
2207:
2203:
2198:
2191:
2190:The Lorgnette
2187:
2182:
2175:
2171:
2166:
2159:
2155:
2150:
2143:
2139:
2134:
2132:
2124:
2120:
2115:
2108:
2104:
2099:
2090:
2088:
2086:
2084:
2076:
2072:
2067:
2060:
2056:
2051:
2045:
2041:
2036:
2029:
2025:
2020:
2013:
2009:
2004:
1997:
1993:
1988:
1981:
1977:
1972:
1965:
1961:
1956:
1947:
1940:
1936:
1931:
1924:
1920:
1915:
1908:
1904:
1899:
1892:
1888:
1883:
1874:
1865:
1856:
1849:
1845:
1840:
1833:
1832:
1827:
1822:
1815:
1811:
1806:
1799:
1795:
1790:
1783:
1779:
1778:Theatre Royal
1774:
1767:
1763:
1762:"The Serf"...
1759:
1755:
1754:Theatre Royal
1750:
1743:
1739:
1734:
1732:
1724:
1720:
1719:Theatre Royal
1715:
1708:
1704:
1703:Theatre Royal
1699:
1692:
1688:
1683:
1676:
1672:
1667:
1660:
1656:
1651:
1644:
1643:
1638:
1633:
1631:
1623:
1619:
1614:
1607:
1603:
1598:
1591:
1587:
1582:
1575:
1571:
1566:
1559:
1555:
1550:
1543:
1539:
1534:
1527:
1523:
1518:
1516:
1508:
1504:
1499:
1492:
1488:
1483:
1481:
1479:
1471:
1467:
1462:
1455:
1451:
1446:
1439:
1435:
1430:
1423:
1419:
1414:
1407:
1403:
1398:
1391:
1387:
1386:Theatre Royal
1382:
1375:
1371:
1366:
1359:
1355:
1351:
1347:
1342:
1335:
1331:
1326:
1324:
1322:
1314:
1310:
1305:
1296:
1289:
1285:
1284:Theatre Royal
1280:
1273:
1269:
1264:
1257:
1253:
1252:Theatre Royal
1248:
1241:
1237:
1233:
1227:
1220:
1216:
1211:
1204:
1200:
1195:
1188:
1187:The Lorgnette
1184:
1179:
1177:
1169:
1164:
1155:
1153:
1145:
1141:
1136:
1134:
1132:
1130:
1128:
1126:
1124:
1122:
1120:
1118:
1110:
1106:
1101:
1099:
1091:
1087:
1086:John Hennings
1081:
1079:
1077:
1075:
1073:
1071:
1069:
1067:
1065:
1063:
1061:
1059:
1051:
1047:
1041:
1039:
1037:
1035:
1033:
1031:
1026:
1013:
1009:
1005:
1002:) and on the
1001:
997:
993:
989:
984:
978:
974:
973:
968:
964:
963:Theatre Royal
960:
955:
951:
950:
945:
938:
934:
933:
928:
922:
917:
911:
907:
906:
900:
897:
893:
889:
882:
878:
874:
871:
870:
869:
860:
858:
854:
849:
847:
843:
838:
835:
831:
826:
824:
823:
818:
817:
812:
808:
798:
794:
791:
787:
783:
778:
776:
775:George Gordon
772:
768:
767:Alfred Maltby
764:
756:
751:
747:
745:
735:
733:
727:
725:
721:
717:
712:
709:
707:
703:
702:Marcus Clarke
698:
696:
695:
690:
686:
677:
673:
668:
664:
661:
656:
654:
653:
648:
647:
642:
636:
634:
630:
626:
622:
617:
615:
609:
606:
601:
597:
592:
589:
585:
581:
577:
573:
569:
565:
561:
560:T. S. Bellair
557:
553:
549:
548:J. C. Lambert
545:
536:
527:
525:
521:
517:
513:
508:
506:
505:
500:
499:
494:
489:
484:
482:
479:' gallery in
478:
472:
470:
466:
462:
457:
455:
454:Bourke Street
451:
446:
444:
440:
436:
430:
428:
424:
420:
415:
411:
407:
398:
389:
387:
383:
378:
376:
375:
370:
366:
365:
359:
358:
353:
348:
346:
342:
341:
336:
332:
328:
324:
319:
316:
313:
309:
305:
304:
298:
294:
290:
284:
282:
278:
274:
273:
268:
267:George Coppin
263:
261:
260:
255:
251:
247:
243:
239:
235:
234:Theatre Royal
231:
230:
224:
222:
218:
214:
210:
206:
202:
192:
189:
185:
181:
176:
174:
170:
166:
162:
158:
153:
148:
146:
142:
138:
123:
119:
117:
116:Theatre Royal
111:
109:
108:John Hennings
98:
94:
90:
88:Occupation(s)
86:
81:
71:
67:
63:
59:
42:
38:
31:
26:
22:John Hennings
19:
16:
2648:1830s births
2611:
2604:
2587:
2578:
2570:
2565:
2557:
2549:
2541:
2538:Ellen Mortyn
2533:
2522:
2509:
2501:
2493:
2485:
2477:
2468:
2460:
2452:
2444:
2436:
2416:
2408:
2399:
2389:
2381:
2371:
2363:
2353:
2345:
2325:
2306:
2294:
2286:
2278:
2269:
2261:
2253:
2245:
2237:
2229:
2221:
2213:
2205:
2197:
2189:
2181:
2174:The Lorgette
2173:
2165:
2157:
2149:
2141:
2123:The Lorgette
2122:
2114:
2106:
2098:
2074:
2066:
2058:
2050:
2043:
2035:
2027:
2019:
2011:
2003:
1995:
1987:
1980:Weekly Times
1979:
1971:
1964:Weekly Times
1963:
1955:
1946:
1938:
1930:
1922:
1914:
1906:
1898:
1890:
1882:
1873:
1864:
1855:
1848:Sydney Punch
1847:
1839:
1829:
1821:
1813:
1805:
1797:
1789:
1781:
1773:
1765:
1757:
1749:
1741:
1722:
1714:
1706:
1698:
1690:
1682:
1674:
1666:
1659:Weekly Times
1658:
1650:
1640:
1621:
1618:The Theatres
1613:
1605:
1597:
1589:
1581:
1573:
1565:
1557:
1549:
1541:
1533:
1525:
1506:
1498:
1490:
1469:
1461:
1453:
1445:
1437:
1429:
1421:
1413:
1405:
1397:
1389:
1381:
1373:
1365:
1357:
1349:
1341:
1333:
1312:
1304:
1295:
1287:
1279:
1271:
1263:
1255:
1247:
1239:
1226:
1218:
1210:
1202:
1194:
1186:
1167:
1163:
1143:
1108:
1089:
1049:
1000:Vanua Balavu
977:
954:
943:
937:
910:
898:
894:
890:
886:
866:
850:
839:
827:
820:
814:
803:
789:
779:
771:John Brunton
762:
760:
754:
741:
731:
728:
723:
713:
710:
705:
699:
692:
681:
675:
671:
659:
657:
650:
644:
637:
620:
618:
610:
599:
593:
579:
571:
541:
523:
519:
515:
509:
502:
496:
493:W. S. Lyster
487:
485:
473:
468:
460:
458:
447:
434:
431:
405:
403:
379:
372:
368:
362:
355:
349:
344:
338:
330:
322:
320:
317:
311:
303:Sardanapalus
301:
296:
289:G. V. Brooke
285:
270:
264:
257:
253:
227:
225:
208:
198:
191:Australia".
177:
149:
144:
134:
120:
112:
107:
106:
74:(1898-10-13)
15:
2653:1898 deaths
2445:Independent
2107:The Mercury
919: [
853:Albert Park
786:optic nerve
738:Later years
700:The writer
652:Barbe-bleue
643:'s operas,
504:L'Africaine
188:Crimean War
175:in Vienna.
139:, northern
131:Early years
82:, Australia
54:6 July 1835
2622:Categories
2502:invaluable
2461:The Herald
1907:The Herald
1766:The Herald
1334:Table Talk
1021:References
1004:Rewa River
877:pianoforte
782:rheumatism
689:Guido Reni
570:'s drama,
568:Tom Taylor
544:consortium
498:Semiramide
410:expedition
335:Indian War
308:Lord Byron
152:DĂĽsseldorf
147:Schutze).
50:1835-07-06
2542:The Argus
2517:(1905), "
2486:The Argus
2391:The Argus
2373:The Argus
2355:The Argus
2307:The Argus
2287:The Argus
2214:The Argus
1996:The Argus
1891:The Argus
1814:The Argus
1798:The Argus
1742:The Argus
1738:The Royal
1723:The Argus
1707:The Argus
1671:The Opera
1590:The Argus
1574:The Argus
1507:The Argus
1491:The Argus
1454:The Argus
1374:The Argus
1313:The Argus
1288:The Argus
1256:The Argus
1219:The Argus
1168:Neumuhlen
1109:The Argus
1008:Viti Levu
834:cyclorama
641:Offenbach
605:Britannia
600:The Argus
435:The Argus
354:'s opera
312:The Argus
295:'s drama
293:Moncrieff
259:King Lear
250:pantomime
229:The Argus
213:Melbourne
209:Neumuhlen
201:Australia
195:Melbourne
126:Biography
114:with the
96:Spouse(s)
2210:"Hamlet"
996:Lomaloma
742:In 1882
694:L'Aurora
337:, and a
323:Fortunio
221:Richmond
217:Victoria
180:Belgrade
2598:Sources
2417:The Age
2262:The Age
2230:The Age
2158:The Age
2059:The Age
1923:The Age
1831:The Age
1782:The Age
1758:The Age
1642:The Age
1622:The Age
1606:The Age
1526:The Age
1470:The Age
1438:The Age
1422:The Age
1406:The Age
1390:The Age
1358:The Age
1350:The Age
1272:The Age
1203:The Age
927:MĂĽnchen
807:Prahran
790:The Age
784:of the
412:led by
369:The Age
205:Hamburg
161:Dresden
141:Germany
62:Germany
2206:Leader
1691:Leader
1675:Empire
992:Ovalau
988:Levuka
816:Hamlet
357:Ernani
184:Serbia
169:Vienna
165:Prague
137:Bremen
58:Bremen
1015:1890.
923:]
903:Notes
588:Derby
419:Wills
352:Verdi
242:Queen
157:Rhine
2301:and
1810:News
1234:and
1006:(on
998:(on
983:Fiji
649:and
562:and
501:and
441:and
427:Fame
423:King
244:and
167:and
69:Died
40:Born
2521:",
994:),
844:in
691:'s
586:on
417:of
279:in
145:née
2624::
2586:,
2556:,
2540:,
2500:,
2484:,
2459:,
2443:,
2424:^
2415:,
2388:,
2370:,
2352:,
2333:^
2324:,
2314:^
2305:,
2285:,
2260:,
2244:,
2228:,
2212:,
2204:,
2188:,
2172:,
2140:,
2130:^
2121:,
2105:,
2082:^
2073:,
2057:,
2042:,
2026:,
2010:,
1994:,
1978:,
1962:,
1937:,
1921:,
1905:,
1889:,
1846:,
1828:,
1812:,
1796:,
1780:,
1764:,
1756:,
1740:,
1730:^
1721:,
1705:,
1689:,
1673:,
1657:,
1639:,
1629:^
1620:,
1604:,
1588:,
1572:,
1556:,
1540:,
1524:,
1514:^
1505:,
1489:,
1477:^
1468:,
1452:,
1436:,
1420:,
1404:,
1388:,
1372:,
1356:,
1348:,
1332:,
1320:^
1311:,
1286:,
1270:,
1254:,
1238:,
1217:,
1201:,
1185:,
1175:^
1151:^
1142:,
1116:^
1107:,
1097:^
1088:,
1057:^
1048:,
1029:^
975:D.
952:C.
935:B.
921:de
908:A.
859:.
848:.
777:.
655:.
558:,
554:,
550:,
507:.
483:.
445:.
421:,
163:,
60:,
946:.
155:"
52:)
48:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
