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of several engagements, he reached the battlefield of
Gettysburg before the dead were buried, remaining for eighty-four days, making plans of the field, visiting the wounded in hospital, and by permission taking the convalescent officers over the field, by whom their positions and movements were pointed out and established. During this period books full of notes from these actors were secured within a few weeks of the battle. With this information and sketches thus secured, he visited the Army of the Potomac, spending the winter of 1863–64 in consultation with the officers of every regiment and battery, whose conversations and explanations were carefully noted and preserved. At the close of the war, Mr. Bachelder issued an invitation to the many officers whose acquaintance he had made to visit Gettysburg with him for historical purposes, which was accepted by over one thousand; forty-nine of them generals commanding. From the acquaintance thus secured has resulted, during the past sixteen years, a most valuable correspondence regarding the battle of Gettysburg.
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237:, entitled "The Repulse of Longstreet's Assault at the Battle of Gettysburg," a massive work that measured 7.5 by 20 feet. Bachelder wrote an accompanying guidebook and toured widely with the canvas, lecturing across the United States. In 1873, he published a guidebook to the battle, which was well received by the public.
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It appears that Mr. Bachelder, having the advantage of a military education, and love of history, went to the front early in 1862, more than a year before the battle of
Gettysburg, to be in a position to collect data when the most important battle of the War was fought. After working up the details
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Bachelder's contribution to
Gettysburg was more than artistic. From 1883 to 1887, he served in the position as Superintendent of Tablets and Legends for the Gettysburg Battlefield Memorial Association, and is probably responsible more than any man for the placement of monuments and battlefield
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and the interviews he had done, but he has been criticized by some historians because his personal interviews, which would be considered more accurate than reports compiled years after the event, affected only about 10% of the 2,550 pages that he sent to
Washington in October 1886.
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wrote in early 1863, "At Fair Oaks, Virginia, I frequently met Mr. Bachelder, at that time making sketches of various phases of the Battle of Seven Pines and Fair Oaks. Several of the sketches were shown to me, and I think them
322:, in 1894. His body was then transported the 79 miles to be buried alongside his only child, Charlotte who had died at age 13. Their graves are located in a small family cemetery on Stevens Hill Road in
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in hopes of being present at a decisive battle. There, he would be able to examine the topography of the battlefield, interview participants, and publish a written and illustrated history of the battle.
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Bachelder was a welcome accompaniment to the Army, as evidenced by a number of letters in his personal papers from prominent generals who complimented him on his work. For example,
144:(September 29, 1825 – December 22, 1894) was a portrait and landscape painter, lithographer, and photographer, but best known as the preeminent 19th-century historian of the
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signed into law a bill that provided $ 50,000 to
Bachelder to write a detailed history of the battle of Gettysburg. Bachelder based his manuscript on the
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In 1853 Bachelder returned to New
Hampshire, where he married Elizabeth Barber Stevens, and began his career as an artist. Elizabeth was a niece to Gen.
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Bachelder's most noted work, which would occupy a good portion of the remainder of his life, was after the
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Desjardin, Thomas A. These
Honored Dead: How the Story of Gettysburg Shaped American Memory."
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In 1870, noted artist James Walker was commissioned by
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The gravestones of John B. Bachelder, his daughter
Charlotte, and his wife, Elizabeth.
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Senator Wade
Hampton, March 17, 1880, Report of U.S. Senate Military Affairs Committee
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historians also complained that he chose to interview very few Confederate officers.
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on March 17, 1880, in a report to the Senate from its Military Affairs Committee:
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The Granite Monthly: A New Hampshire Magazine Devoted to History ..., Volume 47
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peaked. All but a few monuments on the battlefield bear some of his influence.
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John B. Bachelder and his wife Elizabeth at the Gettysburg battlefield in 1888.
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344:"Devil's Den Part 5: Licensed Battlefield Guides Garry Adelman and Tim Smith"
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historian, portrait and landscape painter, lithographer, and photographer
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These Honored Dead: How the Story of Gettysburg Shaped American Memory.
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Bachelder's activities at Gettysburg were described in detail by
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and then at an academy in Gilmanton. He eventually moved to
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Metcalf, Henry Harrison; McClintock, John Norris (1915).
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The Bachelder Papers: Gettysburg in Their Own Words
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330:References
214:Gettysburg
200:Brig. Gen.
160:Early life
108:Union Army
88:Allegiance
47:1825-09-29
316:pneumonia
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