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174:. He has designed stamps and posters, and illustrated books, among which is "A cartilha do marialva", by José Cardoso Pires. He is the author of the tapestries of the Noble Hall of the head premises of the Calouste Gulbenkian Foundation. Of particular note in the context of public art are the pavement in the Restauradores square, Lisbon, and the large tile panel in the Avenida Calouste Gulbenkian, Lisbon (designed in 1970 and applied 1982).
340:
artists derives from their remarkable use of the painting technique and perhaps also from the tranquility of their subject matter, a curious tranquility at a time of agitation and revolution: the intimacy of bourgeois life, relaxing landscapes, happy people,
195:". That facet covers a long period of his work, from approximately 1954 to 1991, being particularly intense between 1969 and 1976. For about seven years his works were published regularly in newspapers like the
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From 1981 on he almost exclusively devotes himself to painting, in an intimate approach that contrasts with the socio-political intervention of his cartoons. In 2009 he exhibits at the Palácio
Galveias:
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He was responsible, along with
Alberto Pessoa and Hernâni Gandra, for the project for the apartment blocks in the Avenida Infante Santo, Lisbon, for which he won the Municipal Architecture Prize (1957).
343:". But his apparent formal proximity to impressionism is misleading, and in his paintings from the eighties to the two-thousands we can often see a somber universe from which emerge "
103:
II Exhibition of
Plastic Arts (1961), the Silver Medal at the International Exhibition of Graphic Arts, in Leipzig (1965) and the Stuart-Regisconta Prize in 1988.
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He has participated in a great many group exhibitions in
Portugal and abroad; he has held many solo exhibitions, among which are: Galeria Interior, Lisbon, 1971;
88:. From the outset he became integrated within the Lisbon intellectual set connected to the left-wing movements that were against the Fascist dictatorship of
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the battle with redoubled keenness, multiplying himself in caricatures, posters and hoardings with a markedly revolutionary orientation
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His political intervention is intensified in 1974 and 1975, straight after the fall of the dictatorship, hurling himself into "
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No painter of today has summarised the social and political temperature of the death throes of
Fascism with such subtlety
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will be associated in a very particular way to the best and worst that we lived through in
Portugal during those years
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in order to explain to those who are interested what I think of the world and the things of the past and the present
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points at
History, at the monument and in particular at the provincial procession of our intellectual bourgeoisie
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what is at stake are the disasters and the grotesques of a bourgeoisie, our own one, with its emblems and heroes
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Manta. He is married to Maria Alice
Ribeiro, by whom he has a daughter, Isabel. He lives and works in
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He has won several
Portuguese and international prizes, among which are the Drawing Prize at the
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maximum artist, perhaps the only one, after all, that the April revolution called upon
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261:– stare inquisitively at a small map of Portugal on a blackboard. João Abel Manta "
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everyday life and the fantastic, in Lisbon landscapes invaded by strange beings
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DIONÍSIO, Mário – Caricaturas
Portuguesas de João Abel Manta. In: João Abel –
473:"Retrospetiva da obra "inquietante" de João Abel Manta na Cidadela de Cascais"
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in which the ridiculous and the tragedy of colonization and the colonial war,
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at the Lisbon Higher School of Fine Arts (1951), where he befriended Rolando
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the enlisted artist João Abel is eclipsed: the winds are different, the MFA
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245:". He questioned the identity of a country in turmoil in drawings such as
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local traditional music and crafts, the theatre, the cinema and painting
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the most extraordinary case of Portuguese cartoon drawing of our century
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João Abel Manta is of particular importance in the area of the
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unnamable and horrible figures, the products of hallucination
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PORFÍRIO, José Luís – "João Abel Manta: Pintura 1991-2009".
249:, where a group of outstanding figures from the past – from
618:. Lisbon: Edição Junta de Freguesia de Santa Catarina, 2001
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In these works I practice an innocent type of oil painting,
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A Difficult Problem, 1975, Indian ink on paper, 37 x 62 cm
597:
João Abel Manta, statement, 2009. In: MANTA, João Abel –
585:. Lisbon: Rafael Bordalo Pinheiro Museum, 1992, p.223-225
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Portuguese architect, painter, illustrator and cartoonist
572:. Lisbon: Museu Rafael Bordalo Pinheiro, 1992, p.43, 44.
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538:. Lisbon: Rafael Bordalo Pinheiro Museum, 1992, p. 44.
555:. Lisbon: Rafael Bordalo Pinheiro Museum, 1992, p.43.
521:. Lisbon: Rafael Bordalo Pinheiro Museum, 1992, p.24.
504:. Lisbon: Rafael Bordalo Pinheiro Museum, 1992, p.39.
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fit together, alternate or are linked to each other
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with their unique and meticulous graphic quality: "
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438:Louis, Regis St.; Landon, Robert (2007-03-15).
138:Apartment blocks, Avenida Infante Santo, Lisbon
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392:. Lisbon: Museu Rafael Bordalo Pinheiro, 1992.
385:. Lisbon: Grupo de Empresas Regisconta, 1988.
146:As a visual artist he has devoted himself to
413:. Lisbon: Câmara Municipal de Lisboa, 2009.
347:". João Abel Manta’s disturbing view fuses "
293:new album: Caricatures of the Salazar Years
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397:Caricaturas portuguesas dos anos de Salazar
61:João Abel Manta is the son of the painters
601:. Lisbon: Câmara Municipal de Lisboa, 2009
290:he emerges from the silence and launches a
214:His cartoons marked the period before the
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362:João Abel Manta: Caprichos e desastres
364:. Lisbon: Assírio & Alvim, 2008.
222:". Almost everything fits into this "
599:João Abel Manta, Pintura, 1991-2009
411:João Abel Manta, Pintura, 1991-2009
381:MANTA, João Abel; SOUSA, Osvaldo -
181:, and is considered by many to be "
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678:20th-century Portuguese architects
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399:. Oporto: Campo das Letras,1998.
378:. Lisbon: Edições O Jornal, 1975.
444:. Lonely Planet. pp. 336–.
288:", and it is only in 1978 that "
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583:João Abel Manta: obra gráfica
570:João Abel Manta: obra gráfica
553:João Abel Manta: obra gráfica
536:João Abel Manta: obra gráfica
519:João Abel Manta: obra gráfica
502:João Abel Manta: obra gráfica
390:João Abel Manta: obra gráfica
310:popular submission and revolt
297:narrates a story – our story
67:Clementina Carneiro de Moura
56:
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688:University of Lisbon alumni
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663:Portuguese comics artists
614:. In: MANTA, João Abel -
568:. In: MANTA, João Abel –
551:. In: MANTA, João Abel –
534:. In: MANTA, João Abel –
517:. In: MANTA, João Abel –
500:. In: MANTA, João Abel –
376:João Abel Manta: Cartoons
673:Portuguese male painters
612:Paisagens transfiguradas
383:João Abel Manta: Gráfica
610:Gonçalves, Rui Mário -
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116:Cascais Cultural Centre
112:Rafael Bordalo Pinheiro
683:Portuguese cartoonists
513:PIRES, José Cardoso –
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114:Museum, Lisbon, 1992;
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360:COTRIM, João Paulo –
282:Armed Forces Movement
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241:", and becoming the "
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110:(ICA), London, 1976;
52:João Abel Manta, 1977
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425:Notes and references
216:Carnation Revolution
22:(29 January 1928 in
668:Portuguese painters
658:Artists from Lisbon
409:MANTA, João Abel –
395:MANTA, João Abel -
388:MANTA, João Abel –
374:MANTA, João Abel –
247:A Difficult Problem
631:, 2009 December 19
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224:domestic inventory
201:Diário de Notícias
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124:Citadel of Cascais
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451:978-1-74059-918-4
419:978-972-8543-14-3
370:978-972-37-1352-7
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209:Jornal de Letras
197:Diário de Lisboa
191:Bordalo Pinheiro
86:José Dias Coelho
76:He graduated in
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168:graphic arts
164:illustration
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78:architecture
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648:1928 births
457:17 February
82:Sá Nogueira
39:illustrator
642:Categories
482:27 October
477:Observador
306:Liberalism
65:and Maria
63:Abel Manta
43:cartoonist
28:Portuguese
336:for some
302:Miguelism
251:Karl Marx
126:in 2021.
57:Biography
31:architect
441:Portugal
205:O Jornal
172:cartoons
156:tapestry
152:ceramics
148:painting
341:dancers
255:Trotsky
193:himself
179:cartoon
160:mosaics
120:Cascais
90:Salazar
35:painter
26:) is a
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259:Sartre
203:, and
71:Lisbon
24:Lisbon
484:2021
459:2012
446:ISBN
415:ISBN
401:ISBN
366:ISBN
304:and
257:and
226:": "
170:and
130:Work
92:and
84:and
41:and
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