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455:). Living in the master's household and participating in household duties, apprentices carefully observed the master, senior students, and workshop before beginning any actual training. Even in the later stages of an apprenticeship it was common for a disciple to learn only through conscientious observation. Apprenticeship required hard work from the pupil almost every day in exchange for little or no pay. It was quite common that the mastery in certain crafts were passed down within the family from one generation to the next, establishing veritable dynasties. In that case the established master's name was assumed instead of the personal one. Should there be an absence of a male heir, a relative or a student could be adopted in order to continue the line and assume the prestigious name.
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77:
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336:– the material-goods necessities – of ancient times. Handicrafters used naturally- and indigenously occurring materials. Traditionally, objects were created to be used and not just to be displayed and thus, the border between craft and art was not always very clear. Crafts were needed by all strata of society and became increasingly sophisticated in their design and execution. Craft had close ties to
634:. Although the government has taken these steps, private sector artisans continue to face challenges trying to stay true to tradition whilst at the same time interpreting old forms and creating new ideas in order to survive and remain relevant to customers. They also face the dilemma of an ageing society wherein knowledge is not passed down to enough pupils of the younger generation, which means
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is of extremely high quality and greatly valued; swordsmithing in Japan originated before the 1st century BCE, and reached the height of its popularity as the chief possession of warlords and samurai. Swordsmithing is considered a separate artform from iron- and metalworking, and has moved beyond the
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juices, each of which must dry before the next is applied. These layers make a tough skin impervious to water damage and resistant to breakage, providing lightweight, easy-to-clean utensils of every sort. The decoration on such lacquers, whether carved through different-colored layers or in surface
474:
lords were unable to support local artisans as much as they had done in the past. Although handmade
Japanese craft was once the dominant source of objects used in daily life, modern era industrial production as well as importation from abroad sidelined it in the economy. Traditional craft began to
640:
teacher-pupil relationships within families break down if a successor is not found. As societal rules changed and became more relaxed, the traditional patriarchal system has been forced to undergo changes as well. In the past, males were predominantly the holders of "master" titles in the most
609:
considered of high historical or artistic value in terms of the craft technique. The term refers exclusively to the human skill possessed by individuals or groups, which are indispensable in producing cultural property. It also took further steps: in 2009, for example, the government inscribed
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and other imperial residences. These artists were considered most famous and prestigious and worked in the areas such as painting, ceramics, and lacquerware. Although this system of patronage offered them some kind of protection, craftsmen and women on the folk art level were left exposed. One
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vessel" to another, describing the full and correct transference of doctrine from master to disciple. Similarly, in the art world, the process of passing down knowledge and experience formed the basis of familial lineages. For ceramic, metal, lacquer, and bamboo craftsmen, this acquisition of
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was the first female to succeed her father as a master, since he did not have any sons and was unwilling to adopt a male heir. Despite modernisation and westernisation, a number of art forms still exist, partly due to their close connection to certain traditions: examples include the
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to recognise and protect craftspeople (individually and as groups) on the fine and folk art level. Inclusion in the list came with financial support for the training of new generations of artisans so that the art forms could continue. In 1950, the national government instituted the
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period (10,000–300 BCE), giving Japan one of the oldest ceramic traditions in the world. Japan is further distinguished by the unusual esteem that ceramics holds within its artistic tradition, owing to the enduring popularity of the tea ceremony.
524:– placing them under the protection of the imperial government – it took some time for their cultural value to be fully recognized. In order to further protect traditional craft and arts, the government, in 1890, instituted the guild of
2435:, the joining of two pieces of metal—typically iron and carbon steel—by heating them to a high temperature and hammering them together, or forcing them together by other means. Forge welding is commonly used to make tools such as
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to draw attention to the issue. Specific crafts that had been practiced for centuries were increasingly under threat, while others that were more recent developments introduced from the west, such as glassmaking, saw a rise.
367:
are of special importance to the aristocracy and the transmission of religious beliefs in various
Buddhist schools. In Buddhism, the use of the term "bloodlines" likely relates to a liquid metaphor used in the
2871:(sliding panels) decoration, artists' papers, and elegant letter paper. Some printmakers have their own logo made into their papers, and since the Meiji period, another special application has been Western
2927:. Only relatively late in the Edo period did it experience increased popularity, and with the beginning of modernisation during the Meiji era large-scale industrial production of glassware commenced.
2590:, some representing children and babies, some representing the imperial court, warriors and heroes, fairy-tale characters, gods and (rarely) demons, and also everyday people. Many types of
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knowledge usually involved a lengthy apprenticeship with the master of the workshop, often the father of the young disciple, from one generation to the next. In this system called
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Outside of swordsmithing, a number of items for daily use were historically made out of metal, resulting in the development of metalworking outside of the production of weaponry.
3531:
Alan Scott Pate (2008). "Iki-ningyō: Living Dolls and the Export Market". Japanese Dolls: The
Fascinating World of Ningyo. Art and Design Series. Tuttle Publishing. pp. 142–154.
1732:
The art of
Japanese lacquerware can be traced to prehistoric artefacts. Japanese lacquerware is most often employed on wooden objects, which receive multiple layers of refined
2446:
466:, industrial production was introduced; western objects and styles were copied and started replacing the old. On the fine art level, patrons such as feudal
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is thought to have begun in the 6th century. Dyeing paper with a wide variety of hues and decorating it with designs became a major preoccupation of the
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Wood and bamboo have always had a place in
Japanese architecture and art due to the abundance of available materials, resulting in the long tradition of
324:
produced by an individual or a group, as well as work produced by independent studio artists working with traditional craft materials and/or processes.
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woven in three directions (horizontally, diagonally left and diagonally right) create a pattern of trihexagonal tiling. The weaving process gives the
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court, and the enjoyment of beautiful paper and its use has continued thereafter, with some modern adaptations. The traditionally made paper called
106:
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with increasing sophistication. However, wares were not just produced for domestic consumption, but at some point items such as ceramics made by
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Tsuneko S. Sadao and
Stephanie Wada, Discovering the Arts of Japan: A Historical Overview, Tokyo-New York-London, KODANSYA INTERNATIONAL, 2003,
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To create various patterns on the surface of a piece of metal, metal carving is used to apply decorative designs. The techniques include carving
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around Nagoya in the late Edo period and going into the Meiji era. One of the leading traditional producing companies that still exists is the
2009:
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2443:. One of the most famous areas for its use of forge welding is Yoita, Nagaoka City, located in Niigata prefecture, where a technique known as
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wane, and disappeared in many areas, as tastes and production methods changed. Forms such as swordmaking became obsolete. Japanese scholar
2072:. Both secular and religious buildings were and are made out of wood, as well as items used in the household, typically dishes and boxes.
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622:. Prefectural governments, as well as those on the municipal level, also have their own system of recognising and protecting local craft
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1949:
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The Second World War left the country devastated and as a result, craft suffered. The government introduced a new program known as
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Despite the advent of wider industrial production, glassware continues to exist as a craft – for example, in traditions such as
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have a long tradition and are still made today, for household shrines, formal gift-giving, or for festival celebrations such as
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2095:. Japanese tea ceremony is closely entwined with the practices of bamboo crafts (for spoons) and woodwork and lacquerware (for
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593:. Yanagi Sōetsu discovered beauty in everyday ordinary and utilitarian objects created by nameless and unknown craftspersons.
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Items produced using lacquer are used for daily necessities like bowls and trays, but also for tea ceremony utensils such as
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122:
2419:, the technique of shaping metal items through beating them with a hammer, is also used in traditional Japanese metalwork.
602:
201:
17:
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Tsuchiya, Yoshio (1984-01-01). "Satsuma Kiriko Japan's First
Artistic Cut Glass". Journal of Glass Studies. 26: 102–110.
734:. Japan has an exceptionally long and successful history of ceramic production. Earthenware was created as early as the
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There are many different types of
Japanese ware. Those more identified as being close to the craft movement include:
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into various forms—from crafts originating from folk designs to complex silk weaves intended for the upper classes.
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is a glass-like glaze that is applied to a metal framework, and then fired in a kiln. It developed especially in
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Japanese lacquerware is closely entwined with wood and bamboo work; the base material is usually wood, but bamboo
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49:
1218:(whose distinctive designs have prehistoric prototypes) and by other remote farming families in northern Japan.
215:
703:
698:
186:
3422:
Simpson, Penny. The
Japanese Pottery Handbook. New York and San Francisco: Kodansha International LTD, 1979.
197:
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410:. It encompassed strict rules that had to be observed in order to enable learning and teaching of a way (
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1760:(incense containers). Items also decorated with lacquer, and used more commonly in the past, include
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3500:"Wood and Bamboo art techniques, production, information - Traditional Japanese art - Gallery Japan"
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designs, applied with gold or inlaid with precious substances, has been a prized art form since the
3738:
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Timothy
Barrett. Japanese Papermaking: Traditions, Tools, Techniques Paperback –(2006) 328 pages,
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Japanese craft dates back since humans settled on its islands. Handicrafting has its roots in the
2222:
2033:
175:
111:
102:
3481:"Lacquerware art techniques, production, information - Traditional Japanese art - Gallery Japan"
3519:"Metalworks art techniques, production, information - Traditional Japanese art - Gallery Japan"
2656:, a substance made out of paulownia sawdust mixed with paste that creates a clay-like substance
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1859:
857:
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565:– the folk art movement that developed in the late 1920s and 1930s, whose founding father was
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3438:"Textiles art techniques, production, information - Traditional Japanese art - Gallery Japan"
3401:"Ceramics art techniques, production, information - Traditional Japanese art - Gallery Japan"
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in Japan, but was used very rarely and more for decorative purposes, such as decorating some
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http://www.japantimes.co.jp/news/2010/11/05/national/kogei-get-western-art-worlds-attention/
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8:
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for a full listing of protected crafts on the national, prefectural, and municipal levels
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is considered one of the classical refinements and art forms of Japan. The production of
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2314:, wooden marquetry from Hakone, Ashigarashimo district, and Odawara, Kanagawa prefecture
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Village crafts that evolved from ancient folk traditions also continued in the form of
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have a long tradition and history. Included in the category of traditional crafts are
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The different techniques used in the application and decoration of lacquer are:
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takes place every year with the aim of reaching out to the public. In 2015, the
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3413:
Turner, Jane. "Japan: Ceramics". Dictionary of Art: Jansen to Ketel. 1996. 240+
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artists in an effort to introduce Japanese craft to an international audience.
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1295:(smooth crêpe and textured crêpe respectively). Traditional footwear, such as
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1967:
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There are four different basic types of doll, based on their base material:
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Coil-built Tokoname stoneware with ash glaze. Kamakura period, 14th century
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Densan (The Association for the Promotion of Traditional Craft Industries)
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were produced for export and became an important pillar of the economy.
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Amongst the more well-known varieties of miscellaneous woodwork are:
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3343:"Four Seasons in Japan: The 63rd Japan Traditional Kogei Exhibition"
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flower arrangement and interior goods. The types of bamboowork are:
2023:, lacquerware from Tsugaru region around Hirosaki, Aomori prefecture
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392:, traditions were passed down within a teacher-student relationship
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http://madmuseum.org/exhibition/japanese-k%C5%8Dgei-future-forward
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1265:(the historic precursor to the kimono). They are also used to sew
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This article incorporates text from this source, which is in the
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Some of the recognised techniques of Japanese ceramic craft are:
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Glass bowl, Kofun period, 6th century, perhaps from the tomb of
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Arguably the most important Japanese metalworking technique is
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1257:. Historically, these textiles would have been used to sew the
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Amongst the more well-known types of Japanese metalware are:
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The different techniques for dyeing designs onto fabric are:
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1549:, silk brocade using flosting yarns and gilt paper from the
1317:, the fabric thongs used to hold the shoe on the foot; some
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Traditional craft textiles are typically used primarily for
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http://www.veniceclayartists.com/kogei-japanese-art-crafts/
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1177:
1173:
706:, one of the country's oldest art forms, dates back to the
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3464:. Tokyo: Japan Publishing Industry Foundation for Culture.
3368:"See 11 Exquisite Works by Contemporary Japanese Artisans"
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are also used in the broad category of Japanese woodwork.
1836:, which is the oldest and most basic decorative technique
1323:
also feature brocade fabric around the body of the shoe.
344:, with a number of aesthetic schools of thought, such as
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and tools are available to assist in formatting, such as
796:, three colours of brown, green, and a creamy off-white)
2331:, wooden chests of drawers, from Oshu, Iwate prefecture
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The Book of Urushi: Japanese Lacquerware from a Master
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Amongst the more well-known types of lacquerware are:
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2254:(eyes), referring to the pattern of holes found in
2242:is well known; its name is composed from the words
1654:, a stencil-dye technique from the Ryukyuan Islands
1625:, a dyeing techniwue from Kaga, Ishikawa prefecture
1529:Amongst the more well-known regional textiles are:
1273:, the sash worn with a kimono. Accessories such as
189:. Unsourced material may be challenged and removed.
2863:area where it is made) was especially desired for
2514:, ironware from Morioka and Oshu, Iwate prefecture
2293:is a traditional form of weaving basket for cats.
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2354:Traditional metal casting techniques include:
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2016:
2004:, lacquerware from Wajima, Ishikawa prefecture
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2612:, Children's Day. Some are manufactured as a
1281:are also commonly made from textiles such as
425:). The wisdom could be taught either orally (
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3390:
2696:The painting or application techniques are:
2531:, copperware from Takaoka, Toyama prefecture
2178:implements are produced for tea ceremonies,
90:, which are uninformative and vulnerable to
2573:
778:, using different colours of clay together)
499:
299:
105:and maintains a consistent citation style.
64:Learn how and when to remove these messages
2087:work) and the making of furniture such as
520:Although these objects were designated as
2343:date back to the 3rd to 2nd century BCE.
675:in New York exhibited a number of modern
620:UNESCO Intangible Cultural Heritage Lists
575:was "hand-crafted art of ordinary people"
569:(1889–1961). The philosophical pillar of
479:wrote against the fashionable primacy of
372:: the decantation of teachings from one "
267:Learn how and when to remove this message
249:Learn how and when to remove this message
147:Learn how and when to remove this message
3617:. Harvard University Press. p. 66.
3047:
2895:
2539:
2053:
2037:
1713:
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3290:Intangible Cultural Properties of Japan
3178:into tea bowls and incense containers.
2555:There are various types of traditional
814:, glaze technique with dripping effect)
14:
3731:
3711:Japan Traditional Crafts Aoyama Square
3451:
3449:
3447:
2341:Early Japanese iron-working techniques
661:The Japan Traditional Kōgei Exhibition
563:, "folk arts" or "arts of the people")
3604:
3329:"Shippo: Cloisonné Radiance of Japan"
3055:by Ando Cloisonné Company, circa 1910
2075:Other traditions of woodwork include
1225:, such as long, thin bolts of cloth (
548:reaction to this development was the
3225:leaf cut into geometric patterns of
3053:Vase with Flowering Cherry and Birds
187:adding citations to reliable sources
158:
70:
29:
3444:
3276:is the art of engraving and dyeing
3240:
3202:is a decorative technique used for
2964:. The various techniques used are:
1311:, also use textiles in the form of
97:Please consider converting them to
24:
3724:Map of Traditional Crafts in Japan
3672:
2027:
1115:, from Shigaraki, Shiga prefecture
1051:, from Mashiko, Tochigi prefecture
1036:, from Kutani, Ishikawa prefecture
987:, from Hasami, Nagasaki prefecture
605:categorization, which is given to
25:
3750:
3694:
1145:, from Tokoname, Aichi prefecture
972:, from Hagi, Yamaguchi prefecture
45:This article has multiple issues.
3643:
3255:
2551:dolls of the emperor and empress
1728:, Edo period (National Treasure)
163:
75:
34:
3590:
3581:
3542:
3525:
3170:is carving naturally patterned
2886:
2823:
1644:, a dyeing technique from Kyoto
1066:, from Sado, Niigata prefecture
1021:, from Karatsu, Saga prefecture
174:needs additional citations for
53:or discuss these issues on the
3575:"諸工芸とは - 日本の伝統工芸品 - ギャラリージャパン"
3416:
3407:
3374:
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3349:
3335:
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3252:was therefore greatly valued.
3182:Decorative gilt or silver leaf
3147:
2348:craft it once started out as.
1703:
704:Japanese pottery and porcelain
699:Japanese pottery and porcelain
603:intangible cultural properties
101:to ensure the article remains
13:
1:
3314:
1581:from Yūki, Ibaraki prefecture
1452:Some weaving techniques are:
1100:, from Seto, Aichi prefecture
957:, from Imbe in Bizen province
641:prestigious crafts. Ceramist
462:and the advent of the modern
3043:
2335:
1081:, from Onta, Ōita prefecture
710:period. Kilns have produced
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2250:
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2189:
2180:
2159:
2143:
2127:
2111:
2106:Types of woodwork include:
2097:
2089:
2077:
2060:
2044:
2042:Basket weaver working with
2008:
1989:
1966:
1948:
1930:
1912:
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783:
765:
747:
726:pottery, glazed stoneware,
684:
677:
652:
636:
626:
612:
585:
571:
550:
537:
485:
483:and founded the periodical
468:
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427:
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402:
379:
346:
294:
10:
3755:
2674:, made out of papier-mache
2031:
1707:
696:
693:Potter at his wheel (1914)
526:Imperial Household Artists
327:
3661:Federal Research Division
3456:Matsuda, Gonroku (2019).
3270:
3196:
3158:
3138:
3122:
3106:
3065:
3034:
3020:
3004:
2988:
2974:
2958:
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2843:
2832:of making paper from the
2814:
2788:
2772:
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2017:
1998:
1975:
1957:
1939:
1921:
1903:
1885:
1867:
1849:
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1783:
1718:Writing lacquer box with
1686:
1669:
1658:Other techniques include
1638:
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981:
966:
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902:, metal-leaf application)
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828:
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792:
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756:
673:Museum of Arts and Design
665:
579:
559:
531:
494:
449:
434:
419:
396:
386:
288:
2915:goes back as far as the
2891:
2875:end papers (made by the
2604:, the doll festival, or
2535:
2281:Other materials such as
598:Living National Treasure
3701:Japan Kogei Association
3611:Louis Frédéric (2002).
2797:One well-known type of
2447:Echigo Yoita Uchihamono
2223:Japanese bamboo weaving
2034:Japanese bamboo weaving
832:, a form of blue-white
363:Family affiliations or
3083:Ando Cloisonné Company
3056:
2908:
2552:
2345:Japanese swordsmithing
2065:
2051:
1729:
1606:from Kumejima, Okinawa
1339:
941:
858:blue and white pottery
694:
3051:
2899:
2692:, made out of ceramic
2543:
2057:
2041:
1717:
1332:
1255:other types of kimono
1160:, from Ryūkyū Islands
939:
692:
648:Japanese tea ceremony
545:Tokyo Imperial Palace
340:, but developed into
3345:. 22 September 2016.
2225:in patterns such as
1721:Irises at Yatsuhashi
1710:Japanese lacquerware
1130:, from Mino province
586:minshū-teki-na kōgei
509:Flower of the Nation
458:With the end of the
183:improve this article
27:Handicrafts of Japan
18:Japanese handicrafts
2176:Japanese bamboowork
732:blue-and-white ware
643:Tokuda Yasokichi IV
3716:2019-03-03 at the
3614:Japan enciklopedia
3370:. 27 October 2015.
3057:
2909:
2553:
2070:Japanese carpentry
2066:
2052:
1813:can also be used.
1752:(tea caddies) and
1730:
1675:braid making, and
1340:
1338:detail of a kimono
942:
760:, colour painting)
695:
538:Teishitsu Gigei-in
522:National Treasures
440:), or in writing (
3624:978-0-674-01753-5
3537:978-4-8053-0922-3
2911:The tradition of
2302:Hakoneyosegizaiku
2270:pattern a chiral
1223:Japanese clothing
878:, (also known as
607:cultural property
277:
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107:Several templates
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16:(Redirected from
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3273:
3272:
3266:
3241:Inkstone carving
3213:, which applies
3201:
3199:
3198:
3192:
3174:or various hard
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1587:Kumejima-tsumugi
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884:), iron glazing)
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198:"Japanese craft"
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119:
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60:
38:
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3753:
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3747:
3745:
3744:
3743:
3739:Japanese crafts
3729:
3728:
3718:Wayback Machine
3697:
3675:
3673:Further reading
3656:Country Studies
3653:
3644:
3640:
3639:
3629:
3627:
3625:
3609:
3605:
3598:"Gallery Japan"
3596:
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3591:
3586:
3582:
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3408:
3399:
3398:
3391:
3379:
3375:
3366:
3365:
3361:
3354:
3350:
3341:
3340:
3336:
3331:. 27 July 2013.
3327:
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3046:
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3017:
3001:
2985:
2971:
2955:
2938:
2906:Habikino, Osaka
2894:
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2737:
2721:
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2683:
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2641:
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2559:
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2522:
2505:
2484:
2483:, and embossing
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2426:
2410:
2395:
2379:
2363:
2338:
2322:
2305:
2272:wallpaper group
2233:
2209:
2193:
2163:
2147:
2131:
2115:
2064:weaving lattice
2036:
2030:
2028:Wood and bamboo
2014:
1995:
1972:
1954:
1936:
1918:
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1864:
1846:
1827:
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1780:
1712:
1706:
1683:
1666:
1635:
1616:
1600:, a variety of
1591:
1575:, a variety of
1566:
1540:
1517:
1499:
1481:
1463:
1422:
1404:
1400:Nagaita chugata
1386:
1368:
1350:
1172:crafts include
1167:
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1136:
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1091:
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39:
35:
28:
23:
22:
15:
12:
11:
5:
3752:
3742:
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3727:
3726:
3721:
3708:
3703:
3696:
3695:External links
3693:
3692:
3691:
3686:
3681:
3679:Kogei Standard
3674:
3671:
3670:
3669:
3638:
3637:
3623:
3603:
3589:
3580:
3557:
3554:978-1891640261
3541:
3524:
3505:
3486:
3467:
3443:
3424:
3415:
3406:
3389:
3373:
3359:
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3128:
3112:
3088:Techniques of
3079:Owari province
3045:
3042:
3041:
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3010:
2994:
2980:
2951:Satsuma kiriko
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2657:
2650:, made out of
2633:
2557:Japanese dolls
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2315:
2219:
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2156:
2140:
2124:
2050:pattern (1915)
2032:Main article:
2029:
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2025:
2024:
2005:
1982:
1981:
1963:
1945:
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1708:Main article:
1705:
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1508:
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1395:
1377:
1359:
1233:) used to sew
1210:dyeing—by the
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1131:
1116:
1104:Shigaraki ware
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697:Main article:
686:
683:
477:Okakura Kakuzō
329:
326:
309:engineered art
275:
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171:
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154:
99:full citations
83:
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43:
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26:
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3:
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3650:public domain
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3386:4-7700-2939-X
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3256:Ivory carving
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3116:Shotai-shippō
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3014:Pâte de verre
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2902:Emperor Ankan
2898:
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2877:Atelier Miura
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2839:
2836:plant called
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2809:
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2807:Hakata ningyō
2801:
2783:
2779:
2767:
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2248:(basket) and
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2012:
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1993:
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1968:Kamakura-bori
1964:
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1741:(710–94 CE).
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1134:Tokoname ware
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567:Yanagi Sōetsu
554:
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200: –
199:
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194:Find sources:
188:
184:
178:
177:
172:This article
170:
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161:
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140:
128:
127:documentation
124:
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32:
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19:
3655:
3628:. Retrieved
3613:
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3527:
3461:
3458:
3418:
3409:
3376:
3362:
3351:
3337:
3323:
3259:
3244:
3185:
3151:
3100:Yusen-shippō
3087:
3058:
3052:
3012:
2996:
2969:Glassblowing
2929:
2917:Kofun period
2910:
2887:Other crafts
2830:Japanese art
2827:
2824:Paper making
2796:
2695:
2623:Wooden dolls
2618:
2608:Kodomo no Hi
2554:
2519:Takaoka Doki
2495:
2462:
2421:
2406:
2353:
2350:
2339:
2319:Iwayadotansu
2295:
2289:Neko chigura
2280:
2274:symmetry of
2220:
2174:
2105:
2074:
2067:
2010:Tsugaru-nuri
1983:
1815:
1778:
1743:
1731:
1719:
1700:embroidery.
1692:, a form of
1657:
1562:Yūki-tsumugi
1553:district of
1536:Nishijin-ori
1528:
1513:Saga-nishiki
1451:
1418:Mokuhan-zome
1325:
1220:
1201:
1168:
1149:Tsuboya ware
1040:Mashiko ware
1010:Karatsu ware
932:
741:
702:
660:
614:yūki-tsumugi
595:
519:
457:
362:
358:studio craft
334:rural crafts
331:
282:
279:
278:
263:
245:
236:
226:
219:
212:
205:
193:
181:Please help
176:verification
173:
143:
134:
123:Citation bot
85:
61:
54:
48:
47:Please help
44:
3246:Calligraphy
3153:Gem carving
3148:Gem carving
3132:Doro-shippō
2614:local craft
2600:Hinamatsuri
2547:Hinamatsuri
2221:The art of
1991:Wajima-nuri
1739:Nara period
1726:Ogata Kōrin
1704:Lacquerware
1679:kogin zashi
1495:Echigi-jōfu
1436:Tsujigahana
1212:Ainu people
1197:embroidered
1055:Mumyōi ware
1025:Kutani ware
976:Hasami ware
922:damascening
891:Yūri-kinsai
881:Tetsugusuri
712:earthenware
481:western art
322:handicrafts
280:Traditional
137:August 2022
3315:References
3094:include:
3021:パート・ド・ヴェール
2934:Edo kiriko
2873:marbleized
2861:the shrine
2583:human form
2502:Nambutekki
2083:(Japanese
1119:Shino ware
946:Bizen ware
838:porcelain)
460:Edo period
365:bloodlines
209:newspapers
103:verifiable
50:improve it
3720:by Densan
3250:inkstones
3235:triangles
3215:gold leaf
3204:paintings
3060:Cloisonné
3044:Cloisonné
3029:Enameling
2983:Cut glass
2460:is used.
2336:Metalwork
2112:Sashimono
2085:marquetry
1914:Choshitsu
1808:kanshitsu
1612:Kagayūzen
1382:Edo komon
1070:Onta ware
961:Hagi ware
926:champlevé
845:Sometsuke
821:Seihakuji
728:porcelain
720:stoneware
708:Neolithic
618:into the
464:Meiji era
348:wabi-sabi
88:bare URLs
56:talk page
3733:Category
3714:Archived
3298:Meibutsu
3284:See also
3231:diamonds
3223:platinum
3208:Buddhist
3189:Kirikane
3176:crystals
2923:kanzashi
2834:mulberry
2766:Saishiki
2750:Kamibari
2734:Hamekomi
2718:Kimekomi
2702:Nunobari
2661:Harinuki
2408:Smithing
2392:Komegata
2260:, where
2206:Kumimono
2160:Magemono
2144:Hikimono
2128:Kurimono
1823:Urushi-e
1797:or linen
1662:kumihimo
1631:Kyōyūzen
1551:Nishijin
1364:Katazome
1291:chirimen
1277:kanzashi
1249:furisode
1216:Hokkaidō
1165:Textiles
1087:Setoguro
993:Kakiemon
685:Ceramics
628:meibutsu
354:artisans
342:fine art
338:folk art
239:May 2022
92:link rot
3263:Bachiru
3211:statues
3035:エナメル絵付け
2998:Gravure
2859:(after
2577:
2455:越後与板打刃物
2437:chisels
2278:(632).
2190:Amimono
2181:ikebana
2099:natsume
1950:Rankaku
1932:Hiramon
1878:Chinkin
1764:netsuke
1696:sashiko
1650:Bingata
1603:tsumugi
1578:tsumugi
1477:Tsumugi
1445:Shibori
1229:tanmono
1204:weaving
1170:Textile
867:Tetsu-e
767:Neriage
716:pottery
666:日本伝統工芸展
654:ikebana
503:
328:History
303:
223:scholar
3652:.
3621:
3552:
3535:
3384:
3307:Mingei
3221:leaf,
3219:silver
3091:shippō
3072:shippō
3005:グラヴィール
2867:fusuma
2800:ningyō
2782:Saicho
2593:ningyō
2569:ningyō
2441:planes
2376:Sogata
2360:Rogata
2309:箱根寄木細工
2267:kagome
2257:kagome
2229:kagome
2079:yosegi
2061:kagome
2046:kagome
1842:Maki-e
1790:rantai
1459:Kasuri
1284:kinsha
1261:kosode
1241:yukata
1235:kimono
1208:indigo
1186:cotton
835:hakuji
785:Sansai
730:, and
724:glazed
580:民衆的な工芸
572:mingei
552:mingei
470:daimyō
443:densho
428:denshō
403:shitei
374:dharma
370:sutras
283:crafts
225:
218:
211:
204:
196:
112:reFill
3667:Japan
3630:3 May
3278:ivory
3227:lines
3172:agate
3165:gyoku
2975:吹きガラス
2904:, in
2892:Glass
2881:Tokyo
2856:izumo
2851:Heian
2838:washi
2682:dolls
2679:Totai
2664:dolls
2640:dolls
2536:Dolls
2326:岩谷堂箪笥
2283:reeds
2262:laths
2091:tansu
1896:Kinma
1860:Raden
1748:chaki
1724:, by
1687:こぎん刺し
1555:Kyoto
1346:Yūzen
1335:Yūzen
1320:okobo
1314:hanao
1307:okobo
1189:woven
1182:linen
909:Zōgan
803:Saiyū
749:Iro-e
736:Jōmon
678:kōgei
637:dentō
532:帝室技芸員
487:Kokka
380:dentō
318:Japan
295:kōgei
230:JSTOR
216:books
86:uses
3632:2013
3619:ISBN
3550:ISBN
3533:ISBN
3382:ISBN
3233:and
3206:and
3123:省胎七宝
3107:有線七宝
2959:薩摩切子
2947:and
2942:江戸切子
2828:The
2815:博多人形
2725:木目込み
2687:陶胎人形
2669:張抜人形
2653:toso
2645:桐塑人形
2637:Toso
2628:木彫人形
2574:lit.
2526:高岡銅器
2509:南部鉄器
2488:打ち出し
2439:and
2245:kago
2058:The
1772:inrō
1768:and
1756:kōgō
1620:加賀友禅
1595:久米島紬
1503:越後上布
1408:長板中形
1390:江戸小紋
1303:and
1301:zōri
1297:geta
1287:and
1245:and
1206:and
1195:and
1193:dyed
1184:and
1178:hemp
1174:silk
1076:小鹿田焼
1061:無名異焼
1001:柿右衛門
982:波佐見焼
924:and
899:釉裏金彩
500:lit.
300:lit.
202:news
120:and
3139:泥七宝
2883:).
2879:in
2803:is
2757:紙貼り
2741:嵌込み
2709:布貼り
2103:).
2018:津軽塗
1999:輪島塗
1976:鎌倉彫
1734:lac
1639:京友禅
1570:結城紬
1544:西陣織
1521:佐賀錦
1426:木版染
1372:型絵染
1354:友禅染
1269:obi
1214:of
1155:壺屋焼
1140:常滑焼
1125:志野焼
1110:信楽焼
1095:瀬戸黒
1046:益子焼
1031:九谷焼
1016:唐津焼
952:備前焼
829:青白磁
775:練上げ
387:伝 統
316:in
185:by
3735::
3665:–
3659:.
3560:^
3508:^
3489:^
3470:^
3446:^
3427:^
3392:^
3280:.
3271:撥鏤
3237:.
3229:,
3217:,
3197:截金
3162:,
3085:.
3069:,
3066:截金
2989:切子
2844:和紙
2820:.
2789:彩彫
2773:彩色
2572:,
2566:,
2563:人形
2493:.
2478:象嵌
2468:彫り
2430:鍛接
2414:鍛金
2399:込型
2383:惣型
2367:蝋型
2276:p6
2251:me
2237:籠目
2213:組物
2197:編物
2167:曲物
2151:挽物
2135:刳物
2119:指物
1958:卵殻
1940:平文
1922:彫漆
1904:蒟醤
1886:沈金
1868:螺鈿
1850:蒔絵
1831:漆絵
1805:,
1802:乾漆
1787:,
1784:藍胎
1776:.
1670:組紐
1485:紬織
1467:絣織
1299:,
1237:,
1191:,
1180:,
1176:,
967:萩焼
920:,
917:象嵌
875:鉄絵
856:,
853:染付
811:彩釉
793:三彩
757:色絵
722:,
718:,
714:,
650:,
583:,
560:民芸
535:,
498:,
495:國華
450:伝書
435:伝承
413:dō
400:,
397:師弟
298:,
292:,
289:工芸
59:.
3663:.
3634:.
3600:.
3577:.
3539:.
3521:.
3502:.
3483:.
3440:.
3403:.
3274:)
3268:(
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3194:(
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3159:砡
3156:(
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