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notwithstanding his holding a dog up by the tail. The suspended dog, positioned directly below the gibbet in the picture, prefigures another "cur" who is about to be hanged. Behind them a massive riot goes on while a woman assaults the man pushing over her cart of fruit. A man to the far right peddles something. In one corner are two boys, one
98:
Each print shows a representative or important scene at some point in the life of one of the protagonists (In two plates, both are shown together). Together, the seven appearances of
Francis Goodchild and Thomas Idle show their steady paths up the social and political ladder to the pinnacle of power
589:
Plate 8 shows the opulence that industry has produced (or rather, allowed to be procured): the couple sit at the far end of the table (Just to the left of the man in the foreground with the staff) on chairs, apparently in state. His chair has the sword of state on its right arm and on her left the
811:
In the front center, a woman with a baby is advertising "The last dying Speech & Conſeſsion of—Tho. Idle." although the condemned has not yet arrived at the gallows. To the left, a brawl involves two to four people. To her left, a drunken sot attempts to court the woman with ridiculous airs,
529:
In contrast to the luxury of
Francis in plate 8, Thomas and his companion are shown living in complete squalor somewhere in London. The sole article of furniture in the room is the broken down bed that Tom and his woman are lying on. She is busy examining the various nonmonetary spoils from his
382:
On the other hand, Tom Idle's useless ways have finally gotten their reward: His master (possibly with the consultation of or incitement by
Francis) either throws him out or orders him away to sea. In either case, Tom clearly feels that his authority over him is at an end and has cast his
953:
Quote from an advertisement of the then new prints: "This Day is publish'd, Price 12s. Design'd and engrav'd by Mr. HOGARTH, TWELVE Prints, call'd INDUSTRY and IDLENESS: Shewing the
Advantages attending the former, and the miserable Effects of the latter,
327:. His master is also present and using the greatest familiarity with him, further testifying to his advanced state. On the desk before them two gloves shaking hands illustrate the friendship and foreshadow their ultimate harmony and agreement in plate 6.
517:
For reasons unknown (but probably related to his namesake vice), Tom Idle is back on land again. If he was callous enough to throw out his indenture leaving land, he certainly does not feel bound by any law on his return as he has gone so far as to turn
910:
Hogarth sketched out at least three other scenes that never got made into engravings: one of the inside of
Goodchild's place after his marriage (Presumably to go after or instead of 6) and a set of him giving money to his parents while Idle swipes a
703:
Having led their separate lives for four plates each, the two apprentices meet again, considerably further down their paths of life. Again, Tom is on the left, Francis, the right (the frame is reversed, so the rope, etc. is above
Francis).
730:
behind his ear facing forward, making him look ridiculous, so that he might take a bribe from the woman next to him, who is paying him to not notice that the oath he administers is being sworn with the wrong hand and hence worthless.
545:
The broken flute and bottle, together with the pair of breeches discarded on the bedclothes, suggest they have spent their time in drunken debauchery. Samuel
Ireland suggests that he was doing this to drive away his fears of the law.
719:. While he turns away, either struggling with his feelings (as implied by the quote at the bottom of the frame) or disgustedly spurning his entreaties, the clerk next to him writes out the warrant of admission "To the Turnkey of
549:
The principal event of the scene is a cat falling down the chimney with a few bricks (which strongly suggests the quality of the house they are lodging in), which causes Tom Idle to start up with all the fear of the law on him.
65:
each so 12 shillings for the entire set, which is equivalent to £120 in 2023. It may be assumed that these prints were aimed for a wider and less wealthy market than his earlier works. The originals currently reside at the
114:
The plates show one of the two apprentices at some stage in their life, alternating between one 'prentice and the other (Industrious, Idle, Industrious, etc.) with the exceptions of 1 and 10 where both are shown. Each has a
86:", the latter containing the especially applicable quote that "business the youth's best preservative from ill, as idleness the worst of snares". He also suggests that Hogarth already had the idea when he painted "
695:
244:, standing in a pew with his master's daughter, singing out of a hymnal. Their piety is contrasted with the sleeping man in the pew and the vain woman at the far right, and complements the quiet devotion of the old
603:
The chamberlain (the man with the staff of office) examines a paper addressed "To the worſhip Fra
Goodchild E Sher Lond" while a crowd of people mills at the bar. This is the first time we find out his first name.
639:
Idle has now gone from highway robbery to out and out murder for petty gain. He is shown here examining the effects of the dead man in a hat (probably his) between them, while another man pitches the body down a
472:
gives away a plate. To the left, a legless man in a tub, probably invalided from the Army or Navy, holds out a sheet of paper containing "Jeſse or the Happy Pair. a new Song". Behind him a
Frenchman with a bass
460:
The other significant change is that Miss West, last seen in Plate 2, has become Mrs. Goodchild. The scene here is likely the day after, when they distribute the remnants of the feast to various poor people.
873:
Meanwhile, the crowd drunkenly near-riots around him. In the far lower right, a boy holding "A full and true
Account of y Ghoſt of Tho Idle. Which " shows the final fate of Thomas Idle's memory: an entry in
286:
In this case, Tom Idle is shown doing the exact opposite: gambling and cheating with some pence on top of a tomb in the churchyard. The foreground is strewn with spare bones and skulls, and behind him a
99:
and esteem and down the path of immorality and crime to complete disgrace and legal infamy, respectively. Each appearance is also accompanied by some explanatory or foreshadowing text from the Bible.
805:
In the right background, more or less well behaved spectators wait. One releases a pigeon that will fly back to Newgate and give the news that (by the time it has arrived) the malefactor is dead.
240:
Plate two occurs at some point on a Sunday, when their master has given them part (or all) of the day to attend church service. Francis Goodchild is shown taking good advantage of this, attending
45:
in 1747, intending to illustrate to working children the possible rewards of hard work and diligent application and the sure disasters attending a lack of both. Unlike his earlier works, such as
449:
The next plate shows that Francis Goodchild has been improving his time, as usual. He has also escaped his apprenticeship, but in the intended manner: having served his time, he is free and a
870:, holding the sword of state and wearing an outsized top hat. From the balcony on the right, a genteel crowd observes his passing, as do people in all the windows fronting on the street.
441:
323:
Clearly Goodchild's industry and piety are paying off. He is now no longer working a loom, but rather keeping his master's business: He holds the "Day Book", keys to the house and a
509:
629:
687:
Note that in some versions the title is "The Idle 'Prentice betrayed by his Whore, & taken in a Night-Cellar with his Accomplice", whereas others remove "by his Whore".
278:
150:, with his copy of "The Prentice's Guide" at his feet and various wholesome literature tacked up on the wall behind him such as "The London Prentice" and (portentously) "
315:
597:, which takes place in the left foreground. In particular, the two on the far right warn that even earned riches are as susceptible to squander and waste as any other.
581:
232:
171:
The future courses of the two apprentices are marked off for them by the imagery surrounding the frame of the painting: To the left, representing Idle's future, a
794:. The cleric vigorously discourses to a now hairless Thomas Idle, who is leaning on his own coffin (marked by the initials "T.I."). The coach ahead carries the
161:" sitting on his loom. A clay pipe is wedged into the handle and a cat is busy interfering with the shuttle. Tacked to the post that he is sleeping against is "
78:
Hogarth was far from the first to attempt to dramatically display parallel lives leading from the same start to opposite ends. Paulson suggests two: the plays "
394:
Judging by his companions' antics, his reputation of laziness and disobedience have preceded him: One tries to tease him with the frayed end of a rope (i.e. a
711:, a man behind him holds up the two pistols and sword used in the commission of the murder in one hand and points to Idle with the other, and he is being
644:. They are all totally oblivious not only to the men of the Law coming down the stairs with lit lanterns, but Idle's prostitute being paid one coin for
374:
851:
191:
and golden chain. The master's sword segues exactly into the shaft of the mace: more foreshadowing for the second encounter of the two in plate 9.
859:
Now that the Idle 'Prentice met his reward, industry gets its turn: The industry and morality of Francis Goodchild result in his being chosen the
1502:
1526:
1533:
251:
Significantly, since this is the first in the series of images of Francis' fortune, his career is literally shown to start with his devotion.
767:
690:
103:
21:
127:
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To the right of Idle, his mother again tearfully pleads with an officer who dismisses her. The bailiff administering the oath has put his
1561:
1165:
553:
The extremely dilapidated condition of the building, lack of any obvious source of light or fire, and covering over of the window by a
345:
To the lower right a copy of the "London Almanack" is tacked up, headed by an allegorical figure of the genius of Industry assaulting
1350:
1136:
1040:
We are given to understand, also, by that he lays out his pence on things that may improve his mind, and enlighten his understanding
802:. The executioner lays unconcernedly along one of the crossbeams, smoking his pipe and apparently inured to the nature of his work.
457:
shows that his former master has taken him into partnership (not an unreasonable step given that he previously kept the accounts).
409:
For the first time, we learn his name from the wooden crate next to him labelled "Tho Idle his Chest". An old woman, dressed as a
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1358:
1281:
131:
Exactly equal footing at their first meeting. Tom is on the left, Francis on the right and the master weaver on the extreme right
406:(It is also possible he's pointing at their ship). The sky also grows noticeably darker in the direction their boat is pointed.
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1540:
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Plate 10 – The Industrious 'Prentice Alderman of London, the Idle one brought before him & Impeach'd by his Accomplice
624:
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1454:
1669:
413:, tearfully remonstrates with him, while he ignores her. The verse at the bottom clearly indicates this is his mother.
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before his former fellow-apprentice, who remembers his earlier inclinations and could well imagine him turning
436:
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142:
Beyond this framework, the two characters display their respective traits: Francis is busy at work with his
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1422:
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opener, the woman who has the keys to the pew, who is facing away from the service to spot new arrivals.
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Plate 9 — The Idle 'Prentice betrayed (by his Whore), & taken in a Night-Cellar with his Accomplice
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667:, and a massive drunken brawl occupies half of the room, while the others unconcernedly ignore it.
651:
The background shows his most congenial surroundings to be the most lawless and depraved possible:
241:
1289:
273:
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The scriptural passages are said to have been chosen by Hogarth's friend, the Rev. Arnold King
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1336:
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1018:("First Complete Edition" ed.). New Haven: Yale University Press. pp. 194, column 2.
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403:
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47:
1003:("First Complete Edition" ed.). New Haven: Yale University Press. pp. 194, column 2.
349:. A dog stands by the carrier, annoying a cat up on the platform West and Goodchild stand on.
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Tom Idle leans snoring against his still loom, probably as a result of a huge mug labelled "
1344:
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875:
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Plate 6 — The Industrious 'Prentice out of his Time, & Married to his Master's Daughter
395:
294:
Also note that the frame is reversed: Now the mace, etc. are on the left of the engraving.
168:
To the right their master, with a thick stick in his hand, looks disappointedly at Thomas.
165:"; his "Prentice's Guide" is also lying on the ground, but in a filthy and shredded state.
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576:
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thefts on the highway, including an earring that looks like a gallows. The bottles on the
8:
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Plate 7 — The Idle 'Prentice return'd from Sea, & in a Garret with common Prostitute
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weaver. Beyond that even, the sign of "WEST and GOODCHILD" under their trademark of a
1374:
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951:("First Complete Edition" ed.). New Haven: Yale University Press. p. 194.
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1086:("First Complete Edition" ed.). New Haven: Yale University Press. p. 194.
1071:("First Complete Edition" ed.). New Haven: Yale University Press. p. 196.
1056:("First Complete Edition" ed.). New Haven: Yale University Press. p. 195.
782:
The procession from left to right shows a detachment of soldiers riding behind the
557:
suggest that Idle is in hiding and sparing no pains to keep his location a secret.
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779:, to the reward of his depredations and malice: a felon's death on the gallows.
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and carrying material in labelled "To M West". Both show that the business is a
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973:"The Annual RPI and Average Earnings for Britain, 1209 to Present (New Series)"
799:
720:
554:
388:
331:
324:
188:
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61:
was created solely as a set of engravings. Each of the prints was sold for one
274:
Plate 3 — The Idle 'Prentice at Play in the Church Yard, during Divine Service
1663:
1638:
600:
To the upper left, an orchestra on a balcony provides musical accompaniment.
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162:
846:
369:
311:
Plate 4 — The Industrious 'Prentice a Favourite, and entrusted by his Master
1643:
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158:
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57:(1743), which were painted first and subsequently converted to engravings,
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and the other resisting temptation, possibly echoing Idle and Goodchild.
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712:
656:
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A significant portion of this plate is taken up with a related satire of
346:
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woman with no nose serves a mug of something, presumably liquor and/or
577:
Plate 8 — The Industrious 'Prentice grown rich, & Sheriff of London
519:
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204:
136:
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Around and in the midst of the semi-orderly procession, chaos reigns.
468:(without a handle) and giving a coin. In the foreground at the door a
228:
Plate 2 — The Industrious 'Prentice performing the Duty of a Christian
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641:
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399:
384:
102:
This latter was supposedly picked out by a friend of Hogarth's, Rev.
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is about to strike him with a cane for his insolence and tardiness.
28:— Plate 11 of 12 of the series, showing the final reward of idleness
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762:
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62:
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Francis finds people clearly appreciative of his steady-going ways
912:
879:
783:
716:
659:, a rope hangs ominously from one of the beams in the ceiling, a
523:
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255:
176:
122:
819:
The frame of the picture shows Thomas' ultimate fate, hung on a
798:(who will actually preside at the execution). Beyond looms the
820:
526:) and take up a (dismal) residence with "a common Prostitute".
465:
288:
378:
Tom finally exhausts everyone's patience – except his mother's
410:
262:
139:" on equal terms with their master, and doing the same work.
116:
655:
are strewn in the left foreground, men are murdered with no
474:
180:
172:
143:
707:
Idle is now completely lost: his accomplice readily turns
135:
In plate 1 the two protagonists are introduced: both are "
90:
and the Lawyer" with its 2 (industrious and idle) clerks.
882:
accidentally discharge their muskets or drink from mugs.
847:
Plate 12 – The Industrious 'Prentice Lord-Mayor of London
664:
370:
Plate 5 — The Idle 'Prentice turn'd away, and sent to Sea
245:
1513:
826:
Finally, the verse at the bottom completes Idle's doom.
648:. Clearly, Idle is caught without any means of escape.
737:
labelled "SA" hang from the balcony behind the crowd.
416:
In the background, on low land, are a number of Dutch
82:" (Revived after Hogarth's publication of these) and "
484:
when it contained the lines "by the treachery of the
330:
Behind them are a row of women at looms and one at a
771:Idleness and immorality produce their just reward.
477:is forced out of the line by a (British) butcher.
786:, which contains a preacher with a book labelled
398:), the other points towards a man hanging from a
334:and to the left, a man wearing the symbol of the
1661:
763:Plate 11 — The Idle 'Prentice Executed at Tyburn
1503:Sigismunda mourning over the Heart of Guiscardo
16:Series of engravings created by William Hogarth
1081:
1066:
1051:
1013:
998:
946:
878:. Nearby members of an escort of disorganised
123:Plate 1 – The Fellow 'Prentices at their Looms
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1031:
866:He is here shown riding in the Lord Mayor's
616:Exalt her, & she shall promote thee: she
959:
37:is the title of a series of 12 plot-linked
1166:Emblematical Print on the South Sea Scheme
1137:
1123:
969:inflation figures are based on data from
942:
940:
836:When fear cometh as desolation, and their
899:Length of days is in her right hand, and
889:, referring to the verse at the bottom:
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694:
628:
580:
508:
440:
373:
314:
277:
231:
126:
20:
1415:Captain Lord George Graham in his Cabin
1282:Credulity, Superstition, and Fanaticism
838:destruction cometh as a Whirlwind; when
513:Not fighting the Law, but scared of it!
1662:
1210:Strolling Actresses Dressing in a Barn
937:
614:With all thy getting get understanding
1118:
970:
915:of his mother's (Meant to follow 7).
855:Fulfilling the constant foreshadowing
842:call upon God, but he will not answer
840:distreſs cometh upon them, they shall
585:Only incidentally about the 'prentice
26:The Idle 'Prentice Executed at Tyburn
1359:Scene from Shakespeare's The Tempest
1455:The March of the Guards to Finchley
1144:
905:
464:Francis is at the window holding a
363:over a few things, I will make thee
306:& stripes for the back of Fools
304:Judgments are prepared for scorners
13:
901:in her left hand Riches and Honour
236:Goodchild in church, singing hymns
183:; to the right, over Goodchild, a
14:
1686:
1094:
775:Idle now comes, like Tom Nero in
538:, similar to those of plate 3 in
119:quotation relevant to the scene.
109:
1391:Portrait of Captain Thomas Coram
1182:A Just View of the British Stage
1035:Graphic Illustrations of Hogarth
925:List of works by William Hogarth
618:shall bring thee to honour, when
361:servant thou hast been faithfull
1479:Hogarth Painting the Comic Muse
885:The frame is now surrounded by
391:in the lower left-hand corner.
209:Poverty, & drowsineſs shall
1317:The Assembly at Wanstead House
1075:
1060:
1045:
1025:
1007:
992:
430:A foolish son is the heavineſs
267:O! How I love thy Law it is my
73:
41:created by the English artist
1:
1032:Ireland, Samuel (1794–1799).
930:
756:Thou shall do no unrighteous-
1423:David Garrick as Richard III
1082:Ronald Paulson, ed. (1965).
1067:Ronald Paulson, ed. (1965).
1052:Ronald Paulson, ed. (1965).
1014:Ronald Paulson, ed. (1965).
999:Ronald Paulson, ed. (1965).
947:Ronald Paulson, ed. (1965).
823:for his highway collecting.
359:Well done good and faithfull
7:
1274:Satire on False Perspective
918:
743:The Wicked is snar'd in the
282:Not outside the same church
10:
1691:
1258:The Four Stages of Cruelty
1234:Characters and Caricaturas
1202:The Company of Undertakers
777:The Four Stages of Cruelty
570:The Sound of a Shaken Leaf
402:at the waterline for some
1670:Prints by William Hogarth
1626:
1610:
1594:
1575:
1308:
1266:Columbus Breaking the Egg
1174:The Bad Taste of the Town
1152:
1110:The Literary Encyclopedia
699:Ending on unequal footing
480:The background shows the
93:
1250:Beer Street and Gin Lane
242:St. Martin-in-the-Fields
221:The hand of the diligent
1527:The Marriage Settlement
1290:Five Orders of Periwigs
1084:Hogarth's Graphic Works
1069:Hogarth's Graphic Works
1054:Hogarth's Graphic Works
1016:Hogarth's Graphic Works
1001:Hogarth's Graphic Works
971:Clark, Gregory (2017).
949:Hogarth's Graphic Works
498:The Virtuous Woman is a
1584:The Analysis of Beauty
1463:Humours of an Election
903:
856:
844:
772:
760:
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685:
636:
622:
586:
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445:Mr. and Mrs. Goodchild
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367:
365:Ruler over many things
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308:
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271:
237:
225:
213:
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29:
1649:Mary Edwards (Patron)
1495:The Lady's Last Stake
1367:Four Times of the Day
1242:Industry and Idleness
1105:Industry and Idleness
891:
854:
828:
770:
748:
745:work of his own hands
739:
698:
669:
632:
620:thou dost Embrace her
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512:
500:Crown to her Husband.
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336:Corporation of London
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59:Industry and Idleness
34:Industry and Idleness
24:
1226:The Enraged Musician
876:The Newgate Calendar
258:hanging everywhere.
219:Proverbs Ch:10 Ver:4
1431:Painter and his Pug
1407:The Graham Children
1337:A Harlot's Progress
540:A Harlot's Progress
211:cloath a Man w rags
84:The London Merchant
48:A Harlot's Progress
1516:Marriage A-la-Mode
1447:Hogarth's Servants
1439:The Gate of Calais
1399:Taste in High Life
967:Retail Price Index
857:
796:Official clergyman
773:
758:-neſs in Judgement
701:
637:
587:
534:are suggestive of
515:
447:
380:
321:
284:
269:meditation all day
238:
152:Whitington L Mayor
133:
54:Marriage à-la-mode
30:
1657:
1656:
1571:
1570:
1375:The Distrest Poet
1345:A Rake's Progress
1218:The Distrest Poet
896:
834:I. Verſ:s 27, 28.
833:
790:, a reference to
753:
741:Pſalm IX. Ver:16.
683:the precious life
674:
611:
567:
495:
427:
396:cat o' nine tails
356:
301:
1682:
1562:The Lady's Death
1511:
1510:
1471:Sealing the Tomb
1351:The Tavern Scene
1298:John Wilkes Esq.
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944:
906:Unfinished parts
894:
831:
751:
672:
609:
572:shall Chace him.
565:
536:venereal disease
532:fireplace mantel
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425:
387:into the boat's
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299:
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1685:
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1618:Hogarth's House
1606:
1590:
1567:
1534:The Tête à Tête
1509:
1383:The Shrimp Girl
1304:
1148:
1146:William Hogarth
1143:
1101:MA Dissertation
1097:
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1080:
1076:
1065:
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709:King's evidence
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646:her information
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482:London Monument
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201:Chap: 23 Ve: 21
185:ceremonial mace
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112:
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43:William Hogarth
17:
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5:
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1602:Line of beauty
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1541:The Inspection
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1320:(c. 1728–1732)
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1095:External links
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978:MeasuringWorth
958:
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897:: III. Ver:16.
848:
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764:
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692:
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626:
623:
612::IV. Ver:7, 8.
590:crowned mace.
578:
575:
555:hoop petticoat
506:
503:
486:Popish Faction
438:
435:
404:nautical crime
371:
368:
332:spinning wheel
325:pouch of money
312:
309:
275:
272:
229:
226:
194:Idle's verse:
189:sword of state
159:Spittle Fields
124:
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111:
110:The engravings
108:
95:
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68:British Museum
15:
9:
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1160:List of works
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877:
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863:of the City.
862:
853:
843:
827:
824:
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814:pickpocketing
809:
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688:
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681:will hunt for
680:
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653:playing cards
649:
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631:
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596:
591:
583:
573:
568::XXVI. Ve:30.
563:
558:
556:
551:
547:
543:
541:
537:
533:
527:
525:
522:(more likely
521:
511:
501:
489:
487:
483:
478:
476:
471:
467:
462:
458:
456:
452:
443:
433:
432:of his Mother
421:
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405:
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386:
376:
366:
350:
348:
343:
341:
340:going concern
337:
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280:
270:
264:
259:
257:
252:
249:
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216:
215:Goodchild's:
212:
207:shall come to
206:
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186:
182:
178:
174:
169:
166:
164:
163:Moll Flanders
160:
155:
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118:
107:
105:
100:
91:
89:
85:
81:
71:
69:
64:
60:
56:
55:
50:
49:
44:
40:
36:
35:
27:
23:
19:
1644:Hogarth Club
1582:
1560:
1553:
1548:The Toilette
1546:
1539:
1532:
1525:
1515:
1501:
1493:
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1421:
1413:
1405:
1397:
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1083:
1077:
1068:
1062:
1053:
1047:
1039:
1034:
1027:
1019:
1015:
1009:
1000:
994:
982:. Retrieved
976:
961:
952:
948:
909:
892:
884:
872:
865:
858:
829:
825:
818:
810:
807:
804:
781:
774:
749:
740:
735:Fire buckets
733:
725:
706:
702:
686:
670:
650:
638:
607:
602:
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592:
588:
560:
552:
548:
544:
528:
516:
496::XII. Ver:4.
491:
479:
463:
459:
455:lion rampant
448:
423:
415:
408:
393:
381:
357::XXV. Ve:21.
352:
344:
329:
322:
302::XIX. Ve:29.
297:
293:
285:
261:
253:
250:
239:
218:
214:
197:
193:
170:
167:
156:
141:
134:
113:
101:
97:
80:Eastward Hoe
77:
58:
52:
46:
33:
32:
31:
25:
18:
887:cornucopias
800:Tyburn Tree
754::XIX Ve:15.
750:Leviticus C
675::VI. Ve:26.
657:hue and cry
347:Father Time
265:CXIX Ver:97
223:maketh rich
104:Arnold King
74:Antecedents
51:(1731) and
1675:1747 works
1664:Categories
1555:The Bagnio
1348:(1732–33,
1038:. London.
931:References
893:Proverbs C
861:Lord Mayor
830:Proverbs C
679:Adultereſs
671:Proverbs C
661:syphilitic
634:Red-Handed
608:Proverbs C
520:highwayman
492:Proverbs C
451:journeyman
424:Proverbs C
298:Proverbs C
137:'prentices
39:engravings
1487:The Bench
1332:(1730–31)
1309:Paintings
792:Methodism
728:quill pen
713:arraigned
642:trap door
562:Leviticus
428::X. Ve:1.
418:windmills
385:indenture
353:Matthew C
254:Note the
1595:Theories
1450:(c.1750)
1386:(c.1740)
1362:(c.1735)
919:See also
868:carriage
595:gluttony
256:tricorns
205:Drunkard
199:Proverbs
117:Biblical
88:Hudibras
63:shilling
1627:Related
1611:Museums
913:tankard
880:militia
784:tumbrel
721:Newgate
717:footpad
524:footpad
470:footman
177:fetters
148:shuttle
1587:(1753)
1519:(1745)
1506:(1759)
1498:(1759)
1490:(1758)
1482:(1757)
1474:(1755)
1466:(1755)
1458:(1750)
1442:(1748)
1434:(1745)
1426:(1745)
1418:(1745)
1410:(1742)
1402:(1742)
1394:(1740)
1378:(1736)
1370:(1736)
1340:(1731)
1325:Before
1301:(1763)
1293:(1761)
1285:(1761)
1277:(1754)
1269:(1752)
1261:(1751)
1253:(1751)
1245:(1747)
1237:(1743)
1229:(1741)
1221:(1741)
1213:(1738)
1205:(1736)
1197:(1736)
1190:Before
1185:(1724)
1177:(1724)
1169:(1721)
1153:Prints
821:gibbet
788:Wesley
466:teacup
400:gibbet
289:beadle
179:and a
94:Format
1634:Trump
1576:Books
1329:After
1194:After
984:7 May
411:widow
263:Psalm
1327:and
1192:and
986:2024
677:The
475:viol
389:wake
203:The
181:rope
173:whip
146:and
144:loom
1103:on
965:UK
895:HAP
832:HAP
723:".
673:HAP
665:gin
566:HAP
488:."
426:HAP
355:HAP
246:pew
154:".
1666::
975:.
939:^
542:.
420:.
342:.
187:,
175:,
106:.
70:.
1354:)
1138:e
1131:t
1124:v
988:.
752:H
610:H
564:C
494:H
300:H
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