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Il Guarany

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288: 201: 808: 189:" in an exotic Brazilian tropical setting as well as the concept of racial miscegenation, which had been a significant part of Brazilian life since the country's inception. In the Overture to the opera, Gomes creates a Romantic Indianist atmosphere over an Italian orchestral backdrop as he introduces intimate lyrical passages in the winds and strings contrasted by tempestuous dramatic moments that utilize the full dynamic range of the orchestra. 676: 832: 248:, Milan, on 19 March 1870 and was a tremendous success, which resulted in immediate international fame for Gomes and numerous performances of the work in opera theaters throughout Europe. Among the productions, it was performed at the Zagreb theater in 1883 and 1886. The first Brazilian performance was in Rio de Janeiro on 2 December 1870, at the 218: 605:, Volume 2 – A Catalogue of Vocal Recordings from The Italian Catalogues of the Gramophone Company (Italy) 1899–1909; The Gramophone Company Limited 1909; Compagnia Italiana Del Grammofono 1909–1912; Società Nazionale Del Grammofono 1912–1925 217: 40: 219: 287: 156: 738: 573: 508: 521: 314: 210: 145: 534: 720: 166:. The work is notable as the first Brazilian opera to gain acclaim outside Brazil. Maria Alice Volpe has analysed the historical subtext of the 877: 693: 713: 185:
indian prince, and Cecilia, the daughter of a Portuguese nobleman. The work emphasizes the Romanticized concept of the "
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The duet "Sento una forza indomita" for tenor and soprano was in the recorded repertoire of
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in 1560, and the plot centers around an interracial love story between Pery, a
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Volpe, Maria Alice, "Remaking the Brazilian Myth of National Foundation:
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Disegno per copertina di libretto, drawing for Il Guarany (undated).
387: 245: 141: 102: 144:, in Italian rather than Gomes' native Portuguese, was written by 353: 675: 371: 27: 831: 820: 177:The operatic version of the story takes place near 844: 714: 721: 707: 38: 694:International Music Score Library Project 728: 607:. Lingfield, UK: The Oakwood Press, 1957 286: 475: 473: 845: 192: 702: 470: 616:Washington National Opera 1956–2006 584:. L'Almanacco di Gherardo Casaglia 13: 634: 271:with Bice Mililotti, 1908, and of 199: 14: 899: 878:Opera world premieres at La Scala 668: 650:The New Grove Dictionary of Opera 491:Revista de MĂşsica Latinoamericana 297:Roles, voice types, premiere cast 244:The world premiere took place at 830: 807: 806: 674: 235:Problems playing this file? See 215: 367:son of the Guarani tribal chief 566: 557: 548: 500: 1: 545:93, 95 (1883) and 252 (1886). 458: 311:Premiere cast, 19 March 1870 7: 739:List of works for the stage 486:Latin American Music Review 399:chief of the AymorĂ© Indians 10: 904: 572:Casaglia, Gherardo (2005). 252:. More recently, in 1996, 853:Brazilian patriotic songs 804: 745: 736: 620:Washington National Opera 258:Washington National Opera 226:United States Marine Band 87: 74: 66: 49: 37: 26: 21: 612:Phillips-Matz, Mary Jane 483:" (Autumn–Winter 2002). 282: 863:Italian-language operas 92:19 March 1870 883:Operas based on novels 858:Operas by Carlos Gomes 292: 204: 554:Phillips-Matz, p. 195 532:255, 286 (1886); and 333:a Portuguese nobleman 290: 264:in the role of Pery. 203: 130:, based on the novel 16:Opera by Carlos Gomes 888:Operas set in Brazil 730:AntĂ´nio Carlos Gomes 683:at Wikimedia Commons 618:. Washington, D.C.: 383:a Spanish adventurer 128:AntĂ´nio Carlos Gomes 32:AntĂ´nio Carlos Gomes 441:Annibale Micheloni 299: 256:was mounted by the 250:Theatro D. Pedro II 193:Performance history 754:A noite do castelo 603:Voices of the Past 601:Bennett, John R., 331:Antonio de Mariz, 295: 293: 205: 78:JosĂ© de Alencar's 44:Cover of the score 818: 817: 773:(1873, rev. 1877) 679:Media related to 497:(2): pp. 179–194. 456: 455: 376:Giuseppe Villani 269:Francesco Marconi 220: 157:Carlo D'Ormeville 111: 110: 59:Carlo D'Ormeville 895: 835: 834: 826: 810: 809: 723: 716: 709: 700: 699: 692:: Scores at the 678: 589: 587: 581: 570: 564: 561: 555: 552: 546: 543: 530: 522:Agramer Tagblatt 517: 504: 498: 477: 430:Giuseppe Masato 323: 315:Eugenio Terziani 300: 298: 294: 222: 221: 202: 170:movement behind 165: 154: 146:Antonio Scalvini 99: 97: 56:Antonio Scalvini 42: 19: 18: 903: 902: 898: 897: 896: 894: 893: 892: 843: 842: 841: 829: 821: 819: 814: 800: 741: 732: 727: 671: 657:. London, 1992 641:BĂ©hague, Gerard 637: 635:Further reading 593: 592: 585: 579: 571: 567: 562: 558: 553: 549: 537: 535:Agramer Zeitung 524: 511: 505: 501: 478: 471: 461: 452:Severino Mazza 419:Severino Mazza 342:Teodoro Coloni 317: 312: 296: 285: 262:Plácido Domingo 242: 241: 233: 231: 230: 229: 228: 223: 216: 213: 206: 200: 195: 159: 148: 138:JosĂ© de Alencar 107: 106: 100: 95: 93: 62: 45: 17: 12: 11: 5: 901: 891: 890: 885: 880: 875: 870: 865: 860: 855: 840: 839: 816: 815: 805: 802: 801: 799: 798: 790: 782: 774: 766: 758: 749: 747: 743: 742: 737: 734: 733: 726: 725: 718: 711: 703: 697: 696: 684: 670: 669:External links 667: 666: 665: 636: 633: 632: 631: 609: 591: 590: 582:19 March 1870" 565: 556: 547: 499: 468: 467: 460: 457: 454: 453: 450: 447: 443: 442: 439: 436: 432: 431: 428: 425: 421: 420: 417: 414: 410: 409: 404: 401: 394: 393: 392:Enrico Storti 390: 385: 378: 377: 374: 369: 362: 361: 356: 351: 344: 343: 340: 335: 325: 324: 309: 304: 284: 281: 232: 224: 214: 209: 208: 207: 198: 197: 196: 194: 191: 179:Rio de Janeiro 109: 108: 101: 91: 89: 85: 84: 76: 72: 71: 68: 64: 63: 61: 60: 57: 53: 51: 47: 46: 43: 35: 34: 24: 23: 15: 9: 6: 4: 3: 2: 900: 889: 886: 884: 881: 879: 876: 874: 871: 869: 866: 864: 861: 859: 856: 854: 851: 850: 848: 838: 833: 828: 827: 824: 813: 803: 796: 795: 791: 788: 787: 783: 780: 779: 778:Salvator Rosa 775: 772: 771: 767: 764: 763: 759: 756: 755: 751: 750: 748: 744: 740: 735: 731: 724: 719: 717: 712: 710: 705: 704: 701: 695: 691: 689: 685: 682: 677: 673: 672: 664: 663:0-333-73432-7 660: 656: 655:Stanley Sadie 652: 651: 646: 642: 639: 638: 629: 628:0-9777037-0-3 625: 621: 617: 613: 610: 608: 604: 600: 599: 598: 597: 583: 577: 569: 560: 551: 544: 541: 536: 531: 528: 523: 518: 515: 510: 503: 496: 492: 488: 487: 482: 476: 474: 469: 466: 465: 451: 448: 445: 444: 440: 437: 434: 433: 429: 426: 423: 422: 418: 415: 412: 411: 408: 407:Victor Maurel 405: 402: 400: 396: 395: 391: 389: 386: 384: 380: 379: 375: 373: 370: 368: 364: 363: 360: 357: 355: 352: 350: 346: 345: 341: 339: 336: 334: 330: 327: 326: 321: 316: 310: 308: 305: 302: 301: 289: 280: 278: 274: 273:Enrico Caruso 270: 265: 263: 259: 255: 251: 247: 240: 238: 227: 212: 190: 188: 184: 180: 175: 173: 169: 163: 158: 152: 147: 143: 139: 135: 134: 129: 125: 121: 117: 116: 104: 90: 86: 83: 82: 77: 73: 69: 65: 58: 55: 54: 52: 48: 41: 36: 33: 29: 25: 20: 792: 784: 776: 768: 761: 760: 752: 687: 648: 644: 615: 606: 602: 595: 594: 586:(in Italian) 575: 568: 559: 550: 533: 520: 507: 502: 494: 490: 484: 480: 463: 462: 398: 382: 366: 349:his daughter 348: 332: 277:Emmy Destinn 266: 253: 243: 234: 187:noble savage 176: 171: 131: 126:composed by 119: 114: 113: 112: 79: 873:1870 operas 786:Maria Tudor 538: [ 525: [ 519:93 (1883); 512: [ 506:Reviews in 424:Don Alvaro 397:Il Cacico, 359:Marie Sasse 318: [ 313:Conductor: 160: [ 149: [ 124:opera ballo 120:The Guarany 847:Categories 794:Lo schiavo 762:Il Guarany 688:Il Guarany 681:Il Guarany 645:Il Guarany 576:Il Guarany 481:Il Guarany 459:References 435:Ruy-Bento 381:Gonzales, 307:Voice type 254:Il Guarany 237:media help 172:Il Guarany 115:Il Guarany 96:1870-03-19 50:Librettist 22:Il Guarany 347:Cecilia, 168:indianism 133:O Guarani 81:O Guarani 812:Category 653:, (ed.) 622:, 2006. 563:Bennett, 388:baritone 279:, 1914. 246:La Scala 211:Overture 142:libretto 122:) is an 103:La Scala 88:Premiere 75:Based on 67:Language 690:(Gomes) 596:Sources 413:Alonso 354:soprano 183:Guarani 105:, Milan 94: ( 70:Italian 868:Operas 823:Portal 797:(1889) 789:(1879) 781:(1874) 765:(1870) 757:(1861) 746:Operas 661:  626:  580:  446:Pedro 438:tenor 427:tenor 365:Peri, 140:. Its 837:Opera 770:Fosca 542:] 529:] 516:] 509:Pozor 464:Notes 449:bass 416:bass 403:bass 372:tenor 322:] 303:Role 283:Roles 275:with 260:with 164:] 153:] 28:Opera 659:ISBN 624:ISBN 338:bass 155:and 647:", 643:, " 329:Dom 136:by 30:by 849:: 614:. 540:de 527:de 514:hr 495:23 493:, 472:^ 320:ca 174:. 162:it 151:it 825:: 722:e 715:t 708:v 630:. 588:. 578:, 574:" 489:/ 239:. 118:( 98:)

Index

Opera
AntĂ´nio Carlos Gomes

O Guarani
La Scala
opera ballo
AntĂ´nio Carlos Gomes
O Guarani
José de Alencar
libretto
Antonio Scalvini
it
Carlo D'Ormeville
it
indianism
Rio de Janeiro
Guarani
noble savage
Overture
United States Marine Band
media help
La Scala
Theatro D. Pedro II
Washington National Opera
Plácido Domingo
Francesco Marconi
Enrico Caruso
Emmy Destinn

Voice type

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