104:
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contains a colophon stating, "This book belongs to the private collection of King Jōgū and is not from overseas." However, the brush style is different from the main text and is believed to have been later added by the priest Gyōshin. The
342:
There is no academic consensus on the true authorship. If authorship is assigned to Prince Shōtoku, then the works would need to have been finally completed before 622 when he died.
302:
says that many texts originally attributed to rulers were actually written by groups of scholars and suggests that this is the case here as well. However, the manuscript of
364:"An Investigation of the Relationship Between Prince Shōtoku's Shōmangyō-gisho and Two Dunhuang Buddhist Manuscripts: A Debate over Originality and Canonical Value"
255:
summoned
Hitsugi no Miko and commanded him to teach the Srimala Sutra. He finished in three days. This year, Hitsugi no Miko next taught the Lotus Sutra at
189:; three volumes in length. It is based on annotated texts of the Liang dynasty priest Zhizang (458–522). Traditionally said to have been completed in 613.
237:
163:
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scholars but never shared to the public. Legend indicates that the manuscript was discovered by the
Buddhist monk Gyōshin (行信), who erected the
325:
The precise development of these texts is strongly argued in modern scholarship with many alternative hypotheses. These include the following:
435:
Hubbard, Jamie, trans. (2012). Expository
Commentary on the Vimalakīrti Sutra. Numata Center for Buddhist Translation and Research, Berkeley,
295:
The oldest records are all more than a hundred years after the death of Shōtoku Taishi, so they are rendered by some scholars as unreliable.
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619:
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575:
499:
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While historical records attribute these works to Shōtoku Taishi, a number of issues and problems have been pointed out.
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Calligrapher
Nishikawa Yasushi studied the glyph forms used in the original with those in China and concludes that
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documents credit King
Kamitsumiya, one of Shōtoku Taishi's titles, for the annotated Lotus and Srimala sutras.
147:
Tō-in Temple where the manuscript was kept for many centuries until 1878, when it was finally presented to the
222:
have no colophon and no authorship information. All three texts have been attributed to the semi-mythological
167:; one volume in length. In the late 1960s, it was discovered that about 80% of this text was copied from a
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226:. However, current scholarly consensus disputes this and the actual authorship of the texts are unknown.
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614:
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Produced in China or Korea and authorship was transferred to Prince Shōtoku when it arrived in Japan.
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Based on
Chinese texts brought to Japan that Prince Shōtoku used as a basis for composition.
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185:
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259:. The empress was most pleased and presented Hitsugi no Miko with Tamomo Tokoro in
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Manuscript
Studies: A Journal of the Schoenberg Institute for Manuscript Studies
548:
521:
472:
452:
447:
Ienaga, Saburō; Fujieda, Akira; Hayashima, Kyōshō; Tsukishima, Hiroshi (1975).
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monk Fayun (法雲, 467–529 AD). Approximately 70% of the contents are identical.
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256:
252:
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A Comprehensive
Dictionary of Classical Japanese Literature: Concise Edition
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Korean priests visiting Japan wrote it under Prince Shōtoku's instructions.
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317:(581–618 AD). Inoue builds on this suggesting that it is a work of Japan's
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commentary by the monk Min (旻, 467–527), which was recovered from the
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is the title of three annotated commentaries on important
Buddhist
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uses a number of personal pronouns that contrasts this argument.
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51:
120:; four volumes in length. It is based on the annotated text
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566:
Takitō, Sonkyō; Tamura, Kōyū; Hayashima, Kyōshō (2007).
175:. Traditionally said to have been completed in 611.
469:
Iwanami dictionary of
Japanese classical literature
539:Sakamoto, Tarō; Ienaga, Saburō; Inoue, Mitsusada;
586:
545:Nihon Koten Bungaku Taikei: Nihon Shoki (vol. 2)
235:records that in 606, Prince Shōtoku taught the
201:remains in original manuscript form, while the
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247:, hence the belief that he authored all three.
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73:
60:
35:
490:Nakamura, Hajime; Hayashima, Kyōshō (2007).
43:"Annotated Commentaries on the Three Sutras"
298:Religious professor Inoue Mitsusada of the
284:. In addition, sutra records found in the
273:Hōryūji Garan Engi Narabini Ruki Shizaichō
510:Nihon Koten Bungaku Daijiten: Kan'yakuban
135:was composed in 615 AD and is the oldest
449:Nihon Shisō Taikei 2: Shōtoku Taishi Shū
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492:Shōmankyō Gisho, Yuimakyō Gisho (shō)
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251:On the seventh month of autumn, the
568:Hokke Gisho (shō), Jūshichijō Kenpō
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209:exist only from later copies. The
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25:
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465:Iwanami Nihon Koten Bungaku Jiten
267:The oldest text to attribute the
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570:(in Japanese). Chūōron Shinsha.
494:(in Japanese). Chūōron Shinsha.
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183:An annotated commentary on the
161:An annotated commentary on the
114:An annotated commentary on the
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620:Books about Buddhism in Japan
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271:to Shōtoku Taishi is the 747
625:Buddhism in the Asuka period
131:According to tradition, the
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238:Śrīmālādevī Siṃhanāda Sūtra
164:Śrīmālādevī Siṃhanāda Sūtra
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605:7th-century Japanese books
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139:, highly venerated among
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151:as an offertory gift.
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471:] (in Japanese).
383:10.1353/mns.2017.0023
362:Dennis, Mark (2017).
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422:Nakamura (2007: 6–7)
193:Issues of authorship
173:Dunhuang manuscripts
300:University of Tokyo
600:Old Japanese texts
443:. (Yuimagyō-gisho)
413:Sakamoto, page 188
404:Nakamura (2007: 5)
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577:978-4-12-160096-7
501:978-4-12-160095-0
482:978-4-00-080310-6
441:978-1-886439-44-3
186:Vimalakirti Sutra
16:(Redirected from
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211:Hokke Gisho
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133:Hokke Gisho
117:Lotus Sutra
109:Hokke Gisho
98:Hokke Gisho
56:Hokke Gisho
18:Hokke Gisho
589:Categories
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124:(法華義記) by
269:Sangyōsho
197:Only the
543:(1965).
524:. 1986.
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367:(PDF)
346:Notes
88:維摩経義疏
75:勝鬘経義疏
572:ISBN
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526:ISBN
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437:ISBN
229:The
218:and
205:and
62:法華義疏
37:三経義疏
27:The
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