History of architecture and art in Milan

146: 667: 438: 607: 544: 218: 1386: 1337: 1000: 311: 523:, known as Morazzone. In this first phase, the evolution of the new Baroque style followed with continuity the late Mannerist art widespread in Milan at the time of Charles Borromeo; in fact, the training of the three painters took place on the models of late Tuscan and Roman Mannerism for Cerano and Morazzone, while Procaccini was trained on Emilian models. From the architectural point of view, religious commissions dominated the scene, since Spanish rule cared more about works of military rather than civilian utility; many pre-existing churches were completely rebuilt and decorated in Baroque style, and as many built from scratch: while the Baroque style was introduced in Milan by 1564: 1427: 949: 1206: 1298: 480: 20: 960:, which saw dozens of pavilions spring up in the style on the exhibition grounds as well as public and private buildings that the exposition helped to erect, thus decreeing the definitive consecration of Art Nouveau as the dominant artistic style. Although highly articulated and differentiated, the Milanese Art Nouveau style shows as a whole some common points and innovations: recurring is the decoration of the building, in wrought iron or decorative concrete, with a theme of flowers or the animal world; at the structural level, the use of 761: 3922: 874: 749:, were suppressed and their property confiscated, becoming the property of the city, which, having vast areas at its disposal, was able to implement an unprecedented urban rearrangement organized by court architect Giuseppe Piermarini, who made Neoclassicism the style of the city's rebirth. The first public gardens were opened and elegant palaces, inspired by the new artistic movement, were built, appropriately selecting the target areas. Some of Milan's most famous institutions, such as the 457:

experience of the "Rabisch," as the adherents of the group were also called, as a parallel phenomenon to the counter-reformed art of the time to which one can refer as "alternative classicism." The reevaluation moved the activity of the Accademia dei Facchini della Val di Blenio from a purely goliardic and recreational role to a cultural movement that, with its "anti-intellectualist attitude" and the idea of art "as free creation," anticipated themes that would be taken up centuries later in

1473: 160:: under his lordship the largest Italian Gothic building site for the construction of the new city cathedral was inaugurated. For this work, which in the duke's mind would have been monumental and grandiose, architects and artists from all over Europe were called to Milan: the continuous exchange between local and foreign workers helped to bring to maturity the Lombard Gothic style, which before then had been anchored to the strong Romanesque heritage, creating a synthesis between 453:

the Milanese armorers was such that their works were considered a real status symbol among nobles throughout Europe, despite the fact that other foreign states had established their own workshops, such as in Innsbruck, Augsburg or Greenwich; among the best craftsmen of the second half of the sixteenth century stand out above all Lucio Marliani known as the Piccinino and Giovanni Battista Panzeri known as the Zarabaglia, both belonging to well-known families of armorers.

1526: 403: 912: 251:. Consequently, the greatest contribution was made by religious art in the face of less civil artistic and architectural production. While in adopting the Mannerist style the city's patrons and artists had as a point of reference examples of central-Italian derivation, the city's location near Protestant Switzerland made Milan one of the main centers of the flowering and elaboration of Counter-Reformation art, thanks to the widespread action of 820: 1581: 67: 1248: 3910: 855:. Milan has neoclassical buildings and monuments that were the result of private and public commissions: primarily this is due to the strong link present between the Enlightenment and neoclassical art, especially in architecture of a public nature, and secondly to the role that neoclassical architecture played in the celebration of Napoleon's revolutions and deeds. These periods inevitably came to an end with the 1589: 591:. Due to the latter fact, the achievements of this period broke completely with Mannerist influences and moved closer to a distinctly Baroque style, with influences from the Emilian, Genoese, and Roman schools. The last quarter of the century saw the opening of the second Ambrosian Academy reopened in 1669 under the direction of 859:: Neoclassicism began a slow decline, and was eventually replaced by the Romantic and eclectic style, nevertheless leaving an important legacy. In that flourishing period, the foundations were laid that would later allow Milan to establish itself as the economic, and at certain times even cultural, capital of united Italy. 1416:

in general. Despite this, the work - due to the unique experimental technique used by Leonardo that was incompatible with the humidity of the environment - has been in a poor state of preservation for centuries, which was improved as much as possible during one of the longest restorations in history,

1091:

These artists, who felt themselves to be translators of the spirit of the Novecento, came from different backgrounds and artistic movements, but were linked by a common sense of a "return to order" in art after the avant-garde endeavors especially of Futurism: the Novecento thus returned to classical

972:

borrowed from the architecture of Milan's noble palaces. In contrast, despite a very rich sampling of Art Nouveau applied arts developed in the city, architecture and interior decoration struggled to conform to the new style and except for rare episodes were still dominated by late eclectic stylistic

554:

The second phase of the Baroque, which begins indicatively after the early 1730s, departs after a brief interlude laden with significant events: first of all, the main interpreters of the movement died between 1625 (Giulio Cesare Procaccini) and 1632 (Cerano), to which was added the death of Cardinal

535:

known simply as il Richini, with lines more inspired by the early Roman Baroque. Having overcome this dualism, Richini represents the greatest figure of architect in seventeenth-century Milan, and to find again such a prestigious figure in Milanese architecture one would have to wait until the advent

1753:

Depending on the texts consulted, one finds this definition, as well as the term "Milanese Baroque." The term used, however, should not lead one to consider the artistic period as minor or to the absence of an artistic school in the city. In fact, the style that later spread homogeneously throughout

842:

With the return of the Austrians, the city completed its cultural and economic establishment. Trade and finance activities made Milan Italy's main economic hub, while agriculture in the Milanese area, thanks in part to the government's completion of many water works, was among the most developed and

502:

cardinals and its importance in the Italian, at first Spanish and then Austrian dominions, in a period between the seventeenth century and the first half of the eighteenth century, Milan experienced a lively artistic period during which it assumed the role of a driving center of the Lombard Baroque,

452:

Milanese craftsmen were among the most highly regarded in Europe, yet the heyday of the decorative arts in the city came during the early Spanish rule. One of the leading areas of Milanese craftsmanship was armor, the workmanship of which far exceeded that of other European manufactures. The fame of

907:

With the 1881 National Exhibition, twenty years after the unification of the nation, the city of Milan was definitively established as Italy's main industrial hub. The city saw the formation of a new emerging bourgeois class linked to industry and commerce and made up of master builders, landowners

838:

In 1807 by decree the municipalities of Milan and Venice were endowed with a Commission of Ornamentation with vast powers and wide sphere of action. The Commission was composed of the most influential personalities present in Milan, among them Cagnola and Canonica. The first topic addressed was the

586:

and others; both the by then closed Accademia Ambrosiana, which first gave some continuity in style and then reopened a few years, and the work in some of the workshops of artists from the rest of Italy from the Emilian, Genoese and Venetian schools played a key role in this. Architecture, with the

643:

for genre painting, both of whom were not from Lombardy, stand out: this phase marked a change in the preferences of patrons, who preferred artists from the non-Lombard school, above all the Venetian school, which was considered more prestigious at the time. The late eighteenth century witnessed a

456:

In order to conclude the discussion of the Milanese artistic situation of the late sixteenth century, it is worth mentioning briefly a phenomenon long reputed to be marginal and underground, reevaluated only since the last decade of the twentieth century, which has made it possible to classify the

741:

and the Accademia dei Pugni, as well as the Accademia dei Trasformati. Reforms affected vast areas of the city's public order: as part of the implementation of the tax reorganization, the city was provided with one of the most modern and effective land registries in Europe, known today as the

1052:

It had influence on related movements that developed in other countries in Europe (especially Russia and France), the United States of America and Asia. The Futurists explored every form of expression, from painting to sculpture, literature (poetry and theater), music, architecture, dance,

1485:

The Teatro alla Scala, often informally referred to as "la Scala," is Milan's main opera house. Regarded as one of the most prestigious theaters in the world, it has for 246 years been home to leading artists in the international field of opera, and, more generally, classical music, often

976:

Reaching its apex in 1906, Milanese Art Nouveau saw its first influences with eclectic architecture, which became increasingly strong until the years of World War I, after which Art Nouveau survived only in minor influences in minor buildings, while the trend of the industrial bourgeoisie

1819:

In this regard Aldo Rossi writes that the city had the opportunity "to dispose of vast urbanized areas, to arrange the roads (...), to build schools, academies, gardens; precisely on the gardens of two convents of nuns and on that of the senate the public gardens were established." See

417:

introduced Galeazzo Alessi to Milan: it is surely the architect's most famous city work, and the palace is regarded as Milan's most representative Mannerist civil architecture. Other famous building sites of the second half of the sixteenth century in Milan include the renovation of

932:

mansions: this almost exclusive link between the new ruling class and the new architectural style and the clear detachment from the architectural models of the "old" aristocratic class appear most evident when one observes that, while the new bourgeoisie erected mansions

720:

theories, carried out considerable reforms. Partly as a result of the Enlightenment government and reforms, Milan proved to be open to innovations from Europe, and it quickly became a lively intellectual center. For this reason, too, it was later the main center of the

807:

As the capital of the Kingdom of Italy, numerous urban plans were drawn up for Milan with the aim of giving it the appearance of a European capital, but these did not find full implementation. For some time the population had been petitioning for the demolition of the

94:

The conventional date of the beginning of the Gothic period in the territory of the lordship of Milan is often given as the Visconti family's rise to power in 1282. Thus, the penetration of the new artistic trends from beyond the Alps came later than in

896:. In the Lombard capital, the Art Nouveau style found, due to its close connection with the rampant industrial bourgeoisie of the time, fertile ground for rapid development that saw it range from the influences of French floral art nouveau to German 626:

of the Milanese countryside and the return of the great private city building sites: the liveliness of the building sites led to a greater number of fine performers, including Giovanni Battista Quadrio, Carlo Federico Pietrasanta, Bartolomeo Bolla,

919:

At the beginning of the 20th century, therefore, the bourgeois class, which by then had become the ruler of the social and economic life of the city, found in the Art Nouveau style, a novelty coming from France and introduced in Italy in the

1318:

as part of an ambitious program of renewal of the arts in the duchy, which included calling artists from all over Italy to the Milanese court: in fact, the building was designed according to new Renaissance forms imported into the duchy by

1040:

signed the Manifesto of Futurist Painters in Milan and the Technical Manifesto of Futurist Painting in April of the same year, which contributed, along with other manifestos signed in other Italian cities, to found the artistic movement of

198:

The end of the Gothic period is thus indicatively made to coincide with the collapse of the Visconti seigniory in 1447, with a late Gothic style that would be grafted onto the early central Italian Renaissance period giving rise to the

779:

abandoned the city, which from 1800 passed into French hands. French domination did not stop Milan's exceptional cultural activity; the population was growing rapidly and some of Italy's greatest intellectuals met in the city: from

306:

for the Barnabite fathers, an order that had recently been created to encourage the spread of the Tridentine doctrine: the single-nave interior layout can be considered one of the first attempts at a "basilica of the Reformation."

1802:

In this regard, historian Sergio Zaninelli describes the Milan cadastre at the time as "a fundamental element of Lombard agricultural progress in the 18th and 19th centuries, and celebrated for its technical perfection". See

621:

due to the normative action of the Milanese College of Engineers-Architects and there was a change of trend: religious commissions no longer played the main role in the Milanese artistic scene, but gave way to the

1276:, on the remains of an earlier medieval fortification dating back to the 14th century known as Castello di Porta Giovia (or Zobia). In the same area where Porta Giovia Castle stood, in Roman times, there was the 506:

The Milanese Baroque period can be divided into three parts: the early seventeenth century, the second seventeenth century, and the eighteenth century. The early seventeenth century began with the appointment of

1554:

and represents the archetype of the nineteenth-century shopping gallery. Called simply "the Galleria" by the Milanese, it is often regarded as one of the earliest examples of a shopping center in the world.

3840: 1459:, as well as the wide range of quotations from famous architectural models of the past and the many later churches that drew from the church, San Fedele is considered the model for sacred architecture in 78:

The Milanese Gothic style was an urban artistic movement at the turn of the second half of the 13th century and the first half of the 15th century that was initially introduced into Milanese territory by

567:, founded in 1621 by Federico Borromeo to train young artists for the Milanese school, in which he hired the greatest interpreters of the early Baroque, above all Cerano and Fabio Mangone, as teachers. 1546:. Due to the presence of elegant stores and bars, since its inauguration it was a meeting place for the Milanese bourgeoisie, so much so that it was nicknamed the "living room of Milan." Built in the 3279: 1284:. Considerably transformed and modified over the centuries, Castello Sforzesco was, between the 16th and 17th centuries, one of Europe's leading military citadels; restored in historicist style by 937:

following the new dictates of Art Nouveau, at the same time the traditional and more conservative patronage associated with the old financial and ecclesiastical world - the new bank offices in the

1793:, director of the Academy of Fine Arts in Venice, wrote: "...Milan is so superior in artists and production that, without extraordinary means, it will never be equaled by any city in the kingdom" 816:

was commissioned to build the Foro Bonaparte, and the architect proposed to remodel the castle in neoclassical forms, but due to the excessive cost of implementation the project was shelved.

1288:

between 1890 and 1905, it is now home to cultural institutions and important museums. It is one of the largest castles in Europe as well as one of the main symbols of Milan and its history.

387:

began in 1577 as thanksgiving to the saint for the end of the plague. The church of San Raffaele, built starting in 1579, is attributable to Tibaldi, in which the decorations with sculpted

145: 187:

and Antonio da Rho. In the last years of the Visconti seigniory, similarly to what happened in Florence, there were then the first hints of the new Renaissance art with the work of

839:

Master Plan, drafted in the same year. Until 1814 the city's development was regulated by that plan, which "can be considered one of the most modern plans created in Europe."

1238:. It is the largest church in Italy, the fourth largest in the world by area, and the sixth largest by volume. It is the seat of the parish of Santa Tecla in Milan Cathedral. 1754:

Lombardy started from Milan: for this reason, the term "Lombard Baroque" is considered more correct to characterize the local art school, thus speaking of "Baroque in Milan"

921: 745:

Between 1765 and 1785 Joseph II implemented the suppression of a number of religious orders; the inquisition was abolished, congregations of religious orders, including the

1310:

The church of Santa Maria presso San Satiro is a parish church in Milan. The construction of the church was undertaken at the end of the 15th century at the behest of Duke

587:

passing of Fabio Magone, saw the work of Francesco Richini, who remained almost unrivaled in his Milanese production, alongside minor artists such as Gerolamo Quadrio and

138:. At the same time, however, the Gothic style did not spread noticeably in the area, moreover with stylistic features strongly influenced by Romanesque, until the work of 666: 924:

of 1902, its own specific status symbol and an opportunity to show its power and at the same time emphasize its clear detachment from the aristocratic class and its

2286: 3847: 3457: 348:

was begun in the 15th century, but much of its appearance is due to plans made from 1570 onward. Among the various renovations of old churches was that of the

1327:

of San Satiro from which it took its name, is famous for housing the so-called Bramante faux choir, a masterpiece of Italian Renaissance perspective painting.

3287: 2473: 2437: 2402: 2222: 2176: 1360:

as a mausoleum for his family, constitutes one of the highest achievements of the Renaissance in northern Italy. It was the second Italian site after the

395:

was built on an old Franciscan convent: construction started in 1590 and was already completed in 1604. Finally, Cardinal Borromeo had a hand in bringing

644:

period in which the lines of the Baroque were tempered by the looming neoclassicism, until the Milanese Baroque period came to a close with the painter

3792: 3438: 511:

as bishop of Milan in 1595 in continuity with the work of his cousin Charles: in this first phase the main exponents of Milanese painting were three,

437: 2451: 2416: 2381: 2201: 3732: 3583: 3175: 3124: 2551: 801: 1852:

It should be remembered that Milan at the time had the great advantage of being the only major Italian city incorporated into a modern state. See

239:

The Milanese art scene of the second half of the 16th century must be analyzed by considering the particular position of the city: while for the

2236: 3224: 167:

After a setback due to a turbulent political period after the death of Gian Galeazzo Visconti, Milan's artistic splendor resumed vigor under

3419: 1486:

commissioning works that are still on the billboards of major theaters around the world. The theater was inaugurated on August 3, 1778 with

603:, linked to the Roman academy of the same name, contributed to the return of a classicist trend linked to the Bolognese and Roman schools. 111:(1203). This delay in the introduction of the Gothic style in the Milanese area can be explained by the strong and deep-rooted presence of 1353:

and forming part of the parish of San Vittore al Corpo. The architecture of the tribune, built between 1492 and 1493 at the behest of the

606: 156:

The dense agenda of support for the arts inaugurated by Azzone Visconti was continued by his successor Bernabò Visconti, but above all by

716:(1765-1790), the city was the protagonist of a strong economic and cultural renaissance: the empress and her son, strongly influenced by 1900: 1180:), is one of the oldest churches in Milan and is located in Piazza Sant'Ambrogio. It represents to this day not only a monument of the 1117: 543: 3333: 570:

Painting in the second half of the seventeenth century was then completely renewed in its interpreters, with the work of the brothers

217: 1417:

lasting from 1978 to 1999 using the most advanced techniques in the field. In 2014 it was the 13th most visited Italian state site.

843:

modern in Europe: at the same time, the city became Italy's major publishing and cultural center, with the work of figures such as

812:, and by decree of June 23, 1800 Napoleon ordered its demolition. It was partially carried out starting in 1801; in that same year 776: 1092:

antiquity, purity of form and harmony in composition as its supreme reference. In this sense it also adopted the designation of

3833: 3200: 295: 243:

it represented a strategic military outpost, from the religious point of view it was at the center of the conflict between the

3872: 233: 212: 2889:

Il concetto di tradizione nell'architettura neoclassica milanese, in Scritti scelti sull'architettura e la città 1956 - 1972

2261: 262:

from Perugia were the first architects to break away from the Lombard late Renaissance tradition. To the former are due the

1181: 588: 1538:

Galleria Vittorio Emanuele II is a commercial gallery in Milan that, in the form of a covered pedestrian street, connects

1385: 1060:

Milan was also the birthplace of the artistic movement called Novecento, which was born in the city at the end of 1922 by

964:

is notable. Common, on the other hand, is the use of painting on the walls of buildings, often with ceramic tiles, and of

892:, that is, the period of the aforementioned style that spread in Milan between the early 20th century and the outbreak of 1268:) is a fortification that stands in Milan just outside the city's historic center. It was erected in the 15th century by 1227: 1193: 1008: 1336: 999: 3887: 686: 661: 279: 548: 3454: 1218:

The Metropolitan Cathedral Basilica of the Nativity of the Blessed Virgin Mary, better known as the Milan Cathedral (

1173: 302:

in a collaboration with Alessi. Alessi continued in his Counter-Reformation program with the construction of the new

635:, who were joined by the Roman Giovanni Ruggeri, who was very active throughout Lombardy. In painting, the works of 1547: 559:, which halved the city's population, striking among the thousands of victims the promising young Milanese painter 908:

and entrepreneurs who in a few decades would stand alongside the city's old nobility in affluence and importance.

1405: 1344: 3952: 2850: 2842: 1497: 392: 372: 357: 2307: 356:. Martino Bassi's most important works also include the reconstruction in classicist forms of the dome of the 1533: 1400:

The Last Supper is a wall painting created with a mixed technique using dry paint on plaster (460×880 cm) by

1305: 754: 713: 694: 287: 43:, has made important contributions to the development of art history, and has been the cradle of a number of 171:, who in the first half of the 15th century transformed the Milanese court into one of the major centers of 3512: 3435: 1361: 1155: 611: 556: 345: 310: 352:, with the addition of the portico and the design of a new facade starting in 1573 under the direction of 1735: 877: 583: 520: 299: 161: 3076:

Armando Besio (15 May 2010). "Neon e soffitti d'autore l'Arengario ritrovato per De Chirico e Picasso".

3900: 1394: 1373: 1365: 531:, with more classical lines and for this reason often chosen for commissions by Federico Borromeo, and 364: 2356: 1349:

The church of Santa Maria delle Grazie is a basilica and sanctuary located in Milan, belonging to the

3942: 2452:"Palazzo Erba Odescalchi, Via dell'Unione, 5 - Milano (MI) – Architetture – Lombardia Beni Culturali" 1513: 1504:. Since the year of its founding, it has been home to the choir of the same name, the orchestra, the 1054: 925: 813: 765: 636: 487: 423: 1563: 336:

that he had gotten to know in his Roman sojourns: the cardinal placed their headquarters in the old

1404:, dated 1495-1498 and preserved in the former Renaissance refectory of the convent adjacent to the 1088:

who, at the Pesaro Gallery in Milan, joined together in the new movement named Novecento by Bucci.

575: 516: 512: 180: 3416: 1691: 1617: 1539: 1505: 1460: 1231: 689:, which was among the most important in Italy and Europe. It lasted from the end of the reign of 617:

The eighteenth century represents the last Baroque phase; the style did not blossom overtly into

592: 532: 200: 112: 100: 40: 941:

area stand out above them all - remained tied instead to the now decadent and more conservative

2846: 2332: 1551: 1426: 1354: 701:: in this period Milan was the protagonist of a strong cultural and economic revival, in which 349: 168: 157: 2487: 555:

Federico Borromeo, among the major figures of seventeenth-century Lombardy, and above all the

1686: 831: 722: 600: 564: 431: 384: 275: 267: 126:

The date, however, is only indicative since the first example of Gothic appeared in Milan by

3786: 3258: 1205: 1053:

photography, film, and even gastronomy. The movement's official name is due to Italian poet

3947: 3867: 3825: 3337: 1634: 1311: 948: 929: 889: 881: 868: 717: 649: 628: 188: 172: 2417:"Palazzo arcivescovile - complesso, Milano (MI) – Architetture – Lombardia Beni Culturali" 399:

into line with the new Tridentine norms, thus giving a boost to the work on the building.

270:, set according to the same construction scheme of a single nave with side chapels with a 83:. It was the main artistic style of the vast patronage and self-celebrating agenda of the 8: 3882: 1622: 1488: 1413: 1297: 1097: 1077: 1069: 1013: 961: 957: 640: 537: 61: 3726: 3577: 2545: 1790: 1612: 1543: 1509: 1269: 1255: 1196:. It is traditionally considered the second most important church in the city of Milan. 994: 942: 901: 856: 809: 725:: the city featured the most famous interpreters of the movement, such as the brothers 698: 645: 479: 427: 376: 341: 332:

in the city of Milan, there was also the intention to bring to the city the company of

322: 303: 263: 221: 184: 119:, which was not by chance overcome only with the new political course of the Visconti 19: 2467: 2431: 2396: 2216: 1876: 1654: 1644: 1480: 1434: 1401: 1369: 1020:

Milan was the cradle of a number of modern art movements. In February 1910, painters

709: 571: 508: 499: 442: 407: 337: 192: 176: 150: 135: 131: 116: 84: 708:

In the early 18th century Milan passed from Spanish to Austrian rule, following the

3877: 2535: 1718: 1701: 1649: 1448: 1444: 1265: 1235: 1223: 1189: 1165: 1021: 1003: 969: 789: 781: 760: 726: 491: 474: 388: 353: 329: 291: 252: 229: 142:

between 1329 and 1339, who introduced artists from Pisa and Florence to his court.

91:, whose rule over the city is usually associated with the Milanese Gothic period. 3926: 3461: 3442: 3423: 3103: 3094:

collected and ordered by Maria Drudi Gambillo e Teresa Fiori, Roma (1958). p. 63.

1674: 1508:, and since 1982 also to the Philharmonic. The theater complex is located in the 1493: 1357: 1350: 1320: 1315: 1213: 938: 734: 670: 632: 596: 579: 419: 396: 283: 259: 244: 139: 104: 71: 2202:"Tempio di S. Sebastiano, Milano (MI) – Architetture – Lombardia Beni Culturali" 848: 3921: 3401:

Teatro alla Scala 1778: «Europa riconosciuta» inaugura a Milano l'opera europea

1696: 1669: 1639: 1273: 1101: 1081: 873: 844: 823: 797: 785: 560: 524: 414: 314: 240: 108: 1025: 3936: 3150: 2838: 1706: 1285: 1093: 1073: 1037: 1033: 1029: 702: 690: 678: 528: 462: 380: 368: 96: 88: 24: 1376:

fresco located in the refectory of the convent (owned by the City of Milan).

430:, Palazzo Arcivescovile, Palazzo Erba Odescalchi, and the rebuilding of the 3914: 2382:"Casa degli Omenoni, Milano (MI) – Architetture – Lombardia Beni Culturali" 1723: 1185: 1065: 1061: 730: 648:, at whose death in 1783 the city of Milan was already in the midst of the 271: 1472: 1170:

basilica romana minore collegiata abbaziale prepositurale di Sant'Ambrogio

1525: 1409: 1085: 1046: 893: 852: 793: 458: 449: 248: 127: 80: 3784: 738: 3225:"Gio Ponti. Vita e percorso artistico di un protagonista del XX secolo" 2262:"Chiesa di Santa Maria al Paradiso - Comunità Pastorale Santi Apostoli" 1659: 1447:) is a Catholic church in Milan, built in the 16th century by order of 1281: 897: 804:

was also inaugurated and numerous newspapers were founded in the city.

402: 44: 1780:

were made famous among others by the engravings of Marcantonio Dal Re.

956:

Giving further impetus to the development of Art Nouveau was the 1906

911: 712:

in 1714. Under the reigns of Maria Theresa of Austria (1740-1780) and

1664: 1105: 819: 3133: 3112: 1607: 1602: 1324: 1096:. The Novecento movement also manifested itself in literature with 1042: 990: 978: 965: 772: 750: 120: 2454:. February 8, 2023. Archived from the original on February 8, 2023 1763:

As indeed it did not blossom into Rococo in much of Lombardy, see

1580: 66: 1807:

Il nuovo censo dello stato di Milano dall'editto del 1718 al 1733

1455:. Because of the structure's adherence to St. Charles Borromeo's 1452: 1247: 746: 527:, two other main architects shared the scene at the time, namely 490:

in Palazzo Clerici: one of the most significant interiors of the

333: 1588: 3717:

Fernando Mazzocca, Alessandro Morandotti; Enrico Colle (2001).

3259:"Le 10 Chiese più grandi del Mondo - Classifica Ufficiale 2017" 618: 115:, also by virtue of the link between this architecture and the 3545:(Guide rosse d'Italia ed.). Milano: Touring Club Editore. 1901:"I Visconti e il gotico a Milano - La Chiesa Nel Rinascimento" 3568:

Marco Dezzi Bardeschi, Federico Bucci, Roberto Dulio (2006).

3474: 2287:"The Duomo of Milan, Santa Maria Nascente – Chiesa di Milano" 36: 3855: 2536:

Carlo Bertelli, Giuliano Briganti, Antonio Giuliano (1991).

547:

Via Durini in Milan: Palazzo Durini, Casa Toscanini and the

294:'s first work in Milan, excluding his apprenticeship in the 3554:. Vol. Il tardo Cinquecento (vol. 10). Milano: Electa. 1836:

However, Antolini's idea remained a purely formal one. See

1557: 1519: 1466: 1420: 1379: 1330: 1291: 1241: 1121: 363:

The project for the completion of the construction site of

3810:

Italian Liberty : una nuova stagione dell'art nouveau

1124: 35:

represents one of the attractions of the Lombard capital.

3464:

dedicated to the Ballet Company on the theater's website.

1234:

name in the center of the metropolis, it is dedicated to

1199: 1160:

Basilica of Sant'Ambrogio The basilica of Sant'Ambrogio (

503:

of which the Milanese Baroque was the dominant movement.

39:

has been among the most important Italian centers in the

340:, which proved inadequate for Borromeo's propaganda, so 3647:

Pellegrino Tibaldi architetto e il San Fedele di Milano

3611:

Insula Ansperti: il complesso monumentale di San Satiro

1550:, it is among the most celebrated examples of European 1280:

of the same name, one of the four defensive castles of

563:, which, among other things, led to the closure of the 16:

Aspects of the history of architecture and art in Milan

3248:

Cattolica, Guida alla Diocesi di Milano, Edizione 2012

3201:"Itinerari di architettura | Ordine Architetti Milano" 2419:. 2015-05-23. Archived from the original on 2015-05-23 2384:. 2011-07-03. Archived from the original on 2011-07-03 2204:. 2014-06-01. Archived from the original on 2014-06-01 1230:. A symbol of the Lombard capital, and located in the 705:

was the dominant artistic style and major expression.

3898: 2806: 2804: 3683:

La Galleria Vittorio Emanuele e l'Architetto Mengoni

3445:

dedicated to the orchestra on the theater's website.

984: 1577:Among the most prominent artist are the following: 1100:and especially in architecture with the architects 234:

art of the second half of the 16th century in Milan

130:in the first half of the 13th century: in 1221 the 27:, the most famous example of neoclassicism in Milan 2801: 2768:, p. 53), see also introduction to the volume 375:was commissioned by Charles Borromeo in 1580 from 344:was commissioned to construct a new building. The 103:had already produced almost a century earlier the 74:, the most famous example of Milanese Gothic style 3785:Cavagna Sangiuliani di Gualdana, Antonio (1845). 3638:Architettura a Milano tra controriforma e barocco 2177:"Milano (MI) | Chiesa di San Carlo al Lazzaretto" 1408:in Milan. It is the most famous depiction of the 599:, which together with the newly founded Milanese 3934: 3426:dedicated to the choir on the theater's website. 2472:: CS1 maint: bot: original URL status unknown ( 2436:: CS1 maint: bot: original URL status unknown ( 2401:: CS1 maint: bot: original URL status unknown ( 2221:: CS1 maint: bot: original URL status unknown ( 1804: 3791:(in Italian). Milano: Bernardoni. p. 794. 3672:Maria Teresa Fiorio, Valerio Terraroli (2009). 3645:Stefano Della Torre, Richard Schofield (1994). 3280:"Parrocchia di Santa Tecla nel Duomo di Milano" 2357:"Palazzo Giureconsulti | Palazzo Giureconsulti" 1323:. The church, built by incorporating the older 206: 175:, calling to his service such personalities as 3710:L'architettura del ferro: l'Italia (1796-1914) 2630: 1512:, next to the Casino Ricordi, now home to the 379:, although in fact the work was supervised by 328:In the Counter-Reformation agenda of Cardinal 3841: 3591:Rossana Bossaglia, Valerio Terraioli (2003). 3543:Touring Club Italiano:Guida d'Italia - Milano 3075: 753:, the Brera cultural center and the reformed 3731:: CS1 maint: multiple names: authors list ( 3582:: CS1 maint: multiple names: authors list ( 3549: 2550:: CS1 maint: multiple names: authors list ( 2055: 1188:period, but also a fundamental point in the 33:architectural and artistic presence in Milan 3758:Francesco Ogliari; Roberto Bagnera (2006). 2564: 1500:, which was demolished to make way for the 652:, in the midst of the Neoclassical period. 595:, a pupil of Carlo Francesco Nuvolone, and 298:, was instead in the reconstruction of the 3848: 3834: 3749:Paolo Mezzanotte, Giacomo Bascapè (1968). 3618:Simonetta Coppa, Federica Bianchi (2009). 2915: 2913: 2901: 2886: 2821: 2819: 2791: 2789: 1837: 1821: 1118:Category:Buildings and structures in Milan 693:, and continued throughout the subsequent 3690:Maurizio Grandi; Attilio Pracchi (1991). 1809:. Milano: Vita e pensiero. pp. 9–10. 1572: 3857:History of architecture and art in Milan 3097: 2689: 2687: 2620: 2618: 2593: 2591: 2540:. Milano: Mondadori Electa. p. 338. 1712: 1587: 1579: 998: 947: 910: 872: 818: 802:Lombard Institute of Science and Letters 759: 665: 605: 542: 478: 436: 401: 309: 216: 144: 65: 18: 2910: 2816: 2786: 2662: 2660: 2647: 2645: 2578: 2576: 2569:. Milano: Vita e pensiero. p. 103. 1306:Church of Santa Maria presso San Satiro 888:Also important for art history was the 288:church of Santa Maria presso San Satiro 3935: 3692:Milano: guida all'architettura moderna 3570:Milano: architettura, città, paesaggio 3510: 3480: 3311:, Touring Club Italiano, 1985, p. 436. 3045: 2937: 2776: 2774: 2237:"Milano (MI) | Chiesa di San Raffaele" 915:Decoration of the former Hotel Trianon 346:church of Santa Maria presso San Celso 3873:Art of the late 16th century in Milan 3829: 3671: 3608: 3492: 3320: 3314: 3144: 3142: 2868: 2684: 2615: 2588: 2523: 2511: 2121: 2097: 1877:"General view by PECORARI, Francesco" 1406:sanctuary of Santa Maria delle Grazie 213:Art of the late 16th century in Milan 3795:from the original on 20 October 2018 3744:. Milano: Gabriele Mazzotta editore. 3742:Milano e l'eclettico Déco, 1900-1950 3609:Adele Buratti Mazzotta, ed. (1992). 3567: 3302: 2973: 2931: 2925: 2780: 2657: 2642: 2573: 2109: 2085: 2067: 1412:, a masterpiece of Leonardo and the 945:in vogue in the nineteenth century. 3654:Francesco Paolo Fiore, ed. (1998). 3148: 2771: 1502:Nuovo Regio Ducal Teatro alla Scala 1009:Unique Forms of Continuity in Space 757:, were created during this period. 13: 3888:Neoclassical architecture in Milan 3769:Disegno storico dell'arte lombarda 3629:Milano Capitale economica d'Italia 3602:Disegno dell'architettura italiana 3139: 2567:Disegno storico dell'arte lombarda 1345:Church of Santa Maria delle Grazie 662:Neoclassical architecture in Milan 549:church of Santa Maria della Sanità 391:in the lower order stand out. The 164:and European Gothic architecture. 14: 3964: 2241:BeWeB - Beni Ecclesiastici in Web 2181:BeWeB - Beni Ecclesiastici in Web 985:Art movements of the 20th century 393:church of Santa Maria al Paradiso 373:church of San Carlo al Lazzaretto 258:Domenico Giunti from Tuscany and 3920: 3908: 3819:Lombardia barocca e tardobarocca 3775: 3766: 3644: 3631:. Milano: Franco Angeli Editore. 3504: 3467: 3448: 3429: 3410: 3393: 3376: 3364: 3358: 3151:"Novecento, movimento artistico" 2151: 1995: 1562: 1524: 1498:church of Santa Maria alla Scala 1471: 1425: 1384: 1335: 1296: 1246: 1204: 655: 3751:Milano nell'arte e nella storia 3748: 3681:Giuliano Gresleri, ed. (1997). 3559:Maria Grazia Balzarini (2000). 3534: 3352: 3326: 3272: 3251: 3242: 3217: 3193: 3168: 3118: 3084: 3069: 3057: 3033: 3021: 3009: 2997: 2985: 2961: 2949: 2895: 2880: 2856: 2831: 2759: 2747: 2735: 2723: 2711: 2699: 2672: 2603: 2558: 2529: 2517: 2505: 2480: 2444: 2409: 2374: 2349: 2325: 2300: 2279: 2254: 2229: 2194: 2169: 2157: 2145: 2133: 2079: 2073: 2061: 2049: 2037: 2025: 2013: 2007: 2001: 1846: 1830: 1813: 1796: 1783: 1770: 1757: 1747: 1492:, composed for the occasion by 1108:, Paolo Mezzanotte and others. 1045:, which was the first European 55: 3816: 3778:Lombardia gotica e tardogotica 3590: 3558: 3540: 3513:"10 Great Renaissance Artists" 3405:Salieri sulle tracce di Mozart 3334:"Il restauro dell'ultima cena" 2967: 2919: 2891:. Milano: Clup. pp. 1–24. 2862: 2851:Brera Astronomical Observatory 2843:Biblioteca Nazionale Braidense 2825: 2795: 2729: 2693: 2624: 2597: 2492:Aparthotel dei Mercanti Milano 2019: 1989: 1977: 1971: 1965: 1953: 1947: 1941: 1935: 1929: 1923: 1917: 1893: 1869: 1764: 1111: 1012:, 1949 model exhibited at the 958:Milan International Exposition 862: 300:church of San Vittore al Corpo 1: 3808:Andrea Speziali, ed. (2015). 3807: 3716: 3698: 3680: 3626: 3498: 3003: 2979: 2955: 2943: 2874: 2810: 2765: 1862: 1853: 1596: 1534:Galleria Vittorio Emanuele II 1496:, and took its name from the 1174:original early Christian name 777:Archduke Ferdinand of Austria 3757: 3721:. Milano: Longanesi & C. 3663:Maria Teresa Fiorio (2006). 3027: 3015: 2991: 2906:. Milano: Clup. p. 199. 1842:. Milano: Clup. p. 200. 1826:. Milano: Clup. p. 200. 1680: 1561: 1556: 1523: 1518: 1470: 1465: 1424: 1419: 1383: 1378: 1362:rock drawings in Valcamonica 1334: 1329: 1295: 1290: 1245: 1240: 1203: 1198: 977:spontaneously flowed toward 766:church of San Carlo al Corso 323:church of San Paolo Converso 264:church of San Paolo Converso 207:Art of the sixteenth century 7: 3740:Oscar Pedro Melano (2004). 3739: 3707: 3689: 3662: 3599: 3486: 3370: 3063: 3051: 3039: 2361:www.palazzogiureconsulti.it 2139: 2127: 2103: 1736:Villas and palaces in Milan 1729: 1628: 1226:), is the cathedral of the 695:Napoleonic Kingdom of Italy 687:Milan's neoclassical period 675:Monument to Cesare Beccaria 639:for "history painting" and 521:Pier Francesco Mazzucchelli 360:, which collapsed in 1573. 10: 3969: 3817:Valerio Terraroli (2004). 3771:. Milano: Vita e Pensiero. 3762:. Pavia: Edizioni Selecta. 3653: 3635: 3617: 3517:World History Encyclopedia 3176:"Novecento - Enciclopedia" 2904:L'architettura della città 2753: 2741: 2717: 2705: 2678: 2666: 2651: 2636: 2609: 2582: 2163: 2115: 2091: 2043: 2031: 1983: 1959: 1840:L'architettura della città 1824:L'architettura della città 1537: 1532: 1484: 1479: 1439:The Church of San Fedele ( 1438: 1433: 1399: 1392: 1366:UNESCO World Heritage Site 1348: 1343: 1309: 1304: 1272:, who had recently become 1259: 1254: 1236:Saint Mary of the Nativity 1217: 1212: 1159: 1154: 1115: 988: 880:, an important example of 866: 659: 472: 468: 371:, dates back to 1576. The 365:Santa Maria della Passione 210: 134:was consecrated by Bishop 59: 50: 3863: 3776:Marco Rossi, ed. (2005). 3627:Etienne Dalmasso (1972). 3613:. Milano: Amilcare Pizzi. 2538:Storia dell'arte italiana 2308:"Visitare Palazzo Marino" 2056:La storia dell'arte (2006 1805:Sergio Zaninelli (1963). 1514:Museo teatrale alla Scala 1162:basilega de Sant Ambroeus 1156:Basilica of Sant'Ambrogio 1147: 1142: 1137: 1132: 1055:Filippo Tommaso Marinetti 584:Giovan Battista Discepoli 484:The Gallery of Tapestries 424:Palazzo dei Giureconsulti 422:and the constructions of 3821:. Milano: Skira editore. 3753:. Milano: Bestetti 1198. 3703:. Milano: Skira editore. 3699:Chiara Gualdoni (2009). 3595:. Milano: Skira editore. 2754:Coppa, 2009 & pg. 28 2494:(in Italian). 2016-04-25 2337:www.retecivica.milano.it 1741: 1260:The Castello Sforzesco ( 1094:Simplified Neoclassicism 691:Maria Theresa of Austria 576:Carlo Francesco Nuvolone 517:Giulio Cesare Procaccini 385:church of San Sebastiano 3685:. Imola: La Mandragora. 3636:Giovanni Denti (1988). 3390:, Electa, Milano, 2006. 1692:Giovanni Antonio Amadeo 1618:Francesco Maria Richini 1510:square of the same name 1461:Counter-Reformation art 1314:and later continued by 952:Detail of Casa Donzelli 533:Francesco Maria Richini 498:Due to the work of the 358:Basilica of San Lorenzo 280:Basilica of Sant'Andrea 232:, a typical example of 113:Romanesque architecture 41:history of architecture 3708:Romano Jodice (1985). 3694:. Bologna: Zanichelli. 3600:Cesare Brandi (2013). 3388:Santa Maria alla scala 3321:Buratti Mazzotta (1992 3205:ordinearchitetti.mi.it 3155:ADO Analisi dell'opera 2847:Orto botanico di Brera 2524:Fiorio-Terraroli (2009 2512:Fiorio-Terraroli (2009 2488:"Palazzo Reale Milano" 1593: 1585: 1573:Most prominent artists 1552:cast-iron architecture 1364:to be classified as a 1168:), whose full name is 1017: 953: 916: 885: 835: 828:Apotheosis of Napoleon 768: 682: 614: 557:great Manzonian plague 551: 513:Giovan Battista Crespi 495: 492:Milanese Baroque style 445: 410: 383:. Construction of the 350:Garegnano Charterhouse 325: 236: 222:Giovanni Paolo Lomazzo 181:Pier Candido Decembrio 169:Filippo Maria Visconti 153: 75: 28: 3953:Architectural history 3604:. Roma: Castelvecchi. 3563:. Milano: Nodo Libri. 3382:Maria Teresa Florio, 3134:Enciclopedia Treccani 3113:Enciclopedia Treccani 2932:Dezzi Bardeschi (2006 2781:Dezzi Bardeschi (2006 2068:Dezzi Bardeschi (2006 1713:Schools and movements 1687:Giovanni di Balduccio 1591: 1583: 1548:Neo-Renaissance style 1002: 951: 914: 876: 832:Royal Palace of Milan 822: 775:'s arrival in Italy, 763: 723:Italian Enlightenment 669: 609: 546: 482: 448:Already in the early 440: 413:The building site of 405: 313: 304:church of San Barnaba 268:church of Sant'Angelo 220: 148: 69: 22: 3868:Art Nouveau in Milan 3812:. Forlì: Cartacanta. 3767:Marco Rossi (1990). 3674:Lombardia manierista 3622:. Milano: Jaca Book. 3550:Autori vari (2006). 3541:Autori vari (2003). 3399:Elena Biggi Parodi, 3290:on 30 September 2015 3092:Archives of Futurism 2565:Marco Rossi (2005). 2266:www.santiapostoli.eu 1998:, pp. 219–220). 1905:digilander.libero.it 1635:Michelino da Besozzo 1449:St. Charles Borromeo 1435:Church of San Fedele 1312:Gian Galeazzo Sforza 1278:Castrum Portae Jovis 1228:Archdiocese of Milan 890:Milanese Art Nouveau 882:Milanese Art Nouveau 869:Art Nouveau in Milan 764:Small square of the 714:Joseph II of Austria 685:Also noteworthy was 650:Age of Enlightenment 637:Giambattista Tiepolo 629:Carlo Giuseppe Merlo 610:Carlone frescoes in 565:Accademia Ambrosiana 488:Giambattista Tiepolo 441:Palazzo Marino from 408:church of San Fedele 338:church of San Fedele 274:roof, a citation of 253:St. Charles Borromeo 189:Masolino da Panicale 151:abbey of Chiaravalle 132:abbey of Chiaravalle 3883:Gothic art in Milan 3665:Le chiese di Milano 3593:Il liberty a Milano 3552:La storia dell'arte 2902:Aldo Rossi (1978). 2887:Aldo Rossi (1975). 1838:Aldo Rossi (1978). 1822:Aldo Rossi (1978). 1623:Giuseppe Piermarini 1489:Europa riconosciuta 1414:Italian Renaissance 1129: 1098:Massimo Bontempelli 1070:Leonardo Dudreville 1014:Museo del Novecento 962:reinforced concrete 878:Palazzo Castiglioni 742:Teresian Cadastre. 641:Alessandro Magnasco 601:Academy of San Luca 538:Giuseppe Piermarini 515:, known as Cerano, 319:Ascension of Christ 230:Church of San Marco 201:Lombard Renaissance 62:Gothic art in Milan 3719:Milano Neoclassica 3649:. Como: NodoLibri. 3640:. Firenze: Alinea. 3511:Cartwright, Mark. 3501:, pp. 57–58). 3460:2013-01-22 at the 3441:2013-01-22 at the 3422:2015-04-14 at the 3149:Ado (2021-06-17). 2970:, pp. 12–14). 2514:, pp. 56–59). 1791:Leopoldo Cicognara 1613:Pellegrino Tibaldi 1594: 1586: 1544:Piazza della Scala 1256:Castello Sforzesco 1232:square of the same 1144:Year of completion 1128: 1018: 995:Novecento Italiano 954: 917: 886: 857:Conservative Order 836: 810:Castello Sforzesco 769: 737:, and was home to 699:Conservative Order 683: 646:Francesco Londonio 615: 612:Sant'Antonio Abate 552: 496: 446: 428:Casa degli Omenoni 411: 377:Pellegrino Tibaldi 342:Pellegrino Tibaldi 326: 296:Fabbrica del Duomo 237: 185:Gasparino Barzizza 154: 149:Bell tower of the 105:Abbey of Fossanova 76: 29: 3896: 3895: 3667:. Milano: Electa. 3658:. Milano: Electa. 3620:Lombardia barocca 3359:Della Torre (1994 3080:. pp. 14–15. 2333:"Villa Simonetta" 1655:Gaudenzio Ferrari 1645:Leonardo da Vinci 1592:Leonardo da Vinci 1570: 1569: 1481:Teatro alla Scala 1441:Gesa de San Fedee 1402:Leonardo da Vinci 1370:Leonardo da Vinci 1262:Castell Sforzesch 1178:basilica martyrum 1127: 751:Teatro alla Scala 710:Treaty of Rastatt 509:Federico Borromeo 486:with frescoes by 443:Piazza San Fedele 282:already found in 249:Reformed Churches 193:Castiglione Olona 177:Francesco Filelfo 109:Abbey of Casamari 101:Cistercian Gothic 3960: 3943:Culture in Milan 3925: 3924: 3913: 3912: 3911: 3904: 3878:Baroque in Milan 3850: 3843: 3836: 3827: 3826: 3822: 3813: 3804: 3802: 3800: 3781: 3780:. Milano: Skira. 3772: 3763: 3754: 3745: 3736: 3730: 3722: 3713: 3712:. Roma: Bulzoni. 3704: 3695: 3686: 3677: 3676:. Milano: Skira. 3668: 3659: 3650: 3641: 3632: 3623: 3614: 3605: 3596: 3587: 3581: 3573: 3572:. Roma: Mancosu. 3564: 3555: 3546: 3528: 3527: 3525: 3523: 3508: 3502: 3496: 3490: 3484: 3478: 3473:See the website 3471: 3465: 3452: 3446: 3433: 3427: 3414: 3408: 3397: 3391: 3384:Chiese di Milano 3380: 3374: 3368: 3362: 3356: 3350: 3349: 3347: 3345: 3336:. Archived from 3330: 3324: 3318: 3312: 3306: 3300: 3299: 3297: 3295: 3286:. Archived from 3276: 3270: 3269: 3267: 3265: 3255: 3249: 3246: 3240: 3239: 3237: 3236: 3221: 3215: 3214: 3212: 3211: 3197: 3191: 3190: 3188: 3187: 3172: 3166: 3165: 3163: 3162: 3146: 3137: 3130: 3122: 3116: 3109: 3101: 3095: 3088: 3082: 3081: 3073: 3067: 3061: 3055: 3049: 3043: 3037: 3031: 3025: 3019: 3013: 3007: 3001: 2995: 2989: 2983: 2977: 2971: 2965: 2959: 2953: 2947: 2941: 2935: 2929: 2923: 2917: 2908: 2907: 2899: 2893: 2892: 2884: 2878: 2872: 2866: 2860: 2854: 2835: 2829: 2823: 2814: 2808: 2799: 2793: 2784: 2778: 2769: 2763: 2757: 2751: 2745: 2739: 2733: 2727: 2721: 2715: 2709: 2703: 2697: 2691: 2682: 2676: 2670: 2664: 2655: 2649: 2640: 2634: 2628: 2622: 2613: 2607: 2601: 2595: 2586: 2580: 2571: 2570: 2562: 2556: 2555: 2549: 2541: 2533: 2527: 2521: 2515: 2509: 2503: 2502: 2500: 2499: 2484: 2478: 2477: 2471: 2463: 2461: 2459: 2448: 2442: 2441: 2435: 2427: 2425: 2424: 2413: 2407: 2406: 2400: 2392: 2390: 2389: 2378: 2372: 2371: 2369: 2368: 2353: 2347: 2346: 2344: 2343: 2329: 2323: 2322: 2320: 2319: 2312:Comune di Milano 2304: 2298: 2297: 2295: 2294: 2283: 2277: 2276: 2274: 2273: 2258: 2252: 2251: 2249: 2248: 2233: 2227: 2226: 2220: 2212: 2210: 2209: 2198: 2192: 2191: 2189: 2188: 2173: 2167: 2161: 2155: 2149: 2143: 2137: 2131: 2125: 2119: 2113: 2107: 2101: 2095: 2089: 2083: 2080:Mezzanotte (1968 2077: 2071: 2065: 2059: 2053: 2047: 2041: 2035: 2029: 2023: 2017: 2011: 2010:, p. XXVI). 2008:Mezzanotte (1968 2005: 1999: 1993: 1987: 1981: 1975: 1969: 1963: 1957: 1951: 1945: 1939: 1933: 1927: 1921: 1915: 1914: 1912: 1911: 1897: 1891: 1890: 1888: 1887: 1873: 1857: 1850: 1844: 1843: 1834: 1828: 1827: 1817: 1811: 1810: 1800: 1794: 1787: 1781: 1778:ville di delizia 1774: 1768: 1761: 1755: 1751: 1719:Comacine masters 1702:Giuseppe Rusnati 1650:Bernardino Luini 1566: 1528: 1475: 1453:Society of Jesus 1445:Milanese dialect 1429: 1388: 1358:Ludovico il Moro 1339: 1316:Ludovico il Moro 1300: 1270:Francesco Sforza 1266:Milanese dialect 1250: 1224:Milanese dialect 1208: 1194:Ambrosian Church 1190:history of Milan 1166:Milanese dialect 1130: 1122: 1022:Umberto Boccioni 1004:Umberto Boccioni 922:Turin Exposition 790:Alessandro Volta 782:Melchiorre Gioia 624:ville di delizia 475:Baroque in Milan 354:Vincenzo Seregni 330:Charles Borromeo 292:Vincenzo Seregni 228:, Foppa Chapel, 173:Italian humanism 128:Cistercian monks 81:Cistercian monks 3968: 3967: 3963: 3962: 3961: 3959: 3958: 3957: 3933: 3932: 3931: 3919: 3909: 3907: 3899: 3897: 3892: 3859: 3854: 3798: 3796: 3788:Guida di Milano 3724: 3723: 3656:Il Quattrocento 3575: 3574: 3537: 3532: 3531: 3521: 3519: 3509: 3505: 3497: 3493: 3489:, p. 270). 3485: 3481: 3472: 3468: 3462:Wayback Machine 3453: 3449: 3443:Wayback Machine 3434: 3430: 3424:Wayback Machine 3415: 3411: 3398: 3394: 3381: 3377: 3373:, p. 193). 3369: 3365: 3357: 3353: 3343: 3341: 3340:on 7 April 2018 3332: 3331: 3327: 3323:, p. 173). 3319: 3315: 3307: 3303: 3293: 3291: 3278: 3277: 3273: 3263: 3261: 3257: 3256: 3252: 3247: 3243: 3234: 3232: 3229:Museo Novecento 3223: 3222: 3218: 3209: 3207: 3199: 3198: 3194: 3185: 3183: 3174: 3173: 3169: 3160: 3158: 3147: 3140: 3128: 3123: 3119: 3107: 3102: 3098: 3089: 3085: 3074: 3070: 3062: 3058: 3054:, p. 121). 3050: 3046: 3038: 3034: 3026: 3022: 3014: 3010: 3002: 2998: 2990: 2986: 2978: 2974: 2968:Bossaglia (2003 2966: 2962: 2958:, p. 136). 2954: 2950: 2942: 2938: 2930: 2926: 2920:TCI rosso (2003 2918: 2911: 2900: 2896: 2885: 2881: 2873: 2869: 2863:TCI rosso (2003 2861: 2857: 2836: 2832: 2826:TCI rosso (2003 2824: 2817: 2813:, p. 141). 2809: 2802: 2796:TCI rosso (2003 2794: 2787: 2779: 2772: 2764: 2760: 2752: 2748: 2740: 2736: 2732:, p. 142). 2730:Terraroli (2004 2728: 2724: 2716: 2712: 2704: 2700: 2696:, p. 277). 2694:Terraroli (2004 2692: 2685: 2681:, p. 110). 2677: 2673: 2665: 2658: 2650: 2643: 2635: 2631: 2627:, p. 137). 2625:Terraroli (2004 2623: 2616: 2612:, p. 109). 2608: 2604: 2600:, p. 127). 2598:Terraroli (2004 2596: 2589: 2581: 2574: 2563: 2559: 2543: 2542: 2534: 2530: 2526:, p. 195). 2522: 2518: 2510: 2506: 2497: 2495: 2486: 2485: 2481: 2465: 2464: 2457: 2455: 2450: 2449: 2445: 2429: 2428: 2422: 2420: 2415: 2414: 2410: 2394: 2393: 2387: 2385: 2380: 2379: 2375: 2366: 2364: 2355: 2354: 2350: 2341: 2339: 2331: 2330: 2326: 2317: 2315: 2306: 2305: 2301: 2292: 2290: 2285: 2284: 2280: 2271: 2269: 2260: 2259: 2255: 2246: 2244: 2235: 2234: 2230: 2214: 2213: 2207: 2205: 2200: 2199: 2195: 2186: 2184: 2175: 2174: 2170: 2162: 2158: 2154:, p. 134). 2150: 2146: 2142:, p. 166). 2138: 2134: 2130:, p. 256). 2126: 2122: 2114: 2110: 2106:, p. 259). 2102: 2098: 2090: 2086: 2082:, p. XLI). 2078: 2074: 2066: 2062: 2058:, p. 491). 2054: 2050: 2042: 2038: 2034:, p. 172). 2030: 2026: 2020:Balzarini (2000 2018: 2014: 2006: 2002: 1994: 1990: 1986:, p. 169). 1982: 1978: 1972:Balzarini (2000 1970: 1966: 1962:, p. 166). 1958: 1954: 1948:Balzarini (2000 1946: 1942: 1936:Balzarini (2000 1934: 1930: 1924:Balzarini (2000 1922: 1918: 1909: 1907: 1899: 1898: 1894: 1885: 1883: 1875: 1874: 1870: 1865: 1860: 1851: 1847: 1835: 1831: 1818: 1814: 1801: 1797: 1788: 1784: 1775: 1771: 1765:Terraroli (2004 1762: 1758: 1752: 1748: 1744: 1732: 1715: 1683: 1675:Francesco Hayez 1631: 1608:Donato Bramante 1599: 1584:Donato Bramante 1575: 1494:Antonio Salieri 1395:The Last Supper 1351:Dominican Order 1321:Donato Bramante 1214:Milan Cathedral 1182:early Christian 1120: 1114: 1082:Pietro Marussig 997: 987: 939:Piazza Cordusio 871: 865: 755:Scuole Palatine 735:Cesare Beccaria 697:and during the 671:Pompeo Marchesi 664: 658: 633:Francesco Croce 597:Dionigi Bussola 580:Francesco Cairo 477: 471: 420:Villa Simonetta 397:Milan Cathedral 260:Galeazzo Alessi 226:Gloria Angelica 215: 209: 140:Azzone Visconti 107:(1187) and the 72:Milan Cathedral 64: 58: 53: 17: 12: 11: 5: 3966: 3956: 3955: 3950: 3945: 3930: 3929: 3917: 3894: 3893: 3891: 3890: 3885: 3880: 3875: 3870: 3864: 3861: 3860: 3853: 3852: 3845: 3838: 3830: 3824: 3823: 3814: 3805: 3782: 3773: 3764: 3760:Milano liberty 3755: 3746: 3737: 3714: 3705: 3696: 3687: 3678: 3669: 3660: 3651: 3642: 3633: 3624: 3615: 3606: 3597: 3588: 3565: 3556: 3547: 3536: 3533: 3530: 3529: 3503: 3499:Gresleri (1997 3491: 3479: 3475:filarmonica.it 3466: 3447: 3428: 3409: 3392: 3375: 3363: 3361:, p. 17). 3351: 3325: 3313: 3301: 3284:duomomilano.it 3271: 3250: 3241: 3216: 3192: 3167: 3138: 3117: 3096: 3083: 3068: 3066:, p. 87). 3056: 3044: 3042:, p. 81). 3032: 3030:, p. 13). 3020: 3018:, p. 14). 3008: 3006:, p. 21). 3004:Speziali (2015 2996: 2984: 2982:, p. 35). 2980:Gualdoni (2009 2972: 2960: 2956:Dalmasso (1972 2948: 2946:, p. 67). 2944:Mazzocca (2001 2936: 2934:, p. 62). 2924: 2922:, p. 44). 2909: 2894: 2879: 2877:, p. 49). 2875:Mazzocca (2001 2867: 2865:, p. 41). 2855: 2830: 2828:, p. 40). 2815: 2811:Dalmasso (1972 2800: 2798:, p. 39). 2785: 2783:, p. 50). 2770: 2766:Mazzocca (2001 2758: 2746: 2744:, p. 24). 2734: 2722: 2720:, p. 25). 2710: 2708:, p. 23). 2698: 2683: 2671: 2669:, p. 15). 2656: 2654:, p. 21). 2641: 2639:, p. 16). 2629: 2614: 2602: 2587: 2585:, p. 13). 2572: 2557: 2528: 2516: 2504: 2479: 2443: 2408: 2373: 2348: 2324: 2299: 2278: 2253: 2228: 2193: 2168: 2166:, p. 59). 2156: 2144: 2132: 2120: 2118:, p. 29). 2108: 2096: 2094:, p. 24). 2084: 2072: 2070:, p. 34). 2060: 2048: 2036: 2024: 2022:, p. 17). 2012: 2000: 1988: 1976: 1964: 1952: 1940: 1928: 1916: 1892: 1867: 1866: 1864: 1861: 1859: 1858: 1856:, p. 137) 1854:Dalmasso (1972 1845: 1829: 1812: 1795: 1782: 1769: 1767:, p. 342) 1756: 1745: 1743: 1740: 1739: 1738: 1731: 1728: 1727: 1726: 1721: 1714: 1711: 1710: 1709: 1704: 1699: 1697:Agostino Busti 1694: 1689: 1682: 1679: 1678: 1677: 1672: 1670:Andrea Appiani 1667: 1662: 1657: 1652: 1647: 1642: 1640:Vincenzo Foppa 1637: 1630: 1627: 1626: 1625: 1620: 1615: 1610: 1605: 1598: 1595: 1574: 1571: 1568: 1567: 1560: 1555: 1536: 1530: 1529: 1522: 1517: 1506:ballet company 1483: 1477: 1476: 1469: 1464: 1437: 1431: 1430: 1423: 1418: 1398: 1390: 1389: 1382: 1377: 1347: 1341: 1340: 1333: 1328: 1308: 1302: 1301: 1294: 1289: 1258: 1252: 1251: 1244: 1239: 1216: 1210: 1209: 1202: 1197: 1158: 1152: 1151: 1146: 1141: 1136: 1126: 1125: 1113: 1110: 1102:Giovanni Muzio 1078:Emilio Malerba 986: 983: 943:eclectic style 864: 861: 845:Carlo Cattaneo 824:Andrea Appiani 798:Silvio Pellico 786:Vincenzo Monti 657: 654: 561:Daniele Crespi 525:Lorenzo Binago 470: 467: 415:Palazzo Marino 406:Facade of the 315:Vincenzo Campi 272:barrel-vaulted 241:Spanish Empire 208: 205: 136:Enrico Settala 89:lords of Milan 57: 54: 52: 49: 15: 9: 6: 4: 3: 2: 3965: 3954: 3951: 3949: 3946: 3944: 3941: 3940: 3938: 3928: 3923: 3918: 3916: 3906: 3905: 3902: 3889: 3886: 3884: 3881: 3879: 3876: 3874: 3871: 3869: 3866: 3865: 3862: 3858: 3851: 3846: 3844: 3839: 3837: 3832: 3831: 3828: 3820: 3815: 3811: 3806: 3794: 3790: 3789: 3783: 3779: 3774: 3770: 3765: 3761: 3756: 3752: 3747: 3743: 3738: 3734: 3728: 3720: 3715: 3711: 3706: 3702: 3697: 3693: 3688: 3684: 3679: 3675: 3670: 3666: 3661: 3657: 3652: 3648: 3643: 3639: 3634: 3630: 3625: 3621: 3616: 3612: 3607: 3603: 3598: 3594: 3589: 3585: 3579: 3571: 3566: 3562: 3557: 3553: 3548: 3544: 3539: 3538: 3518: 3514: 3507: 3500: 3495: 3488: 3483: 3476: 3470: 3463: 3459: 3456: 3451: 3444: 3440: 3437: 3432: 3425: 3421: 3418: 3413: 3406: 3402: 3396: 3389: 3385: 3379: 3372: 3367: 3360: 3355: 3339: 3335: 3329: 3322: 3317: 3310: 3305: 3289: 3285: 3281: 3275: 3260: 3254: 3245: 3230: 3226: 3220: 3206: 3202: 3196: 3181: 3177: 3171: 3156: 3152: 3145: 3143: 3136: 3135: 3126: 3121: 3115: 3114: 3105: 3100: 3093: 3087: 3079: 3078:La Repubblica 3072: 3065: 3060: 3053: 3048: 3041: 3036: 3029: 3028:Ogliari (2006 3024: 3017: 3016:Ogliari (2006 3012: 3005: 3000: 2994:, p. 9). 2993: 2992:Ogliari (2006 2988: 2981: 2976: 2969: 2964: 2957: 2952: 2945: 2940: 2933: 2928: 2921: 2916: 2914: 2905: 2898: 2890: 2883: 2876: 2871: 2864: 2859: 2852: 2848: 2844: 2840: 2839:Brera Academy 2834: 2827: 2822: 2820: 2812: 2807: 2805: 2797: 2792: 2790: 2782: 2777: 2775: 2767: 2762: 2755: 2750: 2743: 2738: 2731: 2726: 2719: 2714: 2707: 2702: 2695: 2690: 2688: 2680: 2675: 2668: 2663: 2661: 2653: 2648: 2646: 2638: 2633: 2626: 2621: 2619: 2611: 2606: 2599: 2594: 2592: 2584: 2579: 2577: 2568: 2561: 2553: 2547: 2539: 2532: 2525: 2520: 2513: 2508: 2493: 2489: 2483: 2475: 2469: 2453: 2447: 2439: 2433: 2418: 2412: 2404: 2398: 2383: 2377: 2362: 2358: 2352: 2338: 2334: 2328: 2313: 2309: 2303: 2288: 2282: 2267: 2263: 2257: 2242: 2238: 2232: 2224: 2218: 2203: 2197: 2182: 2178: 2172: 2165: 2160: 2153: 2148: 2141: 2136: 2129: 2124: 2117: 2112: 2105: 2100: 2093: 2088: 2081: 2076: 2069: 2064: 2057: 2052: 2046:, p. 8). 2045: 2040: 2033: 2028: 2021: 2016: 2009: 2004: 1997: 1992: 1985: 1980: 1974:, p. 9). 1973: 1968: 1961: 1956: 1950:, p. 8). 1949: 1944: 1938:, p. 6). 1937: 1932: 1926:, p. 5). 1925: 1920: 1906: 1902: 1896: 1882: 1878: 1872: 1868: 1855: 1849: 1841: 1833: 1825: 1816: 1808: 1799: 1792: 1786: 1779: 1773: 1766: 1760: 1750: 1746: 1737: 1734: 1733: 1725: 1722: 1720: 1717: 1716: 1708: 1707:Medardo Rosso 1705: 1703: 1700: 1698: 1695: 1693: 1690: 1688: 1685: 1684: 1676: 1673: 1671: 1668: 1666: 1663: 1661: 1658: 1656: 1653: 1651: 1648: 1646: 1643: 1641: 1638: 1636: 1633: 1632: 1624: 1621: 1619: 1616: 1614: 1611: 1609: 1606: 1604: 1601: 1600: 1590: 1582: 1578: 1565: 1559: 1553: 1549: 1545: 1541: 1535: 1531: 1527: 1521: 1515: 1511: 1507: 1503: 1499: 1495: 1491: 1490: 1482: 1478: 1474: 1468: 1462: 1458: 1457:Instructiones 1454: 1451:to house the 1450: 1446: 1442: 1436: 1432: 1428: 1422: 1415: 1411: 1407: 1403: 1397: 1396: 1391: 1387: 1381: 1375: 1371: 1368:, along with 1367: 1363: 1359: 1356: 1355:Duke of Milan 1352: 1346: 1342: 1338: 1332: 1326: 1322: 1317: 1313: 1307: 1303: 1299: 1293: 1287: 1286:Luca Beltrami 1283: 1279: 1275: 1274:Duke of Milan 1271: 1267: 1263: 1257: 1253: 1249: 1243: 1237: 1233: 1229: 1225: 1221: 1220:Dòmm de Milan 1215: 1211: 1207: 1201: 1195: 1191: 1187: 1183: 1179: 1175: 1171: 1167: 1163: 1157: 1153: 1150: 1145: 1140: 1135: 1131: 1123: 1119: 1109: 1107: 1103: 1099: 1095: 1089: 1087: 1083: 1079: 1075: 1074:Anselmo Bucci 1071: 1067: 1063: 1058: 1056: 1050: 1048: 1044: 1039: 1038:Luigi Russolo 1035: 1034:Gino Severini 1031: 1030:Giacomo Balla 1027: 1023: 1015: 1011: 1010: 1005: 1001: 996: 992: 982: 980: 974: 971: 967: 963: 959: 950: 946: 944: 940: 936: 931: 927: 923: 913: 909: 905: 903: 899: 895: 891: 883: 879: 875: 870: 860: 858: 854: 850: 846: 840: 833: 829: 825: 821: 817: 815: 811: 805: 803: 799: 795: 791: 787: 783: 778: 774: 771:In 1796 with 767: 762: 758: 756: 752: 748: 743: 740: 736: 732: 728: 724: 719: 718:Enlightenment 715: 711: 706: 704: 703:Neoclassicism 700: 696: 692: 688: 680: 679:Brera Academy 676: 672: 668: 663: 656:Neoclassicism 653: 651: 647: 642: 638: 634: 630: 625: 620: 613: 608: 604: 602: 598: 594: 593:Antonio Busca 590: 585: 581: 577: 573: 568: 566: 562: 558: 550: 545: 541: 539: 534: 530: 529:Fabio Mangone 526: 522: 518: 514: 510: 504: 501: 493: 489: 485: 481: 476: 466: 464: 463:Scapigliatura 460: 454: 451: 444: 439: 435: 433: 432:Palazzo Reale 429: 425: 421: 416: 409: 404: 400: 398: 394: 390: 386: 382: 381:Giuseppe Meda 378: 374: 370: 369:Martino Bassi 366: 361: 359: 355: 351: 347: 343: 339: 335: 331: 324: 320: 316: 312: 308: 305: 301: 297: 293: 289: 285: 281: 277: 273: 269: 265: 261: 256: 254: 250: 246: 242: 235: 231: 227: 223: 219: 214: 204: 202: 196: 194: 190: 186: 182: 178: 174: 170: 165: 163: 159: 158:Gian Galeazzo 152: 147: 143: 141: 137: 133: 129: 124: 122: 118: 114: 110: 106: 102: 98: 97:central Italy 92: 90: 86: 82: 73: 68: 63: 48: 46: 42: 38: 34: 26: 25:Arch of Peace 21: 3856: 3818: 3809: 3797:. Retrieved 3787: 3777: 3768: 3759: 3750: 3741: 3718: 3709: 3700: 3691: 3682: 3673: 3664: 3655: 3646: 3637: 3628: 3619: 3610: 3601: 3592: 3569: 3560: 3551: 3542: 3535:Bibliography 3520:. Retrieved 3516: 3506: 3494: 3487:Jodice (1985 3482: 3469: 3450: 3431: 3412: 3407:, pp. 35-44. 3404: 3400: 3395: 3387: 3383: 3378: 3371:Brandi (2013 3366: 3354: 3342:. Retrieved 3338:the original 3328: 3316: 3309:Guida Milano 3308: 3304: 3292:. Retrieved 3288:the original 3283: 3274: 3262:. Retrieved 3253: 3244: 3233:. Retrieved 3231:(in Italian) 3228: 3219: 3208:. Retrieved 3204: 3195: 3184:. Retrieved 3182:(in Italian) 3179: 3170: 3159:. Retrieved 3157:(in Italian) 3154: 3132: 3129:(in Italian) 3120: 3111: 3108:(in Italian) 3099: 3091: 3086: 3077: 3071: 3064:Grandi (1991 3059: 3052:Melano (2004 3047: 3040:Grandi (1991 3035: 3023: 3011: 2999: 2987: 2975: 2963: 2951: 2939: 2927: 2903: 2897: 2888: 2882: 2870: 2858: 2833: 2761: 2749: 2737: 2725: 2713: 2701: 2674: 2632: 2605: 2566: 2560: 2537: 2531: 2519: 2507: 2496:. Retrieved 2491: 2482: 2456:. Retrieved 2446: 2421:. Retrieved 2411: 2386:. Retrieved 2376: 2365:. Retrieved 2363:(in Italian) 2360: 2351: 2340:. Retrieved 2336: 2327: 2316:. Retrieved 2314:(in Italian) 2311: 2302: 2291:. Retrieved 2289:(in Italian) 2281: 2270:. Retrieved 2268:(in Italian) 2265: 2256: 2245:. Retrieved 2243:(in Italian) 2240: 2231: 2206:. Retrieved 2196: 2185:. Retrieved 2183:(in Italian) 2180: 2171: 2159: 2147: 2140:Fiorio (2006 2135: 2128:Brandi (2013 2123: 2111: 2104:Brandi (2013 2099: 2087: 2075: 2063: 2051: 2039: 2027: 2015: 2003: 1991: 1979: 1967: 1955: 1943: 1931: 1919: 1908:. Retrieved 1904: 1895: 1884:. Retrieved 1880: 1871: 1848: 1839: 1832: 1823: 1815: 1806: 1798: 1785: 1777: 1772: 1759: 1749: 1724:Leonardeschi 1576: 1540:Piazza Duomo 1501: 1487: 1456: 1440: 1393: 1277: 1261: 1219: 1177: 1169: 1161: 1148: 1143: 1138: 1133: 1090: 1066:Achille Funi 1062:Mario Sironi 1059: 1051: 1019: 1007: 975: 955: 934: 926:neoclassical 918: 906: 887: 849:Cesare Cantù 841: 837: 827: 806: 770: 747:Jesuit order 744: 731:Pietro Verri 707: 684: 674: 623: 616: 569: 553: 505: 497: 483: 455: 447: 412: 367:, involving 362: 327: 318: 257: 238: 225: 197: 166: 155: 125: 93: 77: 56:Gothic style 32: 30: 3948:Art history 2742:Coppa (2009 2718:Coppa (2009 2706:Coppa (2009 2679:Denti (1988 2667:Coppa (2009 2652:Coppa (2009 2637:Coppa (2009 2610:Denti (1988 2583:Coppa (2009 2164:Denti (1988 2152:Rossi (1990 2116:Denti (1988 2092:Denti (1988 2044:Denti (1988 2032:Fiore (1998 1996:Rossi (2005 1984:Fiore (1998 1960:Fiore (1998 1410:Last Supper 1374:Last Supper 1282:Roman Milan 1139:Description 1112:Major works 1086:Ubaldo Oppi 1047:avant-garde 1026:Carlo Carrà 902:eclecticism 894:World War I 863:Art Nouveau 853:Carlo Tenca 794:Ugo Foscolo 589:Carlo Buzzi 459:Romanticism 450:Renaissance 70:Glimpse of 47:movements. 3937:Categories 3799:20 October 3386:, sezione 3235:2024-07-26 3210:2024-07-26 3186:2024-07-26 3161:2024-07-26 2498:2024-07-26 2423:2024-07-26 2388:2024-07-26 2367:2024-07-26 2342:2024-07-26 2318:2024-07-26 2293:2024-07-26 2272:2024-07-25 2247:2024-07-25 2208:2024-07-25 2187:2024-07-25 1910:2024-07-25 1886:2024-07-25 1881:www.wga.hu 1863:References 1660:Caravaggio 1597:Architects 1116:See also: 989:See also: 973:features. 898:Jugendstil 867:See also: 727:Alessandro 660:See also: 473:See also: 211:See also: 60:See also: 45:modern art 3727:cite book 3578:cite book 3561:Il Gotico 3344:9 October 3264:12 August 3125:NOVECENTO 3104:Futurismo 2546:cite book 1789:In 1809, 1681:Sculptors 1665:Il Cerano 1106:Giò Ponti 966:caryatids 935:à la page 121:seigniory 85:Viscontis 3927:The arts 3793:Archived 3458:Archived 3439:Archived 3420:Archived 3294:13 March 3180:Treccani 2468:cite web 2458:July 26, 2432:cite web 2397:cite web 2217:cite web 1730:See also 1629:Painters 1603:Filarete 1325:sacellum 1192:and the 1186:medieval 1043:Futurism 1016:in Milan 991:Futurism 979:Art Deco 814:Antolini 773:Napoleon 739:Il Caffè 572:Giuseppe 500:Borromeo 321:(1588), 284:Bramante 266:and the 245:Catholic 99:, where 3901:Portals 3522:26 July 3131:in the 3110:in the 930:baroque 788:, from 469:Baroque 334:Jesuits 276:Alberti 162:Italian 51:History 3701:Milano 3127:entry 3106:entry 1084:, and 800:; the 619:Rococo 117:Empire 3915:Italy 3403:, in 1776:Such 1742:Notes 1172:(its 1149:Image 970:herms 389:herms 37:Milan 3801:2018 3733:link 3584:link 3524:2024 3455:Page 3436:Page 3417:Page 3346:2018 3296:2015 3266:2017 2849:and 2837:See 2552:link 2474:link 2460:2024 2438:link 2403:link 2223:link 1558:1867 1520:1778 1467:1579 1421:1498 1380:1497 1331:1483 1292:1360 1242:1418 1184:and 1176:was 1134:Work 1036:and 993:and 968:and 928:and 900:and 851:and 796:and 733:and 729:and 631:and 574:and 519:and 461:and 247:and 31:The 23:The 3090:In 1542:to 1443:in 1372:'s 1264:in 1222:in 1200:386 1164:in 792:to 784:to 536:of 286:'s 278:'s 191:in 3939:: 3729:}} 3725:{{ 3580:}} 3576:{{ 3515:. 3282:. 3227:. 3203:. 3178:. 3153:. 3141:^ 2912:^ 2845:, 2841:, 2818:^ 2803:^ 2788:^ 2773:^ 2686:^ 2659:^ 2644:^ 2617:^ 2590:^ 2575:^ 2548:}} 2544:{{ 2490:. 2470:}} 2466:{{ 2434:}} 2430:{{ 2399:}} 2395:{{ 2359:. 2335:. 2310:. 2264:. 2239:. 2219:}} 2215:{{ 2179:. 1903:. 1879:. 1104:, 1080:, 1076:, 1072:, 1068:, 1064:, 1057:. 1049:. 1032:, 1028:, 1024:, 1006:, 981:. 904:. 847:, 830:, 826:- 677:, 673:, 582:, 578:, 540:. 465:. 426:, 317:, 290:. 255:. 224:, 203:. 195:. 183:, 179:, 123:. 87:, 3903:: 3849:e 3842:t 3835:v 3803:. 3735:) 3586:) 3526:. 3477:. 3348:. 3298:. 3268:. 3238:. 3213:. 3189:. 3164:. 2853:. 2756:. 2554:) 2501:. 2476:) 2462:. 2440:) 2426:. 2405:) 2391:. 2370:. 2345:. 2321:. 2296:. 2275:. 2250:. 2225:) 2211:. 2190:. 1913:. 1889:. 1516:. 1463:. 884:. 834:. 681:. 494:. 434:.

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Knowledge

History of architecture and art in Milan

Index