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Hera Gallery

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55:, that started meeting in 1969. One of the common topics to discuss were the difficulties of balancing the domestic responsibilities of being wife and mother with a professional artistic career. The women discussed the difficulty in having their work represented in Manhattan galleries, where apparent sexism from gallery owners caused their work to be disregarded. Hera Gallery was thus created in order to foster a professional community of women artists, in the vein of other recently established women-run artist cooperatives, such as New York City's 39:, under-represented at the time in commercial galleries. As the cultural climate changed in the 1980s, the gallery broadened its scope to include visual artists of more gender identities. Concurrently, Hera curated more topical exhibitions with a broadened spectrum of social awareness and activism. To this day, the gallery provides contemporary artists with the opportunity to address cultural, social, and political issues and to maintain creative control. 66:. The gallery also hosts community outreach programs; from September 2020 to June 2021 the gallery ran the program The Green Stitch: Knitting Community Together, in which Hera Gallery, The Rhode Island Natural History Survey, and Save the Bay RI hosted monthly environmentalist presentations and corresponding craft activities. 82:
Initially the organization of Hera Gallery consisted of non-hierarchical egalitarian committees, influenced by feminist ideals. As the gallery grew, its board of directors, once only represented by artist-members, was appended with a community Advisory Board from 1986–2000, according to the gallery's
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Since its inception, Hera Gallery has resided in a building that was a garage in the 1920s, then a laundromat, and later a flea market, before finally being outfitted by the founding artists and their loved ones. Its landlord throughout this time was a sympathetic URI professor who kept the rent low
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Hera Gallery offers its members an annual solo exhibition, inclusion in group exhibitions, curatorial opportunities, and positions on the Board of Directors. It serves the surrounding community by “encouraging ethnic and cultural diversity in both audience and program development. ”
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unpublished “Addendum to the History of Hera”. Furthermore, when the Advisory Board was discontinued in 2000, the Board of Directors began including external community members (Addendum). Since 1992 (Addendum) there has also been a Gallery Director part-time paid position.
59:. At the time, a Providence Journal writer commented that "...a women's art center named after a bitchy Greek goddess and housed in a barn that used to be a laundry is New England's only art gallery completely owned and controlled by women..." 96:
for them. After his recent demise, the family put the land on the market but waited for a buyer whose plan included preserving the gallery. In September 2007 it was announced that a buyer plans on demolishing the existing building to create a
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Hera Gallery was created in 1974, the year that the alternative gallery movement burst beyond major cities and into more remote locations, like Wakefield, Rhode Island. It was conceived from a
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The gallery continues to host topical exhibitions. Their 2022 exhibition, "Erosion," highlighted artist's emotional responses to the 2022 U.S. Supreme Court Case,
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Pamela H., Simpson; Yow, Valerie Raleigh; Kampen, Natalie Boymel (1991). "The History of Hera: A Woman's Art Cooperative, 1974-1989".
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In 2022 the gallery opened their BackSpace Gallery, a space dedicated to showing experimental, multi-media, and installation art.
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The Power of Feminist Art: The American Movement of the 1970s, History and Impact
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group consisting mostly of artists, and often associated with the nearby
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including residential condominiums and inclusion of the gallery.
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Buildings and structures in Washington County, Rhode Island
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The History of Hera: A Women's Art Cooperative, 1974-1989
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Tourist attractions in Washington County, Rhode Island
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Heresies: A Feminist Publication on Art and Politics
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Created within the context of the 979:Arts organizations established in 1974 961: 687:WACK! Art and the Feminist Revolution 534:National Association of Women Artists 463: 451:2006 South County Independent article 73:Photograph of Hera Gallery's exterior 628:The Women's Building (San Francisco) 587:National Museum of Women in the Arts 999:1974 establishments in Rhode Island 107: 13: 1009:Cooperatives based in Rhode Island 618:Women's Art Resources of Minnesota 296: 14: 1020: 950:Feminist movements and ideologies 430: 592:New York Feminist Art Institute 358:Schieldrop, Mark (2006-09-22). 90: 939:Women in the art history field 623:Woman's Building (Los Angeles) 401: 383:Mulvaney, Katie (2007-09-14). 376: 351: 290: 265: 245:(2). Woman's Art, Inc.: 51–2. 1: 607:Washington Women's Art Center 150: 647:Exhibitions or installations 364:The South County Independent 7: 772:Women Artists in Revolution 612:Women Artists in Revolution 10: 1025: 443:Hera Gallery Official Blog 333:. May 2000. Archived from 53:University of Rhode Island 42: 947: 926: 790: 749: 715: 697: 646: 549: 520: 497: 934:List of feminist artists 732:The Feminist Art Journal 78:Organizational structure 638:Women's Studio Workshop 633:Women's Interart Center 550:Venues or organizations 328:"membership guidelines" 25:Wakefield, Rhode Island 19:is a small, non-profit 777:Women's Caucus for Art 698:Films or documentaries 572:Feminist Art Coalition 389:The Providence Journal 74: 706:!Women Art Revolution 507:Feminist art movement 205:Natalie Boymel Kampen 98:mixed-use development 72: 49:consciousness-raising 29:feminist art movement 146:, a founding member. 838:Helen Frankenthaler 582:Lesbian Art Project 239:Woman's Art Journal 903:Carolee Schneemann 663:Three Weeks in May 75: 21:artist cooperative 956: 955: 828:Mary Beth Edelson 823:Elaine de Kooning 671:The Sister Chapel 456:Authority control 203:Yow, Valerie R.; 134:Carolee Schneeman 33:artist-run spaces 1016: 898:Rachel Rosenthal 873:Georgia O'Keeffe 808:Louise Bourgeois 679:The Dinner Party 484: 477: 470: 461: 460: 424: 423: 421: 420: 405: 399: 398: 396: 395: 380: 374: 373: 371: 370: 355: 349: 348: 346: 345: 339: 332: 324: 313: 312: 310: 309: 297:Touhey, Helena. 294: 288: 287: 285: 284: 269: 263: 262: 234: 223: 222: 200: 187: 186: 164: 108:Selected artists 1024: 1023: 1019: 1018: 1017: 1015: 1014: 1013: 959: 958: 957: 952: 943: 922: 883:Louise Nevelson 786: 762:Guerrilla Girls 745: 711: 693: 642: 602:tArt Collective 566:Brooklyn Museum 545: 516: 493: 488: 433: 428: 427: 418: 416: 414:The Independent 406: 402: 393: 391: 381: 377: 368: 366: 356: 352: 343: 341: 337: 330: 326: 325: 316: 307: 305: 303:The Independent 295: 291: 282: 280: 278:The Independent 270: 266: 251:10.2307/1358294 235: 226: 219: 201: 190: 183: 169:Mary D. Garrard 167:Broude, Norma; 165: 158: 153: 144:Roberta Richman 110: 103: 93: 80: 45: 12: 11: 5: 1022: 1012: 1011: 1006: 1001: 996: 991: 986: 981: 976: 971: 954: 953: 948: 945: 944: 942: 941: 936: 930: 928: 924: 923: 921: 920: 915: 910: 905: 900: 895: 893:M. C. Richards 890: 885: 880: 878:Barbara Kruger 875: 870: 865: 860: 855: 850: 845: 840: 835: 830: 825: 820: 815: 810: 805: 800: 798:Alison Bechdel 794: 792: 788: 787: 785: 784: 779: 774: 769: 767:The Waitresses 764: 759: 753: 751: 747: 746: 744: 743: 736: 728: 719: 717: 713: 712: 710: 709: 701: 699: 695: 694: 692: 691: 683: 675: 667: 659: 650: 648: 644: 643: 641: 640: 635: 630: 625: 620: 615: 609: 604: 599: 597:SOHO20 Gallery 594: 589: 584: 579: 574: 569: 559: 557:A.I.R. 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Retrieved 277: 267: 242: 238: 208: 172: 129:Italo Scanga 124:Ana Mendieta 114:Dale Chihuly 102: 94: 91:Developments 85: 81: 61: 46: 17:Hera Gallery 16: 15: 913:Alma Thomas 868:Lee Krasner 858:Lila Katzen 833:Suzi Ferrer 782:Where We At 735:(1972–1977) 727:(1977–1992) 674:(1974–1978) 119:Judy Gelles 963:Categories 918:June Wayne 655:Womanhouse 521:Precursors 419:2023-04-14 394:2007-12-07 369:2007-12-07 344:2007-12-07 308:2023-04-14 283:2023-04-14 151:References 139:Susan Weil 853:Eva Hesse 888:Yoko Ono 742:" (1971) 207:(1989). 171:(1994). 757:subRosa 259:1358294 43:History 750:Groups 690:(2007) 682:(1979) 666:(1977) 658:(1972) 542:(1892) 536:(1889) 530:(1881) 257:  215:  179:  927:Lists 614:(WAR) 338:(PDF) 331:(PDF) 255:JSTOR 213:ISBN 177:ISBN 247:doi 23:in 965:: 412:. 387:. 362:. 317:^ 301:. 276:. 253:. 243:12 241:. 227:^ 191:^ 159:^ 738:" 568:) 564:( 483:e 476:t 469:v 422:. 397:. 372:. 347:. 311:. 286:. 261:. 249:: 221:. 185:.

Index

artist cooperative
Wakefield, Rhode Island
feminist art movement
artist-run spaces
women artists
consciousness-raising
University of Rhode Island
A.I.R. Gallery
Dobbs v. Jackson Women's Health Organization

mixed-use development
Dale Chihuly
Judy Gelles
Ana Mendieta
Italo Scanga
Carolee Schneeman
Susan Weil
Roberta Richman


Mary D. Garrard
ISBN
0-8109-3732-8




Natalie Boymel Kampen
ISBN
0-9625352-0-6

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