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of the late 1840s. As he almost always does, he began to research this sociopolitical tragedy and quickly realized the enormity of the facts and figures. Close to one million Irish dead, over a million emigrated caused by successive failures of the staple food crop the white potato. Waves of economic and social upheaval raced through the poor rural class as did epidemics of cholera, typhus, dysentery and scurvy. The population of a nation was decimated in a few decades from 7 million to well under 3 million.
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peasant ware or hung as dried provisions domesticating an exhibition space, these potato supplications are affixed directly to the accompanying icons—not unlike the devotions pinned directly to the images of saints and
Madonnas as they are paraded before the faithful in street processions. Other spuds rest in huge ladles and bowls just as they are—a simple, raw food—uncooked but potentially nourishing.
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1971: Collaborates with Dale
Chihuly and Jamie Carpenter pouring molten glass into bamboo at RISD. Exhibits the work at Museum of Art, Vassar College, Poughkeepsie, NY. Teaches summer school at University of Rhode Island, Kingston, RI (through 1973) and has a show, "Christ & Pythagoras." Shows an
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Whether religious or secular in content, Scanga's works of the past decade are the artist's reflections on the immutable, universal aspects of peasant life. Some, like the series of
Italian photographs, are intensely personal, while others use a more generally recognized set of images—old farm tools,
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Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually
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2001: Major commission, "Continents", at the San Diego
International Airport. Ready to travel to Italy for several months for scheduled exhibitions in Lago, Calabria and Ravenna, Italy. Also working on creating a museum of his work in his hometown of Lago, Calabria and preparing for an exhibition in
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1992: Exhibits in solo shows at the
Athenaeum Music and Arts Library, La Jolla, CA, and the Susanne Hillberry Gallery, Birmingham, MI. Meets David and Leisa Austin, and becomes a featured artist at Imago Galleries, Palm Desert, CA. Meets Su-Mei Yu, a chef and restaurateur, his companion through the
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1967: David Pease helps him get a tenure track position at Tyler School of Art in
Philadelphia, PA, and the family moves to Glenside, PA. Artists he works closely with include Ernest Silva, Lee Jaffe, Donald Gill, and William Schwedler. Meets graduate student Dale Chihuly while lecturing at RISD and
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The politics that concern Scanga here are not specific to Italy, in fact this particular source of inspiration is derived from a different peasant culture, the rural class of
Ireland. Soon after his move to the West Coast in 1978, Scanga read detailed information on the infamous Irish Potato Famines
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Myths had always fascinated Italo Scanga. Many of his sculptures translate written or oral narratives into the realm of visual objects. Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives
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1939-1945: Prepares to leave with his mother for
America to meet his father and brother. American troops invade Italy on the day of departure and they are unable to leave. Spends the war years in Lago with his mother and very few resources. Works as a cabinetmaker's apprentice and studies sculpture
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Scanga—through a vocabulary of basic tools, icons, and foodstuffs, reworked in a very personal way—attempts to restore the original sense of the peasant world: the realities of hard work or religious devotion, often ameliorated by civilized sentimentality. He invokes myths to give us the essentials
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1988: Exhibits at Peggy
Guggenheim Collection, Venice, Italy; Anders Tornberg Gallery, Lund, Sweden; Dorothy Goldeen Gallery, Santa Monica, CA; Larry Becker Gallery, Philadelphia, PA; and Germans Van Eck Gallery, NYC. Commission for the City of San Jose, CA, "Figure Holding the Sun." Purchases 961
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Scanga's series of works, the "Potato Famine" sculptures, are logical extensions of his earlier efforts. He begins with the familiars of saints and tools, but here they are supporting armatures not focal points. If his earlier offerings of herbs, peppers, and the like were presented in blown glass
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1985: "Italo Scanga New Works" at Arte
Contemporaneo, Mexico City, Mexico. Travels to Leggia, Switzerland and creates work for dealer Reto a Marca, with assistant Chuck Collings. Toru Nakatani begins working with him at UCSD, and continues this working relationship for the remainder of his life.
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1984: Constructs "Figure Holding Fire", with his son Joe, at Santa Barbara Museo, Mammola, Italy, his first public commission. Joe and he continue doing the public commissions together through the years. Included in "Primitivism in 20th Century Art" at the Museum of Modern Art, NYC. Has his first
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1978: Moves permanently to La Jolla to teach at UCSD with Newton and Helen Harrison, David and Eleanor Antin, Manny Farber, Patricia Patterson, and Alan Kaprow. The University supplies him with his first real studio in an old water tank on campus. Creates "Fear" series while visiting Dale Chihuly
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Employing real potatoes enables Scanga to extend such parallels even further. His spuds eventually sprout greenery and if left in place long enough return in a desiccated state to an earth-like dust. Natural cycles of birth, life, death, and rebirth, at the core of so many myths, are encapsulated
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is in fact a perfect conflation of symbols for the peasant life he intends to evoke. The dusty tubers, extracted from the ground, retain much of their earthy character. Beneath their dry brown exterior is a moist, crisp flesh—a humble organic metaphor for the meager existence of the rural working
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1983: Included in the Whitney Biennial, Whitney Museum of American Art, NYC. Exhibits "Archimedes Troubles: Sculptures and Drawings" at the La Jolla Museum of Contemporary Art, "Italo Scanga Heads" at the Los Angeles County Museum of Art, and "Italo Scanga: Sculptures" as titled at the Delahunty
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1969: One person exhibition, Baylor Art Gallery, Baylor University, Waco, TX. Buys his first home in Glenside, PA, at 2225 Menlo Avenue. Works in his basement studio, creates installations with farm implements, herbs, glass containers and saint iconography. Works very closely with students Larry
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Scanga's research revealed that it was not simply the blight and natural forces that caused so enormous a loss, but the presence in Ireland of a domineering political force—Great Britain. The failure of Great Britain to aid the Irish during the crucial years of 1846 through the 1850s, the almost
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1981: Two week residency at Crown Point Press, San Francisco, CA. Long time friend Dale Chihuly calls asking what the Italian word for "spots" is, after creating a design using all the available colors in the hot shop. The Dale Chihuly "Macchia" series was named by Italo Scanga, only after Dale
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As part icon and part offering, Scanga's newest works encompass both contemplation and action. These two polarities—thinking and doing—are part of the political process as well. These "Potato Famine" works rekindle our own abilities to be politically conscious, as they are both a reminder and a
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Thus Scanga attempts to reinvigorate this century-old conflict and restore some of the feelings lost on us today. These events have, as have many, long ago been embroidered by myth, homogenized by history. In a very real sense, Scanga's work is anti-historical, as he tries to undo what the
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1994: Meets Nando Randi, visiting from Ravenna for the America's Cup. Over the next years establishes friendships with many Italians visiting San Diego and living in Italy, including Chiara Fuschini, Felice Nittolo, Diego Esposito, Ubaldo Grazia, and Giuseppe
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1995: Exhibition at Galleria Il Patio, Ravenna, Italy. Travels to Deruta, Italy, with son Bill, and works at Deruta ceramic factory; also in 1996, 1997, and 1999. Travels to Thailand with Su-Mei Yu. Receives Chancellor's Award, University of California, San
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1990: Exhibits at Betsy Rosenfield Gallery in Chicago, IL. Artist in Residence at Skowhegan School of Painting and Sculpture, Skowhegan, ME. Builds sculptures with son, Bill. Divorces Stephanie Smedley. Starts spending a majority of his time working on
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1970: Exhibits "Saints, Glass, Tools, and Romances" at Atelier Chapman Kelly, Dallas, TX, one of his first one-person installations. Included in the sculpture annual at the Whitney Museum of American Art, NYC. Receives Howard Foundation grant from Brown
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While there is no single source for Scanga's work, many of the stories, traditions, and superstitions retold in through adumbrated saints and basketed scythes are native to the folk-life of southern Italy. This culture, inhabiting the time-worn
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1997: Exhibitions at Bayley Art Museum, Charlottesville, VA; Bryan Ohno Gallery, Seattle, WA; and Comune di Ravenna, Ravenna, Italy. Artist-in-residence for two weeks at University of Virginia, Charlottesville, VA. Makes frescoes with Megan
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1991: Travels to Vietri Sul Mare, Italy, with son Bill, to work at Deruta ceramics factory. Meets welder David Grindle and initiates a series of metal sculptures with glass, trees, & cones, and several large welded "Trees" at Turquoise
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1973: "Saints Glass" at 112 Greene Street Gallery, NYC. Installation at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, PA. Meets Gordon Matta Clark and contributes to an artist cookbook. Goes to
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1986: His first retrospective, "Italo Scanga: Recent Sculpture and Drawings" at the Oakland Museum, Oakland, CA. Shows at John Berggruen Gallery, San Francisco, CA; the Fabric Workshop, Philadelphia, PA; and Bette Stoler,
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1979: Creates the "Potato Famine" series, his first work at UCSD. Exhibits them at the Boehm Gallery, Palomar College, San Marcos, CA and at Gallery One, San Jose State University, San Jose, CA. Meets art dealer Barry
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2000: Exhibition at Larry Becker Gallery, Philadelphia, PA. Begins work on an exciting new series of work, after several years of primarily painting, called the "Candlestick" series with Mike Patterson and Neal
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1966: Moves to State College, PA, and teaches at Pennsylvania State University for one year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, and Richard Calabro, who remain friends throughout his
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commissions him to do a photographic "human story" about his mother, a widow immigrant, returning with her to Calabria (where she remains until the end of her life). Publishes a book of these photographs in
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1989: Amalfi Arte publishes "Italo Scanga" with an essay by Michele Buonomo. Separates from Stephanie Smedley and moves into Turquoise Street studio. Receives Distinguished Alumni Award from Michigan State
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San Diego, at the FLUX Gallery, with John Drury and Robbie Miller (CUD). The three artists met at the Pilchuck Glass School, and the collaborative team of Drury and Miller, consider Scanga a mentor.
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1976: Moves to La Jolla, CA to take a one-year job teaching at the University of California, San Diego as a visiting professor. Hired by David and Eleanor Antin at the suggestion of Ree Morton.
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1999: Shows at Flanders Contemporary Art, Minneapolis, MN. and The Lillian Berkley Collection, Escondido, CA. Purchases a second studio at 4130 Napier Street, San Diego, CA.
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selectivity of history made palatable—he searches for the primal impact, the distilled significance of what really happened—not just facts and figures but sensibility.
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Gallery, NYC. "Animal in Danger" and "Montecassino" series made. Working with studio assistants Ryk Williams and Dan Britton. Marries Stephanie Smedley.
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1956: Marries Mary Louise Ashley, a librarian at the Garden City Public Library. Moves to East Lansing, MI where he enrolls at Michigan State University.
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that summer in Providence, RI. Begins the first of several trips to Italy to make pilgrimages, to visit his family, and to look at art and architecture.
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from 1953 to 1955 in Austria, within the armored tank division. In 1956, Scanga married librarian Mary Louise Ashley, together they had five children.
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inhuman absence of aid for a country that was almost totally dependent on the British, was the injustice that moved Scanga to create his sculptures.
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of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life.
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1932: Born in Lago, Calabria, to Giuseppe and Serafina Ziccarelli, the youngest of four children, the others being Carolina, Mafalda and Nicolino.
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1982: Exhibits at Charles Cowles Gallery, NYC. Creates woodcuts with Chip Elwell. After 9 years of separation, he and Mary Louise Ashley divorce.
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1972: Installations at the Clocktower, NYC, and Virginia Commonwealth University, Richmond, VA. Teaches in Rome, Italy. for Tyler School of Art.
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1953: Due to his language barrier, graduates from Garden City High School at the age of 21 while continuing to work evenings at General Motors.
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1977: Moves back to Philadelphia, PA, and returns to Tyler School of Art. Exhibits "Saints, Lamentations, Limitations" at Alessandro Gallery.
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Becker and Heidi Nivling (who later run a gallery in Philadelphia, PA), and Harry Anderson. Welcomes many artists into his home including
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383:-born American visual artist and educator. He was known for his sculptures, ceramics, glass, prints, and, paintings, working as a
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ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints.
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in San Diego, California. He was survived by his five children. The Italo Scanga Foundation was established in 2001.
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1998: Exhibits at Grossmont College Hyde Gallery, San Diego, CA and Cuesta College Art Gallery, San Luis Obispo, CA
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countryside of Scanga's native land, provides the artist with his most consistent and powerful source material.
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415:(now Italy). In 1946, his family immigrated to the United States, when he was age 14. After graduation from
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The Human Factor: Figurative Sculpture Reconsidered : March 14–July 3, 1993, the Albuquerque Museum
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1980: Exhibits "Fear" and "Potato Famine" pieces at the Frank Kolbert Gallery, NYC. Receives NEA grant.
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1993: Has one person shows at the Tacoma Art Museum, Tacoma, WA and the Fay Gold Gallery, Atlanta, GA.
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Far from being an attempt at humor or funk, Scanga's choice of the white (sometimes called Irish)
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He considered his artistic influences to be sweepingly pan-cultural, from African sculpture to
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1460:"Italo Scanga: The Permanent Immigrant Shakes to Wake a Small, Sleepy Town – La Conner, WA"
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Scanga died of heart failure at age 69 on July 27, 2001, at his Turquoise Street studio in
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1996: Exhibition at Barry Rosen & Jaap van Lier Modern & Contemporary Art, NYC.
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705:(through 1964). Meets Harvey Littleton, a fellow instructor. Lives in faculty housing.
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Begins the "Metaphysical" series with Ryk Williams in the water tank, UCSD.
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reinterpretation of universal political injustices wherever they occur.
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Chihuly's mother Viola Chihuly called the series of glass the "Uglies".
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1987: Exhibits "Troubled World" series at Amalfi Arte, Amalfi, Italy.
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His work is in numerous museum collections, including at the
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1236:"Italo Scanga – UCSD's lover of contradiction and vulgarity"
1488:"At MoNA, 'Permanent Immigrant' rewinds an artist's career"
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one-person show in Florida at the Bruce Helander Gallery.
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1987: Meets Pasquale Verdicchio, writer and professor in
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Italian-born American visual artist, educator (1932–2001)
1035:"Italo Scanga, 69, an Artist Inspired by Found Objects"
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Cavanaugh, Maureen; Carone, Angela (April 6, 2011).
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1112:"Italo Scanga; Made Art by Recycling Found Objects"
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Pacific Beach, San Diego, California, United States
90:. Unsourced material may be challenged and removed.
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687:1956: First son, Italo Antonio Amadeo (Tony) born.
407:Italo Scanga was born on June 6, 1932, in Lago in
693:1959: Daughter, Katherine Elizabeth (Cici) born.
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297:Sculpture, ceramics, glass, printmaking, painting
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1188:"Italo Scanga papers: Biographical / Historical"
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755:1978: Moves to La Jolla California to teach at
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1362:"Art; Mysterious Figures By Scanga at Wesleyan"
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802:installation at Henri Gallery, Washington, DC.
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249:Lago, Calabria, Kingdom of Italy (now Italy)
1688:University of California, San Diego faculty
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53:Learn how and when to remove these messages
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528:wooden bowls or large plaster statues of
484:In 1972, he had a solo exhibition at the
219:Learn how and when to remove this message
150:Learn how and when to remove this message
987:Onorato, Ronald J. (September 1, 1978).
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867:Tropes, Monsters, and Poetic Aberrations
646:with a man who carves statues of saints.
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1693:University of Wisconsin–Madison faculty
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921:Turquoise Street studio, San Diego, CA.
1653:Italian emigrants to the United States
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1324:Zimmer, William (September 23, 1990).
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714:1969: Son William Frankel (Bill) born.
1678:Rhode Island School of Design faculty
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1465:Whitehot Magazine of Contemporary Art
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1360:Zimmer, William (November 16, 1986).
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711:1963: Son Giuseppe Edward (Joe) born.
1673:People from Pacific Beach, San Diego
1603:Italo Scanga papers, circa 1930–2001
626:Rhode Island School of Design Museum
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88:adding citations to reliable sources
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1262:Wampler, Angela (August 28, 2007).
757:University of California, San Diego
732:(RISD). Is colleagues with artists
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397:University of California, San Diego
379:(June 6, 1932 – July 27, 2001), an
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1486:Hunter, Stephen (March 23, 2023).
1326:"Art; Works That Unite 2 Elements"
1234:Hofstadter, Dan (March 26, 1998).
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1398:"Remembering Artist Italo Scanga"
1264:"Glass Art Exhibit: Italo Scanga"
651:Immigration, family and education
433:In 1960, Scanga graduated with a
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1668:Michigan State University alumni
1166:Born 1932, Lago, Calabria, Italy
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1290:"Italo Scanga's Torn Loyalties"
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1110:Oliver, Myrna (July 31, 2001).
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463:University of Wisconsin–Madison
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42:or discuss these issues on the
1441:"The Bombing of Monte Cassino"
1288:Cameron, Eric (January 1977).
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1077:Benezit Dictionary of Artists
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730:Rhode Island School of Design
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701:1961: First teaching job at
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1663:Italian multimedia artists
1458:Drury, John (April 2023).
672:Society of Arts and Crafts
670:1951-1953: Studies at the
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614:Metropolitan Museum of Art
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1683:Temple University faculty
1609:, Smithsonian Institution
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618:Detroit Institute of Arts
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726:Providence, Rhode Island
622:Art Institute of Chicago
403:Early life and education
1643:American male sculptors
1613:Italo Scanga Foundation
1082:Oxford University Press
703:University of Wisconsin
606:Museum of Northwest Art
417:Garden City High School
289:Visual artist, educator
190:converting this article
1658:Italian male sculptors
1618:Italo Scanga on Artnet
616:in New York City; the
600:in New York City; the
1545:"Abstract with Braid"
882:Exhibitions 1979–2001
811:Pilchuck Glass School
665:Garden City, Michigan
610:La Conner, Washington
479:Pilchuck Glass School
426:Scanga served in the
1698:People from Calabria
1208:"1965: Italo and Me"
782:(a former student),
598:Museum of Modern Art
488:, in New York City.
84:improve this article
1523:Woodmere Art Museum
1493:Cascadia Daily News
1445:The Brooklyn Museum
471:Tyler School of Art
1573:"Fear of the Dark"
1367:The New York Times
1331:The New York Times
1158:Albuquerque Museum
1040:The New York Times
1033:(August 3, 2001).
871:Tommaso Campanella
764:Exhibitions 1970's
502:Giorgio de Chirico
428:United States Army
192:, if appropriate.
1402:KPBS Public Media
1117:Los Angeles Times
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863:Giambattista Vico
475:Temple University
389:neo-Expressionist
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323:Neo-Expressionist
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1552:Museum (DIA)
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784:Vito Acconci
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366:.italoscanga
308:Saint Joseph
307:
303:Notable work
246:June 6, 1932
237:Italo Scanga
230:
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77:verification
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1633:1932 births
1578:RISD Museum
1213:RISD Museum
925:University.
865:, entitled
798:University.
772:Donald Judd
592:Collections
534:the Madonna
435:B.A. degree
385:neo-Dadaist
319:Neo-Dadaist
1627:Categories
974:References
929:paintings.
842:California
819:Flora Mace
788:Ree Morton
776:Dan Flavin
738:Hardu Keck
423:factory.
391:, and neo-
327:Neo-Cubist
140:April 2015
110:newspapers
39:improve it
1376:0362-4331
1340:0362-4331
1304:0004-3532
1126:2165-1736
1049:1553-8095
637:Childhood
522:Calabrian
346:Su-Mei Yu
333:Spouse(s)
267:Education
202:June 2019
45:talk page
1295:Artforum
1084:. 2011.
994:Artforum
955:Marlatt.
719:Teaching
632:Timeline
409:Calabria
351:Children
315:Movement
1605:, from
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1471:May 16,
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933:Studio.
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676:Detroit
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492:Artwork
381:Italian
359:Website
343:Partner
124:scholar
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888:Rosen.
833:, and
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393:Cubist
310:(1976)
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678:, MI.
437:from
183:prose
131:JSTOR
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1002:2024
914:NYC.
859:UCSD
790:and
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532:and
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368:.org
255:Died
243:Born
179:list
103:news
1086:doi
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