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Hàng Trống painting

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to print black outlines, then draws the details and finally colours the picture in by hand. Because the main part of the process is made by the craftsman's hands, Hàng Trống pictures are slightly different from one to another, thus they become more valuable for the fastidious customers in Hanoi. The
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Trống pictures are found only in museums or fine art gallery. Nevertheless, there are several efforts underway to resurrect this genre of traditional art like propagating Hàng Trống paintings in festivals, galleries and transmitting knowledge of making pictures from old craftsmen to young artists.
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Today, the tradition of Hàng Trống painting is almost lost. New pictures are rarely produced in Hàng Trống anymore because of lack of interest among the younger generations; there remains only one experienced craftsman, Lê Đình Nghiên, who can make Hàng Trống paintings. As a result, authentic Hàng
136:(the toad scholar) for the decoration of families during the Tết holiday. The aesthetic value in pictures of Hàng Trống painting is more urban than in Đông Hồ pictures which are made in the countryside and often reflect a farmer's perspective. Some popular pictures of Hàng Trống painting are 95:
holiday in Hanoi, but today this tradition almost has disappeared and authentic Hàng Trống paintings are found only in museums or fine art galleries. However, the art of making Hàng Trống paintings is always considered a symbol of traditional culture and aesthetic value of Vietnam.
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holiday when a Hàng Trống painting was indispensable for each Hanoi family. For this reason Hàng Trống painting, besides Đông Hồ, was also called Tết painting (tranh Tết). Hàng Trống craftsmen also produced worshipping pictures for Taoist temples and Buddhist temples in Hanoi.
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streets. This was one of the few places where folk paintings were made in Vietnam during the dynastic time. In the past, Hàng Trống craftsmen often began to make pictures in the eleventh and twelfth months of the
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paper used in making Hàng Trống painting is called Xuyến chỉ paper (giấy Xuyến chỉ), which differs from the natural colour paper of Đông Hồ painting. Hàng Trống craftsmen colourize pictures with
208:. Different from the countryside Đông Hồ, the manufacturing area of Hang Trong painting is located in the Tiêu Túc (later changed to Thuận Mỹ) district in the very heart of 386: 424: 390: 496: 213: 225: 180:, and therefore the tone of Hàng Trống paintings is usually bright and attractive with principal colours being pink, blue, green, red and yellow. 221: 217: 474: 297: 877: 124:. However, besides the pictures of worshipping themes, Hàng Trống craftsmen also made paintings with folk themes like Đông Hồ such as 456: 549: 1035: 363: 335: 902: 442: 695: 428: 1050: 922: 999: 633: 825: 280: 1009: 978: 917: 686: 809: 407: 1107: 1092: 500: 1148: 1014: 932: 927: 937: 897: 701: 638: 542: 691: 92: 1143: 1076: 1004: 953: 514: 482: 305: 251: 121: 799: 716: 1138: 856: 830: 648: 535: 104:
The common themes in Hàng Trống paintings are spiritual and cultural symbols such as the white
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The origin of Hàng Trống painting dates back to the 16th century during the reign of the
65: 681: 1071: 1045: 912: 643: 608: 588: 460: 835: 789: 784: 741: 671: 359: 331: 84: 983: 756: 794: 973: 958: 427:(in Vietnamese). Ministry of Culture and Information of Vietnam. Archived from 73: 804: 1132: 1019: 603: 499:. Ministry of Culture and Information of Vietnam. 2009-06-01. Archived from 205: 91:, Vietnam. In the past, Hàng Trống painting was an essential element of the 907: 578: 1102: 1040: 28: 55:
Tradition almost lost; authentic paintings found in museums or galleries
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Caroline Hemery; Sophie Cucheval; Emmanuelle Bluman; Aurélie Louchart.
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In making a Hàng Trống painting, the craftsman starts with
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so that they could meet with the high demand during the
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painting that originated from the area of Hàng Trống (
112:(cá chép), which indicate a stronger influence of 1130: 328:Two cakes fit for a king: folktales from Vietnam 445:(in Vietnamese). Quehuongonline.vn. 2009-02-04. 410:(in Vietnamese). Thethaovanhoa.vn. 2009-02-04. 330:. University of Hawaii Press. pp. 15–16. 283:(in Vietnamese). Thethaovanhoa.vn. 2009-01-26. 195:, a popular artwork of the Hàng Trống painting 543: 459:. Vietnamnet.vn. 2009-03-24. Archived from 550: 536: 402: 400: 275: 273: 271: 27: 358:(in French). Petit Futé. pp. 90–91. 292: 290: 489: 187: 475:"Folk art exhibit gives history lesson" 435: 419: 417: 397: 321: 319: 317: 315: 268: 1131: 557: 377: 375: 349: 347: 287: 22:Hàng Trống painting (Tranh Hàng Trống) 531: 325: 414: 312: 99: 16:Genre of Vietnamese woodcut painting 515:"Folk art, royal papers on exhibit" 387:Từ điển bách khoa toàn thư Việt Nam 372: 344: 13: 923:Vietnam National Museum of History 14: 1160: 212:which is now the quarter between 918:Vietnam Military History Museum 878:Hai Bà Trưng Temple (Đồng Nhân) 507: 467: 457:"Odd paintings from shipwrecks" 634:Imperial Citadel of Thăng Long 449: 83:) and Hàng Nón streets in the 1: 1093:Noi Bai International Airport 262: 1015:Hanoi Indoor Games Gymnasium 933:Vietnam Museum of Revolution 481:. 2008-02-06. Archived from 304:. 2005-03-13. 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Index

Bạch Hổ (White Tiger), a popular picture of Hàng Trống painting
Vietnamese
Vietnamese
woodcut
vi
Old Quarter
Hanoi
Tết Nguyên Đán
tiger
carp
Buddhism
Taoism
Đông Hồ painting
woodblocks
pigments

Lê dynasty
Hanoi
Hàng Trống
Hàng Nón
Hàng Hòm
Hàng Quạt
Vietnamese calendar
Tết
Đông Hồ painting
Kim Hoàng painting



"Tranh dân gian Việt Nam"

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