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297:. Height 7 ft, Length 12' 6". Depth 6 ft. Materials: nylon, hydrochloric acid, metal. Technique. 3 nylon canvases coloured white black red are arranged behind each other, in this order. Acid is painted, flung and sprayed onto the nylon which corrodes at point of contact within 15 seconds.
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Originally conceived for
Manchester Peace Garden and commissioned by Manchester International Festival in 2009, this work consists of uprooted trees inverted into a concrete block in a powerful environmental memorandum of man's destructive capabilities and violation of Nature.
552:
Discourse: Journal for
Theoretical Studies in Media and Culture 14:2 (Spring 1992), pp. 74–102; reprinted in Kristine Stiles, Concerning Consequences: Studies in Art, Destruction, and Trauma. Chicago: University of Chicago Press,
256:. He felt that artists are especially threatened, because so many rely on nature as a big inspiration. Metzger stated that "artists have a special part to play in opposing extinction, if only on a theoretical, intellectual basis."
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His experience of twentieth century society's destructive capabilities led
Metzger to a concentrated 'formulation of what destruction is and what it might be in relation to art.' He was known as a leading exponent of the
167:
between 1948 and 1949. It is with an experience of twentieth century society's destructive capabilities that led
Metzger to a concentrated 'formulation of what destruction is and what it might be in relation to art.'
241:
Throughout the 60 years that
Metzger produced politically engaged works, he incorporated materials ranging from trash to old newspapers, liquid crystals to industrial materials, and even acid."
567:
Gustav
Metzger. Geschichte Geschichte (History History). Edited by Sabina Breitwieser, 41-65. Vienna and Ostfildern-Ruit: Generali Foundation and Hatje Cantz Verlag, 2005, pp. 41–65.
219:'. The Architectural Association published, in 2015, a facsimile edition of Metzger's lecture transcript. In 1962 he participated in the Festival of Misfits organised by members of the
231:
studied with
Metzger, and during the 1960s, Metzger's work was projected on screens at The Who concerts. Metzger also worked with Cream, providing them with light shows in the 1960s.
316:. Height 13 ft. Width 9' 6". Materials. Glass, metal, adhesive tape. Technique. The glass sheets suspended by adhesive tape fall onto the concrete ground in a pre-arranged sequence.
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1104:"Art and design,Art (visual arts only),Manchester international festival,Exhibitions,Environment,Culture,Sculpture (Art and design),Installation (Art and design)"
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362:, a bag containing rubbish, was erroneously disposed by a cleaner on 30 June 2004. Metzger declared the piece ruined and created a new bag as a replacement.
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522:, Edited by Mathieu Copeland with John Armleder, Laurent Le Bon, Gustav Metzger, Mai-Thu Perret, Clive Phillpot, Philippe Pirotte. JRP Editions, 2009,
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586:"Art After Auschwitz: Responding to an Infinite Demand: Gustav Metzger’s Works as Responses to Theodor W. Adorno’s “New Categorical Imperative”."
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Out of
Control. Edited by Gottfried Hattinger and Karl Gerbel, Linz, Austria: Ars Electronica & Landesverlag, 1991, pp. 29–50.
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In Out of
Actions: Between Performance and The Object 1949-1979. Edited by Russell Ferguson and Paul Schimmel, pp. 226–328.
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photographs of catastrophic events of the 20th century presented to the viewer using confrontational and experiential methods.
887:"The man who inspired Pete Townshend to smash his guitars – Gustav Metzger, pioneer of auto-destructive art, has died aged 90"
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in 1944 and remained a strong advocate of vegetarianism throughout his life. He was among the first to take a stand against
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Metzger was a non-smoker and teetotaller who did not drink coffee or
English tea. He carried around his own supply of
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since the late 1940s. He received a grant from the UK Jewish community to study at the Royal Academy of Fine Arts in
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848:(Second Edition, Revised and Expanded by Kristine Stiles) University of California Press 2012, pp. 470–471
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398:, taught Metzger and was influential in his development. Metzger was also influenced by the artwork of
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Metzger died at the age of 90 at his home in London on 1 March 2017. He is buried on the east side of
252:, 15 upturned willow trees embedded in a block of concrete, symbolising a world turned upside down by
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Rett Kopi Documents the Future. Edited by Rett Kopi. (Oslo, Norway: Rett Kopi), pp. 157–166.
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featured the most extensive exhibition in the UK of his work. Exhibits included the installation
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Alan Liu, (2004) The Laws of Cool, University of Chicago Press, pp. 331–336 & 485–486.
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Introduction to the Destruction in Art Symposium: DIAS and Discussion with Ivor Davies.
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Synopsis of the Destruction in Art Symposium (DIAS) and Its Theoretical Significance.
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and was described as a vegan in his later years. He lived and worked in East London.
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Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings
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Metzger was recognised for his protests in the political and artistic realms.
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Alan Liu, (2004) The Laws of Cool, University of Chicago Press, pp. 330–331.
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The Story of the Destruction in Art Symposium and the ‘DIAS Affect’.
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Recreation of First Public Demonstration of Auto-Destructive Art
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Recreation of First Public Demonstration of Auto-Destructive Art
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Recreation of First Public Demonstration of Auto-Destructive Art
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which he proclaimed to be "The art exhibition without the art."
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In 1959, Metzger published the first auto-destructive manifesto
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634:"Gustav Metzger, pioneer of auto-destructive art, dies aged 90"
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220:
215:(AA) in 1964, which was taken over by students as an artistic '
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786:"Gustav Metzger (1926–2017) In the Words of Sabine Breitwieser
710:(illustrated ed.). Museum Tusculanum Press. p. 87.
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Thresholds of Control: Destruction Art and Terminal Culture.
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UCSB Department of English Course Materials: Gustav Metzger
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made in 1960. An integral piece of the installation at the
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Introduction to the Historic Photographs of Gustav Metzger
820:"'Auto-destructive art' pioneer Gustav Metzger dies at 90"
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932:"BBC - Norfolk - Entertainment - EAST International '05"
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How auto-destructive art work got destroyed too soon
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Metzger’s Fierce, Poignant, and Prescient Manifestos.
912:"Music: Auto-destruction - anyway, anyhow, anywhere"
151:, Germany, in 1926 and came to Britain in 1939 as a
862:"Auto-Destructive Art: Metzger at AA | AA Bookshop"
662:"Gustav Metzger: the liquid crystal revolutionary"
462:, edited by Mathieu Copeland, JRP Editions, 2019,
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342:This ongoing series of work consists of enlarged
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1147:Gustav Metzger, Act or Perish! – A Retrospective
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334:was originally made in 1965 and remade in 2005.
213:Architectural Association School of Architecture
128:. Together with John Sharkey, he initiated the
16:German artist and political activist (1926–2017)
949:Gustav Metzger at the Serpentine Gallery London
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276:This was originally made in 1960 and remade as
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788:. textezurkunst.de. Retrieved 18 January 2023.
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968:It Goes with the Territory: Memoirs of a Poet
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772:. theguardian.com. Retrieved 18 January 2023.
756:Pioneers in Art and Science: Metzger (film),
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284:Demonstration at the South Bank, London, 1961
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707:Performing Archives/Archives of Performance
704:Gunhild Borggreen; Rune Gade, eds. (2013).
558:Uncorrupted Joy: International Art Actions.
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244:From 29 September to 8 November 2009, the
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1092:, The Guardian, retrieved 31 August 2006.
1034:Aesthetic Ideology in the Information Age
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438:. He has also influenced the self-eating
223:group, at Gallery One, London. Guitarist
159:. He lost his Polish citizenship and was
1127:. frieze.com. Retrieved 18 January 2023.
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581:Link 52 (September 1987), pp. 4–10.
538:The Act 1 (Spring 1987), pp. 22–31.
430:, one of his students was rock musician
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1278:British anti–nuclear weapons activists
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1102:Thomond, Christopher (30 June 2009).
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211:. This was given as a lecture to the
200:movements. He was also active in the
507:, edited by Mathieu Copeland, 2013,
550:Survival Ethos and Destruction Art.
492:, Architectural Association, 2015,
490:Auto-Destructive Art: Metzger at AA
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991:"Cleaner bins rubbish bag artwork"
844:Kristine Stiles & Peter Selz,
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426:When Metzger was lecturing at
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354:This was a recreation of the
1283:British contemporary artists
1218:Burials at Highgate Cemetery
1125:"Gustav Metzger: Influences"
784:Breitwieser, Sabine. (2017).
758:Ken McMullen (film director)
632:Brown, Mark (2 March 2017).
611:Destruction in Art Symposium
130:Destruction in Art Symposium
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1176:Radical Art, Gustav Metzger
1079:, retrieved 30 August 2006.
1059:, retrieved 30 August 2006.
1021:, retrieved 30 August 2006.
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394:, the leading light of the
378:Grave of Gustav Metzger in
10:
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1243:British conceptual artists
1053:Liquid Crystal Environment
993:. BBC News. 27 August 2004
332:Liquid Crystal Environment
327:Liquid Crystal Environment
155:under the auspices of the
87:Royal Academy of Fine Arts
1077:University College London
770:"Gustav Metzger obituary"
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1039:1 September 2006 at the
809:, 15 September 1961, p 9
741:Anglia Ruskin University
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139:Early life and education
402:and the naturopathy of
314:Construction with glass
308:Construction with glass
177:environmental pollution
37:Gustav Metzger in 2009.
1223:Artists from Nuremberg
947:Hanamirian, Jocelyn. "
584:Anna-Verena Nosthoff,
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356:original demonstration
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1248:Contemporary painters
1195:at Wikimedia Commons
970:. Alma Books. p. 57.
593:Duke University Press
520:Voids A Retrospective
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234:In 2005, he selected
181:nuclear proliferation
460:Writings (1953–2016)
338:Historic Photographs
295:Acid action painting
289:Acid action painting
209:Auto-Destructive Art
204:- a 'named' member
194:Auto-Destructive Art
143:Metzger was born to
122:Auto-Destructive Art
95:Auto-Destructive Art
966:Feinstein, Elaine.
78:London, England, UK
1238:Postmodern artists
1106:. London: Guardian
920:. 22 October 2011.
591:10 (3): 300–319. (
577:Stiles, Kristine,
570:Stiles, Kristine,
563:Stiles, Kristine,
556:Stiles, Kristine,
548:Stiles, Kristine,
541:Stiles, Kristine,
534:Stiles, Kristine,
428:Ealing Art College
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246:Serpentine Gallery
103:Fluxus, Art Strike
1191:Media related to
957:, September 2009.
917:Independent.co.uk
589:Cultural Politics
530:978-3-03764-017-3
515:978-2-84066-601-1
505:Auto-creative Art
503:Metzger, Gustav,
483:978-88-97503-87-3
468:978-3-03764-535-2
458:Metzger, Gustav,
416:Highgate Cemetery
380:Highgate Cemetery
236:EASTinternational
171:Metzger became a
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1057:Tate Online
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147:parents in
1202:Categories
1110:8 November
1071:Jones, A.
807:Peace News
617:References
386:Influences
198:Art Strike
173:vegetarian
132:in 1966.
126:Art Strike
49:1926-04-10
280:in 2004.
261:green tea
217:Happening
161:stateless
149:Nuremberg
114:Nuremberg
84:Education
57:Nuremberg
1037:Archived
606:Anti-art
600:See also
319:—
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196:and the
124:and the
100:Movement
1149:, 2016.
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896:5 March
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645:2 March
436:The Who
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267:Works
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