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Gustav Metzger

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33: 375: 1188: 297:. Height 7 ft, Length 12' 6". Depth 6 ft. Materials: nylon, hydrochloric acid, metal. Technique. 3 nylon canvases coloured white black red are arranged behind each other, in this order. Acid is painted, flung and sprayed onto the nylon which corrodes at point of contact within 15 seconds. 370:
Originally conceived for Manchester Peace Garden and commissioned by Manchester International Festival in 2009, this work consists of uprooted trees inverted into a concrete block in a powerful environmental memorandum of man's destructive capabilities and violation of Nature.
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Discourse: Journal for Theoretical Studies in Media and Culture 14:2 (Spring 1992), pp. 74–102; reprinted in Kristine Stiles, Concerning Consequences: Studies in Art, Destruction, and Trauma. Chicago: University of Chicago Press,
256:. He felt that artists are especially threatened, because so many rely on nature as a big inspiration. Metzger stated that "artists have a special part to play in opposing extinction, if only on a theoretical, intellectual basis." 191:
His experience of twentieth century society's destructive capabilities led Metzger to a concentrated 'formulation of what destruction is and what it might be in relation to art.' He was known as a leading exponent of the
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between 1948 and 1949. It is with an experience of twentieth century society's destructive capabilities that led Metzger to a concentrated 'formulation of what destruction is and what it might be in relation to art.'
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Throughout the 60 years that Metzger produced politically engaged works, he incorporated materials ranging from trash to old newspapers, liquid crystals to industrial materials, and even acid."
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Gustav Metzger. Geschichte Geschichte (History History). Edited by Sabina Breitwieser, 41-65. Vienna and Ostfildern-Ruit: Generali Foundation and Hatje Cantz Verlag, 2005, pp. 41–65.
219:'. The Architectural Association published, in 2015, a facsimile edition of Metzger's lecture transcript. In 1962 he participated in the Festival of Misfits organised by members of the 231:
studied with Metzger, and during the 1960s, Metzger's work was projected on screens at The Who concerts. Metzger also worked with Cream, providing them with light shows in the 1960s.
316:. Height 13 ft. Width 9' 6". Materials. Glass, metal, adhesive tape. Technique. The glass sheets suspended by adhesive tape fall onto the concrete ground in a pre-arranged sequence. 1036: 1104:"Art and design,Art (visual arts only),Manchester international festival,Exhibitions,Environment,Culture,Sculpture (Art and design),Installation (Art and design)" 523: 585: 362:, a bag containing rubbish, was erroneously disposed by a cleaner on 30 June 2004. Metzger declared the piece ruined and created a new bag as a replacement. 1277: 522:, Edited by Mathieu Copeland with John Armleder, Laurent Le Bon, Gustav Metzger, Mai-Thu Perret, Clive Phillpot, Philippe Pirotte. JRP Editions, 2009, 212: 1287: 586:"Art After Auschwitz: Responding to an Infinite Demand: Gustav Metzger’s Works as Responses to Theodor W. Adorno’s “New Categorical Imperative”." 911: 633: 886: 545:
Out of Control. Edited by Gottfried Hattinger and Karl Gerbel, Linz, Austria: Ars Electronica & Landesverlag, 1991, pp. 29–50.
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In Out of Actions: Between Performance and The Object 1949-1979. Edited by Russell Ferguson and Paul Schimmel, pp. 226–328.
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photographs of catastrophic events of the 20th century presented to the viewer using confrontational and experiential methods.
887:"The man who inspired Pete Townshend to smash his guitars – Gustav Metzger, pioneer of auto-destructive art, has died aged 90" 1282: 1217: 529: 514: 482: 467: 175:
in 1944 and remained a strong advocate of vegetarianism throughout his life. He was among the first to take a stand against
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Metzger was a non-smoker and teetotaller who did not drink coffee or English tea. He carried around his own supply of
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since the late 1940s. He received a grant from the UK Jewish community to study at the Royal Academy of Fine Arts in
1222: 1192: 1247: 769: 1180: 757: 610: 434:, who later cited Metzger's concepts as an influence for his famous guitar-smashing during performances of 129: 848:(Second Edition, Revised and Expanded by Kristine Stiles) University of California Press 2012, pp. 470–471 1237: 861: 953: 398:, taught Metzger and was influential in his development. Metzger was also influenced by the artwork of 414:
Metzger died at the age of 90 at his home in London on 1 March 2017. He is buried on the east side of
252:, 15 upturned willow trees embedded in a block of concrete, symbolising a world turned upside down by 1232: 1076: 508: 785: 574:
Rett Kopi Documents the Future. Edited by Rett Kopi. (Oslo, Norway: Rett Kopi), pp. 157–166.
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featured the most extensive exhibition in the UK of his work. Exhibits included the installation
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Alan Liu, (2004) The Laws of Cool, University of Chicago Press, pp. 331–336 & 485–486.
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Introduction to the Destruction in Art Symposium: DIAS and Discussion with Ivor Davies.
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Synopsis of the Destruction in Art Symposium (DIAS) and Its Theoretical Significance.
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and was described as a vegan in his later years. He lived and worked in East London.
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Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings
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Metzger was recognised for his protests in the political and artistic realms.
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Alan Liu, (2004) The Laws of Cool, University of Chicago Press, pp. 330–331.
638: 359: 697: 120:) was a German artist and political activist who developed the concept of 1056: 1018: 197: 125: 343: 260: 216: 148: 113: 56: 565:
The Story of the Destruction in Art Symposium and the ‘DIAS Affect’.
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Recreation of First Public Demonstration of Auto-Destructive Art
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Recreation of First Public Demonstration of Auto-Destructive Art
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Recreation of First Public Demonstration of Auto-Destructive Art
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which he proclaimed to be "The art exhibition without the art."
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In 1959, Metzger published the first auto-destructive manifesto
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Thresholds of Control: Destruction Art and Terminal Culture.
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UCSB Department of English Course Materials: Gustav Metzger
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made in 1960. An integral piece of the installation at the
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Introduction to the Historic Photographs of Gustav Metzger
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How auto-destructive art work got destroyed too soon
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Metzger’s Fierce, Poignant, and Prescient Manifestos.
912:"Music: Auto-destruction - anyway, anyhow, anywhere" 151:, Germany, in 1926 and came to Britain in 1939 as a 862:"Auto-Destructive Art: Metzger at AA | AA Bookshop" 662:"Gustav Metzger: the liquid crystal revolutionary" 462:, edited by Mathieu Copeland, JRP Editions, 2019, 1029: 1027: 856: 854: 342:This ongoing series of work consists of enlarged 1199: 1147:Gustav Metzger, Act or Perish! – A Retrospective 1067: 1065: 334:was originally made in 1965 and remade in 2005. 213:Architectural Association School of Architecture 128:. Together with John Sharkey, he initiated the 16:German artist and political activist (1926–2017) 949:Gustav Metzger at the Serpentine Gallery London 812: 276:This was originally made in 1960 and remade as 1024: 1010: 1008: 943: 941: 851: 788:. textezurkunst.de. Retrieved 18 January 2023. 1062: 968:It Goes with the Territory: Memoirs of a Poet 780: 778: 772:. theguardian.com. Retrieved 18 January 2023. 756:Pioneers in Art and Science: Metzger (film), 679: 627: 625: 326: 284:Demonstration at the South Bank, London, 1961 985: 983: 752: 750: 272:Public Demonstration of Auto-Destructive Art 1005: 938: 707:Performing Archives/Archives of Performance 704:Gunhild Borggreen; Rune Gade, eds. (2013). 558:Uncorrupted Joy: International Art Actions. 138: 775: 622: 307: 244:From 29 September to 8 November 2009, the 31: 1092:, The Guardian, retrieved 31 August 2006. 1034:Aesthetic Ideology in the Information Age 980: 747: 438:. He has also influenced the self-eating 223:group, at Gallery One, London. Guitarist 159:. He lost his Polish citizenship and was 1127:. frieze.com. Retrieved 18 January 2023. 731: 729: 727: 581:Link 52 (September 1987), pp. 4–10. 538:The Act 1 (Spring 1987), pp. 22–31. 430:, one of his students was rock musician 373: 1101: 337: 288: 1288:Polish emigrants to the United Kingdom 1278:British anti–nuclear weapons activists 1200: 1162: 1102:Thomond, Christopher (30 June 2009). 724: 660:Jones, Jonathan (28 September 2009). 659: 631: 211:. This was given as a lecture to the 200:movements. He was also active in the 507:, edited by Mathieu Copeland, 2013, 550:Survival Ethos and Destruction Art. 492:, Architectural Association, 2015, 490:Auto-Destructive Art: Metzger at AA 13: 991:"Cleaner bins rubbish bag artwork" 844:Kristine Stiles & Peter Selz, 452: 14: 1299: 1156: 365: 1186: 1043:, USCB, retrieved 31 August 2006 1163:Searle, Adrian (2 March 2017). 1139: 1130: 1118: 1095: 1075:, Forum for Holocaust Studies, 1046: 960: 924: 904: 879: 838: 800: 477:– A Retrospective. Nero, 2016, 791: 763: 426:When Metzger was lecturing at 1: 1258:Polish expatriates in Germany 616: 385: 354:This was a recreation of the 1283:British contemporary artists 1218:Burials at Highgate Cemetery 1125:"Gustav Metzger: Influences" 784:Breitwieser, Sabine. (2017). 758:Ken McMullen (film director) 632:Brown, Mark (2 March 2017). 611:Destruction in Art Symposium 130:Destruction in Art Symposium 7: 1176:Radical Art, Gustav Metzger 1079:, retrieved 30 August 2006. 1059:, retrieved 30 August 2006. 1021:, retrieved 30 August 2006. 599: 394:, the leading light of the 378:Grave of Gustav Metzger in 10: 1304: 1243:British conceptual artists 1053:Liquid Crystal Environment 993:. BBC News. 27 August 2004 332:Liquid Crystal Environment 327:Liquid Crystal Environment 155:under the auspices of the 87:Royal Academy of Fine Arts 1077:University College London 770:"Gustav Metzger obituary" 421: 186: 157:Refugee Children Movement 99: 91: 83: 67: 42: 30: 23: 1273:Jewish British activists 1263:20th-century Polish Jews 1253:Kindertransport refugees 1039:1 September 2006 at the 809:, 15 September 1961, p 9 741:Anglia Ruskin University 409: 266: 139:Early life and education 402:and the naturopathy of 314:Construction with glass 308:Construction with glass 177:environmental pollution 37:Gustav Metzger in 2009. 1223:Artists from Nuremberg 947:Hanamirian, Jocelyn. " 584:Anna-Verena Nosthoff, 382: 356:original demonstration 324: 305: 1248:Contemporary painters 1195:at Wikimedia Commons 970:. Alma Books. p. 57. 593:Duke University Press 520:Voids A Retrospective 377: 311: 292: 234:In 2005, he selected 181:nuclear proliferation 460:Writings (1953–2016) 338:Historic Photographs 295:Acid action painting 289:Acid action painting 209:Auto-Destructive Art 204:- a 'named' member 194:Auto-Destructive Art 143:Metzger was born to 122:Auto-Destructive Art 95:Auto-Destructive Art 966:Feinstein, Elaine. 78:London, England, UK 1238:Postmodern artists 1106:. London: Guardian 920:. 22 October 2011. 591:10 (3): 300–319. ( 577:Stiles, Kristine, 570:Stiles, Kristine, 563:Stiles, Kristine, 556:Stiles, Kristine, 548:Stiles, Kristine, 541:Stiles, Kristine, 534:Stiles, Kristine, 428:Ealing Art College 383: 246:Serpentine Gallery 103:Fluxus, Art Strike 1191:Media related to 957:, September 2009. 917:Independent.co.uk 589:Cultural Politics 530:978-3-03764-017-3 515:978-2-84066-601-1 505:Auto-creative Art 503:Metzger, Gustav, 483:978-88-97503-87-3 468:978-3-03764-535-2 458:Metzger, Gustav, 416:Highgate Cemetery 380:Highgate Cemetery 236:EASTinternational 171:Metzger became a 107: 106: 1295: 1233:Stateless people 1190: 1172: 1151: 1143: 1137: 1134: 1128: 1122: 1116: 1115: 1113: 1111: 1099: 1093: 1088:Jones, S. 2004. 1086: 1080: 1069: 1060: 1050: 1044: 1031: 1022: 1012: 1003: 1002: 1000: 998: 987: 978: 964: 958: 945: 936: 935: 928: 922: 921: 908: 902: 901: 899: 897: 883: 877: 876: 874: 872: 858: 849: 842: 836: 835: 833: 831: 824:Washington Times 816: 810: 804: 798: 795: 789: 782: 773: 767: 761: 754: 745: 744: 737:"Gustav Metzger" 733: 722: 721: 701: 695: 694: 687:"Gustav Metzger" 683: 677: 676: 674: 672: 657: 651: 650: 648: 646: 629: 488:Metzger, Gustav 473:Metzger, Gustav 447:Joseph Nechvatal 400:Johannes Vermeer 322: 303: 202:Committee of 100 116:– 1 March 2017, 112:(10 April 1926, 74: 52: 50: 35: 21: 20: 1303: 1302: 1298: 1297: 1296: 1294: 1293: 1292: 1198: 1197: 1159: 1154: 1144: 1140: 1135: 1131: 1123: 1119: 1109: 1107: 1100: 1096: 1087: 1083: 1070: 1063: 1051: 1047: 1041:Wayback Machine 1032: 1025: 1013: 1006: 996: 994: 989: 988: 981: 965: 961: 954:Modern Painters 946: 939: 930: 929: 925: 910: 909: 905: 895: 893: 885: 884: 880: 870: 868: 860: 859: 852: 843: 839: 829: 827: 818: 817: 813: 805: 801: 796: 792: 783: 776: 768: 764: 755: 748: 735: 734: 725: 718: 702: 698: 685: 684: 680: 670: 668: 658: 654: 644: 642: 630: 623: 619: 602: 455: 453:Further reading 424: 412: 388: 368: 352: 340: 329: 323: 320: 310: 304: 301: 291: 286: 274: 269: 189: 141: 79: 76: 72: 63: 61:Weimar Republic 54: 48: 46: 38: 26: 17: 12: 11: 5: 1301: 1291: 1290: 1285: 1280: 1275: 1270: 1265: 1260: 1255: 1250: 1245: 1240: 1235: 1230: 1225: 1220: 1215: 1210: 1193:Gustav Metzger 1184: 1183: 1178: 1173: 1158: 1157:External links 1155: 1153: 1152: 1138: 1129: 1117: 1094: 1081: 1061: 1045: 1023: 1004: 979: 959: 937: 934:. BBC Norfolk. 923: 903: 878: 866:aabookshop.net 850: 837: 826:. 2 March 2017 811: 799: 790: 774: 762: 746: 723: 716: 696: 691:Printed Matter 678: 652: 620: 618: 615: 614: 613: 608: 601: 598: 597: 596: 582: 575: 568: 561: 554: 546: 539: 532: 517: 501: 486: 475:Act or Perish! 471: 454: 451: 444:digital artist 440:computer virus 432:Pete Townshend 423: 420: 411: 408: 404:Edmond Szekely 387: 384: 367: 366:Flailing Trees 364: 351: 348: 339: 336: 328: 325: 321:Gustav Metzger 318: 309: 306: 302:Gustav Metzger 299: 290: 287: 285: 282: 273: 270: 268: 265: 254:global warming 250:Flailing Trees 225:Pete Townshend 188: 185: 140: 137: 110:Gustav Metzger 105: 104: 101: 97: 96: 93: 92:Known for 89: 88: 85: 81: 80: 77: 75:(aged 90) 69: 65: 64: 55: 44: 40: 39: 36: 28: 27: 25:Gustav Metzger 24: 15: 9: 6: 4: 3: 2: 1300: 1289: 1286: 1284: 1281: 1279: 1276: 1274: 1271: 1269: 1268:Borough Group 1266: 1264: 1261: 1259: 1256: 1254: 1251: 1249: 1246: 1244: 1241: 1239: 1236: 1234: 1231: 1229: 1226: 1224: 1221: 1219: 1216: 1214: 1211: 1209: 1206: 1205: 1203: 1196: 1194: 1189: 1182: 1179: 1177: 1174: 1170: 1166: 1161: 1160: 1150: 1148: 1142: 1133: 1126: 1121: 1105: 1098: 1091: 1085: 1078: 1074: 1068: 1066: 1058: 1054: 1049: 1042: 1038: 1035: 1030: 1028: 1020: 1016: 1011: 1009: 992: 986: 984: 977: 976:9780714545424 973: 969: 963: 956: 955: 950: 944: 942: 933: 927: 919: 918: 913: 907: 892: 891:The Telegraph 888: 882: 867: 863: 857: 855: 847: 841: 825: 821: 815: 808: 803: 794: 787: 781: 779: 771: 766: 759: 753: 751: 742: 738: 732: 730: 728: 719: 717:9788763537506 713: 709: 708: 700: 692: 688: 682: 667: 663: 656: 641: 640: 635: 628: 626: 621: 612: 609: 607: 604: 603: 594: 590: 587: 583: 580: 576: 573: 569: 566: 562: 559: 555: 551: 547: 544: 540: 537: 533: 531: 527: 524: 521: 518: 516: 512: 509: 506: 502: 499: 498:9781907414503 495: 491: 487: 484: 480: 476: 472: 469: 465: 461: 457: 456: 450: 448: 445: 442:works by the 441: 437: 433: 429: 419: 417: 407: 405: 401: 397: 396:Borough Group 393: 392:David Bomberg 381: 376: 372: 363: 361: 357: 347: 345: 335: 333: 317: 315: 298: 296: 281: 279: 264: 262: 257: 255: 251: 247: 242: 239: 237: 232: 230: 226: 222: 218: 214: 210: 205: 203: 199: 195: 184: 182: 178: 174: 169: 166: 162: 158: 154: 150: 146: 145:Polish Jewish 136: 133: 131: 127: 123: 119: 115: 111: 102: 98: 94: 90: 86: 82: 70: 66: 62: 58: 53:10 April 1926 45: 41: 34: 29: 22: 19: 1185: 1169:The Guardian 1168: 1146: 1141: 1132: 1120: 1108:. 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Index


Nuremberg
Weimar Republic
Nuremberg
London
Auto-Destructive Art
Art Strike
Destruction in Art Symposium
Polish Jewish
Nuremberg
refugee
Refugee Children Movement
stateless
Antwerp
vegetarian
environmental pollution
nuclear proliferation
Auto-Destructive Art
Art Strike
Committee of 100
Architectural Association School of Architecture
Happening
Fluxus
Pete Townshend
The Who
EASTinternational
Serpentine Gallery
global warming
green tea
press

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