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Guitar

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520: 834: 4040:" is a small piece of hard material generally held between the thumb and first finger of the picking hand and is used to "pick" the strings. Though most classical players pick with a combination of fingernails and fleshy fingertips, the pick is most often used for electric and steel-string acoustic guitars. Though today they are mainly plastic, variations do exist, such as bone, wood, steel or tortoise shell. Tortoise shell was the most commonly used material in the early days of pick-making, but as tortoises and turtles became endangered, the practice of using their shells for picks or anything else was banned. Tortoise-shell picks made before the ban are often coveted for a supposedly superior tone and ease of use, and their scarcity has made them valuable. 551: 788:
straightforward process. There were two types of five-course guitars, differing in the location of the major third and in the interval pattern. The fifth course can be inferred because the instrument was known to play more than the sixteen notes possible with four. The guitar's strings were tuned in unison, so, in other words, it was tuned by placing a finger on the second fret of the thinnest string and tuning the guitar bottom to top. The strings were a whole octave apart from one another, which is the reason for the different method of tuning. Because it was so different, there was major controversy as to who created the five course guitar. A literary source, Lope de Vega's Dorotea, gives the credit to the poet and musician
2168:, also called the fretboard, is a piece of wood embedded with metal frets that comprises the top of the neck. It is flat on classical guitars and slightly curved crosswise on acoustic and electric guitars. The curvature of the fretboard is measured by the fretboard radius, which is the radius of a hypothetical circle of which the fretboard's surface constitutes a segment. The smaller the fretboard radius, the more noticeably curved the fretboard is. Most modern guitars feature a 12" neck radius, while older guitars from the 1960s and 1970s usually feature a 6-8" neck radius. Pinching a string against a fret on the fretboard effectively shortens the vibrating length of the string, producing a higher pitch. 3938:) is used to change the pitch of open strings. Capos are clipped onto the fretboard with the aid of spring tension or, in some models, elastic tension. To raise the guitar's pitch by one semitone, the player would clip the capo onto the fretboard just below the first fret. Its use allows players to play in different keys without having to change the chord formations they use. For example, if a folk guitar player wanted to play a song in the key of B Major, they could put a capo on the second fret of the instrument, and then play the song as if it were in the key of A Major, but with the capo the instrument would make the sounds of B Major. This is because, with the capo barring the entire second fret, 2309:
adjusted by a hex nut or an allen-key bolt on the rod, usually located either at the headstock, sometimes under a cover, or just inside the body of the guitar underneath the fretboard and accessible through the sound hole. Some truss rods can only be accessed by removing the neck. The truss rod counteracts the immense amount of tension the strings place on the neck, bringing the neck back to a straighter position. Turning the truss rod clockwise tightens it, counteracting the tension of the strings and straightening the neck or creating a backward bow. Turning the truss rod counter-clockwise loosens it, allowing string tension to act on the neck and creating a forward bow.
2550:. Many luthiers consider the top the dominant factor in determining the sound quality. The majority of the instrument's sound is heard through the vibration of the guitar top as the energy of the vibrating strings is transferred to it. The body of an acoustic guitar has a sound hole through which sound projects. The sound hole is usually a round hole in the top of the guitar under the strings. The air inside the body vibrates as the guitar top and body is vibrated by the strings, and the response of the air cavity at different frequencies is characterized, like the rest of the guitar body, by a number of resonance modes at which it responds more strongly. 3698: 1933:, or other medium-hard material, at the joint where the headstock meets the fretboard. Its grooves guide the strings onto the fretboard, giving consistent lateral string placement. It is one of the endpoints of the strings' vibrating length. It must be accurately cut, or it can contribute to tuning problems due to string slippage or string buzz. To reduce string friction in the nut, which can adversely affect tuning stability, some guitarists fit a roller nut. Some instruments use a zero fret just in front of the nut. In this case the nut is used only for lateral alignment of the strings, the string height and length being dictated by the zero fret. 1261:, but the resonator guitar is still played because of its distinctive tone. Resonator guitars may have either one or three resonator cones. The method of transmitting sound resonance to the cone is either a "biscuit" bridge, made of a small piece of hardwood at the vertex of the cone (Nationals), or a "spider" bridge, made of metal and mounted around the rim of the (inverted) cone (Dobros). Three-cone resonators always use a specialized metal bridge. The type of resonator guitar with a neck with a square cross-section—called "square neck" or "Hawaiian"—is usually played face up, on the lap of the seated player, and often with a metal or glass 1634: 2421:
well-trained player is expected to know his or her way around the instrument. In addition to fretboard inlay, the headstock and soundhole surround are also frequently inlaid. The manufacturer's logo or a small design is often inlaid into the headstock. Rosette designs vary from simple concentric circles to delicate fretwork mimicking the historic rosette of lutes. Bindings that edge the finger and soundboards are sometimes inlaid. Some instruments have a filler strip running down the length and behind the neck, used for strength or to fill the cavity through which the truss rod was installed in the neck.
3035: 4235:"We know from literary sources that the five course guitar was immensely popular in Spain in the early seventeenth century and was also widely played in France and Italy...Yet almost all the surviving guitars were built in Italy...This apparent disparity between the documentary and instrumental evidence can be explained by the fact that, in general, only the more expensively made guitars have been kept as collectors' pieces. During the early seventeenth century the guitar was an instrument of the people of Spain, but was widely played by the Italian aristocracy." Tom and Mary Anne Evans. 2187: 2183:, and sometimes manufactured using composite materials such as HPL or resin. See the section "Neck" below for the importance of the length of the fretboard in connection to other dimensions of the guitar. The fingerboard plays an essential role in the treble tone for acoustic guitars. The quality of vibration of the fingerboard is the principal characteristic for generating the best treble tone. For that reason, ebony wood is better, but because of high use, ebony has become rare and extremely expensive. Most guitar manufacturers have adopted rosewood instead of ebony. 3669: 2296:). If the nth fret is a distance x from the bridge, then the distance from the (n+1)th fret to the bridge is x-(x/17.817). Frets are available in several different gauges and can be fitted according to player preference. Among these are "jumbo" frets, which have a much thicker gauge, allowing for use of a slight vibrato technique from pushing the string down harder and softer. "Scalloped" fretboards, where the wood of the fretboard itself is "scooped out" between the frets, allow a dramatic vibrato effect. Fine frets, much flatter, allow a very low 4085:), or at the neck joint (heel). Some electrics, especially those with odd-shaped bodies, have one or both strap buttons on the back of the body. Some Steinberger electric guitars, owing to their minimalist and lightweight design, have both strap buttons at the bottom of the body. Rarely, on some acoustics, the upper strap button is located on the headstock. Some acoustic and classical guitars only have a single strap button at the bottom of the body—the other end must be tied onto the headstock, above the nut and below the machine heads. 936: 3043:
series of ascending fourths (and a single major third) from low to high. The reason for ascending fourths is to accommodate four fingers on four frets up a scale before moving to the next string. This is musically convenient and physically comfortable, and it eased the transition between fingering chords and playing scales. If the tuning contained all perfect fourths, the range would be two octaves plus one semitone; the high string would be an F, a dissonant half-step from the low E and much out of place.
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allow guitar players to change keys, they are sometimes referred to with pejorative names, such as "cheaters" or the "hillbilly crutch". Despite this negative viewpoint, another benefit of the capo is that it enables guitarists to obtain the ringing, resonant sound of the common keys (C, G, A, etc.) in "harder" and less-commonly used keys. Classical performers are known to use them to enable modern instruments to match the pitch of historical instruments such as the Renaissance music
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often used in classical guitars, while kerfed lining is most often found in steel-string acoustics. Kerfed lining is also called kerfing because it is scored, or "kerfed"(incompletely sawn through), to allow it to bend with the shape of the rib). During final construction, a small section of the outside corners is carved or routed out and filled with binding material on the outside corners and decorative strips of material next to the binding, which is called
6889: 6126: 825:, who increased the size of the guitar body, altered its proportions, and invented the breakthrough fan-braced pattern. Bracing, the internal pattern of wood reinforcements used to secure the guitar's top and back and prevent the instrument from collapsing under tension, is an important factor in how the guitar sounds. Torres' design greatly improved the volume, tone, and projection of the instrument, and it has remained essentially unchanged since. 2610:. Many bodies consist of good-sounding, but inexpensive woods, like ash, with a "top", or thin layer of another, more attractive wood (such as maple with a natural "flame" pattern) glued to the top of the basic wood. Guitars constructed like this are often called "flame tops". The body is usually carved or routed to accept the other elements, such as the bridge, pickup, neck, and other electronic components. Most electrics have a polyurethane or 800: 1397: 47: 2812: 2679: 2435: 2351: 1947: 6879: 2652:
correct location for proper intonation, and on acoustic guitars to transfer the vibrations through the bridge into the top wood of the guitar. Saddles are typically made of plastic or bone for acoustic guitars, though synthetics and some exotic animal tooth variations (e.g. fossilized tooth, ivory, etc. ) have become popular with some players. Electric guitar saddles are typically metal, though some synthetic saddles are available.
2093: 2531:. The sound board is typically made of tonewoods such as spruce or cedar. Timbers for tonewoods are chosen for both strength and ability to transfer mechanical energy from the strings to the air within the guitar body. Sound is further shaped by the characteristics of the guitar body's resonant cavity. In expensive instruments, the entire body is made of wood. In inexpensive instruments, the back may be made of plastic. 2520: 125: 4094: 1113: 1213: 1356: 1880: 2329:, that truss rods are intended primarily to remedy concave bowing of the neck, but cannot correct a neck with "back bow" or one that has become twisted. Classical guitars do not require truss rods, as their nylon strings exert a lower tensile force with lesser potential to cause structural problems. However, their necks are often reinforced with a strip of harder wood, such as an 3962: 792:. This claim was also repeated by Nicolas Doizi de Velasco in 1640, however this claim has been refuted by others who state that Espinel's birth year (1550) make it impossible for him to be responsible for the tradition. He believed that the tuning was the reason the instrument became known as the Spanish guitar in Italy. Even later, in the same century, 3802:
that are repetitive, in which case chords can be moved vertically: Chords can be moved three strings up (or down) in major-thirds tuning and chords can be moved two strings up (or down) in augmented-fourths tuning. Regular tunings thus appeal to new guitarists and also to jazz-guitarists, whose improvisation is simplified by regular intervals.
4167:, etc.) the player can also modify the tone (also called the timbre or "colour") and sound of the instrument. Acoustic guitar players can also use the amp to change the sound of their instrument, but in general, acoustic guitar amps are used to make the natural acoustic sound of the instrument louder without significantly changing its sound. 1100:, to the full-sized classical guitar. The requinto also appears in other Latin-American countries as a complementary member of the guitar family, with its smaller size and scale, permitting more projection for the playing of single-lined melodies. Modern dimensions of the classical instrument were established by the Spaniard 735:(Moorish guitar). The guitarra morisca had a rounded back, a wide fingerboard, and several sound holes. The guitarra Latina had a single sound hole and a narrower neck. By the 14th century the qualifiers "moresca" or "morisca" and "latina" had been dropped, and these two chordophones were simply referred to as guitars. 1694: 4076:
A guitar strap is a strip of material with an attachment mechanism on each end, made to hold a guitar via the shoulders at an adjustable length. Guitars have varying accommodations for attaching a strap. The most common are strap buttons, also called strap pins, which are flanged steel posts anchored
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between the second and third strings, and all the other intervals are fourths. The irregularity has a price – chords cannot be shifted around the fretboard in the standard tuning E-A-D-G-B-E, which requires four chord-shapes for the major chords. There are separate chord-forms for chords having their
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to generate the musical signal and are popular in hybrid electro-acoustic guitars. A crystal is located under each string, usually in the saddle. When the string vibrates, the shape of the crystal is distorted, and the stresses associated with this change produce tiny voltages across the crystal that
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The types and models of pickups used can greatly affect the tone of the guitar. Typically, humbuckers, which are two magnet-coil assemblies attached to each other, are traditionally associated with a heavier sound. Single-coil pickups, one magnet wrapped in copper wire, are used by guitarists seeking
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On almost all modern electric guitars, the bridge has saddles that are adjustable for each string so that intonation stays correct up and down the neck. If the open string is in tune, but sharp or flat when frets are pressed, the bridge saddle position can be adjusted with a screwdriver or hex key to
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Most electric guitar bodies are made of wood and include a plastic pickguard. Boards wide enough to use as a solid body are very expensive due to the worldwide depletion of hardwood stock since the 1970s, so the wood is rarely one solid piece. Most bodies are made from two pieces of wood with some of
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The top, back and ribs of an acoustic guitar body are very thin (1–2 mm), so a flexible piece of wood called lining is glued into the corners where the rib meets the top and back. This interior reinforcement provides 5 to 20 mm of solid gluing area for these corner joints. Solid linings are
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have equal intervals between the strings, and so they have symmetrical scales all along the fretboard. This makes it simpler to translate chords. For the regular tunings, chords may be moved diagonally around the fretboard. The diagonal movement of chords is especially simple for the regular tunings
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MIDI converters use a hexaphonic guitar signal to determine pitch, duration, attack, and decay characteristics. The MIDI sends the note information to an internal or external sound bank device. The resulting sound closely mimics numerous instruments. The MIDI setup can also let the guitar be used as
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Inlays are visual elements set into the exterior surface of a guitar, both for decoration and artistic purposes and, in the case of the markings on the 3rd, 5th, 7th and 12th fret (and in higher octaves), to provide guidance to the performer about the location of frets on the instrument. The typical
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or similar hard object against plucked strings. The bar itself is called a "steel" and is the source of the name "steel guitar". The instrument differs from a conventional guitar in that it does not use frets; conceptually, it is somewhat akin to playing a guitar with one finger (the bar). Known for
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of the same type. The typical archtop guitar has a large, deep, hollow body whose form is much like that of a mandolin or a violin-family instrument. Nowadays, most archtops are equipped with magnetic pickups, and they are therefore both acoustic and electric. F-hole archtop guitars were immediately
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Musical instrument historians write that it is an error to consider "oriental lutes" as direct ancestors of the guitar, simply because they have the same body shape, or because they have a perceived etymological relationship (kithara, guitarra). While examples with guitar-like incurved sides such as
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The pickguard, also known as the scratch plate, is usually a piece of laminated plastic or other material that protects the finish of the top of the guitar from damage due to the use of a plectrum ("pick") or fingernails. Electric guitars sometimes mount pickups and electronics on the pickguard. It
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played a right-handed guitar strung in reverse (the treble strings and bass strings reversed). The problem with doing this is that it reverses the guitar's saddle angle. The saddle is the strip of material on top of the bridge where the strings rest. It is normally slanted slightly, making the bass
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would all sound two semitones (in other words, one tone) higher in pitch. For example, if a guitarist played an open A Major chord (a very common open chord), it would sound like a B Major chord. All of the other open chords would be similarly modified in pitch. Because of the ease with which they
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The saddle of a guitar is the part of the bridge that physically supports the strings. It may be one piece (typically on acoustic guitars) or separate pieces, one for each string (electric guitars and basses). The saddle's basic purpose is to provide the endpoint for the string's vibration at the
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emulating the human singing voice. Typically, the strings are plucked (not strummed) by the fingers of the dominant hand, while the steel tone bar is pressed lightly against the strings and moved by the opposite hand. The instrument is played while sitting, placed horizontally across the player's
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thers) companies. Similar to the flat top guitar in appearance, but with a body that may be made of brass, nickel-silver, or steel as well as wood, the sound of the resonator guitar is produced by one or more aluminum resonator cones mounted in the middle of the top. The physical principle of the
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There were many different plucked instruments that were being invented and used in Europe during the Middle Ages. By the 16th century, most of the forms of guitar had fallen off, to never be seen again. However, midway through the 16th century, the five-course guitar was established. It was not a
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in fourths and a guitar-like body, although early representations reveal an instrument with a sharply cut waist. It was also larger than the contemporary four-course guitars. By the 16th century, the vihuela's construction had more in common with the modern guitar, with its curved one-piece ribs,
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at the beginning of the 20th century. The slide is pressed against the strings by the non-dominant hand, instead of using player's fingers on frets; the strings are then plucked by the dominant hand. The characteristic use of the slide is to move up to the intended pitch by, as the name implies,
2940:) gives a brighter sound, more wire gives a "fat" tone. Other options include specialized switching that produces coil-splitting, in/out of phase and other effects. Guitar circuits are either active, needing a battery to power their circuit, or, as in most cases, equipped with a passive circuit. 2622:
The main purpose of the bridge on an acoustic guitar is to transfer the vibration from the strings to the soundboard, which vibrates the air inside of the guitar, thereby amplifying the sound produced by the strings. On all electric, acoustic and original guitars, the bridge holds the strings in
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By the 16th century, the guitar tuning of ADGBE had already been adopted in Western culture; a lower E was later added on the bottom as a sixth string. The result, known as "standard tuning", has the strings tuned from a low E to a high E, traversing a two-octave range: EADGBE. This tuning is a
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mark) instead of the 11th and 13th frets. Some older or high-end instruments have inlays made of mother of pearl, abalone, ivory, colored wood or other exotic materials and designs. Simpler inlays are often made of plastic or painted. High-end classical guitars seldom have fretboard inlays as a
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construction. These are designed so that everything from the machine heads down to the bridge is located on the same piece of wood. The sides (also known as wings) of the guitar are then glued to this central piece. Some luthiers prefer this method of construction as they claim it allows better
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The cross-section of the neck can also vary, from a gentle "C" curve to a more pronounced "V" curve. There are many different types of neck profiles available, giving the guitarist many options. Some aspects to consider in a guitar neck may be the overall width of the fretboard, scale (distance
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family of instruments where the dominant hand controls the bow. Left-handed players usually play a mirror image instrument manufactured especially for left-handed players. There are other options, some unorthodox, including learn to play a right-handed guitar as if the player is right-handed or
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Picks come in many shapes and sizes. Picks vary from the small jazz pick to the large bass pick. The thickness of the pick often determines its use. A thinner pick (between 0.2 and 0.5 mm) is usually used for strumming or rhythm playing, whereas thicker picks (between 0.7 and 1.5+ mm) are
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were among the most influential designers of their time. Bracing not only strengthens the top against potential collapse due to the stress exerted by the tensioned strings but also affects the resonance characteristics of the top. The back and sides are made out of a variety of timbers such as
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is the best known. Originally used on gut-strung instruments, the strength of the system allowed the later guitars to withstand the additional tension of steel strings. Steel strings produce a brighter tone and a louder sound. The acoustic guitar is used in many kinds of music including folk,
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The truss rod is a thin, strong metal rod that runs along the inside of the neck. It is used to correct changes to the neck's curvature caused by aging of the neck timbers, changes in humidity, or to compensate for changes in the tension of strings. The tension of the rod and neck assembly is
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The neck joint or heel is the point at which the neck is either bolted or glued to the body of the guitar. Almost all acoustic steel-string guitars, with the primary exception of Taylors, have glued (otherwise known as set) necks, while electric guitars are constructed using both types. Most
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is especially simple in major-thirds tuning. Chords are inverted simply by raising one or two notes by three strings. The raised notes are played with the same finger as the original notes. In contrast, in standard tuning, the shape of inversions depends on the involvement of the irregular
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On the other hand, some chords are more difficult to play in a regular tuning than in standard tuning. It can be difficult to play conventional chords, especially in augmented-fourths tuning and all-fifths tuning, in which the large spacings require hand stretching. Some chords, which are
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remedy the problem. In general, flat notes are corrected by moving the saddle forward and sharp notes by moving it backward. On an instrument correctly adjusted for intonation, the actual length of each string from the nut to the bridge saddle is slightly, but measurably longer than the
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The headstock is located at the end of the guitar neck farthest from the body. It is fitted with machine heads that adjust the tension of the strings, which in turn affects the pitch. The traditional tuner layout is "3+3", in which each side of the headstock has three tuners (such as on
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in the 8th century. It has often been assumed that the guitar is a development of the lute, or of the ancient Greek kithara. However, many scholars consider the lute an offshoot or separate line of development which did not influence the evolution of the guitar in any significant way.
4222:: 'We have seen a guitar in Spain with five courses of strings.' Bermudo later mentions in the same book that 'Guitars usually have four strings,' which implies that the five-course guitar was of comparatively recent origin, and still something of an oddity." Tom and Mary Anne Evans, 1115: 2151:
joints (such as those used by C. F. Martin & Co.), dovetail joints (also used by C. F. Martin on the D-28 and similar models) and Spanish heel neck joints, which are named after the shoe they resemble and commonly found in classical guitars. All three types offer stability.
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Guitars may be shipped or retrofitted with a hexaphonic pickup, which produces a separate output for each string, usually from a discrete piezoelectric or magnetic pickup. This arrangement lets on-board or external electronics process the strings individually for modeling or
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Bolt-on necks, though they are historically associated with cheaper instruments, do offer greater flexibility in the guitar's set-up, and allow easier access for neck joint maintenance and repairs. Another type of neck, only available for solid-body electric guitars, is the
2558:. This binding serves to seal off the end grain of the top and back. Purfling can also appear on the back of an acoustic guitar, marking the edge joints of the two or three sections of the back. Binding and purfling materials are generally made of either wood or plastic. 1135:, however, the flat-top body size is usually significantly larger than a classical guitar, and has a narrower, reinforced neck and stronger structural design. The robust X-bracing typical of flat-top guitars was developed in the 1840s by German-American luthiers, of whom 3759:, typically a major chord. The base chord consists of at least 3 notes and may include all the strings or a subset. The tuning is named for the open chord, Open D, open G, and open A are popular tunings. All similar chords in the chromatic scale can then be played by 1381:
below the lowest four strings of the six-string guitar, which is the same tuning pitch as an electric bass guitar. It can, more rarely, be found with five or six strings, which provides a wider range of notes to be played with less movement up and down the neck.
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Thumb picks and finger picks that attach to the fingertips are sometimes employed in finger-picking styles on steel strings. These allow the fingers and thumb to operate independently, whereas a flat pick requires the thumb and one or two fingers to manipulate.
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Almost all guitars have frets, which are metal strips (usually nickel alloy or stainless steel) embedded along the fretboard and located at exact points that divide the scale length in accordance with a specific mathematical formula. The exceptions include
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For four strings, the 5th fret on one string is the same open-note as the next string; for example, a 5th-fret note on the sixth string is the same note as the open fifth string. However, between the second and third strings, an irregularity occurs: The
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Body size, shape and style have changed over time. 19th-century guitars, now known as salon guitars, were smaller than modern instruments. Differing patterns of internal bracing have been used over time by luthiers. Torres, Hauser, Ramirez, Fleta, and
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Several scholars cite varying influences as antecedents to the modern guitar. Although the development of the earliest "guitar" is lost to the history of medieval Spain, two instruments are commonly claimed as influential predecessors: the four-string
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to the guitar with screws. Two strap buttons come pre-attached to virtually all electric guitars, and many steel-string acoustic guitars. Strap buttons are sometimes replaced with "strap locks", which connect the guitar to the strap more securely.
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technique where each string is plucked individually by the player's fingers, as opposed to being strummed. The term "finger-picking" can also refer to a specific tradition of folk, blues, bluegrass, and country guitar playing in the United States.
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Archtop guitars are steel-string instruments in which the top (and often the back) of the instrument are carved from a solid billet, into a curved, rather than flat, shape. This violin-like construction is usually credited to the American
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strings longer than the treble strings. In part, the reason for this is the difference in the thickness of the strings. Physical properties of the thicker bass strings require them to be slightly longer than the treble strings to correct
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in design. These contain magnets that are within a coil, or coils, of copper wire. Such pickups are usually placed directly underneath the guitar strings. Electromagnetic pickups work on the same principles and in a similar manner to an
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The lower strap button is usually located at the bottom (bridge end) of the body. The upper strap button is usually located near or at the top (neck end) of the body: on the upper body curve, at the tip of the upper "horn" (on a double
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are constructed from metal, polymers, or animal or plant product materials. "Steel" strings may be made from alloys incorporating steel, nickel or phosphor bronze. Bass strings for both instruments are wound rather than monofilament.
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formats. An instruments overall design, internal construction and components, wood type or species, hardware and electronic appointments all add to the abundant nature of sub-categories and its unique tonal & functional property.
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between the frets), the neck wood, the type of neck construction (for example, the neck may be glued in or bolted on), and the shape (profile) of the back of the neck. Other types of material used to make guitar necks are graphite (
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guitars are easily distinguished, because the Renaissance guitar is very plain and the Baroque guitar is very ornate, with ivory or wood inlays all over the neck and body, and a paper-cutout inverted "wedding cake" inside the hole.
2631:", a removable arm that lets the player modulate the pitch by changing the tension on the strings. The whammy bar is sometimes also called a "tremolo bar". (The effect of rapidly changing pitch is properly called "vibrato". See 1011:, but they only have four or five courses of strings rather than six single strings normally used now. They were more often used as rhythm instruments in ensembles than as solo instruments, and can often be seen in that role in 985:; and the arched-top guitar. The acoustic guitar group also includes unamplified guitars designed to play in different registers, such as the acoustic bass guitar, which has a similar tuning to that of the electric bass guitar. 757:
than with the viols, and more like a larger version of the contemporary four-course guitars. The vihuela enjoyed only a relatively short period of popularity in Spain and Italy during an era dominated elsewhere in Europe by the
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guitars and very rare fretless guitars. Pressing a string against a fret determines the strings' vibrating length and therefore its resultant pitch. The pitch of each consecutive fret is defined at a half-step interval on the
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Solid-body seven-string guitars were popularized in the 1980s and 1990s. Other artists go a step further, by using an eight-string guitar with two extra low strings. Although the most common seven-string has a low B string,
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to provide a sound closer to that of an acoustic guitar with the flip of a switch or knob, rather than switching guitars. Those that combine piezoelectric pickups and magnetic pickups are sometimes known as hybrid guitars.
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developed the "Sky Guitar", with a vastly extended number of frets, which was the first guitar to venture into the upper registers of the violin. Roth's seven-string and "Mighty Wing" guitar features a wider octave range.
875:. Within each category, there are further sub-categories that are nearly endless in quantity and are always evolving. For example, an electric guitar can be purchased in a six-string model (the most common model) or in 3888:" (or "dropped D") tuning. Its open-string notes DADGBE (from low to high) allow for a deep bass D note, which can be used in keys such as D major, d minor and G major. It simplifies the playing of simple fifths ( 953: 2415:
Dots are usually inlaid into the upper edge of the fretboard in the same positions, small enough to be visible only to the player. These usually appear on the odd-numbered frets, but also on the 12th fret (the
1343:. The highest two courses are tuned in unison, while the others are tuned in octaves. The 12-string guitar is also made in electric forms. The chime-like sound of the 12-string electric guitar was the basis of 2320:
truss systems, tighten both ways, pushing the neck both forward and backward (standard truss rods can only release to a point beyond which the neck is no longer compressed and pulled backward). The artist and
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Classical guitars, also known as "Spanish" guitars, are typically strung with nylon strings, plucked with the fingers, played in a seated position and are used to play a diversity of musical styles including
1520:(the height of the strings from the fingerboard), lighter (thinner) strings, and its electrical amplification lend the electric guitar to techniques less frequently used on acoustic guitars. These include 2958:
can be amplified and manipulated. Piezo pickups usually require a powered pre-amplifier to lift their output to match that of electromagnetic pickups. Power is typically delivered by an on-board battery.
768:, which was documented in Spain from the middle of the 16th century, enjoyed popularity, especially in Spain, Italy and France from the late 16th century to the mid-18th century. In Portugal, the word 1051:. The classical guitar's wide, flat neck allows the musician to play scales, arpeggios, and certain chord forms more easily and with less adjacent string interference than on other styles of guitar. 2643:
of the instrument. This additional length is called compensation, which flattens all notes a bit to compensate for the sharping of all fretted notes caused by stretching the string during fretting.
3912:
repertoire originally written for that instrument. Some scordatura drop the pitch of one or more strings, giving access to new lower notes. Some scordatura makes it easier to play in unusual keys.
2897:
attached to a guitar that detect (or "pick up") string vibrations and convert the mechanical energy of the string into electrical energy. The resultant electrical signal can then be electronically
1414:
Electric guitars can have solid, semi-hollow, or hollow bodies; solid bodies produce little sound without amplification. In contrast to a standard acoustic guitar, electric guitars instead rely on
2067:. The wood used to make the fretboard usually differs from the wood in the rest of the neck. The bending stress on the neck is considerable, particularly when heavier gauge strings are used (see 1114: 2614:
lacquer finish. Other alternative materials to wood are used in guitar body construction. Some of these include carbon composites, plastic material, such as polycarbonate, and aluminum alloys.
2623:
place on the body. There are many varied bridge designs. There may be some mechanism for raising or lowering the bridge saddles to adjust the distance between the strings and the fretboard (
2925:
or double-coil. Single-coil pickups are susceptible to noise induced by stray electromagnetic fields, usually mains-frequency (60 or 50 hertz) hum. The introduction of the double-coil
582:
Similarly, musicologists have argued over whether instruments indigenous to Europe could have led to the guitar. This idea has not gotten beyond speculation and needs "a thorough study of
2534:
In an acoustic instrument, the body of the guitar is a major determinant of the overall sound quality. The guitar top, or soundboard, is a finely crafted and engineered element made of
1055:
are very similar in construction, but they are associated with a more percussive tone. In Portugal, the same instrument is often used with steel strings particularly in its role within
3833:. With all-fourths tuning, playing the triads is more difficult, but improvisation is simplified because chord-patterns remain constant when moved around the fretboard. Jazz guitarist 2412:
in the fretboard to produce unique lighting effects onstage. Fretboard inlays are most commonly shaped like dots, diamond shapes, parallelograms, or large blocks in between the frets.
2215:. Standard classical guitars have 19 frets and electric guitars between 21 and 24 frets, although guitars have been made with as many as 27 frets. Frets are laid out to accomplish an 952: 748:, a guitar-like instrument of the 15th and 16th centuries, is widely considered to have been the single most important influence in the development of the baroque guitar. It had six 2661:
is a common feature on steel-string acoustic guitars. Some performance styles that use the guitar as a percussion instrument (tapping the top or sides between notes, etc.), such as
193:
may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant hollow chamber on the guitar, or amplified by an electronic
2408:. Inlays range from simple plastic dots on the fretboard to intricate works of art covering the entire exterior surface of a guitar (front and back). Some guitar players have used 1614:) uses an octave G string paired with the regular G string as on a 12-string guitar, allowing him to incorporate chiming 12-string elements in standard six-string playing. In 1982 1369:
The acoustic bass guitar is a bass instrument with a hollow wooden body similar to, though usually somewhat larger than, that of a six-string acoustic guitar. Like the traditional
4648:
The Guitar (From The Renaissance To The Present Day) by Harvey Turnbull (Third Impression 1978) – Publisher: Batsford. p57 (Chapter 3 – The Baroque, Era Of The Five Course Guitar)
4354:...the application of the name 'guitar' with its overtones of European musical practice, to oriental lutes betrays a superficial acquaintance with the instruments concerned. 954: 297:
that made the instrument loud enough to be heard, but also enabled manufacturing guitars with a solid block of wood needing a resonant chamber. A wide array of electronic
3701:
Chords can be shifted diagonally in major-thirds tuning and other regular tunings. In standard tuning, chords change their shape because of the irregular major-third G-B.
2294: 2257: 1840:
Modern guitars can be constructed to suit both left- and right-handed players. Typically the dominant hand is used to pluck or strum the strings. This is similar to the
3856:
offers an expanded range CGDAEB, which however has been impossible to implement on a conventional guitar. All-fifths tuning is used for the lowest five strings of the
208:, meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood, with its strings made of 2961:
Most pickup-equipped guitars feature onboard controls, such as volume or tone, or pickup selection. At their simplest, these consist of passive components, such as
796:
wrote that other nations such as Italy or France added to the Spanish guitar. All of these nations even imitated the five-course guitar by "recreating" their own.
4127:, which generate an electric signal when the musician plucks, strums or otherwise plays the instrument. The amplifier and speaker strengthen this signal using a 1648:
The bass guitar (also called an "electric bass", or simply a "bass") is similar in appearance and construction to an electric guitar, but with a longer neck and
212:. Steel guitar strings were introduced near the end of the nineteenth century in the United States, but nylon and steel strings became mainstream only following 3806:
conventional in folk music, are difficult to play even in all-fourths and major-thirds tunings, which do not require more hand-stretching than standard tuning.
1090:, a guitar larger than a cello, which is tuned in the bass register. In Colombia, the traditional quartet includes a range of instruments too, from the small 1153: 5928: 519: 5016: 3994:
sliding up the neck to the desired note. Historically, necks of bottles were often used in blues and country music as improvised slides, giving the name "
4289: 3985:
is a hard smooth object (a steel bar, round metal or glass bar or cylinder, neck of a bottle) commonly used in country music or blues music, to create a
1504:, soon began to install pickups in archtop models. After World War II the completely solid-body electric was popularized by Gibson in collaboration with 4123:
and speaker, respectively, in order to make enough sound to be heard by the performer and audience. Electric guitars and bass guitars almost always use
4064:
as a pick, while noted 1970s and early 1980s session musician David Persons is known for using old credit cards, cut to the correct size, as plectrums.
2578:
Instruments with larger areas for the guitar top were introduced by Martin in an attempt to create greater volume levels. The popularity of the larger "
1265:. The round neck resonator guitars are normally played in the same fashion as other guitars, although slides are also often used, especially in blues. 5287:. "Original transcriptions by Curt Golden", "Layout scores and tablatures: Ariel Rzezak and Theo Morresi" (First limited ed.). Partitas Music. 2161:
sustain of each note. Some instruments may not have a neck joint at all, having the neck and sides built as one piece and the body built around it.
5608: 4147:
to make them louder. With electric guitar and bass, the amplifier and speaker are not just used to make the instrument louder; by adjusting the
2929:
in the mid-1950s solved this problem through the use of two coils, one of which is wired in opposite polarity to cancel or "buck" stray fields.
2136: 2936:
Modern pickups are tailored to the sound desired. A commonly applied approximation used in the selection of a pickup is that less wire (lower
596:
and its antecedents have been applied to a wide variety of chordophones since classical times, sometimes causing confusion. The English word
4707: 2147:
classical guitars have a neck and headblock carved from one piece of wood, known as a "Spanish heel". Commonly used set neck joints include
1007:. They are substantially smaller, more delicate in construction, and generate less volume. The strings are paired in courses as in a modern 687:
that were developed and used across Europe, beginning in the 12th century and, later, in the Americas. A 3,300-year-old stone carving of a
3224:
The table below shows a pitch's name found over the six strings of a guitar in standard tuning, from the nut (zero), to the twelfth fret.
2910:. The vibration of the strings creates a small electric current in the coils surrounding the magnets. This signal current is carried to a 1898:). In this layout, the headstocks are commonly symmetrical. Many guitars feature other layouts, including six-in-line tuners (featured on 348:
The loud, amplified sound and sonic power of the electric guitar played through a guitar amp have played a key role in the development of
3006: 2586:
them including a seam running down the center line of the body. The most common woods used for electric guitar body construction include
1141: 1656:, which corresponds to pitches one octave lower than the four lowest pitched strings of a guitar (E, A, D, and G). The bass guitar is a 4734: 266:". The tone of an acoustic guitar is produced by the strings' vibration, amplified by the hollow body of the guitar, which acts as a 4763: 6162: 5844: 6925: 2312:
Adjusting the truss rod affects the intonation of a guitar as well as the height of the strings from the fingerboard, called the
8420: 8221: 7052: 5233: 1835: 1513: 384:. The guitar is used in a wide variety of musical genres worldwide. It is recognized as a primary instrument in genres such as 8476: 7118: 5473: 5454: 5382: 5026: 4990: 4912: 4609: 3920:
Though a guitar may be played on its own, there are a variety of common accessories used for holding and playing the guitar.
3001:
guitars use on-board electronics to model the sound after various vintage instruments, and vary pitch on individual strings.
833: 1906:) do not have headstocks at all, in which case the tuning machines are located elsewhere, either on the body or the bridge. 1187:
introduced the violin-inspired F-shaped hole design now usually associated with archtop guitars, after designing a style of
5906: 4263: 1296:
capabilities, gliding smoothly over every pitch between notes, the instrument can produce a sinuous crying sound and deep
679:
and the use of synthetic materials, a guitar was defined as being an instrument having "a long, fretted neck, flat wooden
7060: 6430: 5288: 4386: 4006:. In such case, the hard object is called a "steel" instead of a slide, and is the reason for the name "steel guitar". A 3038:
In standard tuning, the C-major chord has three shapes because of the irregular major-third between the G- and B-strings.
1096:(sometimes known as the Deleuze-Guattari, for use when traveling or in confined rooms or spaces), to the slightly larger 4599: 4574: 497: 5159:, Matheon preprints, vol. 695, Berlin, Germany: DFG research center "MATHEON, Mathematics for key technologies", 4860: 838: 550: 5657: 5538: 5517: 5431: 5409: 5363: 5319: 5243: 4834: 2851: 2726: 2640: 2482: 2390: 1994: 1649: 1567:
Hybrids of acoustic and electric guitars are also common. There are also more exotic varieties, such as guitars with
691:
bard playing a stringed instrument is the oldest iconographic representation of a chordophone, and clay plaques from
564:
1399–1301 BC. This image is sometimes used to indicate the antiquity of the guitar, because of the shape of its body.
71: 3725:
and the ability to play common scales with reasonable left-hand movement. There are also a variety of commonly used
2708: 2464: 1976: 1257:
The original purpose of the resonator was to produce a very loud sound; this purpose has been largely superseded by
8451: 8244: 7090: 2981:. In many cases, the electronics have some sort of shielding to prevent pickup of external interference and noise. 668:
appears in the Bible four times (1 Cor. 14:7, Rev. 5:8, 14:2, and 15:2), and is usually translated into English as
4985: 8565: 8555: 6517: 6067: 899: 2404:
locations for inlay are on the fretboard, headstock, and on acoustic guitars around the soundhole, known as the
8307: 7629: 7128: 6203: 5623: 2833: 2704: 2460: 2372: 1972: 3837:
uses the all-fourths tuning EADGCF. Invariant chord-shapes are an advantage of other regular tunings, such as
2635:
for further discussion of this term.) Some bridges also allow for alternate tunings at the touch of a button.
8340: 8143: 6964: 1677: 1854:. Reversing the strings, therefore, reverses the orientation of the saddle, adversely affecting intonation. 8506: 8317: 8229: 8056: 7996: 7660: 7410: 6155: 6094: 5755: 4929: 4176: 4135:. Acoustic guitars that are equipped with a piezoelectric pickup or microphone can also be plugged into an 4049: 1126: 243: 7645: 2575:). Each one is primarily chosen for their aesthetic effect and can be decorated with inlays and purfling. 2523:
In the guitar, the sound box is the hollowed wooden structure that constitutes the body of the instrument.
1652:, and four to six strings. The four-string bass, by far the most common, is usually tuned the same as the 945: 8540: 7589: 7369: 6918: 6850: 3892:). Many contemporary rock bands re-tune all strings down, making, for example, Drop-C or Drop-B tunings. 3697: 3024: 2993:
makes "GK" hexaphonic pickups for guitar and bass, and a line of guitar modeling and synthesis products.
849: 166: 5581: 4366: 3829:
replaces the major third between the third and second strings with a fourth, extending the conventional
2300:, but require that other conditions, such as curvature of the neck, be well-maintained to prevent buzz. 1140:
country, bluegrass, pop, jazz, and blues. Many variations are possible from the roughly classical-sized
579:
are known, there are no intermediary instruments or traditions between those instruments and the guitar.
8560: 8163: 7927: 7809: 7270: 6989: 6106: 5560: 5178: 2879: 2628: 2514: 2220: 6595: 6581: 6540: 6531: 6311: 6271: 4824: 8535: 8410: 8312: 8211: 8173: 8104: 7579: 7240: 7195: 7095: 7047: 5923: 5913: 5760: 5496: 5154: 4489: 3055: 2922: 2890: 2865: 2579: 2563: 1673: 1501: 1418: 1184: 1149: 290: 194: 182: 150: 80: 2219:
division of the octave. Each set of twelve frets represents an octave. The twelfth fret divides the
977:
Acoustic guitars form several notable subcategories within the acoustic guitar group: classical and
8011: 7728: 7693: 6761: 6692: 5750: 5292: 4210:"The first incontrovertible evidence of five-course instruments can be found in Miguel Fuenllana's 3676:
guitar-tuning, one major-third interval is interjected amid four perfect-fourth intervals. In each
3062: 2740: 2689: 2527:
In acoustic guitars, string vibration is transmitted through the bridge and saddle to the body via
2445: 1957: 1101: 1048: 818: 683:, ribs, and a flat back, most often with incurved sides." The term is used to refer to a number of 583: 465: 2546:. This thin piece of wood, often only 2 or 3 mm thick, is strengthened by differing types of 8550: 8360: 8292: 8178: 8099: 7922: 7887: 7584: 7539: 7167: 6892: 6148: 4712: 2829: 2822: 2700: 2693: 2456: 2449: 2368: 2361: 1968: 1961: 1874: 817:, the form and structure of the modern guitar were developed by different Spanish makers such as 146: 31: 17: 4902: 2270: 2233: 2143:
electric guitars have two necks, allowing the musician to quickly switch between guitar sounds.
313:
began to dominate the guitar market during the 1960s and 1970s; they are less prone to unwanted
8545: 8428: 8239: 8203: 8122: 7978: 7065: 7024: 6911: 6882: 6057: 6014: 4345: 2778: 2223:
exactly into two halves, and the 24th fret position divides one of those halves in half again.
1657: 1157: 4797: 3034: 1633: 1160:
makes a modern variation, with a rounded back/side assembly molded from artificial materials.
8355: 8335: 8216: 7962: 7957: 7892: 7804: 7655: 7529: 7509: 7310: 5650: 4061: 4007: 3929: 2974: 2194: 822: 493: 6793: 6662: 5799: 4904:
Steel-string Guitar Construction: Acoustic Six-string, Twelve-string, and Arched-top Guitars
4526: 2190: 1086: 911: 8302: 7275: 7014: 6775: 6089: 6082: 5918: 5829: 4742: 4148: 4136: 4010:
is a steel guitar built with a metal cone under the strings to make the instrument louder.
3721:
Standard tuning has evolved to provide a good compromise between simple fingering for many
3706: 2937: 2774: 2770: 1426: 1377:, the acoustic bass guitar commonly has four strings, which are normally tuned E-A-D-G, an 1364: 1316: 1310: 982: 880: 509: 318: 185:
the strings with the dominant hand, while simultaneously pressing selected strings against
174: 92: 6797: 5933: 5164: 2627:), or fine-tuning the intonation of the instrument. Some are spring-loaded and feature a " 635: 8: 8071: 7973: 7762: 7397: 7325: 7305: 6771: 6765: 6755: 6736: 6702: 6672: 6565: 6479: 6380: 5989: 5869: 5852: 5419: 4428:"The Guitar | Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art" 4186: 3857: 3838: 3811: 3726: 2943: 2875: 2758: 2754: 2582:" body size amongst acoustic performers is related to the greater sound volume produced. 2504: 2260: 2186: 2140: 1899: 1788: 1596: 1592: 1580: 1497: 1408: 1201: 1064: 876: 680: 267: 6193: 1640:
bass guitar that has been recognized by many music fans for decades as the bass used by
8481: 8466: 8433: 8264: 8234: 8051: 8026: 7902: 7829: 7767: 7703: 7670: 7476: 7230: 7215: 7133: 6831: 6682: 6044: 5881: 5727: 5296: 4685: 4181: 4164: 3830: 3826: 2990: 2970: 2907: 2762: 2528: 1851: 1568: 1449: 1301:
knees or otherwise supported. The horizontal playing style is called "Hawaiian style".
1278: 317:. As with acoustic guitars, there are a number of types of electric guitars, including 310: 306: 228: 137: 7080: 6787: 6781: 4387:
http://www.todayszaman.com/news-298052-guitar-rooted-in-northern-turkey-not-spain.html
8456: 8350: 8345: 8249: 8148: 8076: 7665: 7486: 7423: 7255: 7200: 7100: 6974: 6969: 6732: 6708: 6251: 6029: 5984: 5979: 5943: 5886: 5534: 5528: 5513: 5469: 5450: 5427: 5405: 5394: 5378: 5359: 5353: 5325: 5315: 5239: 5022: 4908: 4830: 4771: 4605: 3995: 3909: 3853: 3776: 2782: 2766: 2216: 2157: 2148: 907: 777: 625: 530: 421: 373: 314: 76: 64: 6222: 5619: 5253: 4658: 4427: 4044:
usually used for single-note lines or lead playing. The distinctive guitar sound of
3005:
a game controller (i.e., Rock Band Squier) or as an instructional tool, as with the
1237:
All three principal types of resonator guitars were invented by the Slovak-American
8530: 8502: 8370: 8153: 7917: 7907: 7772: 7757: 7574: 7569: 7519: 7348: 7290: 7260: 7235: 7180: 6999: 6860: 6256: 6230: 6129: 6052: 5819: 5804: 5774: 5643: 5556: 5160: 4140: 4112: 4082: 3970: 3069: 2994: 2978: 2954: 2911: 2902: 2405: 1801: 1755: 1556: 1489: 1422: 1415: 1404: 1274: 1258: 1228: 1221: 1132: 1041: 1008: 1000: 872: 861: 804: 729: 659: 294: 271: 251: 239: 235:, all of which contributed to the development of the modern six-string instrument. 198: 52: 6903: 4887: 2665:, require that a scratchplate or pickguard be fitted to nylon-string instruments. 8486: 8375: 8269: 8183: 7968: 7849: 7752: 7609: 7379: 7340: 7300: 7225: 7205: 7185: 7146: 7110: 7042: 6949: 6101: 6072: 6009: 5964: 5824: 5814: 5794: 5789: 5784: 5779: 5745: 5685: 5483:
Kasha, Michael (August 1968). "A New Look at The History of the Classic Guitar".
4128: 4124: 4104: 3819: 3795: 3716: 2953:
Piezoelectric, or piezo, pickups represent another class of pickup. These employ
2947: 2794: 2746: 2591: 2212: 2132: 2128: 1930: 1895: 1812: 1572: 1456:) or the pre-amp in the amplifier. There are two main types of magnetic pickups, 1391: 1217: 1080: 1052: 1004: 978: 903: 893: 868: 789: 719: 676: 576: 561: 389: 381: 286: 255: 247: 170: 5629: 4315: 2789:
strings, but these have been superseded by polymer materials, such as nylon and
1637: 8446: 8438: 8400: 8390: 8259: 8193: 8066: 8041: 7983: 7952: 7912: 7834: 7718: 7564: 7481: 7402: 7353: 7330: 7320: 7295: 7138: 7123: 7085: 7070: 7032: 7009: 6984: 6959: 6954: 6855: 6751: 6686: 6652: 6636: 6171: 6111: 5901: 5891: 5862: 5769: 5717: 5700: 5401: 4120: 3990: 3834: 3149: 3018: 2870: 2624: 2611: 2547: 2313: 2297: 2120: 2026: 1641: 1549: 1537: 1517: 1332: 1176: 1169: 1145: 994: 919: 765: 753: 749: 457: 449: 322: 259: 232: 225: 56: 8061: 7723: 2267:
determine fret positions using the constant 17.817—an approximation to 1/(1-1/
1200:
musicians, and have remained particularly popular in jazz music, usually with
675:
The origins of the modern guitar are not known. Before the development of the
8524: 8461: 8021: 7877: 7698: 7675: 7594: 7415: 7285: 7175: 7105: 7019: 7004: 6712: 6604: 6573: 6319: 6303: 6295: 6287: 6279: 6062: 6034: 5974: 5896: 5874: 5834: 5809: 5712: 4412: 4290:"First-ever electric guitar patent awarded to the Electro String Corporation" 4160: 4045: 3756: 3172: 2962: 2785:
guitars are also available. Classical and flamenco guitars historically used
2543: 2334: 2207: 1669: 1603: 1541: 1485: 1469: 1465: 1445: 1328: 1197: 923: 803:
19th-century guitar made by luthier Manuel de Soto held by Spanish guitarist
650: 572: 461: 393: 365: 357: 302: 116: 5329: 4953: 4367:"14.11.2012 for those who are interested in ancient guitars and archaeology" 1571:, three, or rarely four necks, all manner of alternate string arrangements, 844: 715:
At least two instruments called "guitars" were in use in Spain by 1200: the
254:(played across the player's lap). Traditional acoustic guitars include the 8405: 8365: 8279: 8158: 8001: 7882: 7799: 7688: 7549: 7524: 7453: 7335: 7315: 7250: 7220: 7190: 7037: 6836: 6226: 6019: 5680: 5446: 5278: 4156: 4152: 3999: 3978: 3956: 3881: 3873: 3865: 3861: 3772: 3722: 3712: 3126: 2883: 2790: 2750: 2064: 2052: 2038: 2034: 2008: 1846: 1724: 1664:
an octave higher than it sounds (as is the double bass) to avoid excessive
1615: 1611: 1493: 1400: 1284: 1262: 1238: 927: 695:
show people playing a lute-like instrument which is similar to the guitar.
409: 298: 275: 213: 1575:(used almost exclusively on bass guitars, meant to emulate the sound of a 981:; steel-string guitars, which include the flat-topped, or "folk", guitar; 761:; the last surviving published music for the instrument appeared in 1576. 8471: 8254: 8091: 8081: 8031: 7991: 7867: 7859: 7839: 7708: 7683: 7554: 7471: 7448: 7374: 7245: 7162: 6826: 6739: 6676: 6666: 5999: 5969: 5938: 5695: 5690: 5510:
The Classical Guitar: Its Evolution, Players and Personalities Since 1800
4132: 4116: 4108: 4098: 4033: 4024: 4019: 4003: 3815: 3783: 3760: 3103: 2915: 2165: 2124: 2116: 2083: 2030: 2014: 1903: 1884: 1665: 1653: 1628: 1576: 1545: 1457: 1453: 1441: 1434: 1374: 1370: 1251: 1136: 1024: 1016: 1012: 915: 793: 684: 534: 369: 326: 279: 263: 205: 190: 100: 7604: 5857: 4550: 4385:...Today's Zaman. Stand: 13 November 2012 / TODAY'S ZAMAN, Ä°STANBUL... 3689:-fret note on the third string is equivalent to the open second string. 1702: 1693: 7897: 7544: 7534: 6979: 5959: 5120: 3966: 3939: 3901: 3889: 3768: 3755:
refers to a guitar tuned so that strumming the open strings produces a
3668: 2894: 2836: in this section. Unsourced material may be challenged and removed. 2500: 2375: in this section. Unsourced material may be challenged and removed. 2063:, all attached to a long wooden extension, collectively constitute its 1797: 1560: 1509: 1344: 1320: 1293: 1180: 969: 505: 481: 445: 437: 401: 353: 342: 338: 334: 7514: 7361: 6844: 6840: 5994: 5722: 5124: 4625: 4144: 4057: 3986: 3982: 3868:
courses; new standard tuning has a high G on its last string CGDAE-G.
3788: 3078: 2966: 2926: 2898: 2508: 2496: 2060: 2056: 2048: 2022: 1868: 1661: 1607: 1533: 1461: 1430: 1288: 692: 469: 425: 377: 178: 8380: 7937: 7614: 3744: 2811: 2678: 2434: 2350: 2337:
neck. There is no tension adjustment on this form of reinforcement.
1946: 1488:. The first successful magnetic pickup for a guitar was invented by 1396: 1331:. Rather than having only six strings, the 12-string guitar has six 799: 46: 8287: 8168: 8135: 8016: 8006: 7932: 7814: 7559: 7438: 7428: 7387: 7280: 7075: 6640: 5614: 4037: 3073: 2977:
for power, for preamplification and signal processing, or even for
2946:-type guitars generally have three single-coil pickups, while most 2662: 2607: 2595: 2568: 2555: 2535: 2264: 2172: 1926: 1902:) or even "4+2" (e.g. Ernie Ball Music Man). Some guitars (such as 1879: 1529: 1505: 1481: 1336: 1212: 1188: 1075: 688: 557: 417: 397: 6004: 5611:
An online feature from Bloomingdale School of Music (October 2007)
4575:"Timeline of Musical Styles & Guitar History | Acoustic Music" 2878:
has features common to many electric guitars: multiple pickups, a
1067:
in Brazil, where it is often used with an extra seventh string by
177:. It is usually held flat against the player's body and played by 8327: 8297: 7872: 7844: 7733: 7599: 7504: 7392: 7265: 7210: 6696: 6140: 6077: 5249: 2632: 2599: 2519: 2322: 2092: 1914: 1521: 1297: 1092: 1028: 781: 739: 664: 537: 526: 501: 477: 473: 221: 217: 5284:
Seven Guitar Craft themes: Definitive scores for guitar ensemble
4798:"What is the Difference Between a Left and Right Handed Guitar?" 4093: 3818:. Consequently, four frets suffice to play the chromatic scale. 1444:. The sound is frequently modified by other electronic devices ( 999:
Renaissance and Baroque guitars are the ancestors of the modern
8395: 8385: 8198: 8188: 8046: 7947: 7942: 7824: 7819: 7713: 7624: 7619: 7463: 7443: 7433: 6656: 6198: 6024: 4708:"Pedal to the Metal: A Short History of the Pedal Steel Guitar" 3961: 3885: 3845: 2998: 2786: 2539: 2417: 1922: 1841: 1525: 1378: 441: 433: 209: 124: 1845:
playing an unmodified right-handed guitar reversed. Guitarist
1425:
pickups, that convert the vibration of the steel strings into
8415: 8036: 7791: 7738: 7650: 7637: 7458: 6994: 5705: 5103: 5101: 5099: 3849: 3779:. Many musicians use open tunings when playing slide guitar. 3764: 3083: 2603: 2587: 2330: 2227: 2180: 2176: 2044: 1918: 1477: 1438: 1355: 1324: 1232: 1097: 1068: 1060: 708: 653: 541: 453: 385: 349: 330: 186: 84: 5626:
featuring many historic guitars from the Museum's collection
5282: 5186: 4829:(1st ed.). New York: St. Martin's Griffin. p. 38. 3782:
For the standard tuning, there is exactly one interval of a
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A guitarist playing a blues tune on a semi-acoustic guitar
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and Alastair M. Crawford. London and Sydney: Pan Books.
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of 1674 contains his whole output for the solo guitar.)
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History of the American Guitar: 1833 to the Present Day
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A range of guitar amplifiers and guitars for sale at a
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a brighter, twangier sound with greater dynamic range.
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Flat-top guitars with steel strings are similar to the
628: 5201: 5084: 5072: 5057: 4507: 3904:(alternate tunings) modify the standard tuning of the 3680:
tuning, all string successions have the same interval.
2071:), and the ability of the neck to resist bending (see 821:
and, perhaps the most important of all guitar makers,
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the lowest string. Dropping down the lowest string a
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Guitars are often divided into two broad categories:
1319:
usually has steel strings, and it is widely used in
6933: 5449:(foreword). New York; Heidelberg: Springer Verlag. 4459: 4218:. In the following year, Juan Bermudo wrote in his 4088: 1751: 1727:(or pegheads, tuning keys, tuning machines, tuners) 380:. The electric guitar has had a major influence on 5580: 5424:Historical Facts for the Arabian Musical Influence 5393: 4601:The Guitar from the Renaissance to the Present Day 4413:"Guitar | Search Online Etymology Dictionary" 2288: 2251: 1492:, and incorporated into the 1931 Ro-Pat-In (later 1207: 1078:band includes a range of guitars, from the small 238:There are three main types of modern guitar: the 8522: 5466:The Guitar and the New World: A Fugitive History 5235:Robert Fripp: From crimson king to crafty master 5156:Tuning guitars and reading music in major thirds 5010: 5008: 4822: 3814:, the interval between open strings is always a 3791:on the third, fourth, fifth, and sixth strings. 1672:. Like the electric guitar, the bass guitar has 1586: 1021:InstrucciĂłn de MĂșsica sobre la Guitarra Española 4350:The New Grove Dictionary of Musical Instruments 4257: 4255: 3872:Another class of alternative tunings is called 3748:Ry Cooder plays slide-guitar with open tunings. 2921:Traditional electromagnetic pickups are either 586:and performing practice" by ethnomusicologists. 5512:(5th ed.). Blaydon on Tyne: Ashley Mark. 4979: 4977: 4975: 4973: 4764:"The Official Steve Vai Website: The Machines" 4626:"History of the Guitar – Evolution of Guitars" 4282: 6919: 6731: 6156: 5651: 5005: 4792: 4790: 4788: 4339: 4337: 1472:. The electric guitar is used extensively in 1287:is any guitar played while moving a polished 618: 494:Lute § History and evolution of the lute 5507: 4855: 4853: 4699: 4477: 4252: 610: 602: 4970: 4816: 4432:The Met's Heilbrunn Timeline of Art History 4383:Guitar rooted in northern Turkey, not Spain 4348:(1984). "Guitar". In Sadie, Stanley (ed.). 2707:. Unsourced material may be challenged and 2463:. Unsourced material may be challenged and 2230:of the spacing of two consecutive frets is 1975:. Unsourced material may be challenged and 1760: 743: 727: 717: 643: 258:(typically with a large sound hole) or the 6926: 6912: 6878: 6163: 6149: 5658: 5644: 5578: 5142: 4888:"Lutherie Info—Calculating Fret Positions" 4823:Shapiro, Harry; Glebbeeck, Caesar (1990). 4785: 4513: 4334: 4316:"The Earliest Days of the Electric Guitar" 3763:a single fret. Open tunings are common in 2801: 988: 707:; the former was brought to Iberia by the 5555: 5219: 5107: 5051: 4850: 2852:Learn how and when to remove this message 2727:Learn how and when to remove this message 2483:Learn how and when to remove this message 2391:Learn how and when to remove this message 1995:Learn how and when to remove this message 1071:musicians to provide extra bass support. 658:. This Greek word may also come from the 189:with the fingers of the opposite hand. A 5152: 5148: 5014: 4986:"Standard Tuning: How EADGBE Came to Be" 4861:"Why is my guitar's saddle at an angle?" 4597: 4425: 4308: 4092: 4023: 3960: 3743: 3696: 3667: 3033: 2869: 2571:and highly regarded Brazilian rosewood ( 2518: 2185: 1878: 1632: 1500:lap steel; other manufacturers, notably 1395: 1354: 1241:(1893–1988) for the National and Dobro ( 1211: 1111: 843: 832: 798: 6635: 5530:A Concise History of the Classic Guitar 5501:The Exhaustive Concordance of the Bible 5495: 5418: 5391: 5351: 5267: 5207: 5176: 5170: 5090: 5078: 5066: 4399: 4261: 4192: 2325:Irving Sloane pointed out, in his book 1152:(the most commonly available type) and 14: 8523: 5482: 5468:. State University of New York Press. 5463: 5440: 5372: 5309: 4900: 4453: 3771:, and they are used in the playing of 1836:List of musicians who play left-handed 372:, and in many rock subgenres, notably 6907: 6815: 6730: 6634: 6220: 6182: 6144: 5639: 5622:, Heilbrunn Timeline of Art History, 5615:International Guitar Research Archive 5526: 5277: 5273: 5018:Guitar Tunings: A Comprehensive Guide 4927: 4651: 4502:Guitars: From the Renaissance to Rock 4465: 4237:Guitars: From the Renaissance to Rock 4224:Guitars: From the Renaissance to Rock 4220:Declaracion de Instrumentos Musicales 2973:or other active components requiring 2171:Fretboards are most commonly made of 1192:adopted, upon their release, by both 216:. The guitar's ancestors include the 5503:. Cincinnati: Jennings & Graham. 5231: 5119: 5113: 4705: 4426:Dobney, Jayson Kerr; Powers, Wendy. 4239:. Paddington Press Ltd, 1977, p. 24. 4226:. Paddington Press Ltd, 1977, p. 24. 4214:of 1554, which contains music for a 3965:Example of a bottleneck slide, with 2987:Musical Instrument Digital Interface 2901:. The most common type of pickup is 2834:adding citations to reliable sources 2805: 2705:adding citations to reliable sources 2672: 2461:adding citations to reliable sources 2428: 2373:adding citations to reliable sources 2344: 1973:adding citations to reliable sources 1940: 1555:Some electric guitar models feature 1335:made up of two strings each, like a 629: 5632:Acoustic guitar realistic simulator 5021:. New York: Routledge. p. xi. 4885: 4706:Ross, Michael (February 17, 2015). 4683: 2969:, but may also include specialized 2333:strip that runs down the back of a 1403:playing his signature custom-made " 1250:guitar is therefore similar to the 472:, occasionally used as a sample in 24: 6170: 5344: 5153:Griewank, Andreas (January 2010), 4262:Somogyi, Ervin (January 7, 2011). 1137:Christian Friedrich "C. F." Martin 934: 616:were all adopted from the Spanish 498:History of lute-family instruments 123: 25: 8577: 6816: 5602: 5312:The guitarist's guide to the capo 4504:. Paddington Press Ltd 1977 p. 16 4490:Who Invented The Acoustic Guitar? 3707:Guitar tunings § Alternative 2316:. Some truss rod systems, called 725:(Latin guitar) and the so-called 278:instrument using a comprehensive 6888: 6887: 6877: 6125: 6124: 5609:Instruments In Depth: The Guitar 5508:Summerfield, Maurice J. (2003). 4983: 4089:Amplifiers, effects and speakers 2810: 2677: 2433: 2349: 2327:Steel-String Guitar Construction 2091: 2082: 1945: 1770: 1701: 1692: 1622: 1350: 1304: 968:Problems playing this file? See 950: 703:and its precursor, the European 549: 518: 289:, first patented in 1937, use a 45: 6068:History of the classical guitar 5303: 5225: 4946: 4921: 4894: 4756: 4727: 4677: 4642: 4618: 4591: 4567: 4543: 4527:"A Brief History of the Guitar" 4519: 4494: 4483: 4229: 4204: 2821:needs additional citations for 2360:needs additional citations for 2193:playing a Fender guitar with a 1683: 1268: 1208:Resonator, resophonic or Dobros 900:Extended-range classical guitar 839:Museu de la MĂșsica de Barcelona 510:Classical guitar § History 262:, which is sometimes called a " 93:Hornbostel–Sachs classification 5624:The Metropolitan Museum of Art 5579:Turnbull, Harvey; et al. 5281:(2011). Pozzo, Horacio (ed.). 5250:Zipped Microsoft Word Document 4551:"guitar | History & Facts" 4419: 4405: 4359: 3915: 3729:, for example, the classes of 3692: 2950:types have humbucker pickups. 2072: 1817: 1780: 1735: 1714: 1185:Gibson Mandolin-Guitar Mfg. Co 649:, which in turn came from the 204:The guitar is classified as a 169:that is usually fretted (with 13: 1: 8507:steel-string acoustic guitars 5441:French, Richard Mark (2012). 4659:"What Is A Classical Guitar?" 4296:. A&E Television Networks 3895: 1857: 1829: 1587:Seven-string and eight-string 854: 811: 4928:Reyes, Daniel (2023-07-03). 4770:. 1993-08-03. Archived from 4688:. Guitar Salon International 4352:. pp. 87–88. Volume 2. 4322:. Rickenbacker International 4246: 4177:List of guitar manufacturers 3923: 3046:The pitches are as follows: 2886:, and volume and tone knobs. 2745:The standard guitar has six 2655: 2303: 1909:The nut is a small strip of 1807: 1765: 1127:Steel-string acoustic guitar 1059:music. The guitar is called 1035: 244:steel-string acoustic guitar 7: 6183: 5665: 5177:Kirkeby, Ole (March 2012). 4826:Jimi Hendrix Electric Gypsy 4170: 4013: 3864:and his former students in 3029: 3025:Stringed instrument tunings 2068: 1775: 1741: 1559:pickups, which function as 1385: 1107: 887: 772:referred to the guitar, as 764:Meanwhile, the five-course 636: 341:, which are widely used in 307:distortion (or "overdrive") 173:) and typically has six or 167:stringed musical instrument 10: 8582: 5339: 4017: 3954: 3927: 3908:, especially when playing 3710: 3704: 3022: 3016: 2863: 2738: 2668: 2515:Vibrato systems for guitar 2512: 2494: 2289:{\displaystyle {\sqrt{2}}} 2252:{\displaystyle {\sqrt{2}}} 2012: 2006: 1872: 1866: 1833: 1730: 1676:and it is plugged into an 1626: 1590: 1389: 1362: 1308: 1272: 1226: 1167: 1163: 1124: 1039: 992: 897: 891: 654: 491: 487: 301:became possible including 29: 8499: 8326: 8278: 8134: 8113: 8090: 7858: 7790: 7781: 7495: 7155: 6942: 6873: 6822: 6811: 6747: 6726: 6648: 6630: 6242: 6238: 6216: 6189: 6178: 6120: 6043: 5952: 5843: 5738: 5673: 5589:. Oxford University Press 5566:. University of Wisconsin 5549: 5291: 979-0-9016791-7-7. 4598:Turnbull, Harvey (2006). 4500:Tom and Mary Anne Evans. 4270:. Premier Guitar Magazine 4071: 4048:is attributed to using a 4028:A variety of guitar picks 3950: 3844:Extending the tunings of 3012: 2866:Pickup (music technology) 2646: 2617: 2340: 1746: 1668:being required below the 575:or the Hittite lute from 143: 136: 131:(a standard tuned guitar) 122: 115: 107: 91: 70: 63: 44: 27:Fretted string instrument 6937:brands and manufacturers 5561:"Alternate Tuning Guide" 5443:Technology of the Guitar 5355:The Ultimate Guitar Book 5310:Rikky., Rooksby (2003). 5165:nbn:de:0296-matheon-6755 4867:. Stack Exchange Network 4216:vihuela de cinco ordenes 4197: 2741:Classical guitar strings 2200: 1889:Steinberger bass guitar. 1719: 1464:), each of which can be 1259:electrical amplification 1102:Antonio de Torres Jurado 828: 819:Manuel de Soto y Solares 742:, called in Italian the 466:adult contemporary music 5400:. Special contributors 5314:. Iver Heath: Artemis. 5015:Weissman, Dick (2006). 4901:Sloane, Irving (1975). 4865:music.stackexchange.com 4713:Premier Guitar Magazine 4555:Encyclopedia Britannica 4111:have to be used with a 3989:effect made popular in 3841:and all-fifths tunings. 3831:tuning of a bass guitar 2802:Pickups and electronics 2424: 1936: 1875:Nut (string instrument) 1862: 1680:for live performances. 1536:(also known as slurs), 1508:, and independently by 1074:In Mexico, the popular 989:Renaissance and Baroque 946:Classical Guitar Sample 624:, which comes from the 32:Guitar (disambiguation) 8566:Orchestral instruments 8556:Folk music instruments 6058:Electric guitar design 5392:Denyer, Ralph (1992). 5125:"The major 3rd tuning" 4907:. Dutton. p. 45. 4630:Guitarhistoryfacts.com 4101: 4056:as a pick. Similarly, 4029: 3974: 3749: 3702: 3681: 3215:minor thirteenth below 3039: 2887: 2524: 2290: 2253: 2197: 1890: 1754:Neckjoint (electric); 1660:, as it is notated in 1658:transposing instrument 1645: 1516:. The lower fretboard 1460:- and double-coil (or 1429:, which are fed to an 1411: 1360: 1224: 1122: 939: 864: 841: 807: 744: 728: 718: 644: 619: 611: 603: 571:the instrument in the 242:(Spanish guitar); the 231:, and the five-course 128: 6095:list of manufacturers 5527:Wade, Graham (2001). 5179:"Major thirds tuning" 4096: 4027: 3964: 3930:Capo (musical device) 3876:, because the tuning 3747: 3700: 3671: 3037: 2873: 2522: 2291: 2254: 2189: 1882: 1678:amplifier and speaker 1636: 1573:fretless fingerboards 1399: 1358: 1215: 1120: 983:twelve-string guitars 938: 847: 837:Guitar collection in 836: 823:Antonio Torres Jurado 802: 752:(usually), lute-like 506:Citole § Origins 274:is often played as a 127: 8318:National Reso-Phonic 8230:National Reso-Phonic 7661:National Reso-Phonic 6263:(often most popular) 5739:By type (six string) 5557:Sethares, William A. 5420:Farmer, Henry George 5373:Bacon, Tony (2012). 5352:Bacon, Tony (1997). 5232:Tamm, Eric (2003) , 4193:Notes and references 4165:distortion/overdrive 4137:instrument amplifier 2997:hexaphonic-equipped 2938:electrical impedance 2830:improve this article 2701:improve this section 2457:improve this section 2369:improve this article 2271: 2234: 2131:), or carbon fiber ( 2119:guitars), aluminum ( 1969:improve this section 1900:Fender Stratocasters 1752:Heel (acoustic) 1371:electric bass guitar 1365:Acoustic bass guitar 1359:Acoustic bass guitar 1317:twelve-string guitar 1311:Twelve-string guitar 525:Instrument labeled " 360:instrument (playing 30:For other uses, see 5587:Oxford Music Online 5464:Gioia, Joe (2013). 5396:The Guitar Handbook 5358:. Alfred A. Knopf. 4686:"Antonio De Torres" 4371:Gitarrenzentrum.com 4187:Paracho de Verduzco 4141:acoustic guitar amp 3858:new standard tuning 3812:major-thirds tuning 3727:alternative tunings 2989:(MIDI) conversion. 2971:integrated circuits 2944:Fender Stratocaster 2876:Squier Stratocaster 2505:Bridge (instrument) 2261:twelfth root of two 1644:for almost 60 years 1597:eight-string guitar 1593:Seven-string guitar 1581:5.1 surround guitar 1524:, extensive use of 1409:Fender Stratocaster 138:Related instruments 41: 8541:String instruments 5845:Additional strings 5800:GuitarrĂłn mexicano 5299: partitas001. 5256:on 26 October 2011 4804:. January 20, 2020 4182:Outline of guitars 4155:, and any onboard 4102: 4060:is known to use a 4030: 3975: 3934:A capo (short for 3827:All-fourths tuning 3777:bottleneck guitars 3750: 3703: 3682: 3040: 2908:electric generator 2888: 2525: 2286: 2249: 2198: 1891: 1756:Cutaway (electric) 1646: 1642:Sir Paul McCartney 1412: 1361: 1279:Pedal steel guitar 1225: 1123: 940: 912:GuitarrĂłn mexicano 865: 842: 808: 339:solid-body guitars 319:hollowbody guitars 311:Solid-body guitars 268:resonating chamber 229:Renaissance guitar 153:string instruments 129: 39: 8561:Blues instruments 8518: 8517: 8513:: Defunct company 8512: 8495: 8494: 8443: 8425: 8226: 8208: 8127: 7988: 7749: 7743: 7680: 7642: 7634: 7468: 7420: 7407: 7384: 7366: 7358: 7345: 7143: 7115: 7057: 7029: 6901: 6900: 6869: 6868: 6851:Other instruments 6807: 6806: 6762:Augmented fourths 6722: 6721: 6693:Augmented fourths 6626: 6625: 6622: 6621: 6617: 6616: 6212: 6211: 6138: 6137: 5980:Chitarra battente 5751:acoustic-electric 5475:978-1-4384-4617-2 5456:978-1-4614-1920-4 5447:Robert Fripp 5384:978-1-61713-033-5 5222:, pp. 62–63. 5110:, pp. 52–67. 5028:978-0-415-97441-7 4914:978-0-87-690172-4 4611:978-0-933224-57-5 4604:. Bold Strummer. 4579:acousticmusic.org 4344:Harvey Turnbull; 4268:premierguitar.com 3996:bottleneck guitar 3910:Renaissance music 3854:all-fifths tuning 3666: 3665: 3222: 3221: 3195:minor tenth below 2979:electronic tuning 2862: 2861: 2854: 2737: 2736: 2729: 2567:mahogany, Indian 2564:C. F. Martin 2493: 2492: 2485: 2401: 2400: 2393: 2284: 2247: 2158:neck-through-body 2149:mortise and tenon 2005: 2004: 1997: 1794:Body sides (ribs) 1448:) or the natural 1202:flatwound strings 1118: 955: 908:Chitarra battente 850:The Guitar Player 778:Portuguese guitar 626:Andalusian Arabic 608:, and the French 540:from 9th century 531:Stuttgart Psalter 374:heavy metal music 368:) and performing 315:acoustic feedback 159: 158: 77:String instrument 65:String instrument 16:(Redirected from 8573: 8536:Necked box lutes 8510: 8441: 8423: 8224: 8206: 8125: 7986: 7969:Modulus Graphite 7788: 7787: 7747: 7741: 7678: 7640: 7632: 7466: 7418: 7405: 7382: 7364: 7356: 7343: 7172: 7141: 7113: 7055: 7027: 6928: 6921: 6914: 6905: 6904: 6891: 6890: 6881: 6880: 6861:William Sethares 6813: 6812: 6728: 6727: 6632: 6631: 6590: 6589: 6561: 6560: 6555: 6554: 6549: 6548: 6507: 6506: 6495: 6494: 6476: 6475: 6470: 6469: 6464: 6463: 6452: 6451: 6420: 6419: 6414: 6413: 6402: 6401: 6396: 6395: 6377: 6376: 6371: 6370: 6365: 6364: 6359: 6358: 6347: 6346: 6341: 6340: 6245: 6244: 6240: 6239: 6231:slack-key guitar 6218: 6217: 6180: 6179: 6165: 6158: 6151: 6142: 6141: 6128: 6127: 5660: 5653: 5646: 5637: 5636: 5598: 5596: 5594: 5584: 5575: 5573: 5571: 5565: 5544: 5523: 5504: 5492: 5479: 5460: 5437: 5415: 5399: 5388: 5369: 5334: 5333: 5307: 5301: 5300: 5271: 5265: 5264: 5263: 5261: 5252:, archived from 5229: 5223: 5217: 5211: 5205: 5199: 5198: 5196: 5194: 5189:on 11 April 2015 5185:. Archived from 5174: 5168: 5167: 5146: 5140: 5139: 5137: 5135: 5117: 5111: 5105: 5094: 5088: 5082: 5076: 5070: 5064: 5055: 5049: 5040: 5039: 5037: 5035: 5012: 5003: 5002: 5000: 4998: 4981: 4968: 4967: 4965: 4964: 4950: 4944: 4943: 4941: 4940: 4925: 4919: 4918: 4898: 4892: 4891: 4883: 4877: 4876: 4874: 4872: 4857: 4848: 4847: 4845: 4843: 4820: 4814: 4813: 4811: 4809: 4794: 4783: 4782: 4780: 4779: 4760: 4754: 4753: 4751: 4750: 4741:. Archived from 4735:"Hybrid guitars" 4731: 4725: 4724: 4722: 4720: 4703: 4697: 4696: 4694: 4693: 4681: 4675: 4674: 4672: 4670: 4665:. April 18, 2017 4655: 4649: 4646: 4640: 4639: 4637: 4636: 4622: 4616: 4615: 4595: 4589: 4588: 4586: 4585: 4571: 4565: 4564: 4562: 4561: 4547: 4541: 4540: 4538: 4537: 4531:Paul Guy Guitars 4523: 4517: 4511: 4505: 4498: 4492: 4487: 4481: 4478:Summerfield 2003 4475: 4469: 4463: 4457: 4456:, pp. 3–12. 4451: 4442: 4441: 4439: 4438: 4423: 4417: 4416: 4409: 4403: 4397: 4391: 4390: 4379: 4377: 4363: 4357: 4356: 4341: 4332: 4331: 4329: 4327: 4320:rickenbacker.com 4312: 4306: 4305: 4303: 4301: 4286: 4280: 4279: 4277: 4275: 4259: 4240: 4233: 4227: 4208: 4125:magnetic pickups 4113:guitar amplifier 4105:Electric guitars 4008:resonator guitar 3971:resonator guitar 3884:results in the " 3659: 3658: 3648: 3647: 3634: 3633: 3623: 3622: 3612: 3611: 3593: 3592: 3582: 3581: 3568: 3567: 3557: 3556: 3543: 3542: 3527: 3526: 3513: 3512: 3502: 3501: 3491: 3490: 3477: 3476: 3461: 3460: 3447: 3446: 3436: 3435: 3422: 3421: 3411: 3410: 3395: 3394: 3384: 3383: 3373: 3372: 3359: 3358: 3348: 3347: 3329: 3328: 3318: 3317: 3304: 3303: 3293: 3292: 3282: 3281: 3227: 3226: 3049: 3048: 2955:piezoelectricity 2912:guitar amplifier 2857: 2850: 2846: 2843: 2837: 2814: 2806: 2793:. Modern guitar 2732: 2725: 2721: 2718: 2712: 2681: 2673: 2548:internal bracing 2488: 2481: 2477: 2474: 2468: 2437: 2429: 2396: 2389: 2385: 2382: 2376: 2353: 2345: 2295: 2293: 2292: 2287: 2285: 2283: 2275: 2263:). In practice, 2258: 2256: 2255: 2250: 2248: 2246: 2238: 2108:(Right) Guitars. 2095: 2086: 2000: 1993: 1989: 1986: 1980: 1949: 1941: 1896:Gibson Les Pauls 1820:(or Fingerboard) 1705: 1696: 1490:George Beauchamp 1421:, and sometimes 1275:Lap steel guitar 1229:Resonator guitar 1222:resonator guitar 1216:An eight-string 1133:classical guitar 1119: 1053:Flamenco guitars 1042:Classical guitar 1009:12-string guitar 979:flamenco guitars 957: 956: 937: 873:electric guitars 862:Johannes Vermeer 859: 856: 816: 813: 805:Rafael Serrallet 780:", a variety of 747: 733: 730:guitarra morisca 723: 657: 656: 647: 641:) and the Latin 639: 632: 631: 622: 614: 606: 592:The modern word 553: 522: 287:Electric guitars 270:. The classical 240:classical guitar 53:classical guitar 49: 42: 38: 21: 8581: 8580: 8576: 8575: 8574: 8572: 8571: 8570: 8521: 8520: 8519: 8514: 8491: 8361:Daisy Rock Girl 8322: 8274: 8130: 8109: 8086: 7888:Daisy Rock Girl 7854: 7783: 7777: 7540:Daisy Rock Girl 7497: 7491: 7170: 7151: 6938: 6932: 6902: 6897: 6865: 6818: 6803: 6743: 6718: 6644: 6618: 6613: 6587: 6586: 6558: 6557: 6552: 6551: 6546: 6545: 6525: 6504: 6503: 6492: 6491: 6473: 6472: 6467: 6466: 6461: 6460: 6449: 6448: 6438: 6417: 6416: 6411: 6410: 6399: 6398: 6393: 6392: 6374: 6373: 6368: 6367: 6362: 6361: 6356: 6355: 6344: 6343: 6338: 6337: 6327: 6262: 6234: 6208: 6185: 6174: 6169: 6139: 6134: 6116: 6107:Vibrato systems 6102:Prepared guitar 6073:List of guitars 6039: 6015:Six-string alto 5948: 5839: 5734: 5669: 5664: 5605: 5592: 5590: 5569: 5567: 5563: 5552: 5547: 5541: 5520: 5476: 5457: 5434: 5412: 5385: 5366: 5347: 5345:Books, journals 5342: 5337: 5322: 5308: 5304: 5272: 5268: 5259: 5257: 5246: 5230: 5226: 5218: 5214: 5206: 5202: 5192: 5190: 5175: 5171: 5151:, p. 10): 5147: 5143: 5133: 5131: 5118: 5114: 5106: 5097: 5089: 5085: 5077: 5073: 5065: 5058: 5050: 5043: 5033: 5031: 5029: 5013: 5006: 4996: 4994: 4982: 4971: 4962: 4960: 4958:Roland V-Guitar 4954:"The GK Pickup" 4952: 4951: 4947: 4938: 4936: 4926: 4922: 4915: 4899: 4895: 4884: 4880: 4870: 4868: 4859: 4858: 4851: 4841: 4839: 4837: 4821: 4817: 4807: 4805: 4796: 4795: 4786: 4777: 4775: 4762: 4761: 4757: 4748: 4746: 4739:Guitarnoize.com 4733: 4732: 4728: 4718: 4716: 4704: 4700: 4691: 4689: 4684:Morrish, John. 4682: 4678: 4668: 4666: 4657: 4656: 4652: 4647: 4643: 4634: 4632: 4624: 4623: 4619: 4612: 4596: 4592: 4583: 4581: 4573: 4572: 4568: 4559: 4557: 4549: 4548: 4544: 4535: 4533: 4525: 4524: 4520: 4512: 4508: 4499: 4495: 4488: 4484: 4476: 4472: 4464: 4460: 4452: 4445: 4436: 4434: 4424: 4420: 4411: 4410: 4406: 4398: 4394: 4375: 4373: 4365: 4364: 4360: 4342: 4335: 4325: 4323: 4314: 4313: 4309: 4299: 4297: 4288: 4287: 4283: 4273: 4271: 4260: 4253: 4249: 4244: 4243: 4234: 4230: 4209: 4205: 4200: 4195: 4173: 4129:power amplifier 4091: 4074: 4022: 4016: 3959: 3953: 3932: 3926: 3918: 3898: 3820:Chord inversion 3719: 3717:Regular tunings 3709: 3695: 3656: 3655: 3645: 3644: 3631: 3630: 3620: 3619: 3609: 3608: 3590: 3589: 3579: 3578: 3565: 3564: 3554: 3553: 3540: 3539: 3524: 3523: 3510: 3509: 3499: 3498: 3488: 3487: 3474: 3473: 3458: 3457: 3444: 3443: 3433: 3432: 3419: 3418: 3408: 3407: 3392: 3391: 3381: 3380: 3370: 3369: 3356: 3355: 3345: 3344: 3326: 3325: 3315: 3314: 3301: 3300: 3290: 3289: 3279: 3278: 3209: 3189: 3166: 3143: 3120: 3097: 3081: 3064: 3057: 3032: 3027: 3021: 3015: 2948:Gibson Les Paul 2903:electromagnetic 2868: 2858: 2847: 2841: 2838: 2827: 2815: 2804: 2783:eighteen-string 2743: 2733: 2722: 2716: 2713: 2698: 2682: 2671: 2658: 2649: 2620: 2573:Dalbergia nigra 2517: 2511: 2495:Main articles: 2489: 2478: 2472: 2469: 2454: 2438: 2427: 2397: 2386: 2380: 2377: 2366: 2354: 2343: 2306: 2279: 2274: 2272: 2269: 2268: 2242: 2237: 2235: 2232: 2231: 2213:chromatic scale 2203: 2191:SinĂ©ad O'Connor 2133:Modulus Guitars 2112: 2111: 2110: 2109: 2098: 2097: 2096: 2088: 2087: 2041: 2011: 2001: 1990: 1984: 1981: 1966: 1950: 1939: 1931:stainless steel 1877: 1871: 1865: 1860: 1838: 1832: 1827: 1826: 1825: 1824: 1823: 1708: 1707: 1706: 1698: 1697: 1686: 1631: 1625: 1599: 1591:Main articles: 1589: 1544:, and use of a 1538:pinch harmonics 1416:electromagnetic 1394: 1392:Electric guitar 1388: 1367: 1353: 1313: 1307: 1281: 1273:Main articles: 1271: 1235: 1227:Main articles: 1210: 1172: 1166: 1129: 1112: 1110: 1049:classical music 1044: 1038: 1015:performances. ( 1005:flamenco guitar 997: 991: 975: 974: 966: 964: 963: 962: 961: 960:Spanish Romance 958: 951: 948: 941: 935: 930: 904:Flamenco guitar 896: 894:Acoustic guitar 890: 857: 831: 814: 790:Vicente Espinel 720:guitarra latina 677:electric guitar 590: 589: 588: 587: 581: 580: 567: 566: 565: 554: 546: 545: 523: 512: 490: 382:popular culture 323:archtop guitars 256:flat top guitar 252:Hawaiian guitar 248:electric guitar 171:some exceptions 132: 98: 59: 35: 28: 23: 22: 15: 12: 11: 5: 8579: 8569: 8568: 8563: 8558: 8553: 8551:Rhythm section 8548: 8543: 8538: 8533: 8516: 8515: 8500: 8497: 8496: 8493: 8492: 8490: 8489: 8484: 8479: 8474: 8469: 8464: 8459: 8454: 8449: 8444: 8436: 8431: 8426: 8418: 8413: 8408: 8403: 8398: 8393: 8388: 8383: 8378: 8373: 8368: 8363: 8358: 8353: 8348: 8343: 8338: 8332: 8330: 8324: 8323: 8321: 8320: 8315: 8310: 8305: 8300: 8295: 8290: 8284: 8282: 8276: 8275: 8273: 8272: 8267: 8262: 8257: 8252: 8247: 8242: 8237: 8232: 8227: 8219: 8214: 8209: 8201: 8196: 8191: 8186: 8181: 8176: 8171: 8166: 8161: 8156: 8151: 8146: 8140: 8138: 8132: 8131: 8129: 8128: 8119: 8117: 8111: 8110: 8108: 8107: 8102: 8096: 8094: 8088: 8087: 8085: 8084: 8079: 8074: 8069: 8064: 8059: 8054: 8049: 8044: 8039: 8034: 8029: 8024: 8019: 8014: 8009: 8004: 7999: 7994: 7989: 7981: 7976: 7971: 7966: 7963:Michael Tobias 7960: 7955: 7950: 7945: 7940: 7935: 7930: 7925: 7920: 7915: 7910: 7905: 7900: 7895: 7890: 7885: 7880: 7875: 7870: 7864: 7862: 7856: 7855: 7853: 7852: 7847: 7842: 7837: 7835:Recording King 7832: 7827: 7822: 7817: 7812: 7807: 7802: 7796: 7794: 7785: 7779: 7778: 7776: 7775: 7770: 7765: 7760: 7755: 7750: 7744: 7736: 7731: 7726: 7721: 7716: 7711: 7706: 7701: 7696: 7691: 7686: 7681: 7673: 7668: 7663: 7658: 7653: 7648: 7643: 7635: 7627: 7622: 7617: 7612: 7607: 7602: 7597: 7592: 7587: 7582: 7577: 7572: 7567: 7562: 7557: 7552: 7547: 7542: 7537: 7532: 7527: 7522: 7517: 7512: 7507: 7501: 7499: 7493: 7492: 7490: 7489: 7484: 7479: 7474: 7469: 7461: 7456: 7451: 7446: 7441: 7436: 7431: 7426: 7421: 7413: 7408: 7400: 7395: 7390: 7385: 7377: 7372: 7367: 7359: 7351: 7346: 7338: 7333: 7328: 7323: 7318: 7313: 7308: 7303: 7298: 7293: 7288: 7283: 7278: 7273: 7268: 7263: 7258: 7253: 7248: 7243: 7238: 7233: 7228: 7223: 7218: 7213: 7208: 7203: 7198: 7193: 7188: 7183: 7178: 7173: 7165: 7159: 7157: 7153: 7152: 7150: 7149: 7144: 7136: 7131: 7126: 7121: 7116: 7108: 7103: 7098: 7093: 7088: 7086:Recording King 7083: 7078: 7073: 7068: 7063: 7058: 7050: 7045: 7040: 7035: 7030: 7022: 7017: 7012: 7007: 7002: 6997: 6992: 6987: 6982: 6977: 6972: 6967: 6962: 6957: 6952: 6946: 6944: 6940: 6939: 6931: 6930: 6923: 6916: 6908: 6899: 6898: 6896: 6895: 6885: 6874: 6871: 6870: 6867: 6866: 6864: 6863: 6858: 6856:Musical tuning 6853: 6848: 6834: 6829: 6823: 6820: 6819: 6809: 6808: 6805: 6804: 6802: 6801: 6791: 6788:Russian open-G 6785: 6782:English open-C 6779: 6769: 6759: 6748: 6745: 6744: 6724: 6723: 6720: 6719: 6717: 6716: 6706: 6700: 6690: 6680: 6670: 6660: 6649: 6646: 6645: 6628: 6627: 6624: 6623: 6620: 6619: 6615: 6614: 6612: 6611: 6602: 6593: 6579: 6571: 6563: 6538: 6528: 6526: 6524: 6523: 6515: 6509: 6497: 6485: 6477: 6454: 6441: 6439: 6437: 6436: 6428: 6422: 6404: 6386: 6378: 6349: 6330: 6328: 6326: 6325: 6317: 6309: 6301: 6293: 6285: 6277: 6268: 6265: 6264: 6259: 6254: 6249: 6243: 6236: 6235: 6214: 6213: 6210: 6209: 6207: 6206: 6201: 6196: 6190: 6187: 6186: 6176: 6175: 6172:Guitar tunings 6168: 6167: 6160: 6153: 6145: 6136: 6135: 6133: 6132: 6121: 6118: 6117: 6115: 6114: 6112:Vintage guitar 6109: 6104: 6099: 6098: 6097: 6087: 6086: 6085: 6075: 6070: 6065: 6060: 6055: 6049: 6047: 6045:Related topics 6041: 6040: 6038: 6037: 6032: 6027: 6022: 6017: 6012: 6007: 6002: 5997: 5992: 5987: 5982: 5977: 5972: 5967: 5962: 5956: 5954: 5950: 5949: 5947: 5946: 5941: 5936: 5931: 5926: 5921: 5916: 5911: 5910: 5909: 5904: 5899: 5894: 5884: 5879: 5878: 5877: 5867: 5866: 5865: 5860: 5849: 5847: 5841: 5840: 5838: 5837: 5832: 5827: 5822: 5817: 5812: 5807: 5802: 5797: 5792: 5787: 5782: 5777: 5772: 5767: 5766: 5765: 5764: 5763: 5753: 5742: 5740: 5736: 5735: 5733: 5732: 5731: 5730: 5720: 5715: 5710: 5709: 5708: 5698: 5693: 5688: 5683: 5677: 5675: 5671: 5670: 5663: 5662: 5655: 5648: 5640: 5634: 5633: 5627: 5617: 5612: 5604: 5603:External links 5601: 5600: 5599: 5576: 5551: 5548: 5546: 5545: 5539: 5524: 5518: 5505: 5493: 5480: 5474: 5461: 5455: 5438: 5432: 5416: 5410: 5402:Isaac Guillory 5389: 5383: 5370: 5364: 5348: 5346: 5343: 5341: 5338: 5336: 5335: 5320: 5302: 5276:, p. 3): 5266: 5244: 5224: 5212: 5210:, p. 121. 5200: 5169: 5149:Griewank (2010 5141: 5123:(April 2008). 5112: 5095: 5093:, p. 119. 5083: 5081:, p. 160. 5071: 5069:, p. 158. 5056: 5041: 5027: 5004: 4969: 4945: 4920: 4913: 4893: 4886:Mottola, R.M. 4878: 4849: 4835: 4815: 4802:leftyfretz.com 4784: 4755: 4726: 4698: 4676: 4650: 4641: 4617: 4610: 4590: 4566: 4542: 4518: 4514:Turnbull et al 4506: 4493: 4482: 4470: 4458: 4443: 4418: 4404: 4402:, p. 137. 4392: 4358: 4333: 4307: 4281: 4250: 4248: 4245: 4242: 4241: 4228: 4212:Orphenica Lyre 4202: 4201: 4199: 4196: 4194: 4191: 4190: 4189: 4184: 4179: 4172: 4169: 4151:controls, the 4121:bass amplifier 4090: 4087: 4073: 4070: 4018:Main article: 4015: 4012: 3991:Hawaiian music 3955:Main article: 3952: 3949: 3928:Main article: 3925: 3922: 3917: 3914: 3897: 3894: 3870: 3869: 3842: 3835:Stanley Jordan 3824: 3705:Main article: 3694: 3691: 3664: 3663: 3660: 3652: 3649: 3641: 3638: 3635: 3627: 3624: 3616: 3613: 3605: 3602: 3598: 3597: 3594: 3586: 3583: 3575: 3572: 3569: 3561: 3558: 3550: 3547: 3544: 3536: 3532: 3531: 3528: 3520: 3517: 3514: 3506: 3503: 3495: 3492: 3484: 3481: 3478: 3470: 3466: 3465: 3462: 3454: 3451: 3448: 3440: 3437: 3429: 3426: 3423: 3415: 3412: 3404: 3400: 3399: 3396: 3388: 3385: 3377: 3374: 3366: 3363: 3360: 3352: 3349: 3341: 3338: 3334: 3333: 3330: 3322: 3319: 3311: 3308: 3305: 3297: 3294: 3286: 3283: 3275: 3272: 3268: 3267: 3264: 3261: 3258: 3255: 3252: 3249: 3246: 3243: 3240: 3237: 3234: 3231: 3220: 3219: 3216: 3213: 3210: 3207: 3204: 3200: 3199: 3196: 3193: 3190: 3187: 3184: 3180: 3179: 3176: 3170: 3167: 3164: 3161: 3157: 3156: 3153: 3150:perfect fourth 3147: 3144: 3141: 3138: 3134: 3133: 3130: 3124: 3121: 3118: 3115: 3111: 3110: 3107: 3101: 3098: 3095: 3092: 3088: 3087: 3076: 3067: 3060: 3053: 3031: 3028: 3019:Guitar tunings 3017:Main article: 3014: 3011: 2963:potentiometers 2914:that drives a 2864:Main article: 2860: 2859: 2818: 2816: 2809: 2803: 2800: 2735: 2734: 2685: 2683: 2676: 2670: 2667: 2657: 2654: 2648: 2645: 2619: 2616: 2612:nitrocellulose 2491: 2490: 2441: 2439: 2432: 2426: 2423: 2399: 2398: 2381:September 2023 2357: 2355: 2348: 2342: 2339: 2305: 2302: 2282: 2278: 2245: 2241: 2217:equal tempered 2202: 2199: 2129:Veleno guitars 2121:Kramer Guitars 2100: 2099: 2090: 2089: 2081: 2080: 2079: 2078: 2077: 2027:Inlay (guitar) 2007:Main article: 2003: 2002: 1953: 1951: 1944: 1938: 1935: 1867:Main article: 1864: 1861: 1859: 1856: 1831: 1828: 1822: 1821: 1815: 1810: 1805: 1795: 1792: 1786: 1783: 1778: 1773: 1768: 1763: 1758: 1749: 1744: 1739: 1733: 1728: 1722: 1717: 1711: 1710: 1709: 1700: 1699: 1691: 1690: 1689: 1688: 1687: 1685: 1682: 1627:Main article: 1624: 1621: 1588: 1585: 1550:effects pedals 1390:Main article: 1387: 1384: 1363:Main article: 1352: 1349: 1309:Main article: 1306: 1303: 1270: 1267: 1209: 1206: 1177:Orville Gibson 1170:Archtop guitar 1168:Main article: 1165: 1162: 1125:Main article: 1109: 1106: 1040:Main article: 1037: 1034: 995:Baroque guitar 993:Main article: 990: 987: 965: 959: 949: 944: 943: 942: 933: 932: 931: 920:Russian guitar 892:Main article: 889: 886: 830: 827: 766:baroque guitar 569: 568: 555: 548: 547: 524: 517: 516: 515: 514: 513: 489: 486: 450:acoustic music 272:Spanish guitar 260:archtop guitar 233:baroque guitar 175:twelve strings 157: 156: 155: 154: 141: 140: 134: 133: 130: 120: 119: 113: 112: 109: 105: 104: 95: 89: 88: 74: 72:Classification 68: 67: 61: 60: 50: 26: 9: 6: 4: 3: 2: 8578: 8567: 8564: 8562: 8559: 8557: 8554: 8552: 8549: 8547: 8546:C instruments 8544: 8542: 8539: 8537: 8534: 8532: 8529: 8528: 8526: 8508: 8504: 8498: 8488: 8485: 8483: 8480: 8478: 8475: 8473: 8470: 8468: 8465: 8463: 8460: 8458: 8455: 8453: 8450: 8448: 8445: 8440: 8437: 8435: 8434:Oscar Schmidt 8432: 8430: 8427: 8422: 8419: 8417: 8414: 8412: 8409: 8407: 8404: 8402: 8399: 8397: 8394: 8392: 8389: 8387: 8384: 8382: 8379: 8377: 8374: 8372: 8369: 8367: 8364: 8362: 8359: 8357: 8354: 8352: 8349: 8347: 8344: 8342: 8339: 8337: 8334: 8333: 8331: 8329: 8325: 8319: 8316: 8314: 8311: 8309: 8306: 8304: 8301: 8299: 8296: 8294: 8291: 8289: 8286: 8285: 8283: 8281: 8280:Tenor guitars 8277: 8271: 8268: 8266: 8263: 8261: 8258: 8256: 8253: 8251: 8248: 8246: 8243: 8241: 8238: 8236: 8235:Oscar Schmidt 8233: 8231: 8228: 8223: 8220: 8218: 8217:Michael Kelly 8215: 8213: 8210: 8205: 8202: 8200: 8197: 8195: 8192: 8190: 8187: 8185: 8182: 8180: 8177: 8175: 8172: 8170: 8167: 8165: 8162: 8160: 8157: 8155: 8152: 8150: 8147: 8145: 8142: 8141: 8139: 8137: 8133: 8124: 8121: 8120: 8118: 8116: 8112: 8106: 8103: 8101: 8098: 8097: 8095: 8093: 8089: 8083: 8080: 8078: 8075: 8073: 8070: 8068: 8065: 8063: 8060: 8058: 8055: 8053: 8050: 8048: 8045: 8043: 8040: 8038: 8035: 8033: 8030: 8028: 8025: 8023: 8020: 8018: 8015: 8013: 8010: 8008: 8005: 8003: 8000: 7998: 7995: 7993: 7990: 7985: 7982: 7980: 7977: 7975: 7972: 7970: 7967: 7964: 7961: 7959: 7956: 7954: 7951: 7949: 7946: 7944: 7941: 7939: 7936: 7934: 7931: 7929: 7926: 7924: 7921: 7919: 7916: 7914: 7911: 7909: 7906: 7904: 7901: 7899: 7896: 7894: 7891: 7889: 7886: 7884: 7881: 7879: 7876: 7874: 7871: 7869: 7866: 7865: 7863: 7861: 7857: 7851: 7848: 7846: 7843: 7841: 7838: 7836: 7833: 7831: 7830:Oscar Schmidt 7828: 7826: 7823: 7821: 7818: 7816: 7813: 7811: 7808: 7806: 7803: 7801: 7798: 7797: 7795: 7793: 7789: 7786: 7782:Other strings 7780: 7774: 7771: 7769: 7766: 7764: 7761: 7759: 7756: 7754: 7751: 7745: 7740: 7737: 7735: 7732: 7730: 7727: 7725: 7722: 7720: 7717: 7715: 7712: 7710: 7707: 7705: 7702: 7700: 7697: 7695: 7692: 7690: 7687: 7685: 7682: 7677: 7674: 7672: 7671:Oscar Schmidt 7669: 7667: 7664: 7662: 7659: 7657: 7656:Michael Kelly 7654: 7652: 7649: 7647: 7644: 7639: 7636: 7631: 7628: 7626: 7623: 7621: 7618: 7616: 7613: 7611: 7608: 7606: 7603: 7601: 7598: 7596: 7593: 7591: 7588: 7586: 7583: 7581: 7578: 7576: 7573: 7571: 7568: 7566: 7563: 7561: 7558: 7556: 7553: 7551: 7548: 7546: 7543: 7541: 7538: 7536: 7533: 7531: 7528: 7526: 7523: 7521: 7518: 7516: 7513: 7511: 7508: 7506: 7503: 7502: 7500: 7494: 7488: 7485: 7483: 7480: 7478: 7475: 7473: 7470: 7465: 7462: 7460: 7457: 7455: 7452: 7450: 7447: 7445: 7442: 7440: 7437: 7435: 7432: 7430: 7427: 7425: 7422: 7417: 7414: 7412: 7409: 7404: 7401: 7399: 7396: 7394: 7391: 7389: 7386: 7381: 7378: 7376: 7373: 7371: 7368: 7363: 7360: 7355: 7352: 7350: 7347: 7342: 7339: 7337: 7334: 7332: 7329: 7327: 7324: 7322: 7319: 7317: 7314: 7312: 7309: 7307: 7304: 7302: 7299: 7297: 7294: 7292: 7289: 7287: 7284: 7282: 7279: 7277: 7274: 7272: 7269: 7267: 7264: 7262: 7259: 7257: 7254: 7252: 7249: 7247: 7244: 7242: 7239: 7237: 7234: 7232: 7229: 7227: 7224: 7222: 7219: 7217: 7214: 7212: 7209: 7207: 7204: 7202: 7199: 7197: 7194: 7192: 7189: 7187: 7184: 7182: 7179: 7177: 7174: 7169: 7166: 7164: 7161: 7160: 7158: 7156:Electric only 7154: 7148: 7145: 7140: 7137: 7135: 7132: 7130: 7127: 7125: 7122: 7120: 7117: 7112: 7109: 7107: 7104: 7102: 7099: 7097: 7094: 7092: 7089: 7087: 7084: 7082: 7079: 7077: 7074: 7072: 7069: 7067: 7064: 7062: 7059: 7054: 7051: 7049: 7046: 7044: 7041: 7039: 7036: 7034: 7031: 7026: 7023: 7021: 7018: 7016: 7013: 7011: 7008: 7006: 7003: 7001: 6998: 6996: 6993: 6991: 6988: 6986: 6983: 6981: 6978: 6976: 6973: 6971: 6968: 6966: 6963: 6961: 6958: 6956: 6953: 6951: 6948: 6947: 6945: 6943:Acoustic only 6941: 6936: 6929: 6924: 6922: 6917: 6915: 6910: 6909: 6906: 6894: 6886: 6884: 6876: 6875: 6872: 6862: 6859: 6857: 6854: 6852: 6849: 6846: 6842: 6838: 6835: 6833: 6830: 6828: 6825: 6824: 6821: 6817:Miscellaneous 6814: 6810: 6799: 6795: 6792: 6789: 6786: 6783: 6780: 6777: 6773: 6770: 6767: 6763: 6760: 6757: 6753: 6750: 6749: 6746: 6741: 6738: 6734: 6729: 6725: 6714: 6710: 6707: 6704: 6701: 6698: 6694: 6691: 6688: 6684: 6681: 6678: 6674: 6671: 6668: 6664: 6661: 6658: 6654: 6651: 6650: 6647: 6642: 6638: 6633: 6629: 6610: 6608: 6603: 6601: 6599: 6594: 6592: 6584: 6580: 6578: 6576: 6572: 6570: 6568: 6564: 6562: 6543: 6539: 6537: 6535: 6530: 6529: 6527: 6522: 6520: 6516: 6513: 6510: 6501: 6498: 6489: 6486: 6484: 6482: 6478: 6458: 6455: 6446: 6443: 6442: 6440: 6435: 6433: 6429: 6426: 6423: 6408: 6405: 6390: 6387: 6385: 6383: 6379: 6353: 6350: 6335: 6332: 6331: 6329: 6324: 6323: 6318: 6316: 6315: 6310: 6308: 6307: 6302: 6300: 6299: 6294: 6292: 6291: 6286: 6284: 6283: 6278: 6276: 6275: 6270: 6269: 6267: 6266: 6260: 6258: 6255: 6253: 6250: 6247: 6246: 6241: 6237: 6232: 6228: 6224: 6219: 6215: 6205: 6202: 6200: 6197: 6195: 6192: 6191: 6188: 6181: 6177: 6173: 6166: 6161: 6159: 6154: 6152: 6147: 6146: 6143: 6131: 6123: 6122: 6119: 6113: 6110: 6108: 6105: 6103: 6100: 6096: 6093: 6092: 6091: 6090:Manufacturing 6088: 6084: 6081: 6080: 6079: 6076: 6074: 6071: 6069: 6066: 6064: 6063:Guitar wiring 6061: 6059: 6056: 6054: 6051: 6050: 6048: 6046: 6042: 6036: 6035:Viola caipira 6033: 6031: 6028: 6026: 6023: 6021: 6018: 6016: 6013: 6011: 6008: 6006: 6003: 6001: 5998: 5996: 5993: 5991: 5988: 5986: 5983: 5981: 5978: 5976: 5975:Chapman Stick 5973: 5971: 5968: 5966: 5963: 5961: 5958: 5957: 5955: 5951: 5945: 5942: 5940: 5937: 5935: 5932: 5930: 5927: 5925: 5922: 5920: 5917: 5915: 5912: 5908: 5905: 5903: 5900: 5898: 5897:Chapman Stick 5895: 5893: 5890: 5889: 5888: 5885: 5883: 5880: 5876: 5873: 5872: 5871: 5868: 5864: 5861: 5859: 5856: 5855: 5854: 5851: 5850: 5848: 5846: 5842: 5836: 5833: 5831: 5830:Semi-acoustic 5828: 5826: 5823: 5821: 5818: 5816: 5813: 5811: 5808: 5806: 5803: 5801: 5798: 5796: 5793: 5791: 5788: 5786: 5783: 5781: 5778: 5776: 5773: 5771: 5768: 5762: 5759: 5758: 5757: 5754: 5752: 5749: 5748: 5747: 5744: 5743: 5741: 5737: 5729: 5726: 5725: 5724: 5721: 5719: 5716: 5714: 5711: 5707: 5704: 5703: 5702: 5699: 5697: 5694: 5692: 5689: 5687: 5684: 5682: 5679: 5678: 5676: 5672: 5668: 5661: 5656: 5654: 5649: 5647: 5642: 5641: 5638: 5631: 5630:Online Guitar 5628: 5625: 5621: 5618: 5616: 5613: 5610: 5607: 5606: 5588: 5583: 5577: 5562: 5558: 5554: 5553: 5542: 5540:0-7866-4978-X 5536: 5532: 5531: 5525: 5521: 5519:1-872639-46-1 5515: 5511: 5506: 5502: 5498: 5497:Strong, James 5494: 5490: 5486: 5485:Guitar Review 5481: 5477: 5471: 5467: 5462: 5458: 5452: 5448: 5444: 5439: 5435: 5433:0-405-08496-X 5429: 5425: 5421: 5417: 5413: 5411:0-679-74275-1 5407: 5403: 5398: 5397: 5390: 5386: 5380: 5376: 5371: 5367: 5365:0-375-70090-0 5361: 5357: 5356: 5350: 5349: 5331: 5327: 5323: 5321:1-904411-15-0 5317: 5313: 5306: 5298: 5294: 5290: 5286: 5285: 5280: 5279:Fripp, Robert 5275: 5270: 5255: 5251: 5247: 5245:0-571-16289-4 5241: 5237: 5236: 5228: 5221: 5220:Sethares 2001 5216: 5209: 5204: 5188: 5184: 5180: 5173: 5166: 5162: 5158: 5157: 5150: 5145: 5130: 5129:Ralphpatt.com 5126: 5122: 5116: 5109: 5108:Sethares 2001 5104: 5102: 5100: 5092: 5087: 5080: 5075: 5068: 5063: 5061: 5054:, p. 16. 5053: 5052:Sethares 2001 5048: 5046: 5030: 5024: 5020: 5019: 5011: 5009: 4993: 4992: 4987: 4980: 4978: 4976: 4974: 4959: 4955: 4949: 4935: 4931: 4924: 4916: 4910: 4906: 4905: 4897: 4889: 4882: 4866: 4862: 4856: 4854: 4838: 4836:0-312-13062-7 4832: 4828: 4827: 4819: 4803: 4799: 4793: 4791: 4789: 4774:on 2010-01-30 4773: 4769: 4765: 4759: 4745:on 2010-12-25 4744: 4740: 4736: 4730: 4715: 4714: 4709: 4702: 4687: 4680: 4664: 4660: 4654: 4645: 4631: 4627: 4621: 4613: 4607: 4603: 4602: 4594: 4580: 4576: 4570: 4556: 4552: 4546: 4532: 4528: 4522: 4515: 4510: 4503: 4497: 4491: 4486: 4479: 4474: 4468:, p. 10. 4467: 4462: 4455: 4450: 4448: 4433: 4429: 4422: 4414: 4408: 4401: 4396: 4389: 4388: 4384: 4372: 4368: 4362: 4355: 4351: 4347: 4340: 4338: 4321: 4317: 4311: 4300:September 20, 4295: 4291: 4285: 4269: 4265: 4258: 4256: 4251: 4238: 4232: 4225: 4221: 4217: 4213: 4207: 4203: 4188: 4185: 4183: 4180: 4178: 4175: 4174: 4168: 4166: 4162: 4158: 4157:effects units 4154: 4150: 4146: 4142: 4138: 4134: 4130: 4126: 4122: 4118: 4114: 4110: 4106: 4100: 4095: 4086: 4084: 4078: 4069: 4065: 4063: 4062:sixpence coin 4059: 4055: 4051: 4047: 4046:Billy Gibbons 4041: 4039: 4035: 4026: 4021: 4011: 4009: 4005: 4001: 3997: 3992: 3988: 3984: 3980: 3973:made of metal 3972: 3968: 3963: 3958: 3948: 3946: 3941: 3937: 3931: 3921: 3913: 3911: 3907: 3903: 3893: 3891: 3887: 3883: 3879: 3875: 3867: 3863: 3859: 3855: 3851: 3847: 3843: 3840: 3836: 3832: 3828: 3825: 3821: 3817: 3813: 3809: 3808: 3807: 3803: 3800: 3798: 3794:In contrast, 3792: 3790: 3785: 3780: 3778: 3774: 3770: 3766: 3762: 3758: 3754: 3746: 3742: 3740: 3736: 3732: 3728: 3724: 3718: 3714: 3708: 3699: 3690: 3688: 3679: 3675: 3670: 3661: 3653: 3650: 3642: 3639: 3636: 3628: 3625: 3617: 3614: 3606: 3603: 3600: 3599: 3595: 3587: 3584: 3576: 3573: 3570: 3562: 3559: 3551: 3548: 3545: 3537: 3534: 3533: 3529: 3521: 3518: 3515: 3507: 3504: 3496: 3493: 3485: 3482: 3479: 3471: 3468: 3467: 3463: 3455: 3452: 3449: 3441: 3438: 3430: 3427: 3424: 3416: 3413: 3405: 3402: 3401: 3397: 3389: 3386: 3378: 3375: 3367: 3364: 3361: 3353: 3350: 3342: 3339: 3336: 3335: 3331: 3323: 3320: 3312: 3309: 3306: 3298: 3295: 3287: 3284: 3276: 3273: 3270: 3269: 3265: 3262: 3259: 3256: 3253: 3250: 3247: 3244: 3241: 3238: 3235: 3232: 3229: 3228: 3225: 3217: 3214: 3211: 3205: 3202: 3201: 3197: 3194: 3191: 3185: 3182: 3181: 3177: 3174: 3173:minor seventh 3171: 3168: 3162: 3159: 3158: 3154: 3151: 3148: 3145: 3139: 3136: 3135: 3131: 3128: 3125: 3122: 3116: 3113: 3112: 3108: 3105: 3102: 3099: 3093: 3090: 3089: 3085: 3080: 3077: 3075: 3071: 3068: 3066: 3061: 3059: 3054: 3051: 3050: 3047: 3044: 3036: 3026: 3020: 3010: 3008: 3002: 3000: 2996: 2992: 2988: 2982: 2980: 2976: 2972: 2968: 2964: 2959: 2956: 2951: 2949: 2945: 2941: 2939: 2934: 2930: 2928: 2924: 2919: 2917: 2913: 2909: 2904: 2900: 2896: 2892: 2885: 2881: 2877: 2872: 2867: 2856: 2853: 2845: 2842:February 2021 2835: 2831: 2825: 2824: 2819:This section 2817: 2813: 2808: 2807: 2799: 2796: 2792: 2788: 2784: 2780: 2776: 2772: 2768: 2764: 2760: 2756: 2752: 2748: 2742: 2731: 2728: 2720: 2717:February 2020 2710: 2706: 2702: 2696: 2695: 2691: 2686:This section 2684: 2680: 2675: 2674: 2666: 2664: 2653: 2644: 2642: 2636: 2634: 2630: 2626: 2615: 2613: 2609: 2605: 2601: 2597: 2593: 2589: 2583: 2581: 2576: 2574: 2570: 2565: 2559: 2557: 2551: 2549: 2545: 2541: 2537: 2532: 2530: 2521: 2516: 2510: 2506: 2502: 2498: 2487: 2484: 2476: 2473:February 2020 2466: 2462: 2458: 2452: 2451: 2447: 2442:This section 2440: 2436: 2431: 2430: 2422: 2419: 2413: 2411: 2407: 2395: 2392: 2384: 2374: 2370: 2364: 2363: 2358:This section 2356: 2352: 2347: 2346: 2338: 2336: 2332: 2328: 2324: 2319: 2318:double action 2315: 2310: 2301: 2299: 2298:string-action 2280: 2276: 2266: 2262: 2243: 2239: 2229: 2224: 2222: 2218: 2214: 2209: 2208:fretless bass 2196: 2192: 2188: 2184: 2182: 2178: 2174: 2169: 2167: 2162: 2159: 2153: 2150: 2144: 2142: 2138: 2134: 2130: 2126: 2122: 2118: 2107: 2103: 2094: 2085: 2076: 2074: 2070: 2066: 2062: 2058: 2054: 2050: 2046: 2040: 2036: 2032: 2028: 2024: 2020: 2016: 2010: 1999: 1996: 1988: 1985:February 2020 1978: 1974: 1970: 1964: 1963: 1959: 1954:This section 1952: 1948: 1943: 1942: 1934: 1932: 1928: 1924: 1920: 1916: 1912: 1907: 1905: 1901: 1897: 1888: 1887: 1883:An alternate 1881: 1876: 1870: 1855: 1853: 1848: 1843: 1837: 1819: 1816: 1814: 1811: 1809: 1806: 1803: 1799: 1796: 1793: 1790: 1787: 1784: 1782: 1779: 1777: 1774: 1772: 1769: 1767: 1764: 1762: 1759: 1757: 1753: 1750: 1748: 1745: 1743: 1740: 1737: 1734: 1732: 1729: 1726: 1725:Machine heads 1723: 1721: 1718: 1716: 1713: 1712: 1704: 1695: 1681: 1679: 1675: 1671: 1667: 1663: 1659: 1655: 1651: 1643: 1639: 1635: 1630: 1623:Electric bass 1620: 1617: 1613: 1609: 1605: 1604:Roger McGuinn 1598: 1594: 1584: 1582: 1578: 1577:stand-up bass 1574: 1570: 1565: 1562: 1558: 1557:piezoelectric 1553: 1551: 1547: 1543: 1542:volume swells 1539: 1535: 1531: 1527: 1523: 1519: 1515: 1511: 1507: 1503: 1499: 1495: 1491: 1487: 1486:rock and roll 1483: 1479: 1475: 1471: 1467: 1463: 1459: 1455: 1451: 1447: 1446:effects units 1443: 1440: 1436: 1432: 1428: 1424: 1423:piezoelectric 1420: 1417: 1410: 1406: 1402: 1398: 1393: 1383: 1380: 1376: 1372: 1366: 1357: 1351:Acoustic bass 1348: 1346: 1342: 1338: 1334: 1330: 1329:rock and roll 1326: 1322: 1318: 1312: 1305:Twelve-string 1302: 1299: 1295: 1290: 1286: 1280: 1276: 1266: 1264: 1260: 1255: 1253: 1248: 1244: 1240: 1234: 1230: 1223: 1219: 1214: 1205: 1203: 1199: 1195: 1190: 1186: 1182: 1178: 1171: 1161: 1159: 1155: 1151: 1148:to the large 1147: 1143: 1138: 1134: 1128: 1105: 1104:(1817–1892). 1103: 1099: 1095: 1094: 1089: 1088: 1083: 1082: 1077: 1072: 1070: 1066: 1062: 1058: 1054: 1050: 1043: 1033: 1030: 1026: 1022: 1018: 1014: 1010: 1006: 1002: 996: 986: 984: 980: 973: 971: 947: 929: 925: 924:Selmer guitar 921: 917: 913: 909: 905: 901: 895: 885: 882: 881:twelve-string 878: 874: 870: 863: 852: 851: 846: 840: 835: 826: 824: 820: 806: 801: 797: 795: 791: 785: 783: 779: 775: 771: 767: 762: 760: 755: 751: 746: 745:viola da mano 741: 736: 734: 732: 731: 724: 722: 721: 713: 710: 706: 702: 696: 694: 690: 686: 682: 678: 673: 671: 667: 666: 662:word sihtar. 661: 652: 651:Ancient Greek 648: 646: 640: 638: 627: 623: 621: 615: 613: 607: 605: 600:, the German 599: 595: 585: 578: 574: 573:Airtam Frieze 563: 559: 552: 543: 539: 536: 532: 528: 521: 511: 507: 503: 499: 495: 485: 483: 479: 475: 471: 467: 463: 459: 455: 451: 447: 443: 439: 435: 431: 427: 423: 419: 415: 411: 407: 403: 399: 395: 391: 387: 383: 379: 375: 371: 367: 363: 359: 358:accompaniment 356:, both as an 355: 351: 346: 344: 340: 336: 332: 328: 324: 320: 316: 312: 308: 304: 300: 299:effects units 296: 292: 288: 284: 281: 277: 273: 269: 265: 261: 257: 253: 249: 245: 241: 236: 234: 230: 227: 223: 219: 215: 211: 207: 202: 200: 196: 192: 188: 184: 180: 176: 172: 168: 164: 152: 148: 145: 144: 142: 139: 135: 126: 121: 118: 117:Playing range 114: 110: 106: 102: 96: 94: 90: 86: 82: 78: 75: 73: 69: 66: 62: 58: 54: 48: 43: 37: 33: 19: 8092:Harp guitars 8002:Rickenbacker 7729:Tom Anderson 7689:Rickenbacker 7498:and electric 7276:Gordon-Smith 7015:Joseph Lukes 6934: 6837:Steel guitar 6794:Minor thirds 6772:Major thirds 6703:New standard 6673:Major thirds 6663:Minor thirds 6606: 6597: 6582: 6574: 6566: 6541: 6533: 6518: 6511: 6499: 6487: 6480: 6456: 6444: 6431: 6424: 6406: 6388: 6381: 6351: 6333: 6321: 6313: 6305: 6297: 6289: 6281: 6273: 6083:experimental 5756:steel-string 5666: 5591:. Retrieved 5586: 5568:. Retrieved 5529: 5509: 5500: 5488: 5484: 5465: 5442: 5423: 5395: 5377:. Backbeat. 5374: 5354: 5311: 5305: 5283: 5269: 5258:, retrieved 5254:the original 5234: 5227: 5215: 5203: 5191:. Retrieved 5187:the original 5183:M3guitar.com 5182: 5172: 5155: 5144: 5132:. Retrieved 5128: 5115: 5086: 5074: 5034:February 26, 5032:. Retrieved 5017: 4997:February 16, 4995:. Retrieved 4989: 4984:Owen, Jeff. 4961:. Retrieved 4957: 4948: 4937:. Retrieved 4934:Guitar Based 4933: 4923: 4903: 4896: 4881: 4871:February 25, 4869:. Retrieved 4864: 4842:February 25, 4840:. Retrieved 4825: 4818: 4808:February 25, 4806:. Retrieved 4801: 4776:. Retrieved 4772:the original 4767: 4758: 4747:. Retrieved 4743:the original 4738: 4729: 4719:September 1, 4717:. Retrieved 4711: 4701: 4690:. Retrieved 4679: 4667:. Retrieved 4662: 4653: 4644: 4633:. Retrieved 4629: 4620: 4600: 4593: 4582:. Retrieved 4578: 4569: 4558:. Retrieved 4554: 4545: 4534:. 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Retrieved 4267: 4236: 4231: 4223: 4219: 4215: 4211: 4206: 4153:preamplifier 4109:bass guitars 4103: 4079: 4075: 4066: 4042: 4031: 4000:steel guitar 3976: 3957:Slide guitar 3935: 3933: 3919: 3899: 3877: 3874:drop tunings 3871: 3866:Guitar Craft 3862:Robert Fripp 3839:major-thirds 3823:major-third. 3804: 3796: 3793: 3781: 3752: 3751: 3738: 3734: 3730: 3720: 3713:Open tunings 3686: 3683: 3677: 3673: 3223: 3127:minor second 3045: 3041: 3003: 2983: 2960: 2952: 2942: 2935: 2931: 2920: 2889: 2884:vibrato unit 2848: 2839: 2828:Please help 2823:verification 2820: 2791:fluorocarbon 2744: 2723: 2714: 2699:Please help 2687: 2659: 2650: 2641:scale length 2637: 2621: 2584: 2577: 2572: 2560: 2552: 2533: 2526: 2479: 2470: 2455:Please help 2443: 2414: 2402: 2387: 2378: 2367:Please help 2362:verification 2359: 2326: 2317: 2311: 2307: 2225: 2221:scale length 2204: 2170: 2163: 2154: 2145: 2137:ThreeGuitars 2113: 2105: 2101: 2042: 2039:Neck-through 2035:Bolt-on neck 2009:Neck (music) 1991: 1982: 1967:Please help 1955: 1908: 1904:Steinbergers 1892: 1885: 1847:Jimi Hendrix 1839: 1684:Construction 1666:ledger lines 1650:scale length 1647: 1638:Höfner 500/1 1616:Uli Jon Roth 1612:Rickenbacker 1600: 1583:, and such. 1566: 1554: 1514:Fender Music 1498:"Frying Pan" 1494:Rickenbacker 1454:vacuum tubes 1413: 1401:Eric Clapton 1368: 1314: 1285:steel guitar 1282: 1269:Steel guitar 1256: 1246: 1242: 1239:John Dopyera 1236: 1173: 1130: 1091: 1085: 1079: 1073: 1045: 1020: 998: 976: 967: 928:Tenor guitar 866: 848: 809: 786: 773: 769: 763: 738:The Spanish 737: 726: 716: 714: 697: 685:chordophones 674: 669: 663: 642: 634: 617: 609: 601: 597: 593: 591: 370:guitar solos 347: 285: 237: 214:World War II 203: 162: 160: 111:13th century 36: 8164:Del Vecchio 8032:Steinberger 7810:Del Vecchio 7784:instruments 7477:Valley Arts 7449:Steinberger 7375:Micro-Frets 7306:James Tyler 6990:Del Vecchio 6985:Conde Hnos. 6832:Bass guitar 6683:All fourths 6577:-A-D-F♯-A-D 5761:dreadnought 5533:. 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Alsip 7134:Tanglewood 7096:Santa Cruz 6980:Cole Clark 6733:Repetitive 6709:All fifths 6569:-G-C-G-C-E 6521:-G-D-G-B-D 6514:-F-C-F-A-C 6483:-C-G-C-E-G 6434:-B-D-G-B-D 6427:-A-C-F-A-C 6384:-E-G-C-E-G 6252:Repetitive 5960:Bajo sexto 5944:Multi-neck 5620:The Guitar 4991:fender.com 4963:2020-07-20 4939:2023-09-20 4778:2010-06-15 4749:2010-06-15 4692:2011-05-08 4635:2019-02-25 4584:2019-02-25 4560:2019-02-25 4536:2019-02-25 4454:Kasha 1968 4437:2017-04-08 3902:scordatura 3896:Scordatura 3882:whole tone 3878:drops down 3769:folk music 3711:See also: 3056:Scientific 3023:See also: 2967:capacitors 2739:See also: 2629:whammy bar 2513:See also: 2501:Solid body 2013:See also: 1873:See also: 1858:Components 1852:intonation 1834:See also: 1830:Handedness 1798:Sound hole 1789:Soundboard 1534:hammer-ons 1510:Leo Fender 1450:distortion 1433:through a 1345:jangle pop 1321:folk music 1294:portamento 1181:Lloyd Loar 970:media help 898:See also: 681:soundboard 584:morphology 577:AlacahöyĂŒk 562:AlacahöyĂŒk 560:lute from 492:See also: 482:trap music 354:rock music 343:rock music 335:rockabilly 250:; and the 8503:classical 8351:Breedlove 8346:Blackbird 8149:Breedlove 8136:Mandolins 8072:Westfield 7974:Music Man 7763:Westfield 7515:B.C. 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Index

Guitars
Guitar (disambiguation)

classical guitar
strings
String instrument
Classification
String instrument
plucked
strummed
Hornbostel–Sachs classification
chordophone
Playing range

Related instruments
Bowed
plucked
stringed musical instrument
some exceptions
twelve strings
strumming
plucking
frets
guitar pick
pickup
amplifier
chordophone
catgut
World War II
gittern

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