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Guilloché

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In consequence of the nature of the design, which is usually a series of lines that are, or look very much like they are interwoven into one another, any design engraved on metal, printed, or otherwise erected on surfaces such as wood or stone, that go in a similar style of constant wriggling that
813: 687: 252:, although others include the broader meaning associated with guilloché as a second meaning. Note that in the original sense, even a straight line can be guilloché, and persons using the French spelling and pronunciation generally intend the broader, original meaning. Translucent 203:, dating back at least to the 1770s, and is often said to be called after a French engineer named Guillot, who invented a tool or turning machine. However no dates nor first name are provided for this shadowy figure, and many dictionaries seem suspicious of his existence. 214:
machines were first used in the 1500–1600s on soft materials such as ivory and wood. In the 18th century they were adopted for metals such as gold and silver. Some accounts give the credit of developing tightly-packed engraved guilloché decoration to the
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stone inlay designs with two ribbons winding around a series of regular central points are very often called guilloche. These central points are often blank, but may contain a figure, such as a rose. These senses are a back-formation from the engraving
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Engine turning machines made of cast iron and heavy wooden bases, with precision machined surfaces were made until circa 1967 (e.g. Neuweiler und Engelsberger). Individuals continue the craft of making these elegant machines, but in limited quantities.
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Vocabulaire françois, ou, abrégé du Dictionnaire de l'Académie françoise, auquel on a ajouté une nomenclature géographique fort étendue. Ouvrage utile aux François, aux étrangers, & aux jeunes gens de l'un & de l'autre
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Engraved (in metal, mainly sterling): in fine timepieces (mainly pocket watches), fine pens, jewelry charms, snuffboxes, hair-styling accessories, wine goblets etc. Examples of famous works of Guilloché are the engravings on
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A Guilloche Machine was granted a US Patent in 1968 by Wilhelm Brandstatter. The original assignor was a firm called Maschinenfabrik Michael Kampf KG. A photo of this machine can be seen at Turati Lombardi's history page.
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describes a narrow instance of guilloche: a design, frequently architectural, using two curved bands that interlace in a pattern around a central space. Some dictionaries give only this definition of
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generated by a fixed point on a circle rolling inside a fixed circle. It has parametric equations. These patterns bear a strong resemblance to the designs produced on the
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1700, oak veneered with Macassar and Gabon ebony, ebonized fruitwood, burl wood, and marquetry of tortoiseshell and brass, gilt bronze, Metropolitan Museum of Art
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is also used more generally for repetitive architectural patterns of intersecting or overlapping spirals or other shapes, as used in the Ancient
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The different types of the machines refer to different models and different times during the development of the engine-turning machine.
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What kind of a machine did Faberge' use to engrave the gold under the enamel on his famous eggs and other irregular shapes?
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interlock – or look like they are interlocking – with one another, is referred to as guilloché.
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glass-making dynasty of the Schwanhardt family in the 17th century, using a wheel to engrave the glass.
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Erected: on stone for architecture, in wood for styling, on furniture or molding, etc.
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machine characteristic of guilloché is called by other names in specific uses:
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lathe, named after the founder of an ornamental lathe manufacturer John Jacob
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also would decorate their vehicles with engine-turning panels similarly.
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Roman guilloché on a shield, mid 3rd century, painted wood and hide,
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record the word from 1842 in English, but do not give an etymology.
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Guilloché Enameled Luxuries: Engraved memories of a fanciful era
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or the instrument panel of the same were often engine-turned.
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tile with a guilloché border from the North-West Palace at
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guillochés on some pilasters, part of the Sala dei Gigli
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guilloché on the base of a column of the Trajaneum from
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Barley guilloche pattern on a watch movement main plate
607:(now in modern Iraq), 883-859 BC, glazed earthenware, 405:, currency or certificates, etc., to protect against 125: 122: 1230:: An Encyclopedic Lexicon of the English Language 409:. The pattern used in this instance is called a 1758: 795:Renaissance guillochés on a pharmacy jar called 386:Some of the more common ones are the following: 230:In the 1920s and '30s, automobile parts such as 849:, 1757–1759, silver, Metropolitan Museum of Art 654:, Athens, Greece, unknown architect, 421-405 BC 1439: 728:200, natural stone and glass, Pergamon Museum 1419:(11th ed.). Cambridge University Press. 425: 1147:The Oxford Companion to the Decorative Arts 1136:, Professional Jeweler Archive, March 2001. 1055:The Oxford Companion to the Decorative Arts 306:. Unsourced material may be challenged and 79:the Huntress, late 2nd century AD, mosaic, 1446: 1432: 1302: 1191:GUILLOCHE MACHINE US Patent No. 3,406,454 631:, including a guillochés on the right, by 370:Learn how and when to remove this message 267: 1405: 1377: 1307:. The British Museum Press. p. 17. 67: 1001: 724:from the dining room of a Roman house, 708:, Germany, unknown architect, 115-30 AD 14: 1759: 1327: 915:Neoclassical guilloché on the door of 623:19th century illustration of multiple 507: 194: 1427: 1352: 1145:"Schwanhardt", Osborne, Harold (ed), 1028: 101: 1382:. Thames & Hudson. p. 199. 1357:. Thames & Hudson. p. 209. 304:adding citations to reliable sources 271: 256:was applied over guilloché metal by 1053:"Guilloche", Osborne, Harold (ed), 24: 1005:Tree: Exploring the Arboreal World 845:guilloché on a tureen with cover, 675:Museum of the Royal Tombs of Aigai 25: 1803: 1399: 1330:A History of Western Architecture 264:and other pieces from the 1880s. 1745: 908: 885: 864:guillochés on a tripod vase, by 854: 835: 812: 788: 757: 733: 713: 686: 659: 639: 616: 593: 574: 558: 544: 529: 514: 276: 170:, classical Greece and Rome and 147:into an underlying material via 112: 51: 34: 1371: 1346: 1321: 1296: 1271: 1266:Lady Randolph Spencer Churchill 1253: 1239: 1220: 1195: 1184: 673:, 400-336 BC, silver and gold, 1378:Virginia, L. Campbell (2017). 1355:Pocket Museum - Ancient Greece 1159: 1139: 1120: 1101: 1082: 1067: 1047: 1022: 995: 923:, Romania, unknown architect, 797:The Campaigns of Julius Caesar 646:Ancient Greek guilloché on an 473:(watch movements and horology) 75:guilloche around a scene with 13: 1: 1453: 1353:Smith, David Michael (2017). 1332:. Laurence King. p. 38. 989: 924: 869: 827: 725: 565:Solar guilloche pattern on a 552:Bouquet of Lilies Fabergé Egg 1380:Ancient Rome - Pocket Museum 1203:"Photo of Guilloche Machine" 1029:Markl, Xavier (2024-05-03). 445:Straight line engine turning 7: 932: 895:guilloché on a wall in the 742:Yale University Art Gallery 586: 413:in mathematics, that is, a 10: 1808: 1250:by Henry Colley March 1906 805:Metropolitan Museum of Art 803:(tin-glazed earthenware), 629:Ancient Greek architecture 502: 206: 172:neo-classical architecture 1743: 1461: 1303:van Lemmen, Hans (2013). 1088:Entry for "Guilloche" in 917:Strada Grigore Cobălcescu 426:Other names for guilloché 1008:. Phaidon. p. 264. 822:guilloché on a cabinet, 182:and elsewhere. Medieval 1416:Encyclopædia Britannica 901:Friedrich August Stüler 720:Roman guilloché on the 633:Jacques Ignace Hittorff 521:A red guilloché enamel 41:Guilloche work without 1328:Watkin, David (2022). 1261:The Anglo-Saxon Review 1234:William Dwight Whitney 1228:The Century Dictionary 1002:Kirkham, Tony (2024). 268:In today’s terminology 199:The name guilloché is 91: 174:, and Early Medieval 81:Bardo National Museum 71: 824:André Charles Boulle 781:Domenico Ghirlandaio 536:Guilloche work with 300:improve this section 157:straight-line engine 58:Guilloche work with 27:Decorative technique 1305:5000 Years of Tiles 1091:Chambers Dictionary 508:Engraving technique 485:(security printing) 479:(security printing) 421:, a children's toy. 195:Uncertain etymology 1167:"Argent Blue pens" 1132:2017-01-08 at the 1113:2004-08-17 at the 1035:Monochrome Watches 969:Ornamental turning 847:Edme-Pierre Balzac 489:Ornamental turning 258:Peter Carl Fabergé 92: 1782:Artworks in metal 1754: 1753: 1389:978-0-500-51959-2 1364:978-0-500-51958-5 1339:978-1-52942-030-2 1314:978-0-7141-5099-4 979:Security printing 380: 379: 372: 354: 153:rose engine lathe 16:(Redirected from 1799: 1749: 1731:Vitruvian scroll 1448: 1441: 1434: 1425: 1424: 1420: 1394: 1393: 1375: 1369: 1368: 1350: 1344: 1343: 1325: 1319: 1318: 1300: 1294: 1293: 1291: 1290: 1281:. 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" 1402: 1397: 1390: 1376: 1372: 1365: 1351: 1347: 1340: 1326: 1322: 1315: 1301: 1297: 1288: 1286: 1277: 1276: 1272: 1258: 1254: 1247:Roman Pavements 1244: 1240: 1225: 1221: 1212: 1210: 1201: 1200: 1196: 1189: 1185: 1176: 1174: 1165: 1164: 1160: 1144: 1140: 1134:Wayback Machine 1125: 1121: 1115:Wayback Machine 1106: 1102: 1087: 1083: 1072: 1068: 1052: 1048: 1039: 1037: 1027: 1023: 1016: 1000: 996: 992: 959:Geometric lathe 935: 928: 913: 904: 890: 881: 880:, New York City 878:Brooklyn Museum 859: 850: 840: 831: 817: 808: 807:, New York City 793: 784: 773:Palazzo Vecchio 762: 753: 738: 729: 718: 709: 702:Pergamon Museum 691: 682: 669:guilloché on a 664: 655: 644: 635: 621: 612: 598: 589: 582: 579: 570: 563: 554: 549: 540: 534: 525: 523:Boule de Genève 519: 510: 505: 477:Geometric lathe 428: 376: 365: 359: 356: 313: 311: 297: 281: 270: 209: 197: 180:Anglo-Saxon art 115: 111: 98: 66: 65: 64: 63: 62: 56: 47: 46: 45: 39: 28: 23: 22: 15: 12: 11: 5: 1805: 1795: 1794: 1789: 1784: 1779: 1774: 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911: 906: 902: 899:, Berlin, by 898: 894: 888: 883: 879: 875: 867: 863: 857: 852: 848: 844: 838: 833: 825: 821: 815: 810: 806: 802: 799:, 1580–1581, 798: 791: 786: 782: 778: 774: 770: 766: 760: 755: 751: 747: 743: 736: 731: 723: 716: 711: 707: 703: 700:, now in the 699: 695: 689: 684: 680: 676: 672: 668: 667:Ancient Greek 662: 657: 653: 649: 642: 637: 634: 630: 626: 619: 614: 610: 606: 602: 596: 591: 590: 577: 572: 568: 561: 556: 553: 547: 542: 539: 532: 527: 524: 517: 512: 511: 500: 494: 490: 487: 484: 481: 478: 475: 472: 469: 466: 463: 461: 457: 454: 451: 450: 446: 443: 440: 437: 436: 435: 433: 420: 416: 412: 408: 407:forged copies 404: 400: 397: 394: 389: 388: 387: 384: 374: 371: 363: 352: 349: 345: 342: 338: 335: 331: 328: 324: 321: –  320: 316: 315:Find sources: 309: 305: 301: 295: 294: 290: 285:This section 283: 279: 274: 273: 265: 263: 259: 255: 251: 247: 243: 241: 237: 233: 228: 224: 220: 218: 213: 204: 202: 192: 190: 185: 181: 177: 173: 169: 165: 160: 158: 155:and also the 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Index

Guillot

enamel

enamel

Roman
Diana
Bardo National Museum
Tunis
Tunisia
[ɡijɔʃe]
/ɡɪˈlʃ/
pattern
engraved
engine turning
rose engine lathe
straight-line engine
Near East
neo-classical architecture
interlace
Anglo-Saxon art
Cosmatesque
French
Engine turning
Nuremberg
valve covers
dashboards
Customizers
enamel

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