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672:, in which each succeeding element is equal to the sum of the two preceding elements (i.e., 0, 1, 1, 2, 3, 5, 8, etc.). This numerical layout represents the balanced nature in her music through a sense of cell multiplication between live and non-live substances. She believes that this abstract theory is the foundation of her personal musical expression. The golden ratio between the sections are always marked by some musical event, and the composer explores her fantasy fully in articulating this moment.
616:, exemplifying the lack of "steps" to the divine. This notion is furthered by her extreme dichotomy characterized by chromatic space vs. diatonic space viewed as symbols of darkness vs. light and human/mundane vs. divine/heavenly. Additionally, the use of short motivic segments allows her to create a musical narrative that is seemingly open-ended and disjunct rather than smooth. Finally, another important melodic technique can be seen with her use of harmonics. When talking about her piece
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492:... percussion has an acoustic cloud around it, a cloud that cannot be analyzed. These instruments are at the boundary between palpable reality and the subconscious, because they have these acoustics. Their purely physical characteristics, of the timpani and membranophones and so on, when the skin vibrates, or the wood is touched, respond. They enter into that layer of our consciousness which is not logical, they are at the boundary between the conscious and the subconscious.
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235:. Gubaidulina quickly learned to keep her spiritual interests secret from her parents and other adults since the Soviet Union was hostile to religion. These early experiences with music and spiritual ideas led her to treat these two domains of thought as conceptually similar and explains her later striving to write music expressing and exploring spiritually based concepts.
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tries to capture in her works. These abstract religious and mystical associations are realized in
Gubaidulina's compositions in various ways, such as writing in bowing directions that cause the performer to draw a crucifix in the final movement of "Seven Words" for cello, bayan, and strings. Gubaidulina is a devout member of the Russian Orthodox church.
966:"vertical" line, which represents man's striving for full realization in the Divine. The meeting point of these two lines in music happens at the end of the second movement, and that reflects transformation of the human being at crossing these two dimensions. The third movement "celebrates the newly obtained freedom of the spirit".
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In the early 1980s, she began to use the
Fibonacci sequence as a way of structuring the form of the work. Her use of the Fibonacci sequence to determine phrase and rhythm length replaces traditional form, creating a new form which to her is more spiritually in tune. Gubaidulina also experimented with
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In the cadenza the performer improvises within a framework given by the composer, inviting a deeper exploration of the secrets of sound. It consists of two alternating elements– open-sounding strings, stroke by fingers, with no pitch determination, and muted articulation of the strings in the bass
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In conversation she is most keen to stress that she cannot accept the idea (a frequent post-serial one) of rhythm or duration as the material of a piece. ... To her, rhythm is nowadays a generating principle as, for instance, the cadence was to tonal composers of the
Classical period; it therefore
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Melodically, Gubaidulina's is characterized by the frequent use of intense chromatic motives rather than long melodic phrases. She often treats musical space as a means of attaining unity with the divine—a direct line to God—concretely manifest by the lack of striation in pitch space. She achieves
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For
Gubaidulina, music was an escape from the socio-political atmosphere of Soviet Russia. For this reason, she associated music with human transcendence and mystical spiritualism, which manifests itself as a longing inside the soul of humanity to locate its true being, a longing she continually
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According to
Kholopova, music from before the 20th century left the responsibility of articulation to the performer, while now it begs to be more heavily illustrated by the composer. She also cites the writings of Viktor Bobrovski on his research on macrothemes, or central ideas that may occupy
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Two distinct aspects of the sonata—the driving force and the meditative state—can be seen through the architecture of the work as portraying the image of the cross. The first movement is related to the "horizontal" line, which symbolizes human experience while the second movement reflects the
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Further influence of improvisation techniques can be found in her fascination with percussion instruments. She associates the indeterminate nature of percussive timbres with the mystical longing and the potential freedom of human transcendence. In an interview with the modern
British composer
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for
Soprano, Baritone, and Seven String Instruments (1981, rev. 1983–86). The 12th movement, "Montys Tod" (Monty's Death), uses the Fibonacci series in its rhythmical structure with the number of quarter notes in individual episodes corresponding to numbers from the Fibonacci series.
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In the development section, these sets are explored melodically, while the dotted rhythm figure gains even more importance. In the recapitulation, the chord progression of the first thematic complex is brought to the higher registers, preparing the coda based on secondary theme
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Rhythmically, Gubaidulina places significant stress on the fact that temporal ratios, i.e, rhythmic structures, should not be limited to local figuration; rather, the temporality of the musical form should be the defining feature of rhythmic character. As
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I am a religious
Russian Orthodox person and I understand 'religion' in the literal meaning of the word, as 're-ligio', that is to say the restoration of connections, the restoration of the 'legato' of life. There is no more serious task for music than
2092:(2000). Performed by Natalia Korneva, soprano; Viktor Lutsiuk, tenor; Fedor Mozhaev, baritone; Genady Bezzubenkov, bass; Saint Petersburg Chamber Choir (dir. Nikolai Kornev); Choir of the Mariinsky Theatre Saint Petersburg (dir. Andrei Petrenko);
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The influence of electronic music and improvisational techniques is exemplified in her unusual combination of contrasting elements, novel instrumentation, and the use of traditional
Russian folk instruments in her solo and chamber works, such as
290:, who in evaluating her final examination encouraged her to continue on her path despite others calling it "mistaken". She was allowed to express her modernism in various scores she composed for documentary films, including the 1963 production,
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Valentina
Kholopova, Gubaidulina's close friend and colleague, outlined the composer's form techniques in detail. In addition to using number sequences, Kholopova describes Gubaidulina's use of "expression parameters"; these being
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and an established international figure. Major orchestras around the world have commissioned and performed her works. She is considered one of the foremost Russian composers of the second half of the 20th century along with
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as six of its movements are names after modulation between parameters, and two being single parameters. Kholopova proposed that this scale could be used to analyze the music of any 20th century composer focused on texture,
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mother. Her father, Asgat Masgudovich Gubaidulin, was an engineer and her mother, Fedosiya Fyodorovna (née Yelkhova), was a teacher. After discovering music at the age of 5, Gubaidulina immersed herself in ideas of
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She was also preoccupied by experimentation with non-traditional methods of sound production and, as already mentioned, with unusual combinations of instruments, e.g. Concerto for Bassoon and Low Strings (1975),
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of Leipzig's release of three of her pieces. She was also celebrated in a week of chamber and orchestral music. In November, to mark the occasion, she was selected as Composer of the Week on the long running
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relationship within the primary material of her works, by seeking to discover the depth and mysticism of the sound, as well as on a larger scale, through the carefully thought architecture of musical form.
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The possibility for string instruments to derive pitches of various heights at one and the same place on the string can be experienced in music as the transition to another plane of existence. And that is
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1084:(2016) in the contemporary music category. The jury in its citation praised the "outstanding musical and personal qualities" of the Russian composer, and the "spiritual quality" of her work.
729:, together forming the "parameter complex". For example, she describes a consonant articulation as legato, and a dissonant one as staccato, but each of these can change from piece to piece.
925:, which also constitute the cyclical elements upon which the rhetoric of the piece is constructed. Each motive is given a particular name: "spring", "struggle", "consolation", and "faith".
643:(1972) she notes that a strict and progressive intervallic process occurs, in which the opening section utilizes successively wider intervals that become narrower toward the last section.
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Hörst Du uns, Luigi? Schau mal, welchen Tanz eine einfache Holzrassel für Dich vollführt (Слышишь ты нас, Луиджи? Вот танец, который танцует для тебя обыкновенная деревянная трещотка)
380:("Easter according to John"), commissioned by Hannover Rundfunk. The two works together form a "diptych" on the death and resurrection of Christ, her largest work to date. Invited by
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She finds this re-connection through the artistic process and has developed a number of musical symbols to express her ideals. She does it through narrower means of intervallic and
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which begins by adding 2 instead of 1 to the initial value; the only thing setting it apart from Fibonacci. These forms are still fluid, as every other movement in her
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To this end, Gubaidulina often devises durational ratios in order to create the temporal forms for her compositions. Specifically, she often utilizes elements of the
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Conservatory, graduating in 1954. During her early conservatory years, Western contemporary music was banned almost entirely from study, an unusual exception being
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3012:"Goodspeed Notes | Newsletter of the Department of Music at the University of Chicago » Legendary Composer Sofia Gubaiduli a Awarded Honorary Doctorate"
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The Piano Sonata is dedicated to Henrietta Mirvis, a pianist greatly admired by the composer. The work follows the classical formal structure in 3 movements:
223:. While studying at the Children's Music School with Ruvim Poliakov, Gubaidulina discovered spiritual ideas and found them in the works of composers such as
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The preceding analysis is taken from Ivana Ćojbašić, "The 'Piano Sonata' of Sofia Gubaidulina: Formal Analysis and Some Interpretation Issues,"
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poem by Marina Tsvetaeva for large wind orchestra and mezzo-soprano/contralto (1974), for percussion, mezzo-soprano, and large orchestra (1976)
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The third movement is constructed of 7 episodes, in which there is a continuous liberation of energy accumulated during the previous movement.
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pattern in the left hand. The slower secondary theme introduces a melodic element associated with the ostinato element of the previous theme.
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and color, and that it is but one way to analyze music, signalling a continuing progression, catalyzed, according to Gubaidulina, by Webern.
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for soprano, tenor, baritone, bass, two mixed choirs and orchestra, in 9 movements (2015, rev. 2016) and in 15 movements (2016, rev. 2018)
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951:) A, the B section represents an acoustic departure as the chromatic figurations in the left hand, originating in section A, are muted.
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being the most infamous and sought after. Gubaidulina and her peers procured and studied modern Western scores nonetheless. "We knew
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follows the Fibonacci form. "It is a game!", she would claim. Later the Lucas and Evangelist series, sequences derived from that of
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On 4 October 2013, Gubaidulina became the recipient of the Golden Lion for Lifetime Achievement for the Music section of the
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Honour Prize of the Moscow Regiment and the International Council of Russian Compatriots "The Compatriot of the Year – 2007".
544:(Russian religious philosopher, whose works were forbidden in the USSR, but nevertheless found and studied by the composer).
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3056:"The Frontiers of Knowledge awards pay homage to the spirituality and transformative dimension of Sofia Gubaidulina's music"
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String Quartet No. 4 (a triple quartet for quartet, two taped quartets and ad libitum colored lights, dedicated to the
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There are two elements in the primary thematic complex of the first movement: (1) a "swing" theme, characterized by
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Gubaidulina's entire piano output belongs to her earlier compositional period and consists of the following works:
832:
488:, Gubaidulina provides an explanation for how percussion is utilized in her works to show spiritualism. She says,
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2471:Губайдулина Софья (София) Азгатовна – считается одним из крупнейших композиторов второй половины ХХ столетия.
2014:
1379:, oratorio for soprano, alto, tenor, bass, speaker, 3 mixed choirs and large orchestra without strings (1975)
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and intervallic design arising from the contrapuntal interaction between melodic voices. For example, in the
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Harmonically, Gubaidulina's music resists traditional tonal centers and triadic structures in favor of pitch
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until 1963. She was awarded a Stalin fellowship. Her music was deemed "irresponsible" during her studies in
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2467:София Губайдулина: 'Комсомольская увертюра? Нет! Стоит только дать пальчик и... вместе с ним продашь душу'
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The second movement shifts to a different expressive world. A simple ternary form with a cadenza–AB (
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480:. The use of the lowest possible registers on the cello opens new possibilities for the instrument.
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In 2011 she was awarded a Doctor of Humane Letters honorary degree from the University of Chicago.
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556:("re-bound") or as restoration of the connection between oneself and the Absolute. As she explains:
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Lukomsky, Vera (October 1998). "'The Eucharist in my fantasy': Interview with Sofia Gubaidulina".
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2046:(1994: Sony SK 53960). "Chaconne" (1962), "Sonata" (1965) and "Musical Toys" (1968), performed by
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Music for Harpsichord and Percussion Instruments from Mark Pekarsky's Collection (1971, rev. 1973)
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Sofia Gubaidulina and Vera Lukomsky, "My Desire is Always to Rebel, to Swim Against the Stream",
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254:. Raids even took place in the dormitory halls, where searches were conducted for banned scores,
1475:, St. Francis of Assisi's Canticle of the Sun for violoncello, mixed choir and percussion (1997)
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2050:, and "Introitus": Concerto for Piano and Chamber Orchestra (1978), Andreas Haefliger with the
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larger frames of time, such as entire sections of a piece. With this scale, pieces such as her
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2100:. World premiere recorded live at the European Music Festival in Stuttgart, September 9, 2000.
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assume a mosaic form held together by Fibonacci-derived groupings of expression parameters, "
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Lukomsky, Vera (July 1999). "'Hearing the Subconscious': Interview with Sofia Gubaidulina".
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on a text of Rainer Maria Rilke for cello, orchestra, male choir, and a woman speaker (1991)
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and dotted rhythms and (2) a chord progression, juxtaposing minor and major seconds over an
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widescreen format. She also composed the score to the well-known Russian animated picture "
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Gubaidulina notes that the two composers to whom she experiences a constant devotion are
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for soprano, baritone (speaking voices) and 7 string instruments (1981, rev. 1983, 1986)
894:(1974) and Piano Concerto "Introitus" (1978). Some of the titles reveal her interest in
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The first work in which Gubaidulina experiments with this concept of proportionality is
468:, in which one solo player performs on three different instruments—koto, bass koto, and
342:. "She sprang to international fame in the late 1980s". She later composed an homage to
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for soprano, tenor, baritone, bass, two mixed choirs, organ, and large orchestra (2001)
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for soprano, tenor, baritone, bass, two mixed choirs, organ, and large orchestra (2000)
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On 27 February 2017, Gubaidulina was awarded an honorary doctor of music degree by the
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for 3 trombones, 3 percussionists, harp, harpsichord/celesta and celesta/piano (1981).
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2226:: "Composer of the Week: Sofia Gubaidulina (b. 1931)." 5/5 Broadcast 5 November 2021.
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Gubaidulina's music is characterised by the use of unusual instrumental combinations.
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A more complete list of her scores for animated films may be found on her profile at
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2287:"2018: Sofia Gubaidulina – Festival Composers – About The Festival – About Us – FiB"
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1932:, Low Mass for narrator, two celli, double bass, piano and two percussionists (2016)
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for writing “noisy mud instead of musical innovation, unconnected with real life".
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Ten Preludes for cello (1974), also version as Eight Etudes for double bass (2009)
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fourteen pieces for mezzo-soprano, flute, percussion, bayan, and contrabass (1996)
423:, Germany. She is a member of the musical academies in Frankfurt, Hamburg and the
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15 (2000): 103–117. For a more detailed discussion, see Ćojbašić's dissertation:
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2394:, ed. by Josiah Fisk (St. Leonards, NSW, Australia: Allen & Unwin, 1993), 460
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2210:. 1st English, rev. and expand ed. Bloomington: Indiana University Press (11–14).
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Gubaidulina considers the following four works the most important in this genre:
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for three 17-string Japanese bass kotos and four 13-string Japanese kotos (1993)
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for piano and string quintet, arranged from version for soprano and octet (1989)
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Information on Quartet 4 from the Sikorski score, Edition 8506, published 2003.
2524:. 2012. " 'The space of the soul': An interview with Sofia Gubaidulina."
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cannot be the surface material of a work. ... he expresses her impatience with
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conducted by Rostropovich. Gubaidulina attended the recording of both pieces.
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for alto, tenor, baritone, narrator, mixed choir, and large orchestra (1991)
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uses harmonics to represent joy as an elevated state of spiritual thought.
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Knights Commander of the Order of Merit of the Federal Republic of Germany
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for soprano and octet, also arranged for piano and string quintet (1987)
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Content and Musical Language in the 'Piano Sonata' of Sofia Gubaidulina
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for trombone, saxophone quartet, cello, double bass, and tam-tam (2005)
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on verses of Gennadi Aigi for chamber ensemble and chamber choir (1993)
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2351:"An annotated catalog of works by women composers for the double bass"
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Gubaidulina became better known abroad during the early 1980s through
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for 3 trombones, 3 percussionists, harp, harpsichord and piano (1981)
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Meditation über den Bach-Choral "Vor deinen Thron tret' ich hiermit"
1349:, cantata for mezzo-soprano, orchestra and male choir on tape (1968)
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A profoundly spiritual person, Gubaidulina defines "re-ligio" as re-
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fifteen pieces for mezzo-soprano, percussion, and contrabass (1996)
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Academy of Sciences. Institution of the Tatar Encyclopaedia. 2002.
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to write a piece for the Passion 2000 project in commemoration of
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for three trumpets, four trombones, organ, and six strings (2001)
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for harpsichord, two violins, viola, cello, and contrabass (1993)
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1894:, an arrangement for cello, double-bass and three guitars (2008)
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for mixed chorus, boy soprano, organ and large orchestra (1990)
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variants on six hexachords for bayan and large orchestra (2003)
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And: The Feast is in Full Procession (И: Празднество в разгаре)
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921:. Four motives (pitch sets) are utilized throughout the entire
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536:. Among some non-musical influences of considerable import are
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1063:. In 2005 she was elected as a foreign honorary member of the
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from the article and its talk page, especially if potentially
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Sofia Gubaidulina on the Official site of the Moscow Regiment
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for violin, double bass, piano and two percussionists (2014)
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for flute (flute and alto flute), violin, and strings (1996)
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for symphony orchestra and jazz band (1976, rev. 1995, 2002)
1067:. In 2009, she became Dr. honoris causa of Yale University.
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Living Composer Prize of the Cannes Classical Awards in 2003
464:, a traditional Japanese instrument is featured in her work
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in 2003, the first female composer of the series. Her work
224:
2276:". theomniscientmussel.com. Retrieved on 6 September 2008.
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Koussevitzky International Record Award (in 1989 and 1994)
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2426:"The Parameter Complex in the Music of Sofia Gubaidulina"
1888:, an arrangement for double-bass and three guitars (2007)
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concerto for violin and orchestra (1980, rev. 1982, 1986)
540:(Swiss thinker and founder of analytical psychology) and
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3062:. Banco Bilbao Vizcaya Argentaria, S.A. 14 February 2017
3030:"Sofia Gubaidulina Golden Lion for Lifetime Achievement"
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for (mezzo-)soprano, flute, harpsichord and cello (1988)
1094:
Her 90th birthday in October 2021 was celebrated by the
1595:
Five Etudes for harp, double bass and percussion (1965)
1586:
Quintet for piano, two violins, viola, and cello (1957)
620:, a sonata for violin and cello, Gubaidulina explains,
270:
she undertook further studies at the Conservatory with
4040:
2691:
2616:"Shostakovich String Quartet 15. Gubaidulina Rejoice!"
2548:
2533:
2397:
2261:
Kompozitor Al'fred Shnitke (Composer Alfred Schnittke)
1703:
for cello and organ (1979), for bayan and cello (1991)
400:
in the 2005 proms. In 2007 her second violin concerto
4601:
2078:
conducted by Ryusuke Numajiri, the second by flutist
2070:(1994). The first performed by cellist and conductor
1920:
for violin, double-bass, piano, and percussion (2013)
4459:
Bach Prize of the Free and Hanseatic City of Hamburg
1050:
Bach Prize of the Free and Hanseatic City of Hamburg
2339:, Alison Latham, ed., Oxford University Press, 2003
1824:
for saxophone quartet and six percussionists (1994)
1777:
for seven percussionists, including cymbalom (1991)
1493:
for soprano, bass, mixed choir and orchestra (2015)
1308:, concerto for bayan, percussion and strings (2009)
976:she has in her home was a gift from Rostropovich.
384:, she was the 13th composer featured in the annual
1954:Film scores (partial list from more than 30 films)
1908:for viola, double-bass and two guitars (2010/2013)
608:this through the use of micro-chromaticism (i.e.,
3206:"Sofia Gubaidulina (biography, works, resources)"
2798:"Heidelberg Artist Prize 1991: Sofia Gubaidulina"
2681:"Magic numbers in the music of Sofia Gubaidulina"
2584:36, no. 1 (Winter 1998): 5–41, citation on p. 11.
1809:... Early in the Morning, Right before Waking ...
1634:Quattro for two trumpets and two trombones (1974)
1355:, cantata for baryton and chamber ensemble (1969)
1339:, vocal cycle for soprano and orchestra based on
1035:Order of Merit of the Federal Republic of Germany
246:Gubaidulina studied composition and piano at the
4649:
3508:
2880:"Prismodtager 1999 Sofia Gubaidulina, komponist"
1902:for two pianos tuned a quarter-tone apart (2008)
1733:, march for brass ensemble and percussion (1982)
1276:for koto, bass koto, zheng, and orchestra (1998)
1000:Ludwig-Spohr-Preis der Stadt Braunschweig (1995)
476:is a cello concerto/choral hybrid, dedicated to
3450:
2735:"At 90, a Composer Is Still Sending Out Blasts"
2392:Composer to Composer: Conversations About Music
1314:for flute, clarinet and string orchestra (2014)
1261:The Canticle of the Sun of St Francis of Assisi
1214:concerto for piano and chamber orchestra (1978)
121:The Canticle of the Sun of St Francis of Assisi
4723:Recipients of the Pour le Mérite (civil class)
2348:
1300:, concerto for percussion and orchestra (2008)
1264:for cello, chamber choir and percussion (1997)
321:. In 1979, she was blacklisted as one of the "
282:Russia, due to its exploration of alternative
266:, we actually knew everything on the sly." In
4443:
4026:
3532:
3436:
3262:
2994:"Honorary Degree Citations Commencement 2009"
2717:, DMA diss., University of North Texas, 1998.
2594:"Shostakovich String Quartet 15. Gubaidulina
2505:
2503:
4718:Recipients of the Léonie Sonning Music Prize
2312:"Sofia Gubaidulina: Perception | YellowBarn"
1082:BBVA Foundation Frontiers of Knowledge Award
2642:, "The Composer as Seer, but Not Prophet",
1274:Im Schatten des Baumes (В тени под деревом)
1208:Concerto for bassoon and low strings (1975)
1059:In 2001 she became honour professor of the
4733:Royal Philharmonic Society Gold Medallists
4450:
4436:
4033:
4019:
3539:
3525:
3443:
3429:
3269:
3255:
2500:
1876:for violin, percussion, and strings (2006)
1715:for flute, viola, harp and narrator (1980)
1326:, concerto for violin and orchestra (2018)
1294:, concerto for violin and orchestra (2007)
1268:Two Paths: A Dedication to Mary and Martha
1018:Preis der Stiftung Bibel und Kultur (1999)
795:about living persons that is unsourced or
520:, although she had periods of devotion to
501:, sonata for organ and percussion (1978),
200:Tatar Autonomous Soviet Socialist Republic
42:
3222:Sofia Gubaidulina on the Site "Krugosvet"
2443:
2263:, Publishing House "Arkaim", 2003, p. 40
1828:Aus der Visionen der Hildegard von Bingen
1607:fourteen piano pieces for children (1969)
1455:Aus den Visionen der Hildegard von Bingen
1286:...The Deceitful Face of Hope and Despair
1033:Great Distinguished Service Cross of the
979:
866:Learn how and when to remove this message
404:was performed at the Lucerne Festival by
3309:Music for Flute, Strings, and Percussion
3155:
3128:
2697:
2566:
2554:
2542:
2509:
2403:
2248:
2067:Music for Flute, Strings, and Percussion
1882:for cello and quartet of guitars (2007)
1748:String Quartet No. 2 (1987), appears on
1688:, sonata for organ and percussion (1978)
1443:Jetzt immer Schnee (Теперь всегда снега)
1244:Music for Flute, Strings, and Percussion
1003:Kulturpreis des Kreises Pinneberg (1997)
955:register—separated by rests marked with
114:Music for Flute, Strings, and Percussion
4753:Russian Orthodox Christians from Russia
4678:Eastern Orthodox Christians from Russia
4347:Afghanistan National Institute of Music
2910:"Stiftung Bibel und Kultur – Aktuelles"
2678:
2483:"Gubaidulina (The) Canticle of the Sun"
2349:Rebeca Tavares, Furtado (Spring 2019).
2232:, 30 October – 5 November 2021, p. 132.
1637:Sonata for double bass and piano (1975)
1270:for two viola solo and orchestra (1998)
1256:Concerto for viola and orchestra (1996)
1154:The Unasked Answer (Antwort ohne Frage)
1046:Russian Cultural Prize "Triumph" (2007)
1021:Goethe-Medaille der Stadt Weimar (2001)
528:, and 16th century music, most notably
414:Sophia – Biography of a Violin Concerto
14:
4698:Members of the Academy of Arts, Berlin
4650:
2729:
2183:"Composer Snapshot: Sofia Gubaidulina"
1793:Dancer on a Tightrope (Der Seiltänzer)
1136:, capriccio for large orchestra (1978)
991:Heidelberger Künstlerinnenpreis (1991)
505:for flute, harp and viola (1980), and
336:'s championing of her violin concerto
302:" (an adaptation of Rudyard Kipling's
4431:
4014:
3520:
3507:
3424:
3276:
3250:
2860:"Five artists win Praemium Imperiale"
2725:
2723:
2674:
2672:
2420:
2416:
2414:
2412:
1656:Lied ohne Worte (Songs without words)
1631:for percussion and harpsichord (1974)
419:Since 1992, Gubaidulina has lived in
376:. In 2002 she followed this with the
366:Internationale Bachakademie Stuttgart
309:In the mid-1970s Gubaidulina founded
210:, to an ethnically mixed family of a
4728:Recipients of the Praemium Imperiale
3548:Léonie Sonning Music Prize Laureates
2968:American Academy of Arts and Letters
2842:"Kreispräsident weist Kritik zurück"
2244:
2242:
2240:
2238:
2177:
2175:
1745:for viola, bassoon, and piano (1984)
1727:, sonata for violin and cello (1981)
1713:Garten von Freuden und Traurigkeiten
1697:Two Pieces for horn and piano (1979)
1503:
1451:for contralto and double bass (1994)
1318:Concerto for violin, cello and bayan
1174:for large orchestra and organ (2002)
1065:American Academy of Arts and Letters
757:
408:. Its creation has been depicted in
134:Concerto for violin, cello and bayan
2782:. 24 September 2013. Archived from
1789:for bayan and two contrabass (1992)
1783:for bayan, violin, and cello (1991)
1580:
1162:for orchestra and 7 reciters (1992)
1156:collage for three orchestras (1989)
1144:symphony in twelve movements (1986)
944:element, which gradually broadens.
352:. In 2000, Gubaidulina, along with
24:
4793:Tatar people from the Soviet Union
2720:
2669:
2409:
2110:
1763:Ein Walzerpass nach Johann Strauss
1667:Duo sonata for two bassoons (1977)
1649:for bass clarinet and piano (1976)
1401:Ein Walzerpass nach Johann Strauss
460:for cello and organ or bayan. The
238:She has been married three times.
25:
4814:
4748:Russian women classical composers
3183:
2928:"Bilderservice – Goethe-Institut"
2764:. 15 October 2013. Archived from
2679:Tsenova, Valeria (January 2002).
2274:Sofia Gubaidulina: Johnnespassion
2235:
2172:
1775:Gerade und ungerade (Чет и нечет)
1737:In the Beginning There was Rhythm
1643:for two trumpets and piano (1976)
1178:The Light of the End (Свет конца)
346:, using the text from the poet's
294:, a 70mm film shot in the unique
286:. She was supported, however, by
4758:Soviet women classical composers
4668:21st-century classical composers
4663:20th-century classical composers
4635:
4623:
4611:
3405:
3404:
3227:Interview with Sofia Gubaidulina
3200:Hans Sikorski: Sofia Gubaidulina
3190:Classical.net: Sofia Gubaidulina
2666:129, no. 1741 (March 1988): 123.
1846:Reflections on the theme B–A–C–H
1601:for double bass and piano (1966)
1421:for mixed choir and organ (1989)
1395:Letter to the Poetess Rimma Dalo
1166:Figures of Time (Фигуры времени)
762:
3104:
3083:
3074:
3048:
3022:
3004:
2986:
2956:
2938:
2920:
2902:
2872:
2852:
2834:
2816:
2790:
2772:
2754:
2703:
2651:
2633:
2608:
2587:
2572:
2515:
2475:
2460:
2384:
2361:
2342:
2329:
2304:
2279:
1936:
1739:for seven percussionists (1984)
1413:Two Songs on German Folk Poetry
1330:
1043:Europäischer Kulturpreis (2005)
325:" at the Sixth Congress of the
4743:Russian expatriates in Germany
2762:"The Prince Pierre Foundation"
2660:, "Encountering Gubaidulina",
2266:
2253:
2213:
2208:Sofia Gubaidulina: A Biography
2200:
2166:). Retrieved 12 February 2021
2153:
2135:
2096:Saint Petersburg conducted by
2037:
1860:for seven violoncelli and two
1682:Quartet for four flutes (1977)
1652:Trio for three trumpets (1976)
1288:for flute and orchestra (2005)
1239:for cello and orchestra (1993)
1196:
753:
425:Royal Swedish Academy of Music
167:София Әсгать кызы Гобәйдуллина
166:
13:
1:
3366:The Cat Who Walked by Herself
2160:Gubaydulina, Sofiya Asgatovna
2104:
2015:The Cat Who Walked by Herself
1949:, for violin and piano (1995)
1900:Fantasia on the Theme S–H–E–A
1771:for six percussionists (1991)
1205:for cello and ensemble (1972)
1115:
882:(1962), Piano Sonata (1965),
684:other like series, including
189:
169:; born 24 October 1931) is a
148:Софи́я Асгáтовна Губaйду́лина
4788:21st-century women composers
4783:20th-century women composers
3509:Awards for Sofia Gubaidulina
2648:190 (September 1994): 15–16.
2381:, H & D, Paris 2004. 129
2150:. Retrieved 10 February 2021
1868:Verwandlung (Transformation)
1854:for eight violoncelli (2002)
1658:for trumpet and piano (1977)
1409:for soprano and octet (1987)
1397:for soprano and cello (1985)
1361:for soprano and piano (1972)
1172:The Rider on the White Horse
1024:Moscow Silenzio-Preis (2001)
988:Premio Franco Abbiati (1991)
898:genres and the influence of
773:biography of a living person
503:The Garden of Joy and Sorrow
430:
27:Russian composer (born 1931)
7:
4738:Russian classical composers
4683:German electronic musicians
4673:Deutsche Grammophon artists
3195:Schirmer: Sofia Gubaidulina
3135:. New Series (206): 29–35.
2094:Mariinsky Theatre Orchestra
1756:String Quartet No. 3 (1987)
1709:for 4 percussionists (1979)
1679:for 7 percussionists (1977)
1622:String Quartet No. 1 (1971)
1619:for chamber ensemble (1971)
1576:for bayan (2003, rev. 2011)
1391:for a cappella choir (1984)
1389:Hommage à Marina Tsvetayeva
800:must be removed immediately
743:Ten Preludes for Solo Cello
372:. Her contribution was the
144:Sofia Asgatovna Gubaidulina
10:
4819:
4708:Moscow Conservatory alumni
4392:Ensemble intercontemporain
1977:by Ivan Kiasashvili (1982)
1694:for flute and piano (1978)
1664:for domra and piano (1977)
1592:for flute and piano (1963)
1509:Serenade for guitar (1960)
1367:for voice and piano (1973)
1186:for large orchestra (2006)
1180:for large orchestra (2003)
1168:for large orchestra (1994)
1150:for large orchestra (1989)
1013:Léonie Sonning Music Prize
994:Russian State Prize (1992)
364:, was commissioned by the
274:until 1959, and then with
4803:Women in electronic music
4703:Kazan Conservatory alumni
4465:
4370:
4255:
4140:
4049:
3967:
3896:
3825:
3754:
3683:
3612:
3571:
3554:
3514:
3458:
3400:
3384:
3333:
3284:
3208:(in French and English).
3168:10.1017/s0040298200014662
3141:10.1017/S0040298200006707
2581:Perspectives of New Music
2357:– via academia.edu.
2337:Oxford Companion to Music
2084:London Symphony Orchestra
1848:for string quartet (2002)
1822:In Erwartung (В ожидании)
1673:for tuba and piano (1977)
1564:, sonata for bayan (1986)
1548:Sonatina for flute (1978)
1518:Toccata for guitar (1969)
1512:Chaconne for piano (1963)
1280:Under the Sign of Scorpio
466:In the Shadow of the Tree
327:Union of Soviet Composers
241:
147:
89:
57:
41:
34:
4798:Musicians from Tatarstan
4202:Dietrich Fischer-Dieskau
3650:Dietrich Fischer-Dieskau
1965:by Ideya Garanina (1981)
1836:for cello quartet (1996)
1141:Stimmen... Verstummen...
1110:
1089:New England Conservatory
727:consonance to dissonance
694:Stimmen... Verstummen...
547:
194:Gubaidulina was born in
99:Stimmen... Verstummen...
3591:Witold Lutosławski
3317:The Canticle of the Sun
2950:www.polarmusicprize.org
2824:"Bisherige Preisträger"
2168:(subscription required)
2147:Encyclopædia Britannica
2117:"Гобәйдуллина, София".
2062:The Canticle of the Sun
1971:by Arkadi Kordon (1981)
1852:Mirage: The Dancing Sun
390:Rheingau Musik Festival
4768:Tatar people of Russia
2846:www.kreis-pinneberg.de
2206:Kurtz, Michael, 2007.
1647:Dots, Lines and Zigzag
1613:for electronics (1970)
1570:for harpsichord (1997)
1491:O Komm, Heiliger Geist
980:Awards and recognition
787:Please help by adding
662:
641:Cello Concerto Detto-2
627:
563:
526:Second Viennese School
494:
4713:People from Chistopol
4542:Karlheinz Stockhausen
4166:Karlheinz Stockhausen
4091:Mstislav Rostropovich
3987:Pierre-Laurent Aimard
3697:Mstislav Rostropovich
3111:"Gubaidulina, Sophia"
2914:www.bibelundkultur.de
2786:on 24 September 2013.
2780:"Cronologia completa"
2291:Festspillene i Bergen
2222:, Donald Macleod and
2129:Republic of Tatarstan
2072:Mstislav Rostropovich
2052:NDR Radiophilharmonie
1993:Other works include:
1914:, for 12 celli (2011)
1611:Vivente – Non Vivente
1184:Feast During a Plague
1101:show of the same name
985:Prix de Monaco (1987)
653:
622:
558:
490:
478:Mstislav Rostropovich
396:preceded Beethoven's
370:Johann Sebastian Bach
292:On Submarine Scooters
204:Republic of Tatarstan
4494:Johann Nepomuk David
4081:Nikolaus Harnoncourt
3875:Lars Ulrik Mortensen
3780:Nikolaus Harnoncourt
3342:Adventures of Mowgli
2379:Jean-Pierre Thiollet
2355:Iowa Research Online
2335:Jonathan Walker, in
1999:Adventures of Mowgli
1975:The University Chair
1858:On the Edge of Abyss
1692:Sounds of the Forest
1662:On Tatar Folk Themes
1457:for contralto (1994)
1407:Hommage à T.S. Eliot
1233:, and strings (1982)
1192:for orchestra (2020)
1124:for orchestra (1971)
1096:Gewandhaus Orchestra
793:Contentious material
701:, were added to her
394:The Light at the End
300:Adventures of Mowgli
3863:John Eliot Gardiner
3638:Dmitri Shostakovich
3483:Vyacheslav Artyomov
3374:Mary Queen of Scots
3358:The Kreutzer Sonata
3091:"Sofia Gubaidulina"
3016:lucian.uchicago.edu
2946:"Sofia Gubaidulina"
2884:www.sonningmusik.dk
2828:www.braunschweig.de
2768:on 15 October 2013.
2733:(20 October 2021).
2445:10.30535/mto.20.3.8
2431:Music Theory Online
2142:"Sofia Gubaidulina"
2120:Tatar Encyclopaedia
2023:Mary Queen Of Scots
2007:The Kreutzer Sonata
1874:The Lyre of Orpheus
1731:Swan, Crab and Pike
1515:Piano Sonata (1965)
1497:Über Liebe und Hass
1431:Aus dem Stundenbuch
1298:Glorious Percussion
815:"Sofia Gubaidulina"
474:Canticle of the Sun
319:Vyacheslav Artyomov
288:Dmitri Shostakovich
4773:Volga Tatar people
4361:Playing for Change
4357:Anne-Sophie Mutter
4242:José Antonio Abreu
4071:Witold Lutosławski
3839:Anne-Sophie Mutter
3727:Sviatoslav Richter
3691:Marie-Claire Alain
3668:Jean-Pierre Rampal
3620:Sergiu Celibidache
3452:Khrennikov's Seven
3392:Khrennikov's Seven
3301:Stimmen Verstummen
3036:on 15 October 2013
2890:on 7 November 2012
2740:The New York Times
2316:www.yellowbarn.org
2164:Grove Music Online
1759:String Trio (1988)
1324:Dialog: Ich und Du
1292:In Tempus Praesens
1221:(Жертвоприношение)
1061:Kazan Conservatory
1007:Praemium Imperiale
771:This section of a
666:Fibonacci sequence
597:among others) and
530:Gesualdo da Venosa
406:Anne-Sophie Mutter
402:In Tempus Praesens
386:Komponistenporträt
323:Khrennikov's Seven
276:Vissarion Shebalin
108:(Жертвоприношение)
4599:
4598:
4593:
4592:
4560:Sofia Gubaidulina
4524:Hans Werner Henze
4506:Helmut Lachenmann
4425:
4424:
4416:Esa-Pekka Salonen
4353:Grandmaster Flash
4176:Sofia Gubaidulina
4107:Bruce Springsteen
4043:Polar Music Prize
4041:Laureates of the
4008:
4007:
3940:Herbert Blomstedt
3816:Sofia Gubaidulina
3810:Hildegard Behrens
3786:Krystian Zimerman
3626:Arthur Rubinstein
3579:Leonard Bernstein
3501:
3500:
3488:Sofia Gubaidulina
3473:Alexander Knaifel
3418:
3417:
3278:Sofia Gubaidulina
2964:"Current Members"
2663:The Musical Times
2569:, pp. 27–31.
2048:Andreas Haefliger
1629:Rumore e silenzio
1504:Solo instrumental
1028:Polar Music Prize
1015:in Denmark (1999)
876:
875:
868:
850:
776:needs additional
589:, temple blocks,
410:Jan Schmidt-Garre
141:
140:
36:Sofia Gubaidulina
16:(Redirected from
4810:
4763:Tatar Christians
4640:
4639:
4638:
4628:
4627:
4626:
4616:
4615:
4614:
4607:
4536:Alfred Schnittke
4518:Olivier Messiaen
4488:Wolfgang Fortner
4452:
4445:
4438:
4429:
4428:
4035:
4028:
4021:
4012:
4011:
3975:Barbara Hannigan
3946:Leonidas Kavakos
3887:Daniel Barenboim
3662:Olivier Messiaen
3597:Benjamin Britten
3541:
3534:
3527:
3518:
3517:
3505:
3504:
3445:
3438:
3431:
3422:
3421:
3408:
3407:
3271:
3264:
3257:
3248:
3247:
3238:
3213:
3179:
3152:
3117:
3108:
3102:
3101:
3095:
3087:
3081:
3078:
3072:
3071:
3069:
3067:
3052:
3046:
3045:
3043:
3041:
3032:. Archived from
3026:
3020:
3019:
3008:
3002:
3001:
2990:
2984:
2983:
2981:
2979:
2970:. Archived from
2960:
2954:
2953:
2942:
2936:
2935:
2924:
2918:
2917:
2906:
2900:
2899:
2897:
2895:
2886:. Archived from
2876:
2870:
2869:
2856:
2850:
2849:
2838:
2832:
2831:
2820:
2814:
2813:
2811:
2809:
2804:on 7 August 2013
2800:. Archived from
2794:
2788:
2787:
2776:
2770:
2769:
2758:
2752:
2751:
2749:
2747:
2727:
2718:
2707:
2701:
2695:
2689:
2688:
2685:researchgate.net
2676:
2667:
2655:
2649:
2637:
2631:
2630:
2628:
2626:
2612:
2606:
2591:
2585:
2576:
2570:
2564:
2558:
2552:
2546:
2540:
2531:
2519:
2513:
2507:
2498:
2497:
2495:
2493:
2479:
2473:
2464:
2458:
2457:
2447:
2422:Ewell, Philip A.
2418:
2407:
2401:
2395:
2388:
2382:
2365:
2359:
2358:
2346:
2340:
2333:
2327:
2326:
2324:
2322:
2308:
2302:
2301:
2299:
2297:
2283:
2277:
2270:
2264:
2257:
2251:
2246:
2233:
2217:
2211:
2204:
2198:
2197:
2195:
2193:
2179:
2170:
2169:
2157:
2151:
2139:
2133:
2132:
2114:
2090:Johannes-Passion
2044:Solo Piano Works
1787:Tartarische Tanz
1581:Chamber/ensemble
1568:Ritorno perpetuo
1545:for organ (1976)
1539:for piano (1974)
1530:for piano (1971)
1528:Toccata-Troncata
1524:for piano (1969)
1479:Johannes-Passion
1467:Galgenlieder à 5
1461:Galgenlieder à 3
1419:Jauchzt vor Gott
1371:Hour of the Soul
1347:Night in Memphis
1341:Mikhail Prishvin
1080:She has won the
1030:in Sweden (2002)
888:Toccata-Troncata
871:
864:
860:
857:
851:
849:
808:
789:reliable sources
766:
765:
758:
686:the Lucas Series
542:Nikolai Berdyaev
534:Josquin des Prez
374:Johannes-Passion
180:Alfred Schnittke
168:
160:
159:
158:
156:
149:
92:
71:
68:October 24, 1931
67:
65:
46:
32:
31:
21:
4818:
4817:
4813:
4812:
4811:
4809:
4808:
4807:
4778:Tatar composers
4648:
4647:
4646:
4636:
4634:
4630:Classical music
4624:
4622:
4612:
4610:
4602:
4600:
4595:
4594:
4589:
4554:Adriana Hölszky
4530:Aribert Reimann
4476:Philipp Jarnach
4461:
4456:
4426:
4421:
4402:Angélique Kidjo
4398:Chris Blackwell
4366:
4327:Cecilia Bartoli
4267:Ennio Morricone
4251:
4136:
4067:Dizzy Gillespie
4045:
4039:
4009:
4004:
3963:
3958:Hans Abrahamsen
3904:Cecilia Bartoli
3892:
3821:
3750:
3679:
3608:
3603:Boris Christoff
3567:
3562:Igor Stravinsky
3550:
3545:
3510:
3502:
3497:
3454:
3449:
3419:
3414:
3396:
3380:
3329:
3324:Triple Concerto
3280:
3275:
3233:
3229:, 18 April 1997
3204:
3186:
3120:
3109:
3105:
3098:www.sikorski.de
3093:
3089:
3088:
3084:
3079:
3075:
3065:
3063:
3054:
3053:
3049:
3039:
3037:
3028:
3027:
3023:
3010:
3009:
3005:
2992:
2991:
2987:
2977:
2975:
2974:on 24 June 2016
2962:
2961:
2957:
2944:
2943:
2939:
2926:
2925:
2921:
2908:
2907:
2903:
2893:
2891:
2878:
2877:
2873:
2865:The Japan Times
2858:
2857:
2853:
2840:
2839:
2835:
2822:
2821:
2817:
2807:
2805:
2796:
2795:
2791:
2778:
2777:
2773:
2760:
2759:
2755:
2745:
2743:
2728:
2721:
2708:
2704:
2696:
2692:
2677:
2670:
2658:Gerard McBurney
2656:
2652:
2638:
2634:
2624:
2622:
2614:
2613:
2609:
2592:
2588:
2577:
2573:
2565:
2561:
2553:
2549:
2541:
2534:
2520:
2516:
2508:
2501:
2491:
2489:
2481:
2480:
2476:
2465:
2461:
2419:
2410:
2402:
2398:
2389:
2385:
2366:
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2347:
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2334:
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2320:
2318:
2310:
2309:
2305:
2295:
2293:
2285:
2284:
2280:
2271:
2267:
2258:
2254:
2247:
2236:
2224:Gerard McBurney
2218:
2214:
2205:
2201:
2191:
2189:
2181:
2180:
2173:
2167:
2158:
2154:
2140:
2136:
2116:
2115:
2111:
2107:
2040:
1963:The Circus Tent
1956:
1947:Astor Piazzolla
1939:
1930:Einfaches Gebet
1830:for alto (1994)
1795:for violin and
1590:Allegro Rustico
1583:
1543:Hell und Dunkel
1506:
1485:Johannes-Ostern
1365:Counting Rhymes
1333:
1199:
1190:Der Zorn Gottes
1118:
1113:
1075:Venice Biennale
1009:in Japan (1998)
982:
872:
861:
855:
852:
809:
807:
786:
767:
763:
756:
649:Gerard McBurney
612:) and frequent
550:
456:for bayan, and
433:
378:Johannes-Ostern
358:Osvaldo Golijov
244:
192:
154:
151:
150:
90:
85:
72:
69:
63:
61:
53:
48:Gubaidulina in
37:
28:
23:
22:
15:
12:
11:
5:
4816:
4806:
4805:
4800:
4795:
4790:
4785:
4780:
4775:
4770:
4765:
4760:
4755:
4750:
4745:
4740:
4735:
4730:
4725:
4720:
4715:
4710:
4705:
4700:
4695:
4690:
4685:
4680:
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4670:
4665:
4660:
4645:
4644:
4632:
4620:
4597:
4596:
4591:
4590:
4588:
4587:
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4575:
4569:
4563:
4557:
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4545:
4539:
4533:
4527:
4521:
4515:
4509:
4503:
4497:
4491:
4485:
4479:
4473:
4470:Paul Hindemith
4466:
4463:
4462:
4455:
4454:
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4440:
4432:
4423:
4422:
4420:
4419:
4409:
4395:
4385:
4374:
4372:
4368:
4367:
4365:
4364:
4350:
4340:
4330:
4320:
4317:Evelyn Glennie
4313:Emmylou Harris
4310:
4300:
4297:Kaija Saariaho
4293:Youssou N'Dour
4290:
4280:
4273:Kronos Quartet
4270:
4259:
4257:
4253:
4252:
4250:
4249:
4235:
4225:
4215:
4212:Valery Gergiev
4205:
4195:
4185:
4179:
4169:
4158:Burt Bacharach
4155:
4144:
4142:
4138:
4137:
4135:
4134:
4131:Iannis Xenakis
4124:
4114:
4104:
4094:
4084:
4074:
4064:
4057:Paul McCartney
4053:
4051:
4047:
4046:
4038:
4037:
4030:
4023:
4015:
4006:
4005:
4003:
4002:
3999:Emmanuel Pahud
3996:
3993:Evelyn Glennie
3990:
3984:
3978:
3971:
3969:
3965:
3964:
3962:
3961:
3955:
3952:Mariss Jansons
3949:
3943:
3937:
3931:
3925:
3919:
3913:
3910:Kaija Saariaho
3907:
3900:
3898:
3894:
3893:
3891:
3890:
3884:
3878:
3872:
3866:
3860:
3854:
3848:
3845:Alfred Brendel
3842:
3836:
3829:
3827:
3823:
3822:
3820:
3819:
3813:
3807:
3801:
3795:
3789:
3783:
3777:
3771:
3765:
3758:
3756:
3752:
3751:
3749:
3748:
3742:
3739:Peter Schreier
3736:
3733:Heinz Holliger
3730:
3724:
3718:
3712:
3709:Rafael Kubelík
3706:
3700:
3694:
3687:
3685:
3681:
3680:
3678:
3677:
3671:
3665:
3659:
3656:Mogens Wöldike
3653:
3647:
3644:Andrés Segovia
3641:
3635:
3632:Yehudi Menuhin
3629:
3623:
3616:
3614:
3610:
3609:
3607:
3606:
3600:
3594:
3588:
3585:Birgit Nilsson
3582:
3575:
3573:
3569:
3568:
3566:
3565:
3558:
3556:
3552:
3551:
3544:
3543:
3536:
3529:
3521:
3515:
3512:
3511:
3499:
3498:
3496:
3495:
3493:Edison Denisov
3490:
3485:
3480:
3475:
3470:
3468:Dmitri Smirnov
3465:
3459:
3456:
3455:
3448:
3447:
3440:
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3425:
3416:
3415:
3413:
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3259:
3251:
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3244:
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3224:
3219:
3214:
3202:
3197:
3192:
3185:
3184:External links
3182:
3181:
3180:
3162:(209): 27–31.
3153:
3119:
3118:
3103:
3082:
3073:
3047:
3021:
3003:
3000:. 25 May 2009.
2985:
2955:
2937:
2919:
2901:
2871:
2868:. 9 July 1998.
2851:
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2789:
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2459:
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2360:
2341:
2328:
2303:
2278:
2265:
2259:V. Kholopova.
2252:
2234:
2212:
2199:
2187:www.boosey.com
2171:
2152:
2134:
2108:
2106:
2103:
2102:
2101:
2098:Valery Gergiev
2087:
2080:Emmanuel Pahud
2059:
2039:
2036:
2028:
2027:
2019:
2011:
2003:
1991:
1990:
1978:
1972:
1969:Veliki Samoyed
1966:
1955:
1952:
1951:
1950:
1943:Le Grand Tango
1938:
1935:
1934:
1933:
1927:
1921:
1915:
1909:
1903:
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1895:
1889:
1877:
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1825:
1819:
1816:Kronos Quartet
1812:
1806:
1800:
1790:
1784:
1778:
1772:
1766:
1760:
1757:
1754:
1746:
1743:Quasi hoquetus
1740:
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1392:
1386:
1380:
1377:Laudatio Pacis
1374:
1368:
1362:
1356:
1350:
1344:
1343:'s poem (1956)
1332:
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1327:
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1122:Fairytale Poem
1117:
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978:
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797:poorly sourced
770:
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755:
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549:
546:
432:
429:
398:Symphony No. 9
243:
240:
191:
188:
184:Edison Denisov
139:
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117:
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102:
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73:
59:
55:
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26:
9:
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2:
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4709:
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4693:Living people
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4631:
4621:
4619:
4609:
4608:
4605:
4585:
4582:
4579:
4576:
4573:
4572:Pierre Boulez
4570:
4567:
4564:
4561:
4558:
4555:
4552:
4549:
4548:Wolfgang Rihm
4546:
4543:
4540:
4537:
4534:
4531:
4528:
4525:
4522:
4519:
4516:
4513:
4512:György Ligeti
4510:
4507:
4504:
4501:
4498:
4495:
4492:
4489:
4486:
4483:
4482:Boris Blacher
4480:
4477:
4474:
4471:
4468:
4467:
4464:
4460:
4453:
4448:
4446:
4441:
4439:
4434:
4433:
4430:
4417:
4413:
4410:
4407:
4403:
4399:
4396:
4393:
4389:
4386:
4383:
4379:
4378:Anna Netrebko
4376:
4375:
4373:
4369:
4362:
4358:
4354:
4351:
4348:
4344:
4341:
4338:
4337:Wayne Shorter
4334:
4331:
4328:
4324:
4321:
4318:
4314:
4311:
4308:
4307:Peter Sellars
4304:
4301:
4298:
4294:
4291:
4288:
4284:
4281:
4278:
4274:
4271:
4268:
4264:
4261:
4260:
4258:
4254:
4247:
4243:
4239:
4238:Peter Gabriel
4236:
4233:
4232:Renée Fleming
4229:
4226:
4223:
4219:
4218:Sonny Rollins
4216:
4213:
4209:
4206:
4203:
4199:
4196:
4193:
4192:György Ligeti
4189:
4186:
4183:
4182:Keith Jarrett
4180:
4177:
4173:
4172:Miriam Makeba
4170:
4167:
4163:
4159:
4156:
4153:
4149:
4146:
4145:
4143:
4139:
4132:
4128:
4127:Stevie Wonder
4125:
4122:
4118:
4115:
4112:
4108:
4105:
4102:
4101:Pierre Boulez
4098:
4097:Joni Mitchell
4095:
4092:
4088:
4085:
4082:
4078:
4075:
4072:
4068:
4065:
4062:
4061:Baltic states
4058:
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3857:Keith Jarrett
3855:
3852:
3851:György Kurtág
3849:
3846:
3843:
3840:
3837:
3834:
3833:Michala Petri
3831:
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3811:
3808:
3805:
3804:András Schiff
3802:
3799:
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3793:
3790:
3787:
3784:
3781:
3778:
3775:
3772:
3769:
3766:
3763:
3762:György Ligeti
3760:
3759:
3757:
3753:
3746:
3743:
3740:
3737:
3734:
3731:
3728:
3725:
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3721:Pierre Boulez
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3478:Viktor Suslin
3476:
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3463:Elena Firsova
3461:
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2998:news.yale.edu
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2951:
2947:
2941:
2933:
2932:www.goethe.de
2929:
2923:
2915:
2911:
2905:
2889:
2885:
2881:
2875:
2867:
2866:
2861:
2855:
2847:
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2803:
2799:
2793:
2785:
2781:
2775:
2767:
2763:
2757:
2742:
2741:
2736:
2732:
2731:Marcus, J. S.
2726:
2724:
2716:
2712:
2706:
2700:, p. 29.
2699:
2698:Lukomsky 1999
2694:
2686:
2682:
2675:
2673:
2665:
2664:
2659:
2654:
2647:
2646:
2641:
2636:
2621:
2617:
2611:
2605:
2604:
2599:
2597:
2590:
2583:
2582:
2575:
2568:
2567:Lukomsky 1999
2563:
2557:, p. 27.
2556:
2555:Lukomsky 1999
2551:
2545:, p. 34.
2544:
2543:Lukomsky 1998
2539:
2537:
2530:66 (259): 31.
2529:
2528:
2523:
2518:
2511:
2510:Lukomsky 1998
2506:
2504:
2488:
2484:
2478:
2472:
2468:
2463:
2455:
2451:
2446:
2441:
2437:
2433:
2432:
2427:
2423:
2417:
2415:
2413:
2406:, p. 33.
2405:
2404:Lukomsky 1998
2400:
2393:
2387:
2380:
2376:
2374:
2370:
2364:
2356:
2352:
2345:
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2269:
2262:
2256:
2250:
2249:Lukomsky 1999
2245:
2243:
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2239:
2231:
2230:
2225:
2221:
2216:
2209:
2203:
2188:
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2176:
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2161:
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2149:
2148:
2143:
2138:
2130:
2126:
2122:
2121:
2113:
2109:
2099:
2095:
2091:
2088:
2085:
2081:
2077:
2076:London Voices
2073:
2069:
2068:
2063:
2060:
2057:
2056:Bernhard Klee
2054:conducted by
2053:
2049:
2045:
2042:
2041:
2035:
2033:
2025:
2024:
2020:
2017:
2016:
2012:
2009:
2008:
2004:
2001:
2000:
1996:
1995:
1994:
1988:
1984:
1983:
1982:The Scarecrow
1979:
1976:
1973:
1970:
1967:
1964:
1961:
1960:
1959:
1948:
1944:
1941:
1940:
1931:
1928:
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1761:
1758:
1755:
1753:
1752:
1751:Short Stories
1747:
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1319:
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1307:
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1299:
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1287:
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1275:
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1245:
1241:
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1228:
1225:
1222:
1220:
1216:
1213:
1210:
1207:
1204:
1201:
1200:
1191:
1188:
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1182:
1179:
1176:
1173:
1170:
1167:
1164:
1161:
1158:
1155:
1152:
1149:
1148:Pro et Contra
1146:
1143:
1142:
1138:
1135:
1132:
1129:
1126:
1123:
1120:
1119:
1108:
1106:
1102:
1097:
1092:
1091:, in Boston.
1090:
1085:
1083:
1078:
1076:
1071:
1068:
1066:
1062:
1054:
1051:
1048:
1045:
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1032:
1029:
1026:
1023:
1020:
1017:
1014:
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1008:
1005:
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996:
993:
990:
987:
984:
983:
977:
975:
972:
967:
963:
960:
958:
952:
950:
945:
943:
937:
935:
931:
926:
924:
920:
916:
912:
908:
903:
901:
897:
893:
889:
885:
881:
870:
867:
859:
856:December 2012
848:
845:
841:
838:
834:
831:
827:
824:
820:
817: –
816:
812:
811:Find sources:
805:
801:
798:
794:
790:
784:
783:
779:
774:
769:
760:
759:
751:
749:
744:
740:
736:
730:
728:
724:
720:
716:
712:
706:
704:
700:
696:
695:
691:
687:
681:
678:
673:
671:
667:
661:
659:
652:
650:
644:
642:
638:
633:
631:
626:
621:
619:
615:
611:
610:quarter tones
605:
603:
600:
596:
592:
588:
584:
580:
576:
571:
568:
562:
557:
555:
545:
543:
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531:
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417:
415:
411:
407:
403:
399:
395:
391:
387:
383:
379:
375:
371:
367:
363:
362:Wolfgang Rihm
359:
355:
351:
350:
349:Four Quartets
345:
341:
340:
335:
330:
328:
324:
320:
316:
315:Viktor Suslin
312:
307:
305:
301:
297:
293:
289:
285:
281:
277:
273:
272:Nikolay Peyko
269:
265:
261:
257:
253:
249:
239:
236:
234:
230:
226:
222:
217:
214:father and a
213:
209:
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176:
172:
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157:
145:
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132:
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115:
111:
109:
107:
103:
101:
100:
96:
95:
94:
88:
84:
80:
76:
70:(age 92)
60:
56:
51:
45:
40:
33:
30:
19:
4584:Jörg Widmann
4559:
4500:Ernst Krenek
4412:Nile Rodgers
4382:Diane Warren
4208:Led Zeppelin
4198:Gilberto Gil
4175:
4121:Ravi Shankar
4111:Eric Ericson
4077:Quincy Jones
3928:Martin Fröst
3922:Simon Rattle
3916:Jordi Savall
3815:
3792:Yuri Bashmet
3768:Eric Ericson
3745:Gidon Kremer
3487:
3372:
3364:
3356:
3348:
3340:
3315:
3307:
3299:
3291:
3277:
3234:
3157:
3130:
3122:
3121:
3106:
3097:
3085:
3076:
3066:16 September
3064:. Retrieved
3059:
3050:
3038:. Retrieved
3034:the original
3024:
3015:
3006:
2997:
2988:
2976:. Retrieved
2972:the original
2958:
2949:
2940:
2931:
2922:
2913:
2904:
2892:. Retrieved
2888:the original
2883:
2874:
2863:
2854:
2845:
2836:
2827:
2818:
2806:. Retrieved
2802:the original
2792:
2784:the original
2774:
2766:the original
2756:
2744:. Retrieved
2738:
2714:
2711:Organizacija
2710:
2705:
2693:
2684:
2661:
2653:
2643:
2640:Claire Polin
2635:
2623:. Retrieved
2619:
2610:
2601:
2595:
2589:
2579:
2574:
2562:
2550:
2525:
2517:
2512:, p. 33
2490:. Retrieved
2486:
2477:
2462:
2435:
2429:
2399:
2391:
2386:
2367:
2363:
2354:
2344:
2336:
2331:
2319:. Retrieved
2315:
2306:
2294:. Retrieved
2290:
2281:
2268:
2255:
2227:
2215:
2207:
2202:
2190:. Retrieved
2186:
2155:
2145:
2137:
2123:(in Tatar).
2118:
2112:
2089:
2065:
2061:
2043:
2029:
2021:
2013:
2005:
1997:
1992:
1980:
1974:
1968:
1962:
1957:
1942:
1937:Arrangements
1929:
1923:
1917:
1911:
1906:Sotto voce,
1905:
1899:
1891:
1885:
1880:Ravvedimento
1879:
1873:
1867:
1857:
1851:
1845:
1839:
1833:
1827:
1821:
1808:
1802:
1797:string piano
1792:
1786:
1780:
1774:
1768:
1762:
1749:
1742:
1736:
1730:
1724:
1718:
1712:
1706:
1700:
1691:
1685:
1676:
1670:
1661:
1655:
1646:
1640:
1628:
1616:
1610:
1605:Musical Toys
1604:
1598:
1589:
1573:
1567:
1561:
1552:De Profundis
1551:
1542:
1536:
1527:
1522:Musical Toys
1521:
1496:
1490:
1484:
1478:
1473:Sonnengesang
1472:
1466:
1460:
1454:
1448:
1442:
1436:
1430:
1424:
1418:
1412:
1406:
1400:
1394:
1388:
1382:
1376:
1370:
1364:
1358:
1352:
1346:
1336:
1331:Vocal/choral
1323:
1311:
1303:
1297:
1291:
1285:
1279:
1273:
1267:
1259:
1250:
1242:
1236:
1227:Sieben Worte
1226:
1217:
1211:
1202:
1189:
1183:
1177:
1171:
1165:
1159:
1153:
1147:
1139:
1133:
1127:
1121:
1093:
1086:
1079:
1072:
1069:
1058:
968:
964:
961:
953:
946:
938:
927:
918:
914:
906:
904:
891:
887:
884:Musical Toys
883:
879:
877:
862:
853:
843:
836:
829:
822:
810:
799:
782:verification
775:
742:
734:
731:
711:articulation
707:
692:
682:
676:
674:
670:golden ratio
663:
654:
645:
640:
634:
629:
628:
623:
617:
606:
575:In Erwartung
574:
572:
564:
559:
551:
518:Anton Webern
511:
506:
502:
498:
495:
491:
482:
473:
465:
457:
449:
442:De profundis
441:
438:
434:
418:
413:
401:
393:
377:
373:
347:
337:
334:Gidon Kremer
331:
310:
308:
303:
296:Kinopanorama
291:
245:
237:
208:Russian SFSR
193:
143:
142:
126:
119:
112:
104:
97:
91:Notable work
83:Russian SFSR
29:
4658:1931 births
4303:Chuck Berry
4277:Patti Smith
4222:Steve Reich
4162:Robert Moog
4152:Isaac Stern
4117:Ray Charles
3934:Thomas Adès
3798:Per Nørgård
3774:Georg Solti
3715:Miles Davis
3703:Isaac Stern
3674:Janet Baker
3345:(1967–1971)
3334:Film scores
3293:Offertorium
3115:Animator.ru
2522:Moody, Ivan
2229:Radio Times
2220:BBC Radio 3
2064:(1997) and
2038:Discography
2032:Animator.ru
2002:(1967–1971)
1987:Rolan Bykov
1918:So sei es,
1862:waterphones
1641:Two Ballads
1617:Concordanza
1562:Et Exspecto
1229:for cello,
1219:Offertorium
1197:Concertante
1134:Te Salutant
1128:Revue Music
1105:BBC Radio 3
974:grand piano
930:syncopation
911:sonata form
754:Piano music
735:Concordanza
677:Perceptions
382:Walter Fink
344:T. S. Eliot
339:Offertorium
304:Jungle Book
221:composition
212:Volga Tatar
106:Offertorium
18:Gubaidulina
4652:Categories
4578:Unsuk Chin
4323:Max Martin
4283:Paul Simon
4246:El Sistema
4228:Pink Floyd
4087:Elton John
3981:Unsuk Chin
3040:15 October
2746:21 October
2620:Gramophone
2603:Gramophone
2487:Gramophone
2390:Quoted in
2105:References
1892:Repentance
1886:Pentimento
1834:Quaternion
1677:Misterioso
1383:Perception
1116:Orchestral
919:Allegretto
900:J. S. Bach
826:newspapers
739:modulating
703:repertoire
579:percussion
514:J. S. Bach
486:Ivan Moody
450:Et expecto
256:Stravinsky
190:Early life
146:(Russian:
64:1931-10-24
4618:Biography
4406:Arvo Pärt
4343:Metallica
4188:B.B. King
4148:Bob Dylan
3881:Arvo Pärt
3350:Scarecrow
3176:143622551
3149:143906868
3060:BBVA News
2978:15 August
2454:1067-3040
1912:Labyrinth
1840:Risonanza
1719:Descensio
1707:Jubilatio
1599:Pantomime
1537:Invention
1449:Ein Engel
1251:Impromptu
1212:Introitus
942:cantabile
892:Invention
778:citations
699:Fibonacci
614:glissandi
599:saxophone
577:combines
538:Carl Jung
507:Descensio
499:Detto – I
431:Aesthetic
233:Beethoven
202:(now the
196:Chistopol
173:-Russian
75:Chistopol
50:Sortavala
4388:Iggy Pop
4287:Yo-Yo Ma
3869:Yo-Yo Ma
3410:Category
3235:Fachwerk
2894:7 August
2808:7 August
2596:Rejoice!
2424:(2014).
2375:& Co
2082:and the
1924:Pilgrims
1818:) (1993)
1781:Silenzio
1725:Rejoice!
1701:In Croce
1425:Alleluja
1353:Rubaijat
1337:Phacelia
1305:Fachwerk
1203:Detto II
971:Steinway
957:fermatas
934:ostinato
890:(1971),
886:(1968),
880:Chaconne
804:libelous
690:symphony
658:Messiaen
651:states:
637:clusters
630:Rejoice!
618:Rejoice!
595:tam-tams
567:rhythmic
458:In croce
412:'s film
175:composer
128:Fachwerk
4604:Portals
4566:Tan Dun
3385:Related
3242:YouTube
3123:Sources
2625:13 June
2492:13 June
2321:13 June
1686:Detto I
1671:Lamento
1574:Cadenza
949:cadenza
907:Allegro
896:baroque
840:scholar
723:texture
668:or the
602:quartet
591:cymbals
421:Hamburg
388:of the
354:Tan Dun
311:Astreja
284:tunings
216:Russian
4586:(2023)
4580:(2019)
4574:(2015)
4568:(2011)
4562:(2007)
4556:(2003)
4550:(1999)
4544:(1995)
4538:(1992)
4532:(1987)
4526:(1983)
4520:(1979)
4514:(1975)
4508:(1972)
4502:(1966)
4496:(1963)
4490:(1960)
4484:(1957)
4478:(1954)
4472:(1951)
4418:(2024)
4408:(2023)
4394:(2022)
4384:(2020)
4363:(2019)
4349:(2018)
4339:(2017)
4329:(2016)
4319:(2015)
4309:(2014)
4299:(2013)
4289:(2012)
4279:(2011)
4269:(2010)
4248:(2009)
4234:(2008)
4224:(2007)
4214:(2006)
4204:(2005)
4194:(2004)
4184:(2003)
4178:(2002)
4168:(2001)
4154:(2000)
4133:(1999)
4123:(1998)
4113:(1997)
4103:(1996)
4093:(1995)
4083:(1994)
4073:(1993)
4063:(1992)
4059:/ the
4001:(2024)
3995:(2023)
3989:(2022)
3983:(2021)
3977:(2020)
3960:(2019)
3954:(2018)
3948:(2017)
3942:(2016)
3936:(2015)
3930:(2014)
3924:(2013)
3918:(2012)
3912:(2011)
3906:(2010)
3889:(2009)
3883:(2008)
3877:(2007)
3871:(2006)
3865:(2005)
3859:(2004)
3853:(2003)
3847:(2002)
3841:(2001)
3835:(2000)
3818:(1999)
3812:(1998)
3806:(1997)
3800:(1996)
3794:(1995)
3788:(1994)
3782:(1993)
3776:(1992)
3770:(1991)
3764:(1990)
3747:(1989)
3741:(1988)
3735:(1987)
3729:(1986)
3723:(1985)
3717:(1984)
3711:(1983)
3705:(1982)
3699:(1981)
3693:(1980)
3676:(1979)
3670:(1978)
3664:(1977)
3658:(1976)
3652:(1975)
3646:(1974)
3640:(1973)
3634:(1972)
3628:(1971)
3622:(1970)
3605:(1969)
3599:(1968)
3593:(1967)
3587:(1966)
3581:(1965)
3564:(1959)
3377:(2013)
3369:(1988)
3361:(1987)
3353:(1984)
3326:(2017)
3320:(1997)
3312:(1994)
3304:(1986)
3296:(1980)
3237:, 2009
3174:
3147:
2452:
2296:6 July
2192:5 June
2127:: The
2026:(2013)
2018:(1988)
2010:(1987)
1989:(1984)
1864:(2002)
1799:(1993)
1558:(1978)
1320:(2017)
1312:Warum?
1247:(1994)
1160:Stufen
1052:(2007)
1037:(2002)
923:sonata
917:, and
915:Adagio
842:
835:
828:
821:
813:
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