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The Metamorphosis

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271:, who briefly looks in on Gregor each day when she arrives and before she leaves, neglects to close his door fully. Attracted by Grete's violin-playing in the living room, Gregor crawls out and is spotted by the unsuspecting tenants, who complain about the apartment's unhygienic conditions and say they are leaving, will not pay anything for the time they have already stayed, and may take legal action. Grete, who is tired of taking care of Gregor and realizes the burden his existence puts on each member of the family, tells her parents they must get rid of "it" or they will all be ruined. Gregor, understanding that he is no longer wanted, laboriously makes his way back to his room and dies of starvation before sunrise. His body is discovered by the charwoman, who alerts his family and then disposes of the corpse. The relieved and optimistic father, mother, and sister all take the day off work. They travel by tram into the countryside and make plans to move to a smaller apartment to save money. During the short trip, Mr. and Mrs. Samsa realize that, despite the hardships that have brought some paleness to her face, Grete has grown up into a pretty young lady with a good figure and they think about finding her a husband. 301:
disarray out of spite. Her initial decision to take care of Gregor may have come from a desire to contribute and be useful to the family, since she becomes angry and upset when the mother cleans his room. It is made clear that Grete is disgusted by Gregor, as she always opens the window upon entering his room to keep from feeling nauseous and leaves without doing anything if Gregor is in plain sight. She plays the violin and dreams of going to the conservatory to study, a dream Gregor had intended to make happen; he had planned on making the announcement on Christmas Day. To help provide an income for the family after Gregor's transformation, she starts working as a salesgirl. Grete is also the first to suggest getting rid of Gregor, which causes Gregor to plan his own death. At the end of the story, Grete's parents realize that she has become beautiful and full-figured and decide to consider finding her a husband.
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rotten. He spends much of his time crawling around on the floor, walls, and ceiling. Upon discovering Gregor's new pastime, Grete decides to remove his furniture to give him more space. She and her mother begin to empty the room of everything, except the sofa under which Gregor hides whenever anyone comes in. He finds their actions deeply distressing, fearing that he might forget his past as a human, and desperately tries to save a particularly loved portrait on the wall of a woman clad in fur. His mother loses consciousness at the sight of him clinging to the image to protect it. When Grete rushes out of the room to get some aromatic spirits, Gregor follows her and is slightly hurt when she drops a medicine bottle and it breaks. Their father returns home and angrily hurls apples at Gregor, one of which becomes lodged in a sensitive spot in his back and severely wounds him.
51: 451:, an escape into the disease or a symptom onset, an image of an existence which is defaced by the career, or a revealing staging which cracks the veneer and superficiality of everyday circumstances and exposes its cruel essence. He further notes that Kafka's representational style is on one hand characterized by an idiosyncratic interpenetration of realism and fantasy, a worldly mind, rationality, and clarity of observation, and on the other hand by folly, outlandishness, and fallacy. He also points to the grotesque and tragicomical, silent film-like elements. 435:
himself in a situation where he himself is in need of attention and assistance and in danger of becoming a parasite, he doesn't want to admit this new role to himself and be disappointed by the treatment he receives from his family, which is becoming more and more careless and even hostile over time. According to Sudau, Gregor is self-denyingly hiding his nauseating appearance under the sofa and gradually famishing, thus pretty much complying with the more or less blatant wish of his family. His gradual
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vocalizations. Gregor laboriously drags himself across the floor and opens the door. The clerk, upon seeing the transformed Gregor, flees the apartment. Gregor's family is horrified, and his father drives him back towards his room. Gregor is injured when he tries to force himself through the doorway (which is too narrow for him), but gets unstuck when his father shoves him through.
387:, noting that the story is not only about the metamorphosis of Gregor but also about the metamorphosis of his family and, in particular, his younger sister Grete. Straus suggested that the social and psychoanalytic resonances of the text depend on Grete's role as a woman, daughter, and sister, and that prior interpretations failed to recognize Grete's centrality to the story. 476:
responsibility. In the end – after the brother's death – the parents also notice that their daughter, "who was getting more animated all the time, had recently blossomed into a pretty and shapely girl", and they want to look for a partner for her. From this standpoint Grete's transition, her metamorphosis from a girl into a woman, is the subtextual theme of the story.
413:" (the hunger artist and the panther). Rieck views these pairs as parts of one single person (hence the similarity between the names Gregor and Grete) and in the final analysis as the two determining components of the author's personality. Not only in Kafka's life but also in his oeuvre does Rieck see the description of a fight between these two parts. 629:, but a beetle with wings under his shell, and capable of flight. Nabokov left a sketch annotated "just over three feet long" on the opening page of his English teaching copy. In his accompanying lecture notes, he discusses the type of insect Gregor has been transformed into. Noting that the cleaning lady addressed Gregor as " 431:(2005), the figure of the insect becomes a drastic expression of Gregor Samsa's deprived existence. Reduced to carrying out his professional responsibilities, anxious to guarantee his advancement and vexed with the fear of making commercial mistakes, he is the creature of a functionalistic professional life. 475:
Volker DrĂŒke (2013) believes that the crucial metamorphosis in the story is that of Grete. She is the character the title is directed at. Gregor's metamorphosis is followed by him languishing and ultimately dying. Grete, by contrast, has matured as a result of the new family circumstances and assumed
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Mrs. Samsa is Gregor's mother. She is portrayed as a submissive wife. She suffers from asthma, which is a constant source of concern for Gregor. She is initially shocked at Gregor's transformation, but she still wants to enter his room. However, it proves too much for her and gives rise to a conflict
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In 2007, Ralf Sudau took the view that particular attention should be paid to the motifs of self-abnegation and disregard for reality. Gregor's earlier behavior was characterized by self-renunciation and his pride in being able to provide a secure and leisured existence for his family. When he finds
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Mr. Samsa is Gregor's father. After the metamorphosis, he is forced to return to work in order to support the family financially. His attitude towards his son is harsh. He regards the transformed Gregor with disgust and possibly even fear and attacks Gregor on several occasions. Even when Gregor was
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Gregor suffers from his injuries and eats very little. His father, mother, and sister all get jobs and increasingly begin to neglect him, and his room begins to be used for storage. For a time, his family leaves Gregor's door open in the evenings so he can listen to them talk to each other, but this
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The charwoman is an old widowed lady who is employed by the Samsa family after their previous maid begs to be dismissed on account of the fright she experiences owing to Gregor's new form. She is paid to take care of their household duties. Apart from Grete and her father, the charwoman is the only
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What kind of bug or vermin Kafka envisaged remains a debated mystery. Kafka had no intention of labeling Gregor as any specific thing, but instead was trying to convey Gregor's disgust at his transformation. In his letter to his publisher of 25 October 1915, in which he discusses his concern about
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contradict each other. Diametrically opposed versions exist of Gregor's back, his voice, of whether he is ill or already undergoing the metamorphosis, whether he is dreaming or not, which treatment he deserves, of his moral point of view (false accusations made by Grete), and whether his family is
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In 1999, Gerhard Rieck pointed out that Gregor and his sister, Grete, form a pair, which is typical of many of Kafka's texts: it is made up of one passive, rather austere, person and another active, more libidinal, person. The appearance of figures with such almost irreconcilable personalities who
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father's debts. While trying to move, Gregor finds that his office manager, the chief clerk, has shown up to check on him, indignant about Gregor's unexcused absence. Gregor attempts to communicate with both the manager and his family, but all they can hear from behind the door is incomprehensible
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Grete is Gregor's younger sister, and she becomes his caretaker after his metamorphosis. They initially have a close relationship, but this quickly fades. At first, she volunteers to feed him and clean his room, but she grows increasingly impatient with the burden and begins to leave his room in
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Gregor is the main character of the story. He works as a traveling salesman in order to provide money for his sister and parents. He wakes up one morning finding himself transformed into an insect. After the metamorphosis, Gregor becomes unable to work and is confined to his room for most of the
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With Gregor's unexpected transformation, his family is deprived of financial stability. They keep Gregor locked in his room, and he begins to accept his new identity and adapt to his new body. His sister Grete is the only one willing to bring him food, which she finds Gregor only likes if it is
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meanings. Arguing against the popular father-complex theory, he observed that it is the sister more than the father who should be considered the cruelest person in the story, since she is the one backstabbing Gregor. In Nabokov's view, the central narrative theme is the artist's struggle for
250:. Stuck on his back and unable to get up and leave the bed, Gregor reflects on his job as a traveling salesman and cloth merchant, which he characterizes as being full of "temporary and constantly changing human relationships, which never come from the heart". He sees his employer as a 1375: 328:
person who is in close contact with Gregor, and she is unafraid in her dealings with Gregor. She does not question his changed state; she seemingly accepts it as a normal part of his existence. She is the one who notices Gregor has died and disposes of his body.
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who destroy him step by step. Commenting on Kafka's style, he writes, "The transparency of his style underlines the dark richness of his fantasy world. Contrast and uniformity, style and the depicted, portrayal and fable are seamlessly intertwined".
639:), e.g., 'Come here for a bit, old dung beetle!' or 'Hey, look at the old dung beetle!'", Nabokov remarks that this was just her friendly way addressing him, and that Gregor "is not, technically, a dung beetle. He is merely a big beetle." 419:
argued in 2004 that no elucidating comments were needed to illustrate the story and that it was convincing by itself, self-contained, even absolute. He believes that there is no doubt the story would have been admitted to the canon of
468:. Another reason why Kafka opposed such an illustration is that the reader should not be biased in any way before reading. That the descriptions are not compatible with each other is indicative of the fact that the opening statement 1244: 215:
With a length of about 70 printed pages over three chapters, it is the longest of the stories Kafka considered complete and published during his lifetime. The text was first published in 1915 in the October issue of the journal
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human, Mr. Samsa regarded him mostly as a source of income for the family. Gregor's relationship with his father is modelled after Kafka's own relationship with his father. The theme of alienation becomes quite evident here.
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Fernando Bermejo-Rubio (2012) argued that the story is often viewed unjustly as inconclusive. He derives his interpretative approach from the fact that the descriptions of Gregor and his family environment in
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remainder of the story. This prompts his family to begin working once again. Gregor is depicted as isolated from society and often both misunderstands the true intentions of others and is misunderstood.
472:. If the reader isn't hoodwinked by the first sentence and still thinks of Gregor as a human being, he will view the story as conclusive and realize that Gregor is a victim of his own degeneration. 1248: 599:
literally means "unclean animal not suitable for sacrifice" and is sometimes used colloquially to mean "bug", with the connotation of "dirty, nasty bug". It can also be translated as "
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The phrase "ungeheuren Ungeziefer", describing the creature into which Gregor Samsa metamorphoses, has been translated in at least sixteen different ways. These include the following:
1065: 443:(which on the part of Gregor is unconscious and unsuccessful, on the part of his family not understood or ignored). Sudau also lists the names of selected interpreters of 464:
of Gregor. He argues that it is exactly this absence of a visual narrator that is essential for Kafka's project, for he who depicts Gregor would stylize himself as an
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rejected such interpretations, noting that they do not live up to Kafka's art. He instead chose an interpretation guided by the artistic detail but excluded any
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happens less frequently once they rent a room in the apartment to three male tenants, since they are not told about Gregor. One day, the
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rendered it as "As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect".
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Als Gregor Samsa eines Morgens aus unruhigen TrÀumen erwachte, fand er sich in seinem Bett zu einem ungeheuren Ungeziefer verwandelt
1987: 447:(e.g. Beicken, Sokel, Sautermeister and Schwarz). According to them, the narrative is a metaphor for the suffering resulting from 2118: 1795: 827:
Die Kunst des Lesens: Meisterwerke der europĂ€ischen Literatur. Austen – Dickens – Flaubert – Stevenson – Proust – Kafka – Joyce.
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tells the story of salesman Gregor Samsa, who wakes one morning to find himself inexplicably transformed into a huge insect (
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Bermejo-Rubio, Fernando: "Truth and Lies about Gregor Samsa. The Logic Underlying the Two Conflicting Versions in Kafka's
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aspects, which see the Samsa family as a portrayal of general social circumstances, have also gained a large following.
4328: 1107: 1106:, May 13, 2015, errs in stating that John R. Williams translates "ungeheuren Ungeziefer" as "large verminous insect". 1012: 537: 5839: 5061: 1147:"Giant Bug or Monstrous Vermin? Translating Kafka's Die Verwandlung in its Cultural, Social, and Biological Contexts" 834: 813: 4280: 7116: 5685: 5609: 2125: 5865: 7058: 6888: 5977: 5695: 5544: 344:) or psychological interpretation. It has been particularly common to read the story as an expression of Kafka's 7091: 5680: 5282: 5275: 5097: 1907: 1609: 1129: 406: 35: 5967: 4874: 861:
Kafka konkret – Das Trauma ein Leben. Wiederholungsmotive im Werk als Grundlage einer psychologischen Deutung.
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has been translated into English more than twenty times. In Kafka's original, the opening sentence is "
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as well as a writer and literary critic, concluded from details in the text that Gregor was not a
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and would quickly quit his job if he were not his family's sole breadwinner and working off his
6072: 5746: 5716: 5589: 5509: 5466: 5317: 4388: 3669: 3101: 3005: 2902: 2143: 2022: 1872: 1851: 1837: 1637: 738:"The character of Grete Samsa in The Metamorphosis from LitCharts | The creators of SparkNotes" 231: 94: 6822: 6636: 6348: 6047: 5885: 2070: 1402: 460:
blameless or not. Bermejo-Rubio emphasizes that Kafka ordered in 1915 that there should be no
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between her maternal impulse and sympathy and her fear and revulsion at Gregor's new form.
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This article is about the literary work by Franz Kafka. For the biological process, see
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Gregor Samsa wakes up one morning to find himself transformed into a "monstrous
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form couples in Kafka's works has been evident since he wrote his short story "
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Deutsche Vierteljahrsschrift fĂŒr Literaturwissenschaft und Geistesgeschichte
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Metamorphosis: The Game by Mito Studio, based on the story by Franz Kafka.
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at The Kafka project, translated by Ian Johnston released to public domain
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the cover illustration for the first edition, Kafka does use the term
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Straus, Nina Pelikan. "Transforming Franz Kafka's 'Metamorphosis'",
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Lesson on the difficulties of translating the story into English
571:"horrible vermin" (David Wyllie, 2011; unnamed translator, 2023) 383:
In 1989, Nina Pelikan Straus wrote a feminist interpretation of
2359: 600: 367: 243: 201: 581:"some kind of monstrous bedbug" (Christopher Moncrieff, 2014) 6903: 2270: 1245:"Briefe und TagebĂŒcher 1915 (Franz Kafka) — ELibraryAustria" 1185:"BBC Radio 4 - Archive on 4, The Entomology of Gregor Samsa" 1124:. Munich: Deutscher Taschenbuch Verlag. 1993. p. 1486. 2832: 2366: 1211:"THE LAYOUT: NABOKOV AND FRANZ KAFKA'S "THE METAMORPHOSIS"" 1421: 1098:"Kafka's Metamorphosis and its mutations in translation" 976:"Kafka's Metamorphosis and its mutations in translation" 479: 692:"Peter-AndrĂ© Alt, Franz Kafka. Der ewige Sohn. 2005" 4269:
A Sunday Afternoon on the Island of La Grande Jatte
568:"some kind of monstrous vermin" (Joyce Crick, 2009) 284:"Gregor Samsa" redirects here. For other uses, see 206:In popular culture and adaptations of the novella 7073: 584:"huge verminous insect" (John R. Williams, 2014) 424:even if we had known nothing about its author. 5559: 863:Königshausen & Neumann, 1999, pp. 104–25. 788:"The Metamorphosis: Mother Character Analysis" 587:"a kind of giant bug" (William Aaltonen, 2023) 561:"monstrous verminous bug" (Ian Johnston, 2007) 526:, 1993; Donna Freed, 1996; David Gildea, 2024) 508:"gigantic insect" (Willa and Edwin Muir, 1933) 6889: 5545: 2286: 1449: 949:DrĂŒke, Volker. "Neue PlĂ€ne FĂŒr Grete Samsa". 895:Franz Kafka: Der Ewige Sohn. Eine Biographie. 348:, as was first done by Charles Neider in his 6989:Insect Dreams: The Half Life of Gregor Samsa 5208: 5197: 2391: 2380: 2334: 2323: 1013:"On Translating Kafka's "The Metamorphosis"" 488: 439:and "self-reduction" shows signs of a fatal 5691:Category:Translators of William Shakespeare 2462: 1277:. New York, New York: Harvest. p. 260. 194: 6896: 6882: 5552: 5538: 2293: 2279: 1456: 1442: 409:" (the country doctor and the groom) and " 49: 5805:Hans Jakob Christoffel von Grimmelshausen 1010: 973: 940:, Volume 86, Issue 3 (2012), pp. 419–79. 689: 547:"enormous bug" (Stanley Appelbaum, 1996) 2119:Letters to Family, Friends, and Editors 1796:Josephine the Singer, or the Mouse Folk 1463: 1269: 1122:Etymologisches Wörterbuch des Deutschen 1006: 1004: 829:Fischer Taschenbuch, 1991, pp. 313–52. 550:"gargantuan pest" (M. A. Roberts, 2005) 208:, the insect is commonly depicted as a 14: 7074: 5815:Christian Hoffmann von Hoffmannswaldau 1144: 969: 967: 921:Franz Kafka: Kurze Prosa / ErzĂ€hlungen 908:Franz Kafka: Kurze Prosa / ErzĂ€hlungen 356:approach, interpretations focusing on 350:The Frozen Sea: A Study of Franz Kafka 6877: 5533: 5134:Six Characters in Search of an Author 2274: 1437: 1325:, translated 2009 by Ian Johnston of 1208: 642: 1524:Shamefaced Lanky and Impure in Heart 1011:Bernofsky, Susan (14 January 2014). 1001: 670:The Transformation and Other Stories 649:The Metamorphosis in popular culture 607:have often rendered it as "insect". 480:Translations of the opening sentence 375:existence in a society replete with 6954:Franz Kafka's It's a Wonderful Life 2240:Franz Kafka's It's a Wonderful Life 1538:Wedding Preparations in the Country 964: 882:Kafka. Die Jahre der Entscheidungen 529:"giant bug" (J. A. Underwood, 1981) 405:) as well as in his short stories " 176:. One of Kafka's best-known works, 24: 4329:Nude Descending a Staircase, No. 2 690:Nitschke, Claudia (January 2008). 25: 7148: 5840:Anthony Ulrich, Duke of Brunswick 1284: 574:"some sort of monstrous insect" ( 331: 7127:Short stories adapted into films 7122:German novels adapted into films 5610:Early New High German literature 5516: 5515: 2255: 2254: 1370: 1307:at DigBib.org (text, pdf, HTML) 974:Gooderham, W. B. (13 May 2015). 322: 1263: 1237: 1202: 1177: 1138: 1114: 1109:Metamorphosis and Other Stories 1090: 1070: 1058: 1038: 943: 926: 913: 900: 887: 874: 340:tends to be given a religious ( 279: 5283:Grosvenor School of Modern Art 5276:Fourth dimension in literature 853: 840: 819: 798: 780: 755: 730: 683: 659: 536:, 1992; Richard Stokes, 2002; 295: 36:Metamorphosis (disambiguation) 13: 1: 5605:Middle High German literature 2300: 1603:Blumfeld, an Elderly Bachelor 806:Franz Kafka: Die Verwandlung. 653: 313: 286:Gregor Samsa (disambiguation) 274: 55:Front cover of a 1916 edition 7097:Short stories by Franz Kafka 5891:Friedrich Gottlieb Klopstock 1810:The Truth about Sancho Panza 1367:, translated by David Wyllie 1327:Malaspina University-College 1145:Barker, Andrew (July 2021). 1066:"Pest could also be vermin". 511:"monstrous kind of vermin" ( 304: 7: 7087:Fiction about shapeshifting 7082:1915 German-language novels 6833:Adelbert von Chamisso Prize 5968:Annette von Droste-HĂŒlshoff 5896:Jakob Michael Reinhold Lenz 5376:List of avant-garde artists 4353:The Cabinet of Dr. Caligari 1715:The Knock at the Manor Gate 1380:public domain audiobook at 1077:Metamorphosis and The Trial 953:, Athena, 2013, pp. 33–43. 336:Like much of Kafka's work, 27:1915 novella by Franz Kafka 10: 7153: 6018:Christian Friedrich Hebbel 5973:Marie von Ebner-Eschenbach 5908:(Friedrich von Hardenberg) 5876:Johann Christoph Gottsched 5871:Johann Wolfgang von Goethe 5820:Johann Michael Moscherosch 5742:Walther von der Vogelweide 5696:Reformation era literature 5600:Old High German literature 5561:German-language literature 5234:Classical Hollywood cinema 1866:The Conscription of Troops 1631:A Message from the Emperor 1590:"The Village Schoolmaster" 1151:Translation and Literature 923:. Klett, 2007, pp. 158–62. 910:. Klett, 2007, pp. 163–64. 646: 603:". English translators of 283: 29: 7050: 7023: 6980: 6945: 6926: 6917: 6808: 6725: 6527: 6116: 5935: 5922:Johann Gottfried Schnabel 5861:Barthold Heinrich Brockes 5853: 5782: 5704: 5663: 5567: 5497: 5175: 5016: 4884: 4724: 4473: 4462: 4305:Les Demoiselles d'Avignon 4259: 4085: 3645: 3128: 3119: 2996: 2780: 2522: 2513: 2308: 2250: 2153: 2135: 2080: 2064:The Blue Octavo Notebooks 2046: 2037:Description of a Struggle 1963: 1817:The Silence of the Sirens 1752: 1743:The Cares of a Family Man 1575: 1566:The Aeroplanes at Brescia 1531:Description of a Struggle 1515: 1508: 1476: 897:C. H .Beck, 2008, p. 336. 393:Description of a Struggle 131: 116: 104: 90: 80: 70: 60: 48: 6514:Fritz Zorn (Fritz Angst) 5927:Christoph Martin Wieland 5901:Gotthold Ephraim Lessing 5881:Johann Christian GĂŒnther 5762:Gottfried von Strassburg 5595:History of Liechtenstein 3090:The Master and Margarita 222:under the editorship of 7117:Works about cockroaches 6858:Leipzig Book Fair Prize 6818:Ingeborg Bachmann Prize 6740:Rudolf Christoph Eucken 5752:Albrecht von Johansdorf 5686:Swiss writers in German 5383:List of modernist poets 5269:Fourth dimension in art 4445:Meshes of the Afternoon 2166:Franz Kafka and Judaism 1995:The Great Wall of China 1859:The Problem of Our Laws 1775:Investigations of a Dog 1624:The Great Wall of China 1427:27 January 2021 at the 1408:18 January 2012 at the 1349:(subscription required) 553:"monstrous cockroach" ( 237: 6073:Conrad Ferdinand Meyer 5978:Joseph von Eichendorff 5747:Wolfram von Eschenbach 5590:History of Switzerland 5467:Second Viennese School 5209: 5198: 3102:The Sound and the Fury 3006:In Search of Lost Time 2463: 2392: 2381: 2335: 2324: 2144:The Warden of the Tomb 2023:Parables and Paradoxes 1638:A Report to an Academy 1275:Lectures on Literature 680:, Belknap Press, 2024. 489: 185: 159:), also translated as 156: 34:. For other uses, see 7092:Existentialist novels 7024:Video game variations 6389:Christian Morgenstern 6274:Hugo von Hofmannsthal 6179:Rolf Dieter Brinkmann 5963:Adelbert von Chamisso 5757:Heinrich von Morungen 5681:Liechtenstein writers 5446:Reactionary modernism 5369:List of art movements 2209:Statue of Franz Kafka 2057:The Diaries 1910–1923 1831:The City Coat of Arms 1321:16 April 2016 at the 1209:Onder, Csaba (2018). 1163:10.3366/tal.2021.0463 1079:, Page Publications, 825:Nabokov, Vladimir V. 708:10.1515/arbi.2008.032 676:(tr.), Kafka, Franz, 668:(tr.), Kafka, Franz, 7137:Weird fiction novels 6848:Heinrich Heine Prize 6414:Erich Maria Remarque 6384:Friederike Mayröcker 6219:Friedrich DĂŒrrenmatt 5290:Hanshinkan Modernism 5146:The Threepenny Opera 5062:PellĂ©as et MĂ©lisande 2161:Ottla Kafka (sister) 2091:Letter to His Father 2002:The Complete Stories 1303:7 March 2012 at the 532:"monstrous insect" ( 518:"monstrous vermin" ( 470:is not to be trusted 352:(1948). Besides the 6828:Sigmund Freud Prize 6823:Georg BĂŒchner Prize 6637:Emine Sevgi Özdamar 6349:Else Lasker-SchĂŒler 6214:Heimito von Doderer 6058:Heinrich von Kleist 6048:Friedrich Hölderlin 5886:Friedrich Hölderlin 5732:Reinmar von Hagenau 5645:Austrian literature 5348:International Style 5098:Afternoon of a Faun 4377:Battleship Potemkin 4281:Mont Sainte-Victoir 2201:Head of Franz Kafka 2183:Franz Kafka Society 2126:The Office Writings 2071:The ZĂŒrau Aphorisms 1617:The Hunter Gracchus 1584:In the Penal Colony 1391:by Vladimir Nabokov 1221:(1). Archived from 524:Joachim Neugroschel 466:omniscient narrator 71:Original title 45: 7132:1915 German novels 7016:(2014 short story) 6920:In popular culture 6838:Hans Fallada Prize 6419:Rainer Maria Rilke 6339:Siegfried Kracauer 6229:Marieluise Fleißer 6144:Johannes R. Becher 6023:Johann Peter Hebel 5917:Friedrich Schiller 5664:Related categories 5585:History of Austria 5580:History of Germany 5227:Buddhist modernism 5184:American modernism 5110:The Rite of Spring 3078:The Sun Also Rises 3054:The Magic Mountain 2224:The Loves of Kafka 2178:Franz Kafka Museum 2172:Richard and Samuel 1936:The Married Couple 1803:A Common Confusion 1251:on 12 January 2008 893:Alt, Peter-AndrĂ©. 808:Diesterweg, 1993. 643:In popular culture 593:Middle High German 538:Katja Pelzer, 2017 219:Die weißen BlĂ€tter 162:The Transformation 43: 7112:Absurdist fiction 7069: 7068: 7005:Anxious Pleasures 6910:The Metamorphosis 6871: 6870: 6863:Nelly Sachs Prize 6750:Gerhart Hauptmann 6707:Wolf Wondratschek 6632:Sharon Dodua Otoo 6469:Berta von Suttner 6444:Arthur Schnitzler 6434:Ernst von Salomon 6224:Lion Feuchtwanger 6129:Ingeborg Bachmann 6043:E. T. A. Hoffmann 6013:Gerhart Hauptmann 5998:Franz Grillparzer 5993:Jeremias Gotthelf 5943:Bettina von Arnim 5866:Christian Gellert 5767:Dietrich von Bern 5722:Der von KĂŒrenberg 5620:Weimar Classicism 5527: 5526: 5255:Experimental film 5171: 5170: 5158:Waiting for Godot 4458: 4457: 3115: 3114: 3018:The Metamorphosis 2268: 2267: 2188:Franz Kafka Prize 2112:Letters to Milena 2098:Letters to Felice 1959: 1958: 1708:An Old Manuscript 1680:Jackals and Arabs 1673:A Visit to a Mine 1652:Up in the Gallery 1559:The Metamorphosis 1389:The Metamorphosis 1377:The Metamorphosis 1364:Project Gutenberg 1359:The Metamorphosis 1345:The Metamorphosis 1337:The Metamorphosis 1315:The Metamorphosis 1271:Nabokov, Vladimir 1085:978-1-64833-704-8 959:978-3-89896-519-4 869:978-3-8260-1623-3 672:, Penguin, 1992; 605:The Metamorphosis 485:The Metamorphosis 457:The Metamorphosis 445:The Metamorphosis 385:The Metamorphosis 338:The Metamorphosis 178:The Metamorphosis 174:published in 1915 148:The Metamorphosis 144: 143: 117:Publication place 16:(Redirected from 7144: 7102:Modernist novels 6981:Novel variations 6927:Film adaptations 6898: 6891: 6884: 6875: 6874: 6790:Elfriede Jelinek 6712:Feridun Zaimoğlu 6702:Peter Wawerzinek 6647:Julya Rabinowich 6607:Christian Kracht 6582:Wladimir Kaminer 6572:Elfriede Jelinek 6334:Egon Erwin Kisch 6279:Ödön von HorvĂĄth 6259:Marlen Haushofer 6093:Adalbert Stifter 6053:Gottfried Keller 5953:Clemens Brentano 5835:Angelus Silesius 5810:Andreas Gryphius 5737:Hartmann von Aue 5727:Dietmar von Aist 5671:Austrian writers 5650:Swiss literature 5630:Literary realism 5568:Related articles 5554: 5547: 5540: 5531: 5530: 5519: 5518: 5490: 5488:Vulgar modernism 5483: 5481:Underground film 5476: 5469: 5462: 5455: 5448: 5441: 5434: 5427: 5420: 5413: 5406: 5399: 5392: 5385: 5378: 5371: 5364: 5357: 5350: 5343: 5334: 5327: 5320: 5313: 5306: 5304:Hippie modernism 5299: 5292: 5285: 5278: 5271: 5264: 5257: 5250: 5243: 5236: 5229: 5222: 5220:Bloomsbury Group 5215: 5214: 5204: 5203: 5193: 5186: 5164: 5163: 5152: 5151: 5140: 5139: 5128: 5127: 5116: 5115: 5104: 5103: 5092: 5091: 5080: 5079: 5068: 5067: 5056: 5055: 5044: 5043: 5032: 5031: 5009: 5002: 4995: 4988: 4981: 4974: 4967: 4960: 4953: 4946: 4939: 4932: 4925: 4918: 4911: 4904: 4897: 4877: 4870: 4863: 4856: 4849: 4842: 4835: 4828: 4821: 4814: 4807: 4800: 4793: 4786: 4779: 4772: 4765: 4758: 4751: 4744: 4737: 4717: 4710: 4703: 4696: 4689: 4682: 4675: 4668: 4661: 4654: 4647: 4640: 4633: 4626: 4619: 4612: 4605: 4598: 4591: 4584: 4577: 4570: 4563: 4556: 4549: 4542: 4535: 4528: 4521: 4514: 4507: 4500: 4493: 4486: 4471: 4470: 4451: 4450: 4439: 4438: 4427: 4426: 4417: 4416: 4407: 4406: 4401:Un Chien Andalou 4395: 4394: 4383: 4382: 4371: 4370: 4365:Ballet MĂ©canique 4359: 4358: 4347: 4346: 4335: 4334: 4323: 4322: 4311: 4310: 4299: 4298: 4293:The Starry Night 4287: 4286: 4275: 4274: 4252: 4245: 4238: 4231: 4224: 4217: 4210: 4203: 4196: 4189: 4182: 4175: 4168: 4161: 4154: 4147: 4140: 4133: 4126: 4119: 4112: 4105: 4098: 4078: 4071: 4064: 4057: 4050: 4043: 4036: 4029: 4022: 4015: 4008: 4001: 3994: 3987: 3980: 3973: 3966: 3959: 3952: 3945: 3938: 3931: 3924: 3917: 3910: 3903: 3896: 3889: 3882: 3875: 3868: 3861: 3854: 3847: 3840: 3833: 3826: 3819: 3812: 3805: 3798: 3791: 3784: 3777: 3770: 3763: 3756: 3749: 3742: 3735: 3728: 3721: 3714: 3707: 3700: 3693: 3686: 3679: 3672: 3665: 3658: 3638: 3631: 3624: 3622:Toulouse-Lautrec 3617: 3610: 3603: 3596: 3589: 3582: 3575: 3568: 3561: 3554: 3547: 3540: 3533: 3526: 3519: 3512: 3505: 3498: 3491: 3484: 3477: 3470: 3463: 3456: 3449: 3442: 3435: 3428: 3421: 3414: 3407: 3400: 3393: 3386: 3379: 3372: 3365: 3358: 3351: 3344: 3337: 3330: 3323: 3316: 3309: 3302: 3295: 3288: 3281: 3274: 3267: 3260: 3253: 3246: 3239: 3232: 3225: 3218: 3211: 3204: 3197: 3190: 3183: 3176: 3169: 3162: 3155: 3148: 3141: 3126: 3125: 3108: 3107: 3096: 3095: 3084: 3083: 3072: 3071: 3060: 3059: 3048: 3047: 3036: 3035: 3024: 3023: 3012: 3011: 2989: 2982: 2975: 2968: 2961: 2954: 2947: 2940: 2933: 2926: 2919: 2912: 2905: 2898: 2891: 2884: 2877: 2870: 2863: 2856: 2849: 2842: 2835: 2828: 2821: 2814: 2807: 2800: 2793: 2773: 2766: 2759: 2752: 2745: 2738: 2731: 2724: 2717: 2710: 2703: 2696: 2689: 2682: 2675: 2668: 2661: 2654: 2647: 2640: 2633: 2626: 2619: 2612: 2605: 2598: 2591: 2584: 2577: 2570: 2563: 2556: 2549: 2542: 2535: 2520: 2519: 2506: 2499: 2492: 2485: 2478: 2469: 2468: 2458: 2451: 2444: 2437: 2428: 2421: 2414: 2405: 2398: 2397: 2387: 2386: 2383:Der Blaue Reiter 2376: 2369: 2362: 2355: 2348: 2341: 2340: 2330: 2329: 2319: 2295: 2288: 2281: 2272: 2271: 2258: 2257: 2105:Letters to Ottla 2016:The Penal Colony 1981:A Country Doctor 1701:The New Advocate 1694:The Bucket Rider 1666:The Next Village 1610:A Country Doctor 1513: 1512: 1458: 1451: 1444: 1435: 1434: 1374: 1373: 1366: 1350: 1310: 1279: 1278: 1267: 1261: 1260: 1258: 1256: 1247:. Archived from 1241: 1235: 1234: 1232: 1230: 1225:on 22 April 2023 1206: 1200: 1199: 1197: 1195: 1181: 1175: 1174: 1142: 1136: 1135: 1118: 1112: 1094: 1088: 1074: 1068: 1064:Roberts states, 1062: 1056: 1042: 1036: 1035: 1033: 1031: 1008: 999: 998: 996: 994: 971: 962: 947: 941: 930: 924: 917: 911: 904: 898: 891: 885: 878: 872: 859:Rieck, Gerhard. 857: 851: 844: 838: 823: 817: 802: 796: 795: 784: 778: 777: 775: 773: 759: 753: 752: 750: 748: 734: 728: 727: 687: 681: 678:Selected Stories 663: 619:Vladimir Nabokov 520:Stanley Corngold 492: 422:world literature 407:A Country Doctor 364:Vladimir Nabokov 196: 106:Publication date 53: 46: 42: 21: 7152: 7151: 7147: 7146: 7145: 7143: 7142: 7141: 7107:German novellas 7072: 7071: 7070: 7065: 7046: 7019: 6976: 6946:Film variations 6941: 6922: 6913: 6902: 6872: 6867: 6811:literary awards 6810: 6809:German-language 6804: 6735:Theodor Mommsen 6728:Nobel laureates 6727: 6726:German-language 6721: 6667:Clemens J. Setz 6597:Alexander Kluge 6587:Daniel Kehlmann 6547:Jenny Erpenbeck 6529: 6523: 6494:Josef Weinheber 6454:Kurt Schwitters 6439:Paul Scheerbart 6154:Thomas Bernhard 6112: 5983:Theodor Fontane 5948:Achim von Arnim 5931: 5849: 5778: 5717:Courtly romance 5700: 5659: 5615:Sturm und Drang 5575:German language 5563: 5558: 5528: 5523: 5514: 5506: 5493: 5486: 5479: 5474:Structural film 5472: 5465: 5458: 5451: 5444: 5437: 5430: 5425:New Objectivity 5423: 5416: 5411:Neo-romanticism 5409: 5404:Neo-primitivism 5402: 5395: 5388: 5381: 5374: 5367: 5360: 5353: 5346: 5339: 5330: 5323: 5316: 5309: 5302: 5295: 5288: 5281: 5274: 5267: 5260: 5253: 5246: 5239: 5232: 5225: 5218: 5207: 5196: 5189: 5182: 5167: 5161: 5155: 5149: 5143: 5137: 5131: 5125: 5119: 5113: 5107: 5101: 5095: 5089: 5083: 5077: 5071: 5065: 5059: 5053: 5050:VerklĂ€rte Nacht 5047: 5041: 5035: 5029: 5023: 5012: 5005: 4998: 4991: 4984: 4977: 4970: 4963: 4956: 4949: 4942: 4935: 4928: 4921: 4914: 4907: 4900: 4893: 4880: 4873: 4866: 4859: 4852: 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429:Peter-AndrĂ© Alt 411:A Hunger Artist 334: 325: 316: 307: 298: 289: 282: 277: 240: 228:Der jĂŒngste Tag 157:Die Verwandlung 121:Austria-Hungary 107: 75:Die Verwandlung 56: 39: 28: 23: 22: 15: 12: 11: 5: 7150: 7140: 7139: 7134: 7129: 7124: 7119: 7114: 7109: 7104: 7099: 7094: 7089: 7084: 7067: 7066: 7064: 7063: 7054: 7052: 7048: 7047: 7045: 7044: 7036: 7027: 7025: 7021: 7020: 7018: 7017: 7009: 7001: 6993: 6984: 6982: 6978: 6977: 6975: 6974: 6966: 6958: 6949: 6947: 6943: 6942: 6940: 6939: 6930: 6928: 6924: 6923: 6918: 6915: 6914: 6901: 6900: 6893: 6886: 6878: 6869: 6868: 6866: 6865: 6860: 6855: 6850: 6845: 6840: 6835: 6830: 6825: 6820: 6814: 6812: 6806: 6805: 6803: 6802: 6797: 6792: 6787: 6782: 6777: 6772: 6767: 6762: 6757: 6755:Carl Spitteler 6752: 6747: 6742: 6737: 6731: 6729: 6723: 6722: 6720: 6719: 6714: 6709: 6704: 6699: 6694: 6689: 6687:Ilija Trojanow 6684: 6679: 6674: 6669: 6664: 6659: 6654: 6649: 6644: 6642:Teresa PrĂ€auer 6639: 6634: 6629: 6624: 6619: 6614: 6609: 6604: 6602:Barbara Köhler 6599: 6594: 6589: 6584: 6579: 6577:Reinhard Jirgl 6574: 6569: 6567:Judith Hermann 6564: 6559: 6554: 6549: 6544: 6542:Thomas Brussig 6539: 6533: 6531: 6525: 6524: 6522: 6521: 6516: 6511: 6506: 6501: 6496: 6491: 6486: 6484:Kurt Tucholsky 6481: 6476: 6471: 6466: 6461: 6456: 6451: 6449:Helga Schubert 6446: 6441: 6436: 6431: 6426: 6421: 6416: 6411: 6406: 6401: 6396: 6391: 6386: 6381: 6376: 6371: 6366: 6364:Siegfried Lenz 6361: 6356: 6351: 6346: 6341: 6336: 6331: 6326: 6321: 6319:Hermann Kesten 6316: 6311: 6306: 6301: 6296: 6291: 6286: 6281: 6276: 6271: 6266: 6261: 6256: 6251: 6246: 6241: 6236: 6231: 6226: 6221: 6216: 6211: 6206: 6201: 6196: 6194:Hermann Burger 6191: 6189:Arnolt Bronnen 6186: 6181: 6176: 6174:Bertolt Brecht 6171: 6166: 6161: 6156: 6151: 6149:Gottfried Benn 6146: 6141: 6136: 6131: 6126: 6120: 6118: 6114: 6113: 6111: 6110: 6105: 6100: 6095: 6090: 6085: 6083:Johann Nestroy 6080: 6075: 6070: 6065: 6063:Nikolaus Lenau 6060: 6055: 6050: 6045: 6040: 6035: 6030: 6028:Heinrich Heine 6025: 6020: 6015: 6010: 6005: 6000: 5995: 5990: 5988:Gustav Freytag 5985: 5980: 5975: 5970: 5965: 5960: 5955: 5950: 5945: 5939: 5937: 5933: 5932: 5930: 5929: 5924: 5919: 5914: 5909: 5903: 5898: 5893: 5888: 5883: 5878: 5873: 5868: 5863: 5857: 5855: 5851: 5850: 5848: 5847: 5842: 5837: 5832: 5827: 5822: 5817: 5812: 5807: 5802: 5797: 5792: 5786: 5784: 5780: 5779: 5777: 5776: 5773:Nibelungenlied 5769: 5764: 5759: 5754: 5749: 5744: 5739: 5734: 5729: 5724: 5719: 5714: 5708: 5706: 5702: 5701: 5699: 5698: 5693: 5688: 5683: 5678: 5676:German writers 5673: 5667: 5665: 5661: 5660: 5658: 5657: 5655:German studies 5652: 5647: 5642: 5637: 5635:Weimar culture 5632: 5627: 5622: 5617: 5612: 5607: 5602: 5597: 5592: 5587: 5582: 5577: 5571: 5569: 5565: 5564: 5557: 5556: 5549: 5542: 5534: 5525: 5524: 5507: 5499: 5498: 5495: 5494: 5492: 5491: 5484: 5477: 5470: 5463: 5456: 5449: 5442: 5435: 5432:Poetic realism 5428: 5421: 5414: 5407: 5400: 5393: 5386: 5379: 5372: 5365: 5362:Late modernity 5358: 5355:Late modernism 5351: 5344: 5337: 5336: 5335: 5328: 5321: 5307: 5300: 5297:High modernism 5293: 5286: 5279: 5272: 5265: 5258: 5251: 5244: 5241:Degenerate art 5237: 5230: 5223: 5216: 5211:Ballets Russes 5205: 5194: 5187: 5179: 5177: 5173: 5172: 5169: 5168: 5166: 5165: 5153: 5141: 5129: 5117: 5105: 5093: 5081: 5069: 5057: 5045: 5033: 5020: 5018: 5014: 5013: 5011: 5010: 5003: 4996: 4989: 4982: 4975: 4968: 4961: 4954: 4947: 4940: 4933: 4926: 4919: 4912: 4905: 4898: 4890: 4888: 4882: 4881: 4879: 4878: 4871: 4864: 4857: 4850: 4843: 4836: 4829: 4822: 4815: 4808: 4801: 4794: 4787: 4780: 4773: 4766: 4759: 4752: 4745: 4738: 4730: 4728: 4722: 4721: 4719: 4718: 4711: 4704: 4697: 4690: 4683: 4676: 4669: 4662: 4655: 4648: 4641: 4634: 4627: 4620: 4613: 4606: 4599: 4592: 4585: 4578: 4571: 4564: 4557: 4550: 4543: 4536: 4529: 4522: 4515: 4508: 4501: 4494: 4487: 4479: 4477: 4468: 4460: 4459: 4456: 4455: 4453: 4452: 4440: 4428: 4418: 4408: 4396: 4384: 4372: 4360: 4348: 4336: 4324: 4312: 4300: 4288: 4276: 4263: 4261: 4257: 4256: 4254: 4253: 4246: 4239: 4232: 4225: 4218: 4211: 4204: 4197: 4190: 4183: 4176: 4169: 4162: 4155: 4148: 4141: 4134: 4127: 4120: 4113: 4106: 4099: 4091: 4089: 4083: 4082: 4080: 4079: 4072: 4065: 4058: 4051: 4044: 4037: 4030: 4023: 4016: 4009: 4002: 3995: 3988: 3981: 3974: 3967: 3960: 3957:Ray (Satyajit) 3953: 3950:Ray (Nicholas) 3946: 3939: 3932: 3925: 3918: 3911: 3904: 3897: 3890: 3883: 3876: 3869: 3862: 3855: 3848: 3841: 3834: 3827: 3820: 3813: 3806: 3799: 3792: 3785: 3778: 3771: 3764: 3757: 3750: 3743: 3736: 3729: 3722: 3715: 3708: 3701: 3694: 3687: 3680: 3673: 3666: 3659: 3651: 3649: 3643: 3642: 3640: 3639: 3632: 3625: 3618: 3611: 3604: 3597: 3590: 3583: 3576: 3569: 3562: 3555: 3548: 3541: 3534: 3527: 3520: 3513: 3506: 3499: 3492: 3485: 3478: 3471: 3464: 3457: 3450: 3443: 3436: 3429: 3422: 3415: 3408: 3401: 3394: 3387: 3380: 3373: 3366: 3359: 3352: 3345: 3338: 3331: 3324: 3317: 3310: 3303: 3296: 3289: 3282: 3275: 3268: 3261: 3254: 3247: 3240: 3233: 3226: 3219: 3212: 3205: 3198: 3191: 3184: 3177: 3170: 3163: 3156: 3149: 3142: 3134: 3132: 3123: 3117: 3116: 3113: 3112: 3110: 3109: 3097: 3085: 3073: 3061: 3049: 3042:The Waste Land 3037: 3025: 3013: 3000: 2998: 2994: 2993: 2991: 2990: 2983: 2976: 2969: 2962: 2955: 2948: 2941: 2934: 2927: 2920: 2913: 2906: 2899: 2892: 2885: 2878: 2871: 2864: 2857: 2850: 2843: 2836: 2829: 2822: 2815: 2808: 2801: 2794: 2786: 2784: 2778: 2777: 2775: 2774: 2767: 2760: 2753: 2746: 2739: 2732: 2725: 2718: 2711: 2704: 2697: 2690: 2683: 2676: 2669: 2662: 2655: 2648: 2641: 2634: 2627: 2620: 2613: 2606: 2599: 2592: 2585: 2578: 2571: 2564: 2557: 2550: 2543: 2536: 2528: 2526: 2517: 2511: 2510: 2508: 2507: 2500: 2493: 2486: 2479: 2472: 2471: 2470: 2452: 2445: 2438: 2431: 2430: 2429: 2415: 2408: 2407: 2406: 2399: 2388: 2370: 2363: 2356: 2353:Constructivism 2349: 2342: 2331: 2320: 2312: 2310: 2306: 2305: 2298: 2297: 2290: 2283: 2275: 2266: 2265: 2263: 2262: 2251: 2248: 2247: 2245: 2244: 2236: 2228: 2220: 2212: 2205: 2197: 2192: 2191: 2190: 2180: 2175: 2168: 2163: 2157: 2155: 2151: 2150: 2148: 2147: 2139: 2137: 2133: 2132: 2130: 2129: 2122: 2115: 2108: 2101: 2094: 2086: 2084: 2078: 2077: 2075: 2074: 2067: 2060: 2052: 2050: 2044: 2043: 2041: 2040: 2033: 2030:Dearest Father 2026: 2019: 2012: 2005: 1998: 1991: 1984: 1977: 1969: 1967: 1961: 1960: 1957: 1956: 1954: 1953: 1946: 1939: 1932: 1925: 1918: 1911: 1904: 1901:A Little Fable 1897: 1890: 1883: 1876: 1869: 1862: 1855: 1848: 1841: 1834: 1827: 1820: 1813: 1806: 1799: 1792: 1785: 1782:A Little Woman 1778: 1771: 1764: 1756: 1754: 1750: 1749: 1747: 1746: 1739: 1732: 1725: 1718: 1711: 1704: 1697: 1690: 1683: 1676: 1669: 1662: 1655: 1648: 1641: 1634: 1627: 1620: 1613: 1606: 1599: 1596:Before the Law 1592: 1587: 1579: 1577: 1573: 1572: 1570: 1569: 1562: 1555: 1548: 1541: 1534: 1527: 1519: 1517: 1510: 1506: 1505: 1503: 1502: 1495: 1488: 1480: 1478: 1474: 1473: 1461: 1460: 1453: 1446: 1438: 1432: 1431: 1413: 1412: 1394: 1393: 1384: 1368: 1354: 1352: 1341: 1333: 1311: 1286: 1285:External links 1283: 1281: 1280: 1262: 1236: 1201: 1176: 1157:(2): 198–208. 1137: 1130: 1113: 1096:WB Gooderham, 1089: 1069: 1057: 1037: 1017:The New Yorker 1000: 963: 942: 925: 912: 899: 886: 873: 852: 839: 818: 804:Abraham, Ulf. 797: 779: 754: 729: 682: 666:Malcolm Pasley 657: 655: 652: 647:Main article: 644: 641: 589: 588: 585: 582: 579: 572: 569: 566: 563: 558: 551: 548: 545: 534:Malcolm Pasley 530: 527: 516: 509: 481: 478: 346:father complex 333: 332:Interpretation 330: 324: 321: 315: 312: 306: 303: 297: 294: 281: 278: 276: 273: 239: 236: 224:RenĂ© Schickele 142: 141: 133: 129: 128: 125:Czech Republic 118: 114: 113: 108: 105: 102: 101: 92: 88: 87: 82: 78: 77: 72: 68: 67: 62: 58: 57: 54: 44:Metamorphosis 26: 9: 6: 4: 3: 2: 7149: 7138: 7135: 7133: 7130: 7128: 7125: 7123: 7120: 7118: 7115: 7113: 7110: 7108: 7105: 7103: 7100: 7098: 7095: 7093: 7090: 7088: 7085: 7083: 7080: 7079: 7077: 7061: 7060: 7056: 7055: 7053: 7049: 7042: 7041: 7040:Metamorphosis 7037: 7034: 7033: 7029: 7028: 7026: 7022: 7015: 7014: 7013:Samsa in Love 7010: 7007: 7006: 7002: 6999: 6998: 6994: 6991: 6990: 6986: 6985: 6983: 6979: 6972: 6971: 6967: 6964: 6963: 6959: 6956: 6955: 6951: 6950: 6948: 6944: 6937: 6936: 6935:Metamorphosis 6932: 6931: 6929: 6925: 6921: 6916: 6912: 6911: 6906: 6899: 6894: 6892: 6887: 6885: 6880: 6879: 6876: 6864: 6861: 6859: 6856: 6854: 6851: 6849: 6846: 6844: 6841: 6839: 6836: 6834: 6831: 6829: 6826: 6824: 6821: 6819: 6816: 6815: 6813: 6807: 6801: 6798: 6796: 6793: 6791: 6788: 6786: 6783: 6781: 6780:Elias Canetti 6778: 6776: 6775:Heinrich Böll 6773: 6771: 6768: 6766: 6765:Hermann Hesse 6763: 6761: 6758: 6756: 6753: 6751: 6748: 6746: 6743: 6741: 6738: 6736: 6733: 6732: 6730: 6724: 6718: 6715: 6713: 6710: 6708: 6705: 6703: 6700: 6698: 6697:Martin Walser 6695: 6693: 6690: 6688: 6685: 6683: 6680: 6678: 6675: 6673: 6672:Botho Strauss 6670: 6668: 6665: 6663: 6660: 6658: 6655: 6653: 6650: 6648: 6645: 6643: 6640: 6638: 6635: 6633: 6630: 6628: 6625: 6623: 6620: 6618: 6617:Clemens Meyer 6615: 6613: 6610: 6608: 6605: 6603: 6600: 6598: 6595: 6593: 6592:Esther Kinsky 6590: 6588: 6585: 6583: 6580: 6578: 6575: 6573: 6570: 6568: 6565: 6563: 6560: 6558: 6557:Durs GrĂŒnbein 6555: 6553: 6552:Rainald Goetz 6550: 6548: 6545: 6543: 6540: 6538: 6535: 6534: 6532: 6526: 6520: 6517: 6515: 6512: 6510: 6507: 6505: 6502: 6500: 6497: 6495: 6492: 6490: 6489:Robert Walser 6487: 6485: 6482: 6480: 6477: 6475: 6472: 6470: 6467: 6465: 6462: 6460: 6457: 6455: 6452: 6450: 6447: 6445: 6442: 6440: 6437: 6435: 6432: 6430: 6427: 6425: 6422: 6420: 6417: 6415: 6412: 6410: 6407: 6405: 6402: 6400: 6399:Heiner MĂŒller 6397: 6395: 6392: 6390: 6387: 6385: 6382: 6380: 6377: 6375: 6372: 6370: 6369:Heinrich Mann 6367: 6365: 6362: 6360: 6357: 6355: 6352: 6350: 6347: 6345: 6342: 6340: 6337: 6335: 6332: 6330: 6327: 6325: 6322: 6320: 6317: 6315: 6314:Erich KĂ€stner 6312: 6310: 6307: 6305: 6302: 6300: 6297: 6295: 6292: 6290: 6287: 6285: 6282: 6280: 6277: 6275: 6272: 6270: 6267: 6265: 6264:Hermann Hesse 6262: 6260: 6257: 6255: 6252: 6250: 6247: 6245: 6244:Stefan George 6242: 6240: 6237: 6235: 6232: 6230: 6227: 6225: 6222: 6220: 6217: 6215: 6212: 6210: 6209:Alfred Döblin 6207: 6205: 6202: 6200: 6199:Elias Canetti 6197: 6195: 6192: 6190: 6187: 6185: 6184:Hermann Broch 6182: 6180: 6177: 6175: 6172: 6170: 6167: 6165: 6164:Thomas Brasch 6162: 6160: 6159:Heinrich Böll 6157: 6155: 6152: 6150: 6147: 6145: 6142: 6140: 6137: 6135: 6132: 6130: 6127: 6125: 6122: 6121: 6119: 6115: 6109: 6108:Ludwig Uhland 6106: 6104: 6101: 6099: 6098:Theodor Storm 6096: 6094: 6091: 6089: 6088:Wilhelm Raabe 6086: 6084: 6081: 6079: 6078:Eduard Mörike 6076: 6074: 6071: 6069: 6066: 6064: 6061: 6059: 6056: 6054: 6051: 6049: 6046: 6044: 6041: 6039: 6036: 6034: 6033:Georg Herwegh 6031: 6029: 6026: 6024: 6021: 6019: 6016: 6014: 6011: 6009: 6008:Wilhelm Grimm 6006: 6004: 6001: 5999: 5996: 5994: 5991: 5989: 5986: 5984: 5981: 5979: 5976: 5974: 5971: 5969: 5966: 5964: 5961: 5959: 5958:Georg BĂŒchner 5956: 5954: 5951: 5949: 5946: 5944: 5941: 5940: 5938: 5934: 5928: 5925: 5923: 5920: 5918: 5915: 5913: 5910: 5907: 5904: 5902: 5899: 5897: 5894: 5892: 5889: 5887: 5884: 5882: 5879: 5877: 5874: 5872: 5869: 5867: 5864: 5862: 5859: 5858: 5856: 5852: 5846: 5845:Georg Wickram 5843: 5841: 5838: 5836: 5833: 5831: 5828: 5826: 5823: 5821: 5818: 5816: 5813: 5811: 5808: 5806: 5803: 5801: 5798: 5796: 5793: 5791: 5788: 5787: 5785: 5781: 5775: 5774: 5770: 5768: 5765: 5763: 5760: 5758: 5755: 5753: 5750: 5748: 5745: 5743: 5740: 5738: 5735: 5733: 5730: 5728: 5725: 5723: 5720: 5718: 5715: 5713: 5710: 5709: 5707: 5703: 5697: 5694: 5692: 5689: 5687: 5684: 5682: 5679: 5677: 5674: 5672: 5669: 5668: 5666: 5662: 5656: 5653: 5651: 5648: 5646: 5643: 5641: 5640:Exilliteratur 5638: 5636: 5633: 5631: 5628: 5626: 5623: 5621: 5618: 5616: 5613: 5611: 5608: 5606: 5603: 5601: 5598: 5596: 5593: 5591: 5588: 5586: 5583: 5581: 5578: 5576: 5573: 5572: 5570: 5566: 5562: 5555: 5550: 5548: 5543: 5541: 5536: 5535: 5532: 5522: 5512: 5511: 5510:Postmodernism 5505: 5504: 5496: 5489: 5485: 5482: 5478: 5475: 5471: 5468: 5464: 5461: 5457: 5454: 5453:Metamodernism 5450: 5447: 5443: 5440: 5436: 5433: 5429: 5426: 5422: 5419: 5418:New Hollywood 5415: 5412: 5408: 5405: 5401: 5398: 5394: 5391: 5387: 5384: 5380: 5377: 5373: 5370: 5366: 5363: 5359: 5356: 5352: 5349: 5345: 5342: 5338: 5333: 5329: 5326: 5322: 5319: 5315: 5314: 5312: 5311:Impressionism 5308: 5305: 5301: 5298: 5294: 5291: 5287: 5284: 5280: 5277: 5273: 5270: 5266: 5263: 5259: 5256: 5252: 5249: 5245: 5242: 5238: 5235: 5231: 5228: 5224: 5221: 5217: 5213: 5212: 5206: 5202: 5201: 5195: 5192: 5188: 5185: 5181: 5180: 5178: 5174: 5160: 5159: 5154: 5148: 5147: 5142: 5136: 5135: 5130: 5124: 5123: 5118: 5112: 5111: 5106: 5100: 5099: 5094: 5088: 5087: 5082: 5076: 5075: 5070: 5064: 5063: 5058: 5052: 5051: 5046: 5040: 5039: 5034: 5028: 5027: 5022: 5021: 5019: 5015: 5008: 5004: 5001: 4997: 4994: 4990: 4987: 4983: 4980: 4976: 4973: 4969: 4966: 4962: 4959: 4955: 4952: 4948: 4945: 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Sebald 6409:Robert Musil 6404:Adolf Muschg 6394:Erich MĂŒhsam 6354:Kurd Laßwitz 6329:Sarah Kirsch 6324:Irmgard Keun 6304:Ernst JĂŒnger 6289:Peter Huchel 6284:Ricarda Huch 6254:Peter Handke 6249:GĂŒnter Grass 6169:Volker Braun 6134:Hermann Bahr 6117:20th century 6103:Ludwig Tieck 5936:19th century 5854:18th century 5825:Martin Opitz 5795:Paul Fleming 5783:Early modern 5771: 5508: 5501: 5248:Ecomodernism 5156: 5144: 5132: 5120: 5108: 5096: 5086:The Firebird 5084: 5072: 5060: 5048: 5036: 5024: 4443: 4433:Citizen Kane 4431: 4422:Fallingwater 4412:Villa Savoye 4399: 4387: 4375: 4363: 4351: 4341:Black Square 4339: 4327: 4315: 4303: 4291: 4279: 4267: 4159:Le Corbusier 4087:Architecture 3100: 3088: 3076: 3066:Mrs Dalloway 3064: 3052: 3040: 3028: 3017: 3016: 3004: 2889:Lowell (Amy) 2239: 2231: 2222: 2216:Kafka's Dick 2215: 2207: 2200: 2170: 2142: 2124: 2117: 2110: 2103: 2096: 2089: 2069: 2062: 2055: 2035: 2028: 2021: 2014: 2007: 2000: 1993: 1986: 1979: 1972: 1915:First Sorrow 1887:The Helmsman 1736:A Crossbreed 1659:A Fratricide 1558: 1557: 1545:The Judgment 1497: 1490: 1483: 1415: 1414: 1396: 1395: 1388: 1376: 1357: 1343: 1336: 1314: 1296: 1289: 1288: 1274: 1265: 1253:. 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L. Lloyd 377:philistines 296:Grete Samsa 187:ungeheueres 171:Franz Kafka 132:Translation 65:Franz Kafka 7076:Categories 7059:Solo Piano 6745:Paul Heyse 6692:Jan Wagner 6374:Klaus Mann 6359:Gert Ledig 6344:Karl Kraus 6269:Georg Heym 6239:Max Frisch 6204:Paul Celan 6139:Vicki Baum 6038:Paul Heyse 5830:Hans Sachs 5790:Simon Dach 5390:Maximalism 5325:Literature 5000:Wiesenthal 4902:Cunningham 4895:Balanchine 4875:Witkiewicz 4847:Strindberg 4833:Pirandello 4805:Mayakovsky 4680:Stravinsky 4652:Schoenberg 4464:Performing 4389:Metropolis 4180:Mendelsohn 3985:Rossellini 3978:Richardson 3789:Fassbinder 3775:Eisenstein 3712:Cassavetes 3468:Modigliani 3342:Goncharova 3328:Giacometti 2722:Dos Passos 2524:Literature 2483:Surrealism 2394:Die BrĂŒcke 2083:and essays 1908:Homecoming 1845:Fellowship 1824:Prometheus 1789:The Burrow 1687:The Bridge 1552:The Stoker 1492:The Castle 1397:Commentary 1255:30 October 1131:3423325119 772:31 October 747:31 October 654:References 597:Ungeziefer 499:Edwin Muir 495:Willa Muir 437:emaciation 314:Mrs. Samsa 275:Characters 232:Kurt Wolff 190:Ungeziefer 95:Kurt Wolff 6997:Kockroach 5912:Jean Paul 5800:Hans Folz 5712:Minnesang 5439:Pulp noir 5397:Modernity 5262:Film noir 4986:St. Denis 4909:Diaghilev 4645:Schaeffer 4568:Hindemith 4540:Dutilleux 4512:Boulanger 4317:The Dance 4013:Tarkovsky 4006:Sternberg 3838:Hitchcock 3754:Dovzhenko 3670:Antonioni 3615:Stieglitz 3454:Metzinger 3405:Kokoschka 3384:Kandinsky 2798:Aldington 2791:Akhmatova 2708:Marinetti 2701:Mansfield 2652:Hemingway 2490:Symbolism 2309:Movements 2302:Modernism 2049:notebooks 1929:Advocates 1753:1917–1923 1576:1914–1917 1516:1902–1912 1485:The Trial 1229:3 January 1215:Americana 1171:0968-1361 1025:0028-792X 988:0261-3077 884:, p. 221. 792:LitCharts 767:LitCharts 742:LitCharts 724:162142676 716:0723-2977 696:Arbitrium 636:MistkĂ€fer 627:cockroach 372:allegoric 305:Mr. Samsa 269:charwoman 210:cockroach 199:monstrous 123:(now the 91:Publisher 7032:Bad Mojo 6717:Juli Zeh 6682:Uwe Timm 6124:May Ayim 6068:Karl May 5705:Medieval 5521:Category 5122:Fountain 5026:Don Juan 4965:Nijinsky 4861:Wedekind 4840:Piscator 4735:Anderson 4659:Scriabin 4575:Honegger 4229:Sullivan 4215:Saarinen 4208:Rietveld 4201:Niemeyer 4173:Melnikov 4103:Bunshaft 4034:Truffaut 3999:Sjöström 3943:Pudovkin 3915:Minnelli 3880:Kurosawa 3873:Kuleshov 3803:Flaherty 3629:Vuillard 3608:Steichen 3566:Rousseau 3531:Pissarro 3510:O'Keeffe 3475:Mondrian 3426:Malevich 3419:Magritte 3391:Kirchner 3335:van Gogh 3286:Doesburg 3265:Delaunay 3258:Delaunay 3181:BrĂąncuși 3167:Boccioni 3130:Painting 2980:Williams 2903:MallarmĂ© 2819:Cendrars 2729:Platonov 2687:Lawrence 2680:Koestler 2617:Flaubert 2610:Faulkner 2575:Bulgakov 2504:Tonalism 2465:De Stijl 2449:Lettrism 2435:Futurism 2326:Art Deco 2260:Category 2009:The Sons 1873:The Test 1852:At Night 1838:Poseidon 1425:Archived 1406:Archived 1382:LibriVox 1319:Archived 1301:Archived 1273:(1980). 522:, 1972; 368:symbolic 342:Max Brod 256:bankrupt 97:Verlag, 81:Language 7062:(album) 6530:writers 5906:Novalis 5176:Related 5038:Ubu Roi 4993:Tamiris 4979:Sokolow 4958:Massine 4826:Osborne 4819:O'Neill 4812:O'Casey 4770:Chekhov 4756:Beckett 4742:Anouilh 4726:Theatre 4673:Strauss 4631:Russolo 4610:Milhaud 4589:Janáček 4561:GĂłrecki 4554:Feldman 4533:Debussy 4526:Copland 4484:Antheil 4222:Steiner 4145:Johnson 4124:Guimard 4117:Gropius 3964:Resnais 3866:Kubrick 3796:Fellini 3782:Epstein 3768:Edwards 3733:Cocteau 3719:Chaplin 3691:Bresson 3684:Bergman 3663:Aldrich 3656:Akerman 3601:Soutine 3573:Schiele 3524:Picasso 3517:Picabia 3447:Matisse 3321:Gauguin 3293:Duchamp 3251:Kooning 3230:Claudel 3223:Chirico 3216:Chagall 3209:CĂ©zanne 3202:Cassatt 3174:Bonnard 3160:Bellows 3153:Balthus 3030:Ulysses 2952:Stevens 2945:Seferis 2764:Unamuno 2603:Forster 2582:Chekhov 2547:Beckett 2476:Orphism 2442:Imagism 2426:Bauhaus 2412:Fauvism 2317:Acmeism 2154:Related 2081:Letters 1894:The Top 1645:A Dream 1499:Amerika 1416:Related 936:”. 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Index

Gregor Samsa
Metamorphosis
Metamorphosis (disambiguation)

Franz Kafka
German
Kurt Wolff
Leipzig
1915
Austria-Hungary
Czech Republic
Metamorphosis
German
novella
Franz Kafka
published in 1915
German
ungeheueres
Ungeziefer
monstrous
vermin
In popular culture and adaptations of the novella
cockroach
Die weißen BlĂ€tter
René Schickele
Kurt Wolff
vermin
metamorphosis
despot
bankrupt

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