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at his archiepiscopal palace (the "Arcivescovado") (completed 1726–1728). Despite their elevated subject matter, they are bright in colour, and light-hearted in mood: Michael Levey describes the paintings at the palace as "a shimmering set of tableaux, full of wit and elegance". Tiepolo used a much
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depicts Apollo embarking on his daily course; deities around him symbolize the planets; allegorical figures (on the cornice) represent the four continents. He included several portraits in the Europe section of this fresco, including a self-portrait; one of his son
Giandomenico; one of the
663:. The 23 Scherzi were etched over more than ten years and privately circulated, only being commercially published after Tiepolo's death, with numbers and titles added by his son, Giandomenico. Subjects include mysterious Eastern figures, and, in some of the later prints, scenes of
476:, painted with him as his assistants and later achieved some independent recognition, in particular Giovanni Domenico Tiepolo. His children painted figures with a design similar to that of their father, but with distinctive, including genre, styles. His third son became a priest.
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After his death, the rise of a stern
Neoclassicism and the post-revolutionary decline of absolutism led to the slow decline of the Rococo style associated with his name, but failed to dent his reputation. In 1772, Tiepolo's son was sufficiently respected to be painter to Doge
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without claiming any noble descent. Some of the children acquired noble godparents, and
Giambattista was originally named after his godfather, a Venetian nobleman called Giovanni Battista Dorià. He was baptised on 16 April 1696 in the local church,
391:. A biography of his teacher, published in 1732, says that Tiepolo "departed from studied manner of painting, and, all spirit and fire, embraced a quick and resolute style". His earliest known works are depictions of the apostles, painted in
1036:
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palette than previous
Venetian painters, in order to create a convincing effect of daylight. His first masterpieces in Venice were a cycle of ten enormous canvases painted to decorate a large reception room of
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palace (completed 1744). He frescoed the
Kaisersaal salon in collaboration with his sons Giandomenico and Lorenzo and was then invited to deliver a design for the grandiose entrance staircase (
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He also painted two other ceilings in the palace, and carried out many private commissions in Spain. However he suffered from the jealousy and the bitter opposition of the rising champion of
368:(then still officially the cathedral of Venice). His father died about a year later, leaving his mother to bring up a family of young children, presumably in somewhat difficult circumstances.
832:. This connection with Colonna, who also designed sets for opera, highlights the increasing tendency towards composition as a staged fiction in Tiepolo's frescoes. The architecture of the
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375:, a successful painter with an eclectic style. He was, though, at least equally strongly influenced by his study of the works of other contemporary artists such as
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359:, he was the youngest of six children of Domenico and Orsetta Tiepolo. His father was a small shipping merchant who belonged to a family that bore the prestigious
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In 1722 he was one of twelve artists commissioned to contribute a painting on canvas of one of the apostles as part of a decorative scheme for the nave of
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In around 1719–20 he painted a scheme of frescoes for the wealthy, and recently ennobled, publisher
Giambattista Baglione in the hall of his villa at
2219:
561:
655:. They were not published separately until 1785. The subject matter is often bizarre and fantastical, and the works owe a lot to the example of
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Tiepolo returned to Venice in 1753. He was now in demand locally, as well as abroad where he was elected
President of the Academy of
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where he arrived in
November 1750. He remained there for three years during which he executed ceiling paintings in the
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on the walls, creating the kind of fluid spatial illusion which was to become a recurring theme in his work.
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Bostock, Sophie, "The
Pictorial Wit of Domenico Tiepolo" unpublished PhD Thesis, University of Warwick,
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2008:
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as "the greatest decorative painter of eighteenth-century Europe, as well as its most able craftsman."
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and has allegorical depictions recalling the dominance of Spain in the
Americas and across the globe.
606:(1737–1739), Palazzo Clerici, Milan (1740), decorations for Villa Cordellina Molin, a ceiling for the
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By 1750, Tiepolo's reputation was firmly established throughout Europe, with the help of his friend
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prince-bishop von Greiffenklau; one of the painter Antonio Bossi; and one of the architect,
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840:. In 1757, he painted an altar piece for the Thiene family, representing the apotheosis of
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411:. He probably left Lazzarini's studio in 1717, the year he was received into the
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commissioned Tiepolo to create a ceiling fresco to decorate the throne room of the
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568:(ca. 1726–1729), depicting battles and triumphs from the history of ancient Rome.
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shows Massiva, the nephew of a prince of Numidia, being released after capture by
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in Venice. The other artists involved included Ricci, Piazetta, and Pellegrini.
259:. He was prolific, and worked not only in Italy, but also in Germany and Spain.
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1515:
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Woman and infant satyr in a landscape, from the etching series 'The Capricci'
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Saint Augustin, Saint Louis of France, Saint John the Evangelist and a bishop
900:
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in Venice in 1715–6. At about the same time he became painter to the Doge,
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651:, incorporated into the third edition of a compilation of woodcuts after
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30:"Tiepolo" redirects here. For the son of Giovanni Battista Tiepolo, see
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in 1502 (L'ingresso di gonfaloniere Piero Soderini in Firenze nel 1502)
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546:, and then to paint another cycle depicting episodes from the lives of
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Successful from the beginning of his career, he has been described by
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2970:(Exhibition catalogue). New York: Metropolitan Museum of Art. 1996.
1045:(Allegory of Strength and Wisdom), c. 1740–1750, Museo Poldi Pezzoli
158:
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1632:
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916:
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References to Giambattista Tiepolo in European historic newspapers
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796:
599:
595:
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412:
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954:
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907:; at the instigation of Mengs' supporter, the King's confessor
775:. He went on to complete theatrical frescoes for churches; the
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Wealth and Benefits of the Spanish Monarchy under Charles III
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Santa Tecla prays for the Liberation of Este from the Plague
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style, considered an important member of the 18th-century
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Self-portrait (1750–1753), from the ceiling fresco in the
2687:
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Pope St. Sylvester baptises emperor Constantine the Great
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Alexander the Great and Campaspe in the Studio of Apelles
3470:
Academic staff of the Accademia di Belle Arti di Venezia
2939:
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2993:(revised ed.). Cornell University Press. pp.
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911:, had Tiepolo's series of canvases for the church of
814:, he depicted two scenes from the life of Cleopatra:
210:
3232:
Illustrated biography and discussion of famous works
2329:
Allegory of Merit Accompanied by Nobility and Virtue
610:(1743–1744); now destroyed (reconstitution :),
227:; 5 March 1696 – 27 March 1770), also known as
198:
192:
180:
2653:
844:. It is in the church of hamlet of Rampazzo in the
787:(which now also houses his ceiling fresco from the
383:and those of his Venetian predecessors, especially
186:
3051:
2986:
3195:37 artworks by or after Giovanni Battista Tiepolo
1760:The Triumph of Virtue and Nobility over Ignorance
618:in Venice (now a television studio), showing the
3416:
698:
491:
460:, sister of two contemporary Venetian painters,
3173:Venetian prints and books in the age of Tiepolo
3049:
2420:Modello for the Apotheosis of the Pisani Family
824:, as well as, in a central ceiling fresco, the
530:Some major commissions came from the patrician
3176:, New York: Metropolitan Museum of Art, 1997.
3159:, New York: Metropolitan Museum of Art, 1996.
1089:Caricature of a short gentleman holding a muff
3276:
3262:
3050:Baxandall, Michael; Alpers, Svetlana (1994).
2629:
2556:Queen's Antechamber, Royal Palace of Madrid
224:[dʒoˈvannibatˈtistaˈtjɛːpolo,ˈtjeː-]
799:and an elaborate panegyric ceiling for the
754:Return to Venice and the Veneto (1753–1770)
633:Tiepolo produced two sets of etchings, the
612:Villa Cordellina Molin, Montecchio Maggiore
3269:
3255:
2879:"Transport de la Sainte Maison de Lorette"
2571:Halberdiers' Room, Royal Palace of Madrid
2019:St. James the Greater Conquering the Moors
741:, and was completed in November 1753. His
123:Gianbattista Tiepolo, Giambattista Tiepolo
53:
3349:Henry III Received at the Villa Contarini
3011:
2948:
2865:
1584:The Virgin with 3 female Dominican Saints
1426:Universitet Konsthistoriska Institutionen
836:fresco also recalls that of Veronese's
709:Karl Philipp von Greifenclau zu Vollraths
586:, a ceiling for the Palazzi Archinto and
350:
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683:
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614:(1743–1744) and for the ballroom of the
512:
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332:
311:
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2721:
2606:National Museum of Ancient Art, Lisbon
2001:The Glorification of the Barbaro Family
1624:The Virgin Appearing to St. Philip Neri
1561:
602:(Santa Maria del Rosario) in Venice of
262:Giovan Battista Tiepolo, together with
14:
3417:
3357:Allegory of the Planets and Continents
3054:Tiepolo and the Pictorial Intelligence
2549:The Apotheosis of the Spanish Monarchy
2263:A Seated Man and a Girl with a Pitcher
1012:Allegory of the Planets and Continents
743:Allegory of the Planets and Continents
3250:
3114:La grafica del Tiepolo: le acqueforti
3093:Il Tiepolo all'Arcivescovado di Udine
3072:
2989:Painting in Eighteenth-Century Venice
2984:
2915:
2853:
2662:
2296:Royal Museums of Fine Arts of Belgium
542:employed him to decorate a chapel in
534:. Dionisio Dolfin, the Archbishop of
222:
3144:, Bloomington, IN, Indiana UP, 2006.
3058:. New Haven: Yale University Press.
2394:Gemäldegalerie Alte Meister, Dresden
1454:Pope St. Clement Adoring the Trinity
919:replaced by works by his favourite.
810:In some celebrated frescoes at the
456:In 1719, Tiepolo married noblewoman
3140:Adelheid M. Gealt and George Knox,
2931:. Würzburg Residenz. Archived from
2904:Giambattista Tiepolo 1698–1770 1996
2892:Giambattista Tiepolo 1698–1770 1996
2691:
2450:National Gallery of Art, Washington
2055:
1983:The Banquet of Cleopatra and Antony
1928:Frescoes of the story of Cleopatra
24:
3301:The Martyrdom of Saint Bartholomew
3024:
2676:"Scipio Africanus Freeing Massiva"
2120:Allegory of Planets and Continents
1382:Joseph receiving ring from pharaoh
1212:Allegory of the Power of Eloquence
997:Fine Arts Museums of San Francisco
926:on 27 March 1770. He is buried in
604:St. Dominic Instituting the Rosary
25:
3496:
3485:18th-century Italian male artists
3188:
3142:Domenico Tiepolo: A New Testament
2403:Virtue and Nobility Crowning Love
1074:Satyr Family (Pan and his Family)
941:, in charge of the decoration of
422:near Padua. Tiepolo depicted the
3404:Lorenzo Baldissera Tiepolo (son)
3333:Saint Patrick, Bishop of Ireland
3293:Scipio Africanus Freeing Massiva
3149:https://wrap.warwick.ac.uk/3144/
2336:Museo del Settecento Veneziano,
1946:Saint Patrick, Bishop of Ireland
1745:Rinaldo and the Magus of Ascalon
1715:Rinaldo and Armida in Her Garden
1406:Museo del Settecento Veneziano,
1374:Gallerie dell'Accademia, Venice
1204:Gallerie dell'Accademia, Venice
1156:The Martyrdom of St. Bartholomew
1137:Scipio Africanus Freeing Massiva
1108:
1096:
1081:
1066:
1050:
1035:
1020:
1003:
985:
967:
826:Triumph of Bellerophon over Time
816:Meeting of Anthony and Cleopatra
318:Scipio Africanus Freeing Massiva
176:
157:
3399:Giovanni Domenico Tiepolo (son)
3373:The Flight into Egypt in a Boat
3156:Giambattista Tiepolo, 1696–1770
2921:
2871:
2477:Apotheosis of the Pisani Family
2226:An Allegory with Venus and Time
1993:, Raleigh, North Carolina, USA
1043:Allegory of Virtue and Nobility
598:(1732–1733), a ceiling for the
282:are considered the traditional
2967:Giambattista Tiepolo 1698–1770
2840:Giambattista Tiepolo 1698–1770
2822:Giambattista Tiepolo 1698–1770
2807:Giambattista Tiepolo 1698–1770
2792:Giambattista Tiepolo 1698–1770
2777:Giambattista Tiepolo 1698–1770
2762:Giambattista Tiepolo 1698–1770
2668:
2623:
2587:National Museum of Ancient Art
2243:Frescoes from Roman mythology
1480:Palais des Beaux-Arts de Lille
1306:Santa Maria della Consolazione
828:. Here he collaborated with
661:Giovanni Benedetto Castiglione
371:In 1710 he became a pupil of
13:
1:
3435:18th-century Italian painters
3017:Art and Architecture in Italy
2616:
2441:
2428:Musée des Beaux-Arts d'Angers
2310:
2287:
2267:
2101:
2027:Museum of Fine Arts, Budapest
1907:
1884:
1800:
1552:Museum of Fine Arts, Budapest
1352:Beheading of John the Baptist
1216:
1196:
699:Würzburg Residenz (1750–1753)
550:and his descendants from the
521:
504:
492:Early mature work (1726–1750)
395:as part of the decoration of
3465:18th-century Venetian people
3075:The etchings of the Tiepolos
3031:Barcham, William L. (1992).
1991:North Carolina Museum of Art
1830:National Gallery of Victoria
1686:National Gallery of Victoria
1660:The Sacrifice of Melchizedek
1444:National Gallery of Scotland
1091:, pen and ink with gray wash
344:National Gallery of Victoria
296:
7:
2411:Museum of Fine Arts, Boston
2356:Church of Santa Tecla, Este
2306:The Martyrdom of St. Agatha
2216:Swiss Embassy, Rome, Italy
1880:Discovery of the True Cross
1730:Armida Abandoned by Rinaldo
1698:Rinaldo Enchanted by Armida
1526:The Madonna of Mount Carmel
1399:Triumph of Zephyr and Flora
1359:Cappella Colleoni, Bergamo
628:
450:Rinaldo Enchanted by Armida
381:Giovanni Battista Piazzetta
27:Italian painter (1696–1770)
10:
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2128:Metropolitan Museum of Art
2117:
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2016:
2009:Metropolitan Museum of Art
1998:
1980:
1965:Last Communion of St. Lucy
1962:
1926:
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1334:John the Baptist preaching
1331:
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1263:Metropolitan Museum of Art
1252:
1236:
1231:for Palazzo Sandi, Venice
1209:
1189:
1171:
1153:
1133:
1028:The Sacrifice of Iphigenia
960:
727:. It is a massive ceiling
29:
3391:
3365:The Immaculate Conception
3284:
3278:Giovanni Battista Tiepolo
3205:Udine, IT, Tiepolo's city
3107:le acqueforti dei Tiepolo
2706:, Oxford University Press
2512:The Immaculate Conception
2275:National Gallery, London
2148:Thyssen-Bornemisza Museum
2110:National Museum of Serbia
2071:
2068:
2065:
2062:
1752:Art Institute of Chicago
1737:Art Institute of Chicago
1722:Art Institute of Chicago
1577:
1574:
1571:
1568:
1508:Christ Carrying the Cross
1489:Institution of the Rosary
1129:
1126:
1123:
1120:
851:
830:Girolamo Mengozzi Colonna
764:The Immaculate Conception
580:Scuola Grande dei Carmini
397:Santa Maria dei Derelitti
361:patrician name of Tiepolo
272:Giovan Battista Piazzetta
172:Giovanni Battista Tiepolo
165:
156:
151:
147:
137:
127:
119:
111:
92:
67:
52:
47:Giovanni Battista Tiepolo
45:
32:Giovanni Domenico Tiepolo
3450:Italian Baroque painters
3325:The Banquet of Cleopatra
2579:The Entombment of Christ
2437:Madonna of the Goldfinch
2176:Coronation of the Virgin
2047:, Washington, D.C., USA
1821:The Banquet of Cleopatra
1706:Art Institute of Chicago
1271:Kunsthistorisches Museum
1174:The Glory of St. Dominic
647:were first published by
641:(c. 1743–1757). The ten
572:These early masterpieces
426:on the ceiling, and the
339:The Banquet of Cleopatra
306:The Glory of St. Dominic
36:Tiepolo (disambiguation)
3455:Italian Roman Catholics
2985:Levey, Michael (1980).
2729:"Tièpolo, Giambattista"
2717:(subscription required)
2373:Chiesa di San Silvestro
2283:The Theological Virtues
2045:National Gallery of Art
1893:Gallerie dell'Accademia
1868:National Gallery of Art
1850:Gallerie dell'Accademia
1390:Dulwich Picture Gallery
1367:Scourge of the Serpents
1298:Education of the Virgin
1281:Perseus & Andromeda
1182:Gallerie dell'Accademia
1076:, etching, c. 1743–1750
1030:, 1757, Villa Valmarana
693:National Gallery of Art
637:(c. 1740–1742) and the
488:were among his pupils.
466:Giovanni Antonio Guardi
18:Giovan Battista Tiepolo
2737:(in Italian). Treccani
2540:Royal Palace of Madrid
2386:The Vision of St. Anne
2319:Gemäldegalerie, Berlin
1955:Musei Civici di Padova
1788:, (San Francisco, CA)
1642:The Gathering of Manna
1544:Virgin with Six Saints
1146:The Walters Art Museum
1142:between 1719 and 1721
886:Royal Palace of Madrid
877:
864:
861:Apollo Pursuing Daphne
768:
695:
681:
679:Royal Palace of Madrid
527:
510:
453:
415:or guild of painters.
366:San Pietro di Castello
351:Early life (1696–1726)
347:
330:
309:
34:. For other uses, see
3440:Italian male painters
3312:(c. 1726–1729 series)
3210:Many works by Tiepolo
3153:Christiansen, Keith.
3121:La mostra del Tiepolo
3035:. Thames and Hudson.
2502:Cincinnati Art Museum
2186:, Dallas (modelo for
2158:Adoration of the Magi
2140:The Death of Hyacinth
1114:Paintings before 1740
975:Satyress with a Putto
870:
859:
761:
687:
673:
590:in Milan (1731), the
578:(1735–1740), for the
566:Grand Canal of Venice
518:Perseus and Andromeda
516:
499:
448:
441:Marriage and children
336:
315:
304:
276:Giuseppe Maria Crespi
3341:Time Unveiling Truth
3220:9 March 2010 at the
3128:Giambattista Tiepolo
3073:Rizzi, Aldo (1971).
3033:Giambattista Tiepolo
2929:"Residenz staircase"
2692:Barcham, William L.
2198:The Entrance of the
2188:Ospedale della Pietà
1903:Time Unveiling Truth
1796:Time Unveiling Truth
1678:The Finding of Moses
1667:Parrocchial church,
1562:Works from 1740–1750
1436:The Finding of Moses
1316:Angel rescuing Hagar
882:Charles III of Spain
822:Banquet of Cleopatra
783:; panel frescos for
639:Scherzi di fantasia
458:Maria Cecilia Guardi
264:Giambattista Pittoni
3445:Italian printmakers
3309:Ca' Dolfin Tiepolos
2918:, pp. 225–230.
2599:The Flight to Egypt
2459:Woman with a Parrot
2037:Bacchus and Ariadne
1917:Museum of Fine Arts
1786:The Legion of Honor
1768:Norton Simon Museum
1534:Pinacoteca di Brera
1324:Scuola di San Rocco
1255:Ca' Dolfin Tiepolos
1225:Courtauld Institute
993:The Empire of Flora
979:Norton Simon Museum
939:Giovanni II Cornaro
905:Anton Raphael Mengs
894:Apotheosis of Spain
705:Francesco Algarotti
675:Apotheosis of Spain
649:Anton Maria Zanetti
608:Chiesa degli Scalzi
401:Giovanni II Cornaro
251:who painted in the
3317:Juno in the Clouds
3170:Boorsch, Suzanne.
2894:, pp. 349–50.
2494:San Carlo Borromeo
2485:Villa Pisani, Stra
2184:Kimbell Art Museum
2084:Residenz, Würzburg
1810:Palazzo Chiericati
1244:Episcopal palace,
1192:The Rape of Europa
878:
865:
846:Camisano Vicentino
781:Chiesa della Pietà
769:
696:
682:
528:
511:
454:
373:Gregorio Lazzarini
348:
331:
327:Walters Art Museum
310:
249:Republic of Venice
61:Würzburg Residence
3475:Catholic painters
3412:
3411:
3135:I Tiepolo a Udine
3013:Wittkower, Rudolf
2906:, pp. 358–9.
2704:Oxford Art Online
2614:
2613:
2053:
2052:
1860:Apollo and Daphne
1770:, (Pasadena, CA)
1631:Museo Diocesano,
1559:
1558:
1418:Jupiter and Danaë
1342:Cappella Colleoni
1269:, St Petersburg;
1148:, Baltimore, USA
928:Madonna dell'Orto
909:Joaquim de Electa
789:Palazzo Barbarigo
748:Balthasar Neumann
725:Balthasar Neumann
711:, he traveled to
486:Domenico Pasquini
482:Francesco Lorenzi
470:Giovanni Domenico
424:Triumph of Aurora
239:, was an Italian
169:
168:
86:Venetian Republic
16:(Redirected from
3492:
3480:Catholic etchers
3271:
3264:
3257:
3248:
3247:
3088:
3069:
3057:
3046:
3020:
3008:
2992:
2981:
2952:
2946:
2937:
2936:
2935:on 29 June 2008.
2925:
2919:
2913:
2907:
2901:
2895:
2889:
2883:
2882:
2875:
2869:
2863:
2857:
2856:, p. 198–9.
2851:
2845:
2836:
2827:
2818:
2812:
2803:
2797:
2788:
2782:
2773:
2767:
2758:
2747:
2746:
2744:
2742:
2725:
2719:
2718:
2715:
2713:
2711:
2699:Grove Art Online
2689:
2680:
2679:
2672:
2666:
2660:
2651:
2650:
2648:
2646:
2631:Luciano Canepari
2627:
2564:Venus and Vulcan
2467:Ashmolean Museum
2446:
2443:
2315:
2312:
2292:
2289:
2272:
2269:
2234:National Gallery
2106:
2103:
2097:Collecting Manna
2060:
2059:
2056:Works after 1750
2011:, New York, USA
1912:
1909:
1889:
1886:
1870:, Washington DC
1805:
1802:
1566:
1565:
1289:Frick Collection
1267:Hermitage Museum
1221:
1218:
1201:
1198:
1118:
1117:
1100:
1085:
1070:
1059:Venus and Vulcan
1054:
1039:
1024:
1007:
989:
977:, c. 1740–1742,
971:
943:Palazzo Mocenigo
922:Tiepolo died in
777:Triumph of Faith
740:
737:
736:
582:(1740–1747), in
526:
525: 1730–1731
523:
509:
508: 1735–1745
506:
428:Myth of Phaethon
377:Sebastiano Ricci
323:Scipio Africanus
286:of that period.
280:Francesco Guardi
226:
221:
214:
208:
207:
204:
203:
200:
197:
194:
191:
188:
185:
182:
161:
120:Other names
99:
77:
75:
57:
43:
42:
21:
3500:
3499:
3495:
3494:
3493:
3491:
3490:
3489:
3460:Rococo painters
3415:
3414:
3413:
3408:
3387:
3280:
3275:
3227:Short biography
3222:Wayback Machine
3191:
3109:, Milano, 1970.
3100:Tiepolo a Udine
3085:
3066:
3043:
3027:
3025:Further reading
3005:
2978:
2961:
2956:
2955:
2947:
2940:
2927:
2926:
2922:
2914:
2910:
2902:
2898:
2890:
2886:
2877:
2876:
2872:
2864:
2860:
2852:
2848:
2837:
2830:
2826:, p. 40–1.
2819:
2815:
2804:
2800:
2789:
2785:
2781:, p. 37–8.
2774:
2770:
2759:
2750:
2740:
2738:
2727:
2726:
2722:
2716:
2709:
2707:
2690:
2683:
2674:
2673:
2669:
2661:
2654:
2644:
2642:
2628:
2624:
2619:
2538:Throne Room of
2521:Museo del Prado
2444:
2313:
2290:
2270:
2250:Villa Valmarana
2166:Alte Pinakothek
2104:
2058:
1910:
1887:
1803:
1778:Empire of Flora
1564:
1462:Alte Pinakothek
1308:(Fava), Venice
1219:
1199:
1116:
1111:
1104:
1101:
1092:
1086:
1077:
1071:
1062:
1055:
1046:
1040:
1031:
1025:
1016:
1008:
999:
990:
981:
972:
963:
854:
838:Wedding at Cana
793:Villa Valmarana
756:
738:
735:287 square feet
734:
732:
701:
631:
592:Colleoni Chapel
588:Palazzo Dugnani
552:Book of Genesis
544:Udine Cathedral
524:
507:
494:
443:
353:
299:
257:Venetian school
219:
212:
179:
175:
107:
101:
97:
88:
79:
73:
71:
63:
48:
39:
28:
23:
22:
15:
12:
11:
5:
3498:
3488:
3487:
3482:
3477:
3472:
3467:
3462:
3457:
3452:
3447:
3442:
3437:
3432:
3427:
3410:
3409:
3407:
3406:
3401:
3395:
3393:
3389:
3388:
3386:
3385:
3377:
3369:
3361:
3353:
3345:
3344:(c. 1745–1750)
3337:
3329:
3321:
3313:
3305:
3297:
3288:
3286:
3282:
3281:
3274:
3273:
3266:
3259:
3251:
3245:
3244:
3239:
3234:
3229:
3224:
3215:Works in Udine
3212:
3207:
3202:
3190:
3189:External links
3187:
3186:
3185:
3168:
3151:
3145:
3138:
3137:, Milano 1996.
3131:
3130:, Milano 1990.
3124:
3123:, Milano 1971.
3117:
3116:, Milano 1971.
3110:
3103:
3102:, Milano 1969.
3096:
3095:, Milano 1965.
3089:
3083:
3070:
3064:
3047:
3041:
3026:
3023:
3022:
3021:
3009:
3003:
2982:
2976:
2960:
2957:
2954:
2953:
2951:, p. 486.
2949:Wittkower 1993
2938:
2920:
2908:
2896:
2884:
2870:
2868:, p. 490.
2866:Wittkower 1993
2858:
2846:
2828:
2813:
2798:
2783:
2768:
2748:
2720:
2681:
2667:
2665:, p. 193.
2652:
2621:
2620:
2618:
2615:
2612:
2611:
2607:
2604:
2601:
2595:
2594:
2590:
2584:
2581:
2575:
2574:
2572:
2569:
2566:
2560:
2559:
2557:
2554:
2551:
2545:
2544:
2542:
2536:
2533:
2531:Glory of Spain
2527:
2526:
2524:
2518:
2515:
2507:
2506:
2504:
2499:
2496:
2490:
2489:
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2361:
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2344:
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2334:
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2325:
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2316:
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2302:
2301:
2299:
2293:
2285:
2279:
2278:
2276:
2273:
2265:
2259:
2258:
2256:
2247:
2244:
2240:
2239:
2237:
2231:
2228:
2222:
2221:
2217:
2214:
2211:
2203:Piero Soderini
2194:
2193:
2191:
2181:
2178:
2172:
2171:
2169:
2163:
2160:
2154:
2153:
2151:
2145:
2142:
2136:
2135:
2131:
2125:
2122:
2116:
2115:
2113:
2107:
2099:
2093:
2092:
2086:
2081:
2078:
2074:
2073:
2070:
2067:
2064:
2057:
2054:
2051:
2050:
2048:
2042:
2039:
2033:
2032:
2030:
2024:
2021:
2015:
2014:
2012:
2006:
2003:
1997:
1996:
1994:
1988:
1985:
1979:
1978:
1976:
1973:Santi Apostoli
1970:
1967:
1961:
1960:
1958:
1952:
1949:
1941:
1940:
1938:
1932:
1929:
1925:
1924:
1920:
1914:
1905:
1899:
1898:
1896:
1890:
1882:
1876:
1875:
1871:
1865:
1862:
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1838:
1837:
1833:
1827:
1824:
1816:
1815:
1813:
1806:
1798:
1792:
1791:
1789:
1783:
1780:
1774:
1773:
1771:
1765:
1762:
1756:
1755:
1753:
1750:
1747:
1741:
1740:
1738:
1735:
1732:
1726:
1725:
1723:
1720:
1717:
1711:
1710:
1708:
1703:
1700:
1694:
1693:
1689:
1683:
1680:
1674:
1673:
1671:
1665:
1662:
1656:
1655:
1653:
1649:Parrocchiale,
1647:
1644:
1638:
1637:
1635:
1629:
1626:
1620:
1619:
1617:
1608:
1605:
1599:
1598:
1596:
1591:Church of the
1589:
1586:
1580:
1579:
1576:
1573:
1570:
1563:
1560:
1557:
1556:
1554:
1549:
1546:
1540:
1539:
1537:
1531:
1528:
1522:
1521:
1519:
1513:
1510:
1504:
1503:
1501:
1496:Church of the
1494:
1491:
1485:
1484:
1482:
1477:
1474:
1468:
1467:
1465:
1459:
1456:
1450:
1449:
1447:
1441:
1438:
1432:
1431:
1429:
1423:
1420:
1414:
1413:
1411:
1404:
1401:
1395:
1394:
1392:
1387:
1384:
1378:
1377:
1375:
1372:
1369:
1363:
1362:
1360:
1357:
1354:
1348:
1347:
1345:
1339:
1336:
1330:
1329:
1327:
1321:
1318:
1312:
1311:
1309:
1303:
1300:
1294:
1293:
1291:
1286:
1283:
1277:
1276:
1274:
1260:
1257:
1251:
1250:
1248:
1242:
1239:
1235:
1234:
1232:
1222:
1214:
1208:
1207:
1205:
1202:
1194:
1188:
1187:
1185:
1179:
1176:
1170:
1169:
1167:
1161:
1158:
1152:
1151:
1149:
1143:
1140:
1132:
1131:
1128:
1125:
1122:
1115:
1112:
1110:
1107:
1106:
1105:
1102:
1095:
1093:
1087:
1080:
1078:
1072:
1065:
1063:
1056:
1049:
1047:
1041:
1034:
1032:
1026:
1019:
1017:
1009:
1002:
1000:
991:
984:
982:
973:
966:
962:
959:
880:In 1761, King
853:
850:
755:
752:
723:) designed by
700:
697:
630:
627:
493:
490:
442:
439:
352:
349:
298:
295:
167:
166:
163:
162:
154:
153:
149:
148:
145:
144:
139:
135:
134:
129:
128:Known for
125:
124:
121:
117:
116:
113:
109:
108:
102:
100:(aged 74)
94:
90:
89:
80:
69:
65:
64:
58:
50:
49:
46:
26:
9:
6:
4:
3:
2:
3497:
3486:
3483:
3481:
3478:
3476:
3473:
3471:
3468:
3466:
3463:
3461:
3458:
3456:
3453:
3451:
3448:
3446:
3443:
3441:
3438:
3436:
3433:
3431:
3428:
3426:
3423:
3422:
3420:
3405:
3402:
3400:
3397:
3396:
3394:
3390:
3383:
3382:
3378:
3375:
3374:
3370:
3367:
3366:
3362:
3359:
3358:
3354:
3351:
3350:
3346:
3343:
3342:
3338:
3335:
3334:
3330:
3327:
3326:
3322:
3319:
3318:
3314:
3311:
3310:
3306:
3303:
3302:
3298:
3295:
3294:
3290:
3289:
3287:
3283:
3279:
3272:
3267:
3265:
3260:
3258:
3253:
3252:
3249:
3243:
3240:
3238:
3235:
3233:
3230:
3228:
3225:
3223:
3219:
3216:
3213:
3211:
3208:
3206:
3203:
3200:
3196:
3193:
3192:
3183:
3182:9780300203271
3179:
3175:
3174:
3169:
3166:
3165:9780870998119
3162:
3158:
3157:
3152:
3150:
3146:
3143:
3139:
3136:
3132:
3129:
3125:
3122:
3118:
3115:
3111:
3108:
3104:
3101:
3097:
3094:
3090:
3086:
3084:0-7148-1499-7
3080:
3076:
3071:
3067:
3065:9780300059786
3061:
3056:
3055:
3048:
3044:
3042:0-500-08054-2
3038:
3034:
3029:
3028:
3018:
3014:
3010:
3006:
3004:9780801413315
3000:
2996:
2991:
2990:
2983:
2979:
2977:9780870998119
2973:
2969:
2968:
2963:
2962:
2950:
2945:
2943:
2934:
2930:
2924:
2917:
2912:
2905:
2900:
2893:
2888:
2880:
2874:
2867:
2862:
2855:
2850:
2844:, p. 41.
2843:
2841:
2835:
2833:
2825:
2823:
2817:
2811:, p. 39.
2810:
2808:
2802:
2796:, p. 57.
2795:
2793:
2787:
2780:
2778:
2772:
2766:, p. 37.
2765:
2763:
2757:
2755:
2753:
2736:
2735:
2730:
2724:
2705:
2701:
2700:
2695:
2688:
2686:
2677:
2671:
2664:
2659:
2657:
2640:
2636:
2632:
2626:
2622:
2610:
2608:
2605:
2602:
2600:
2597:
2593:
2591:
2588:
2585:
2582:
2580:
2577:
2573:
2570:
2567:
2565:
2562:
2558:
2555:
2552:
2550:
2547:
2543:
2541:
2537:
2534:
2532:
2529:
2525:
2522:
2519:
2516:
2514:
2513:
2509:
2505:
2503:
2500:
2497:
2495:
2492:
2488:
2486:
2483:
2480:
2478:
2475:
2471:
2468:
2465:
2462:
2460:
2457:
2453:
2451:
2448:
2440:
2438:
2435:
2431:
2429:
2426:
2423:
2421:
2418:
2414:
2412:
2409:
2406:
2404:
2401:
2397:
2395:
2392:
2389:
2387:
2384:
2380:
2378:
2374:
2371:
2368:
2366:
2363:
2359:
2357:
2354:
2351:
2349:
2346:
2342:
2339:
2338:Ca' Rezzonico
2335:
2332:
2330:
2327:
2323:
2320:
2317:
2309:
2307:
2304:
2300:
2297:
2294:
2286:
2284:
2281:
2277:
2274:
2266:
2264:
2261:
2257:
2255:
2251:
2248:
2245:
2242:
2238:
2235:
2232:
2229:
2227:
2224:
2220:
2218:
2215:
2212:
2210:
2208:
2204:
2201:
2196:
2192:
2189:
2185:
2182:
2179:
2177:
2174:
2170:
2167:
2164:
2161:
2159:
2156:
2152:
2149:
2146:
2143:
2141:
2138:
2134:
2132:
2129:
2126:
2123:
2121:
2118:
2114:
2111:
2108:
2100:
2098:
2095:
2091:
2089:
2087:
2085:
2082:
2079:
2076:
2061:
2049:
2046:
2043:
2040:
2038:
2035:
2031:
2028:
2025:
2022:
2020:
2017:
2013:
2010:
2007:
2004:
2002:
1999:
1995:
1992:
1989:
1986:
1984:
1981:
1977:
1974:
1971:
1968:
1966:
1963:
1959:
1956:
1953:
1950:
1948:
1947:
1943:
1942:
1939:
1936:
1935:Palazzo Labia
1933:
1930:
1927:
1923:
1921:
1918:
1915:
1906:
1904:
1901:
1897:
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1818:
1814:
1811:
1808:Museo Civico
1807:
1799:
1797:
1794:
1790:
1787:
1784:
1781:
1779:
1776:
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1769:
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1716:
1713:
1709:
1707:
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1701:
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1597:
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1567:
1555:
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1527:
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1487:
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1481:
1478:
1475:
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1466:
1463:
1460:
1457:
1455:
1452:
1448:
1445:
1442:
1439:
1437:
1434:
1430:
1427:
1424:
1421:
1419:
1416:
1412:
1409:
1408:Ca' Rezzonico
1405:
1402:
1400:
1397:
1393:
1391:
1388:
1385:
1383:
1380:
1376:
1373:
1370:
1368:
1365:
1361:
1358:
1355:
1353:
1350:
1346:
1343:
1340:
1337:
1335:
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1328:
1325:
1322:
1319:
1317:
1314:
1310:
1307:
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1301:
1299:
1296:
1292:
1290:
1287:
1284:
1282:
1279:
1275:
1272:
1268:
1264:
1261:
1258:
1256:
1253:
1249:
1247:
1243:
1240:
1237:
1233:
1230:
1226:
1223:
1215:
1213:
1210:
1206:
1203:
1195:
1193:
1190:
1186:
1183:
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1177:
1175:
1172:
1168:
1165:
1162:
1159:
1157:
1154:
1150:
1147:
1144:
1141:
1139:
1138:
1134:
1119:
1109:List of works
1099:
1094:
1090:
1084:
1079:
1075:
1069:
1064:
1060:
1053:
1048:
1044:
1038:
1033:
1029:
1023:
1018:
1014:
1013:
1006:
1001:
998:
994:
988:
983:
980:
976:
970:
965:
964:
958:
956:
952:
948:
944:
940:
934:
933:
929:
925:
920:
918:
914:
910:
906:
902:
901:Neoclassicism
897:
895:
892:theme is the
891:
887:
883:
876:
875:in the desert
874:
869:
862:
858:
849:
847:
843:
842:Saint Cajetan
839:
835:
831:
827:
823:
819:
817:
813:
812:Palazzo Labia
808:
806:
802:
798:
794:
790:
786:
785:Ca' Rezzonico
782:
778:
774:
766:
765:
760:
751:
749:
744:
730:
726:
722:
718:
714:
710:
706:
694:
690:
686:
680:
677:, 1762–1766,
676:
672:
668:
666:
662:
658:
657:Salvator Rosa
654:
650:
646:
645:
640:
636:
626:
625:(1745–1750).
624:
623:
617:
616:Palazzo Labia
613:
609:
605:
601:
597:
593:
589:
585:
581:
577:
573:
569:
567:
563:
558:
553:
549:
545:
541:
537:
533:
532:Dolfin family
519:
515:
502:
501:Juno and Luna
498:
489:
487:
483:
479:
475:
471:
467:
463:
459:
451:
447:
438:
436:
431:
429:
425:
421:
416:
414:
410:
406:
402:
398:
394:
390:
386:
382:
378:
374:
369:
367:
362:
358:
345:
341:
340:
335:
328:
324:
320:
319:
314:
307:
303:
294:
292:
291:Michael Levey
287:
285:
281:
277:
273:
269:
265:
260:
258:
254:
250:
246:
242:
238:
234:
230:
225:
217:
216:
206:
173:
164:
160:
155:
150:
146:
143:
140:
136:
133:
130:
126:
122:
118:
114:
110:
105:
96:27 March 1770
95:
91:
87:
83:
70:
66:
62:
56:
51:
44:
41:
37:
33:
19:
3379:
3371:
3363:
3355:
3347:
3339:
3331:
3323:
3315:
3307:
3299:
3291:
3277:
3197: at the
3171:
3154:
3141:
3134:
3133:Aldo Rizzi,
3127:
3126:Aldo Rizzi,
3120:
3119:Aldo Rizzi,
3113:
3112:Aldo Rizzi,
3106:
3105:Aldo Rizzi,
3099:
3098:Aldo Rizzi,
3092:
3091:Aldo Rizzi,
3074:
3053:
3032:
3016:
2988:
2966:
2933:the original
2923:
2911:
2899:
2887:
2873:
2861:
2849:
2839:
2821:
2816:
2806:
2801:
2791:
2786:
2776:
2771:
2761:
2739:. Retrieved
2732:
2723:
2708:. Retrieved
2697:
2670:
2643:. Retrieved
2641:(in Italian)
2638:
2625:
2598:
2578:
2563:
2548:
2530:
2511:
2493:
2476:
2458:
2436:
2419:
2402:
2385:
2364:
2347:
2328:
2305:
2282:
2262:
2225:
2200:Gonfaloniere
2197:
2175:
2157:
2139:
2119:
2096:
2036:
2018:
2000:
1982:
1964:
1944:
1902:
1879:
1859:
1841:
1832:, Melbourne
1819:
1795:
1777:
1759:
1744:
1729:
1714:
1697:
1688:, Melbourne
1677:
1659:
1641:
1623:
1611:Getty Center
1602:
1583:
1543:
1525:
1507:
1488:
1471:
1453:
1446:, Edinburgh
1435:
1428:, Stockholm
1417:
1398:
1381:
1366:
1351:
1333:
1315:
1297:
1280:
1265:, New York;
1211:
1191:
1173:
1155:
1135:
1088:
1073:
1058:
1042:
1027:
1010:
992:
974:
946:
935:
921:
898:
893:
879:
871:
860:
837:
833:
825:
821:
815:
809:
801:Villa Pisani
776:
770:
763:
742:
720:
717:New Residenz
702:
688:
674:
653:Parmigianino
642:
638:
634:
632:
619:
603:
570:
529:
517:
500:
455:
449:
432:
427:
423:
417:
370:
354:
337:
316:
305:
288:
261:
236:
233:Gianbattista
232:
229:Giambattista
228:
171:
170:
98:(1770-03-27)
78:5 March 1696
40:
3430:1770 deaths
3425:1696 births
3376:(1764-1770)
3368:(1767–1768)
3296:(1719–1721)
2639:DiPI Online
2445: 1760
2314: 1756
2298:, Brussels
2291: 1755
2271: 1755
2130:, New York
2112:, Belgrade
2105: 1751
1911: 1745
1888: 1745
1842:Worshippers
1804: 1743
1669:Verolanuova
1651:Verolanuova
1615:Los Angeles
1516:Sant'Alvise
1220: 1725
1200: 1725
1057:Sketch for
995:, c. 1743,
913:San Pascual
863:, 1755–1760
767:, 1767–1768
721:Treppenhaus
576:Verolanuova
478:Fabio Canal
452:, 1742–1745
346:, Melbourne
342:, 1743–44,
284:Old Masters
112:Nationality
3419:Categories
3381:Deposition
3237:Aldo Rizzi
3077:. Electa.
2916:Levey 1980
2854:Levey 1980
2663:Levey 1980
2617:References
2603:1765–1770
2583:1769–1770
2568:1762–1766
2553:1762–1766
2535:1762–1766
2517:1767–1769
2498:1767–1769
2481:1761–1762
2463:1760–1761
2407:1759–1761
2333:1757–1758
2230:1754–1758
2144:1752–1753
2080:1751–1753
2041:1743–1745
2029:, Hungary
2023:1749–1750
2005:1749–1750
1987:1747–1750
1969:1747–1748
1864:1755–1760
1846:1743–1745
1826:1743–1744
1812:, Vicenza
1682:1740–1745
1664:1740–1742
1646:1740–1742
1588:1739–1748
1548:1737–1740
1512:1737–1738
1493:1737–1739
1476:1737–1738
1458:1737–1738
1440:1736–1738
1403:1734–1735
1386:1732–1735
1371:1732–1735
1356:1732–1733
1344:, Bergamo
1338:1732–1733
1259:1726–1729
665:necromancy
584:Cannaregio
562:Ca' Dolfin
420:Massanzago
385:Tintoretto
245:printmaker
74:1696-03-05
3320:(c. 1735)
3285:Paintings
2694:"Tiepolo"
2635:"Tiepolo"
2589:, Lisbon
2523:, Madrid
2469:, Oxford
2340:, Venice
2236:, London
2168:, Munich
2150:, Madrid
2077:Frescoes
2069:Location
1975:, Venice
1937:, Venice
1919:, Boston
1895:, Venice
1852:, Venice
1595:, Venice
1575:Location
1518:, Venice
1500:, Venice
1464:, Munich
1410:, Venice
1326:, Venice
1273:, Vienna
1238:Frescoes
1184:, Venice
1166:, Venice
1127:Location
1061:, 1765–66
890:panegyric
622:Cleopatra
620:Story of
462:Francesco
393:spandrels
297:Biography
268:Canaletto
247:from the
152:Signature
3218:Archived
3015:(1993).
2734:Treccani
2645:17 March
2207:Florence
1957:, Padua
1633:Camerino
1536:, Milan
1164:San Stae
951:San Polo
947:sestiere
917:Aranjuez
779:for the
713:Würzburg
691:, 1762,
644:capricci
635:Capricci
629:Etchings
435:San Stae
389:Veronese
355:Born in
220:Italian:
138:Movement
132:Painting
3392:Related
2995:225–230
2959:Sources
2377:Brescia
2254:Vicenza
1593:Gesuati
1498:Gesuati
1229:Modello
961:Gallery
945:in the
834:Banquet
797:Vicenza
739:(677 m)
600:Gesuati
596:Bergamo
564:on the
548:Abraham
474:Lorenzo
413:Fraglia
409:Treviso
407:, near
405:Biadene
241:painter
237:Tiepolo
115:Italian
106:, Spain
3384:(1770)
3360:(1752)
3352:(1750)
3336:(1746)
3328:(1744)
3304:(1722)
3199:Art UK
3180:
3163:
3081:
3062:
3039:
3001:
2974:
1913:–1750
1530:1730s
1015:, 1752
955:Venice
932:Venice
924:Madrid
888:. The
852:Madrid
729:fresco
557:cooler
540:Friuli
484:, and
357:Venice
308:, 1723
278:, and
253:Rococo
215:-ə-loh
142:Rococo
104:Madrid
82:Venice
2741:3 May
2710:3 May
2424:1760
2390:1759
2369:1759
2352:1759
2246:1757
2213:1754
2205:into
2180:1754
2162:1753
2124:1752
2072:Link
2066:Date
2063:Work
1951:1746
1931:1746
1782:1743
1764:1743
1749:1742
1734:1742
1719:1742
1702:1742
1628:1740
1607:1740
1578:Link
1572:Date
1569:Work
1422:1736
1320:1732
1302:1732
1285:1730
1246:Udine
1241:1726
1178:1723
1160:1722
1130:Link
1124:Date
1121:Work
873:Manna
773:Padua
536:Udine
3201:site
3178:ISBN
3161:ISBN
3079:ISBN
3060:ISBN
3037:ISBN
2999:ISBN
2972:ISBN
2842:1996
2824:1996
2809:1996
2794:1996
2779:1996
2764:1996
2743:2014
2712:2014
2647:2021
820:and
805:Stra
659:and
472:and
464:and
387:and
379:and
243:and
231:(or
211:tee-
93:Died
68:Born
949:of
930:in
915:at
803:in
795:in
731:at
594:in
538:in
3421::
2997:.
2941:^
2831:^
2751:^
2731:.
2702:.
2696:.
2684:^
2655:^
2637:.
2633:.
2442:c.
2375:,
2321:,
2311:c.
2288:c.
2268:c.
2252:,
2190:)
2102:c.
1908:c.
1885:c.
1801:c.
1613:,
1227:,
1217:c.
1197:c.
957:.
953:,
903:,
848:.
807:.
750:.
667:.
522:c.
520:,
505:c.
503:,
480:,
325:.
274:,
270:,
266:,
235:)
218:,
213:EP
202:oʊ
84:,
3270:e
3263:t
3256:v
3184:.
3167:.
3087:.
3068:.
3045:.
3019:.
3007:.
2980:.
2881:.
2745:.
2714:.
2678:.
2649:.
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329:.
205:/
199:l
196:ə
193:p
190:ɛ
187:ˈ
184:i
181:t
178:/
174:(
76:)
72:(
38:.
20:)
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