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differed from
Northern Europeans, specifically Dutch painters, who had a strong tradition in the depiction of everyday activities. There were exceptions: the Bolognese Baroque titan of fresco, Annibale Carracci, had painted pastoral landscapes, and depictions of homely tradespeople such as butchers. Before him,
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Crespi. Lanzi himself describes Crespi as allowing his "turn for novelty at length to lead his fine genius astray". He found Crespi included caricature in even scriptural or heroic subjects, he cramped his figures, he "fell in to mannerism", and painted with few colors and few brushstrokes, "employed
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Crespi is best known today as one of the main proponents of baroque genre painting in Italy. Italians, until the 17th century, had paid little attention to such themes, concentrating mainly on grander images from religion, mythology, and history, as well as portraiture of the mighty. In this they
518:(1709–10) depicts a young woman readying for sleep and supposedly grooming for a nagging pest on her person. The environs are squalid—nearby are a vase with a few flowers and a cheap bead necklace dangling on the wall—but she is sheltered in a tender womb of light. She is not a
307:, though in all likelihood, his style would not have matched the requirements of a medium then often used for grandiloquent scenography. He was not universally appreciated, Lanzi quotes Mengs as lamenting that the Bolognese school should close with the
342:. These imposing works are painted with a loose brushstroke, but still maintain a sober piety. Making no use of hieratic symbols such as saints and putti, they utilize commonplace folk to illustrate sacramental activity.
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for himself. The events surrounding this episode became the source of much litigation, in which Crespi, at least for the next five years, found the Duke a firm protector.
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to aid in depiction of outdoor scenes in his later years. After his wife's death, he became reclusive, rarely leaving the house except to go to daily mass.
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to
Girolamo Crespi and Isabella Cospi. His mother was a distant relative of the noble Cospi family, which had ties to the Florentine House of
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for the purpose of studying drawing, and he remained in that studio until 1686, when
Cignani relocated to
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While many came to work in the studio, Crespi established after
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In another genre scene, Crespi captures the anger of a woman at a man publicly urinating on wall, with a
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had dallied in genre subjects. In this tradition, Crespi also followed the precedents set forth by the
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138:. His eclectic output includes religious paintings and portraits, but he is now most famous for his
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The
History of Painting in Italy; from period of the revival of the arts to the eighteenth century
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in his house for painting. By the 1690s he had completed various altarpieces, including a
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claimed to have studied under Crespi, the documentation for this is nonexistent.
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He painted many kitchen scenes and other domestic subjects. The painting of
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Picture collector's manual adapted to the professional man, and the amateur
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is a dramatic arrangement in dynamic perspectives, somewhat influenced by
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indeed with judgement but too superficial and without strength of body".
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192:(1640–1708). From the age of 15–18 years, he worked under the Bolognese
1315:. Vol. 9 (11th ed.). Cambridge University Press. p. 412.
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Giuseppe Maria Crespi and the
Emergence of Genre Painting in Italy
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This article incorporates text from a publication now in the
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and his studio was taken over by Canuti's most prominent pupil,
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as an introduction, Crespi fled in the middle of the night to
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Guida di
Pistoia per gli amanti delle belle arti con notizie
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beauty, but a mortal, her lapdog asleep on the bed-sheets.
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in Rome, and upon his death passed to the
Elector of
1335:. Fort Worth: Kimball Museum of Art. pp. 14–35.
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in 1708, and gained the patronage of the Grand Duke
1014:Four altarpieces for the church of the Benedictine
880:(1700s), Kunsthistorisches Museum, Vienna, Austria
952:Meeting between James Stuart and the Prince Albani
126:(March 14, 1665 – July 16, 1747), nicknamed
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925:Singer at Spinet with an Admirer (1730s), Uffizi
529:cat also objecting to the man's indiscretion.
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326:, was painted around 1712, and is now in the
1007:Two altarpieces for the church of the GesĂą,
1266:, by Francesco Tolomei, 1821, page 177-178.
614:was moderately successful. Others included
334:. It was originally completed for Cardinal
1168:Hears Confession from the Queen of Bohemia
1241:"Giuseppe Maria Crespi | Italian painter"
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1144:Menghina from the Garden meets Cacasenno
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884:The Ecstasy of Saint Margaret of Cortona
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995:(1725-1730), Pinacoteca di Brera, Milan
320:One celebrated series of canvases, the
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1026:Martyrdom of Saint John the Evangelist
130:("The Spaniard"), was an Italian late
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813:Royal Museums of Fine Arts of Belgium
204:invited Crespi in 1681–82 to join an
188:By age 12 years, he apprenticed with
1326:. London: T&W Boone. p. 68.
1120:Peasants Playing Musical Instruments
1102:Museo Nazionale di San Matteo, Pisa
607:'s altarpiece of the same subject.
24:
1396:Paintings by Giuseppe Maria Crespi
1353:. London: Henry G. Bohn. pp.
1114:A Peasant Family with Boys Playing
1104:, and Museo di Capodimonte, Naples
1041:Martyrdom of Saint Peter of Arbuès
873:Musée des Beaux-Arts de Strasbourg
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1451:18th-century Italian male artists
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826:National Gallery, Washington D.C.
795:San Niccolò degli Albari, Bologna
756:Ecstasy of St Margaret of Cortona
283:An eclectic artist, Crespi was a
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1073:, Pinacoteca Nazionale, Bologna)
1001:(1730), Archivio Arcivescovile,
987:(1725-1730), Pinacoteca di Brera
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642:. He may also have influenced
597:confessing the Queen of Swabia
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1151:Pinacoteca Nazionale, Bologna
1067:, Museum of Fine Arts, Boston
1054:Pinacoteca Nazionale, Bologna
901:Pinacoteca Nazionale, Bologna
999:The Assumption of the Virgin
976:(Pinacoteca di Brera, Milan)
800:Aeneas, The Sibyl and Charon
738:Cardinal Prospero Lambertini
616:Giovanni Francesco Braccioli
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1059:The Family of Zanobio Troni
1045:Collegio di Spagna, Bologna
910:The Fair at Poggio a Caiano
868:Love triumphant (L'Ingegno)
648:Giovanni Battista Piazzetta
328:Gemäldegalerie Alte Meister
229:Temptation of Saint Anthony
165:form the traditional great
27:Italian painter (1665–1747)
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847:Palazzo Pepoli Campogrande
809:Hecuba blinding Polynestor
669:Partial anthology of works
644:Giovanni Domenico Ferretti
466:Crespi and the genre style
1320:Hobbes, James R. (1849).
1170:, Turin, Galleria Sabauda
1079:, Staatliche Kunsthalle,
930:Village Fair with dentist
893:Massacre of the Innocents
791:Temptation of St. Anthony
779:(1688), Parish Church of
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1108:The Woman Washing Dishes
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905:National Gallery, Dublin
772:Art Institute of Chicago
274:Ferdinand III de' Medici
237:San Niccolò degli Albari
214:Giovanni Antonio Burrini
1331:Spike, John T. (1986).
1312:Encyclopædia Britannica
1245:Encyclopedia Britannica
1180:, Kansas City, Missouri
1110:, Galleria degli Uffizi
1031:Joshua Stopping the Sun
947:Gemäldegalerie, Dresden
878:Chiron Teaches Achilles
831:The Triumph of Hercules
151:Giovan Battista Tiepolo
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1307:Crespi, Giuseppe Maria
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916:The Nurture of Jupiter
653:Two of Crespi's sons,
601:Resurrection of Christ
591:, is the naturalistic
583:Later works and pupils
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266:Vincenzo Rannuzi Cospi
264:and a note from Count
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231:commissioned by Count
1446:Painters from Bologna
1426:Italian male painters
1398:at Wikimedia Commons
1363:Giuseppe Maria Crespi
1159:El Paso Museum of Art
1126:Peasants with Donkeys
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646:. While the Venetian
483:Bartolomeo Passerotti
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233:Carlo Cesare Malvasia
219:His main biographer,
194:Domenico Maria Canuti
124:Giuseppe Maria Crespi
34:Giuseppe Maria Crespi
18:Giuseppe Maria Crespi
1096:,(Louvre); variants
943:The Seven Sacraments
853:The Finding of Moses
822:Tarquin and Lucretia
768:The Marriage at Cana
702:Woman with Pandurina
507:Giandomenico Tiepolo
349:The Seven Sacraments
316:The Seven Sacraments
196:. The Roman painter
147:Giambattista Pittoni
46:Self-Portrait c.1700
1372:, online catalogue
1275:Hobbes, 1849, p. 68
1093:Searching for Fleas
1020:province of Bergamo
934:Pinacoteca di Brera
786:Madonna del Carmine
683:Woman Tuning a Lute
541:Searching for Fleas
475:Searching for Fleas
190:Angelo Michele Toni
177:Crespi was born in
1378:Fondazione Cariplo
1368:2016-12-27 at the
1138:Peasant Flirtation
1132:Importunate Lovers
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742:Palazzo d'Accursio
720:Count Fulvio Grati
577:The Courted Singer
485:and the Cremonese
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221:Giampietro Zanotti
206:Accademia del Nudo
1394:Media related to
1380:, 2010, CC BY-SA.
1361:Domenico Sedini,
969:Sarzana Cathedral
857:David and Abigail
843:Neptune and Diana
605:Annibale Carracci
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586:
565:Dice players
524:
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78:(1747-07-16)
76:16 July 1747
1416:1747 deaths
1411:1665 births
1212:www.nga.gov
1134:, Hermitage
1022:(1728–1729)
1011:(1728–1729)
932:(1715–20),
859:, Museo di
777:Holy Family
589:eclecticism
553:Kitchenmaid
167:Old Masters
89:Nationality
1405:Categories
1283:References
1250:2017-08-18
1217:2017-08-18
1071:The Hunter
941:Series of
781:Bergantino
527:picaresque
440:Ordination
424:Confession
309:capricious
58:1665-03-14
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849:, Bologna
495:Piazzetta
448:Matrimony
432:Communion
297:Rembrandt
235:, now in
173:Biography
159:Canaletto
99:Education
1366:Archived
1343:(1847).
1140:, London
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293:etchings
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179:Bologna
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897:Uffizi
863:, Rome
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256:Venice
183:Medici
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659:Luigi
210:Forlì
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