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In
Tlemcen, a nuba is a musical composition consisting of an ordered suite of vocal and instrumental pieces built around five movements whose rhythm progresses from very slow to very light and which are divided into two theoretical parts, the first comprising the first three movements
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Mšālyā : an unmeasured instrumental prelude that introduces and develops the main mode and neighboring modes used in its development. It also introduces the audience into its mood and plays the role of a rhythmic introduction to the
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1070:) in which different modes and rhythmic cycles follow one another (mîzān əl-qṣîd ǧwāb (8/4), mīzān ə-sofyān (7/4), mîzān əl-bašrāf ǧwāb (4/4) and bašrāf qūl (8/4), mîzān əl-Gūbbāḥī (4/4) and mîzān əl-inṣirāf (6/8)).
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Tūšiyya : instrumental ouverture composed of several patterns (each repeated once) in which follow a series of rhythmic signatures recalling the five movements that form the nuba.
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after being brought over by
Algerian families who moved there fleeing French colonial rule in Algeria, and eventually founding conservatories in cities like
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Tūšiyyet əl-inṣirāfāt : instrumental interlude introducing the fourth movement (inṣirāf). In its absence, the kūrsi əl-inṣirāf takes its place.
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1121:) often used to close a classical nuba. Qadriyya-s are found in seven modes including mawwāl, zīdān, ğārkā, raml əl-Māya, ‘Irāq and sīkā.
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Slisla refers to a kind of nubat əl-inqilābāt in which pieces (inqilābāt) evolve in the same rhythmic cycle (mīzān), such as
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1436:
Langlois, Tony (20 January 2001). "Algeria, People's
Democratic Republic of". In Sadie, Stanley; Tyrrell, John (eds.).
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Istiḥbār : Unmeasured vocal improvisation where the musician displays his inspiration and his virtuosity.
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Tūšiyyet əl -kamāl : Instrumental piece ending the nuba. It may also serve to introduce another nuba.
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1709:"Musique arabo-andalouse : de sa permanence... des hommes de lettres, des arts et des interprètes"
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1711:[Arab-Andalusian music : of its permanence ... men of letters, arts and performers].
1649:[The «Sana'a», «Ala» or «Gharnata» : a national musical art (Continuation and end)].
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1523:"The Musical Tradition of Tlemcen : One of the alternatives of the Maghrebi-Andalusian Nûba"
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426:. Gharnati has also become an established tradition in other cities in western Algeria, such as
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Hadj Larbi
Bensari, an emblematic figure of the school of Tlemcen (Ghernati) of the 20th century
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Kūrsi al-bṭāyḥī : a melodic and rhythmic pattern that introduces the second movement.
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Kūrsi al-mṣeddar : a melodic and rhythmic pattern that introduces the first movement.
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Kūrsi əl -derǧ : a melodic and rhythmic pattern that introduces the third movement.
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Kūrsi al-mṣedrayn : a melodic and rhythmic pattern that separates two mṣeddar-s.
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1647:"La "Sana'a", "Ala" ou "Gharnata" : un art musical national (Suite et fin)"
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1680:[Advocacy for an international Sana'a-Gharnata festival in Tlemcen].
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Inṣirāf (fourth movement) : vocal and instrumental piece (one or more).
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1583:, the fifteenth national festival of the andalusian music, Tlemcen, Algeria.
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Bṭāyḥī (second movement) : vocal and instrumental piece (one or more).
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Mṣeddar (first movement) : vocal and instrumental piece (one or more).
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1025:
Meẖles (fifth movement) : vocal and instrumental piece (one or more).
1678:"Plaidoyer pour un festival international de la Sana'a-Gharnata à Tlemcen"
1094:. Each slisla begins with a mšālyā and a tūšiyya, and ends with a meẖles.
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Derǧ (third movement) : vocal and instrumental piece (one or more).
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1600:[The contribution of our poets and musicians is considerable]
1581:Étude des rythmes du patrimoine musical andalou de l'école de Tlemcen
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Mṣeddar raṣd ə-Dīl "rani bi-l-afrah" sung by Lazaar BEN DALI YAHIA.
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The New Grove
Dictionary of Music and Musicians, 2nd edn, ed
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Abou Hammou Moussa II (1324-1388), the eighth sultan of the
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that are known in the school of
Tlemcen are the following:
427:
422:. Its name is derived from the Arabic name of the city of
1062:
It is a suite composed of vocal and instrumental pieces (
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1598:"L'apport de nos poètes et musiciens est considérable"
1191:
1172:
Abou
Abdillah Mohamed Ben Ahmed Ben Msayeb (1688-1768)
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Abi Djamaa
Talalisi (1330-?), the doctor-poet of the
87:. Unsourced material may be challenged and removed.
1548:"Chant et musique de la Nawba ou Nûba algérienne"
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888:Instrumental answer : mîzān əl-bašraf ǧwāb (
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814:Instrumental answer : mîzān əl-qṣîd ǧwāb (
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1178:Mohamed Bendebbah a-Tilimsani (18th century)
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1552:Horizons Maghrébins - le droit à la mémoire
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50:Learn how and when to remove these messages
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1463:Sells, Professor Michael A. (2000-08-31).
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227:Learn how and when to remove this message
209:Learn how and when to remove this message
147:Learn how and when to remove this message
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1102:It is a small vocal piece composed in a
434:. In the 20th century it also spread to
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172:This article includes a list of general
1617:(in French). No. 6497. p. 11.
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1297:Moulay Djilali Ziani-Cherif (1873-1939)
1198:Abdelkader Kermouni-Serradj (1855-1946)
1187:Boumediene Bensahla (18th century-1797)
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1225:El Hadj Hammadi Baghdadli (1797-1867)
1184:M’barek Bouletbaq (18th century-1768)
1175:Moulay Ahmed Ben Antar (18th century)
1150:Ibn al-Banna a-Tilimsani 14th century
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842:Mîzān əl-bašraf ǧwāb "instrumental" (
677:Mîzān əl-bašraf ǧwāb "instrumental" (
1645:El Hassar, Abdelkader Salim (2017).
1596:El Hassar, Abdelkader Salim (2017).
1492:"Anthologie de la Musique Marocaine"
1380:
870:Singing : mîzān əl-bašraf qūl (
158:
85:adding citations to reliable sources
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15:
1291:Mohamed Seghir Bessaoud (1876-1930)
1192:Great masters and famous performers
765:Mîzān əl-qṣîd ǧwāb "instrumental" (
713:Mîzān əl-qṣîd ǧwāb "instrumental" (
13:
1306:Mustapha Senouci Brixi (1919-2010)
1240:Mahieddine Kamal Malti (1929-2011)
1228:El Hadj Mohamed El Ghaffour (1930)
796:Singing : mîzān əl-qṣîd qūl (
378:The school of Constantine (malouf)
178:it lacks sufficient corresponding
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1294:Moulai Ahmed Medeghri (1843-1925)
1246:Lazaar Ben Dali Yahia (1894-1940)
1140:Mohamed ibn al-Khamis (1252-1369)
655:The structure of a typical nuba:
31:This article has multiple issues.
1707:El Hassar, Bénali (2009-06-20).
1676:El Hassar, Bénali (2016-06-20).
1219:Cheikh Larbi Bensari (1872-1964)
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1303:Mustapha Belkhoudja (1917-1968)
1243:Khair-Eddine Aboura (1908-1977)
1204:Abderrahmane Sekkal (1910-1985)
666:Rhythmic cycle (mîzān) : (
72:needs additional citations for
39:or discuss these issues on the
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1389:Cheikh Mohammed Salah Chaabane
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913:Rhythmic cycle (mîzān) :
867:Rhythmic cycle (mîzān) :
839:Rhythmic cycle (mîzān) :
793:Rhythmic cycle (mîzān) :
762:Rhythmic cycle (mîzān) :
731:Mîzān əl-inṣirāf / əl-meẖles (
1:
1386:Bouchnak Benyounes dit Afendi
1252:Maâlem Ichoua Mediouni alias
1181:Mohamed Touati (18th century)
1163:Ahmed al-Bekri (17th century)
648:and the second, the last two
374:The school of Algiers (sanaa)
1466:The Literature of Al-Andalus
1312:Redouane Bensari (1914-2002)
1282:Mohamed Bensmail (1892-1940)
1266:Ménouar Benattou (1847-1899)
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283:Granada (Emirate of Granada)
7:
1300:Mustapha Aboura (1875-1935)
1216:Bachir Zerrouki (1924-2004)
1169:Ahmed Ben Triki (1650-1750)
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465: : طبوع : tūbūb')
449:
10:
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1490:Ahmed Aydoun (2001–2002).
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1272:Mohamed Benchaabane alias
1237:Salah Boukli-Hacene (1946)
1201:Abdelkrim Dali (1914-1978)
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646:(mṣeddar, bṭāyḥī and derǧ)
416:Andalusian classical music
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1222:Cheikha Tetma (1891-1962)
1166:Ibn Nachit (17th century)
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410:: الغرناطي) refers to an
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1546:Guerbas, Rachid (2002).
1309:Omar Bekhchi (1884-1958)
1249:Maallem Mohamed Tchouar
1092:slislet mīzān əl-inṣirāf
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1564:10.3406/horma.2002.2055
1288:Mohamed Dib (1861-1915)
1234:Ghaouti Dib (1863-1917)
1213:Amine Mesli (1955-2006)
1088:slislet mīzān əl-bašraf
193:more precise citations.
1392:Chaabane Sidi Mohammed
1125:Representative artists
1084:slislet mīzān ə-ṣofyān
400:
1442:. London: Macmillan.
1398:Kerzazi Cheikh Brahim
1338:Anis Amanallah Kalfat
1080:slislet mîzān əl-qṣîd
398:
1579:Ghoul, Yahia (1993)
1423:Notes and references
1341:Badr Eddine Khaldoun
1318:Rifel Mahmoud Kalfat
1259:Maklouf Rouch alias
650:(inṣirāf and meẖles)
81:improve this article
1714:Le Quotidien d'Oran
1683:Le Quotidien d'Oran
1652:Le Quotidien d'Oran
1395:Chaabane Nasreddine
1330:Current celebrities
1315:Reinette l'Oranaise
1231:Fewzi Kalfat (1959)
1210:Amine Kalfat (1942)
293:Typical instruments
1469:. pp. 72–73.
1279:Mohamed Benghebrit
1058:Nubat əl-inqilābāt
1003:Mîzān əl-inṣirāf (
975:Mîzān əl-inṣirāf (
695:Mîzān əl-inqilāb (
401:
1381:Famous performers
1353:Khalil Baba Ahmed
1344:Brahim Hadj Kacem
1031:Mîzān əl-meẖles (
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360:Madih (panegyric)
287:Tlemcen (Algeria)
279:Stylistic origins
268:School of Tlemcen
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79:Please help
74:verification
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33:Please help
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1717:(in French)
1686:(in French)
1655:(in French)
1610: [
1324:Yahia Ghoul
1276:(1853-1914)
1263:(1858-1931)
1256:(1829-1899)
755:(see above)
491:(رصد الذيل)
489:Raṣd ə-Dīl
414:variety of
381: [
259:Other names
199:August 2009
191:introducing
137:August 2009
1721:2020-06-26
1690:2020-06-26
1659:2020-06-26
1449:0195170679
1401:Hamid Bazi
1362:Rym Hakiki
1274:"Boudelfa"
1254:"Maqchich"
1064:Muwashshah
611:(الجاركاه)
605:(الجاركاه)
459:The modes
174:references
107:newspapers
36:improve it
1261:"B'teina"
1135:Composers
597:(السيكاه)
591:(السيكاه)
583:(المزموم)
577:(المزموم)
523:(المجنبة)
511:(الزيدان)
505:(الزيدان)
337:Subgenres
318:mandoline
42:talk page
1736:Category
1607:Horizons
1528:June 29,
1098:Qadriyya
660:tūšiyya.
639:The nuba
631:(الغريب)
563:(الحسين)
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450:Features
412:Algerian
404:Gharnati
351:Qadriyya
313:kemandja
271:Gharnata
242:Gharnati
1497:June 2,
1376:Morocco
1130:Algeria
674:= 110)
581:Məzmūm
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543:(الرصد)
521:Mǧənba
485:(الذيل)
477:Mawwāl
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420:Tlemcen
357:'Aroubi
348:Inqilab
187:improve
121:scholar
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1157:court.
1074:Slisla
609:Ǧārkā
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176:, but
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1614:]
1602:(PDF)
1068:zajal
629:Ġrīb
595:Sīkā
589:Sīkā
561:Ḥsīn
541:Raṣd
495:Māya
455:Modes
444:Rabat
440:Oujda
385:]
354:Hawzi
328:f'hal
323:qanun
300:Rebab
128:JSTOR
114:books
1530:2020
1499:2022
1471:ISBN
1444:ISBN
1066:and
483:Dīl
442:and
430:and
428:Oran
345:Nuba
100:news
1560:doi
1090:or
83:by
1738::
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