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692:. This concerto thus received only its second performance in 1999 and its first recording is now on Chandos. Finzi's Clarinet Concerto and his Cello Concerto are possibly his most famous and frequently performed instrumental works, with recordings of these works done by clarinetist John Denman and a young
671:
The number of Finzi’s purely instrumental works is small even though he took great pains over them in the early part of his career. He began what is believed to have been intended as a piano concerto. This was never finished or given a title, but after his death his publisher gave two of the
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for clarinet and piano, published in 1945, have survived in the regular repertoire. The
Prelude and Fugue for string trio (1938) is his only piece for string chamber ensemble. It was written as a tribute to R O Morris, and shares the austere and melancholy mood of his teacher's music.
22:
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and lodged German and Czech refugees in his home. After the war, he became somewhat more productive than before, writing several choral works as well as the
Clarinet Concerto (1949), perhaps his most popular work today.
688:. He also completed a violin concerto which was performed in London under the baton of Vaughan Williams, but was not satisfied with it and withdrew the two outer movements; the surviving middle movement is called
154:
Gerald Finzi was born in London, the son of John
Abraham (Jack) Finzi and Eliza Emma (Lizzie) Leverson. Finzi became one of the most characteristically English composers of his generation. Despite his being an
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By then, Finzi's works were being performed frequently at the Three Choirs
Festival and elsewhere. But that happiness was not to last. In 1951, he learned that he was suffering from the then incurable
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During those formative years, Finzi also suffered the loss of all three of his brothers, adversities that contributed to Finzi's bleak outlook on life. He found solace in the poetry of
35:(14 July 1901 – 27 September 1956) was a British composer. Finzi is best known as a choral composer, but also wrote in other genres. Large-scale compositions by Finzi include the
386:
that he conducted until his death, reviving 18th-century string music, as well as giving premieres of works by his contemporaries and offering talented young musicians such as
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723:, became a conductor and exponent of his father's music. Finzi's younger son Nigel was a violinist, and worked closely with their mother in promoting his father's music.
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339:, who had been committed to a mental hospital. Finzi and his wife catalogued and edited Gurney's works for publication. They also studied and published English
209:, Finzi was attracted by the recurrent motif of the innocence of childhood corrupted by adult experience. From the very beginning most of his music was
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1045:, the official Finzi Trust website: listen to Finzi's music and read about his life and works, the Trust's work and the Finzi Travel Scholarships.
186:, was then aged thirty and he described Finzi as "very shy, but full of poetry". Finzi found him a sympathetic teacher, and Farrar's death at the
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varieties from extinction. He also amassed a large library of some 3,000 volumes of
English poetry, philosophy and literature, now kept at the
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on the website of his publisher Boosey & Hawkes, including a complete list of works published by Boosey & Hawkes and a discography.
827:"GERALD FINZI AND JOHN IRELAND: A STYLISTIC COMPARISON OF COMPOSITIONAL APPROACHES IN THE CONTEXT OF TEN SELECTED POEMS BY THOMAS HARDY"
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430:(1955), Finzi's last major work. However its second movement, originally intended as a musical portrait of his wife, is more serene.
315:, and a collection (some 700 volumes including books, manuscripts and printed scores) of 18th-century English music, now held by the
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and had ten years to live, at most. His feelings after that revelation are probably reflected in the agonized first movement of his
465:, Oxford, the first performance of his Cello Concerto having been given on the radio the night before. His ashes were scattered on
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who, as well as offering advice on his works during his life, helped with the editing of several of Finzi's posthumous works.
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Finzi’s output includes nine song cycles, six of them on the poems of Thomas Hardy. The first of these,
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244:, where he began composing in earnest. His first Hardy settings, and the orchestral piece
166:, died a fortnight before his son's eighth birthday. Finzi was educated privately. During
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as well as unaccompanied partsongs, but he also wrote larger-scale choral works such as
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During the 1930s, Finzi composed only a few works, but it was in them, notably the
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for solo voice and string orchestra, and his concertos for cello and clarinet.
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caused by
Hodgkin's disease. Biographies refer to him subsequently developing
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of Jewish descent, several of his choral works incorporate
Christian texts.
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611:(1942) are the best known. He also wrote incidental music to Shakespeare’s
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507: in this section. Unsourced material may be challenged and removed.
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283:. Vaughan Williams obtained a teaching post (1930–1933) for him at the
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but gave it up and favoured eggs, fish and sometimes bacon or chicken.
82: in this section. Unsourced material may be challenged and removed.
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individual movements names and published them as the separate works
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Louisiana State
University and Agricultural and Mechanical College
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Finzi never felt at home in London and, having married the artist
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617:(1946). For voice and orchestra he composed the above-mentioned
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591:(1922), is for voice and string quartet; the others, including
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1054:"Gerald Finzi: the quiet man of British classical music"
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The Clock of the Years: A Gerald and Joy Finzi
Anthology
453:". That probably means that his shingles developed into
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and then moved to London, where he became friendly with
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Finzi had a long-standing friendship with the composer
248:, were soon performed in London to favourable reviews.
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457:, which resembles chickenpox, and was complicated by
911:(Woodbridge, Suffolk: Boydell Press, 2005), p. 251.
628:Finzi’s choral music includes the popular anthems
680:. The latter demonstrates Finzi’s admiration for
228:After Farrar's death, Finzi studied privately at
1319:People associated with the University of Reading
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939:. Woodbridge: The Boydell Press. p. 72.
343:and music by older English composers such as
668:), all from the last ten years of his life.
869:Letters of Gerald Finzi and Howard Ferguson
461:. He died soon afterwards, aged 55, in the
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885:. University of St Andrews. Archived from
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1064:International Music Score Library Project
1039:at MusicWeb International by John France.
781:Learn how and when to remove this message
567:Learn how and when to remove this message
142:Learn how and when to remove this message
1309:English people of Italian-Jewish descent
1056:-article by Mark Padmore in The Guardian
825:Jupin, Richard Michael (December 2005).
744:This article includes a list of general
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1314:Academics of the Royal Academy of Music
1304:English people of German-Jewish descent
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699:Of Finzi's few chamber works, only the
684:as well as the Swiss-American composer
449:, which developed into a "severe brain
437:with Vaughan Williams, Finzi developed
224:1918–33: Studies and early compositions
1339:Deaths from varicella zoster infection
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433:In 1956, following an excursion near
182:from 1915. Farrar, a former pupil of
921:'British String Trios', reviewed at
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581:List of compositions by Gerald Finzi
505:adding citations to reliable sources
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174:, and Finzi began to study music at
80:adding citations to reliable sources
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201:, whose poems, as well as those by
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750:it lacks sufficient corresponding
232:with the organist and choirmaster
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1025:The official Gerald Finzi website
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960:Gerald Finzi: An English Composer
406:delayed the first performance of
1279:20th-century classical composers
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1005:Gerald Finzi: His Life and Music
974:Gerald Finzi: A Bio-Bibliography
937:Gerald Finzi: His Life and Music
909:Gerald Finzi: his life and music
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251:In 1925, at the suggestion of
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1168:Lo, the full, final sacrifice
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398:1939–56: Growth of reputation
370:In 1939, the Finzis moved to
176:Christ Church, High Harrogate
162:Finzi's father, a successful
25:Portrait of Gerald Finzi, by
1334:Compositions by Gerald Finzi
291:1933–39: Musical development
271:. He was also introduced to
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1284:English classical composers
1060:Free scores by Gerald Finzi
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1289:Jewish classical composers
1176:Intimations of Immortality
866:and Howard Ferguson (ed).
678:Grand Fantasia and Toccata
656:) and the Christmas scene
649:Intimations of Immortality
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441:, probably as a result of
216:Finzi was, at one time, a
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593:A Young Man’s Exhortation
469:near Gloucester in 1973.
416:Ministry of War Transport
255:, Finzi took a course in
184:Charles Villiers Stanford
1324:People from Ashmansworth
847:. Boydell Press. p. 74;
843:McVeagh, Diana. (2013).
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317:University of St Andrews
935:McVeagh, Diana (2005).
765:more precise citations.
394:the chance to perform.
378:, where he founded the
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1133:Earth and Air and Rain
923:MusicWeb International
598:Earth and Air and Rain
380:Newbury String Players
299:, settled with her in
285:Royal Academy of Music
281:Ralph Vaughan Williams
190:affected him deeply.
170:the family settled in
29:
1329:Musicians from London
1141:Let Us Garlands Bring
1125:By Footpath and Stile
990:(Chosen Press, 2007)
682:Johann Sebastian Bach
608:Let Us Garlands Bring
588:By Footpath and Stile
455:disseminated shingles
412:Three Choirs Festival
313:University of Reading
24:
1110:List of compositions
614:Love’s Labour’s Lost
501:improve this article
76:improve this article
33:Gerald Raphael Finzi
958:Banfield, Stephen.
889:on 12 December 2008
719:Finzi's elder son,
621:, and the pacifist
605:poems in the cycle
463:Radcliffe Infirmary
331:(1939) to texts by
197:and his favourite,
976:(Greenwood, 1997)
972:Dressler, John C.
907:Diana M. McVeagh:
883:"Finzi Collection"
654:William Wordsworth
443:immune suppression
207:William Wordsworth
203:Christina Rossetti
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996:978-0-9556373-0-8
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246:A Severn Rhapsody
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490:This section
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1299:English Jews
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1160:Dies Natalis
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1101:Gerald Finzi
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1037:A Finzi Page
1031:A Finzi page
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891:. Retrieved
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658:In terra pax
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619:Dies natalis
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499:Please help
494:verification
491:
459:encephalitis
451:inflammation
432:
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408:Dies natalis
407:
404:World War II
401:
388:Julian Bream
372:Ashmansworth
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361:John Stanley
328:Dies natalis
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277:Arthur Bliss
273:Gustav Holst
261:R. O. Morris
257:counterpoint
253:Adrian Boult
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230:York Minster
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199:Thomas Hardy
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132:January 2023
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74:Please help
69:verification
66:
41:Dies natalis
39:
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27:Angus McBean
18:
1274:1956 deaths
1269:1901 births
1152:Other works
1117:Song cycles
763:introducing
721:Christopher
603:Shakespeare
337:Ivor Gurney
297:Joyce Black
168:World War I
1263:Categories
946:1843836025
746:references
727:References
579:See also:
527:newspapers
447:chickenpox
435:Gloucester
353:John Garth
349:Capel Bond
341:folk music
218:vegetarian
164:shipbroker
102:newspapers
1241:Biography
771:June 2009
642:(text by
376:Hampshire
305:Wiltshire
301:Aldbourne
238:Painswick
213:in tone.
172:Harrogate
1202:Category
1185:, Op. 40
1179:, Op. 29
1171:, Op. 26
1144:, Op. 18
1136:, Op. 15
694:Yo-Yo Ma
664:and the
625:(1944).
467:May Hill
439:shingles
178:, under
157:agnostic
1215:Portals
1163:, Op. 8
1128:, Op. 2
1066:(IMSLP)
1062:at the
759:improve
690:Introit
674:Eclogue
541:scholar
410:at the
324:cantata
211:elegiac
116:scholar
37:cantata
1011:
994:
980:
966:
943:
872:(2001)
851:
748:, but
715:Legacy
543:
536:
529:
522:
514:
118:
111:
104:
97:
89:
1253:Music
893:3 May
548:JSTOR
534:books
473:Works
309:apple
259:with
123:JSTOR
109:books
1009:ISBN
992:ISBN
978:ISBN
964:ISBN
941:ISBN
895:2018
849:ISBN
676:and
634:and
595:and
520:news
390:and
363:and
279:and
267:and
95:news
48:Life
646:),
503:by
374:in
240:in
78:by
1265::
1003:.
829:.
806:^
696:.
367:.
359:,
355:,
351:,
347:,
319:.
303:,
287:.
275:,
1217::
1093:e
1086:t
1079:v
949:.
897:.
833:.
784:)
778:(
773:)
769:(
755:.
660:(
652:(
570:)
564:(
559:)
555:(
545:·
538:·
531:·
524:·
497:.
145:)
139:(
134:)
130:(
120:·
113:·
106:·
99:·
72:.
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