282:, "Gavin Jantjes, Freedom Hunters (1976): Subtexts and Intertwined Narratives" in Outi Remes and Pam Skelton (eds.), Conspiracy Dwellings: Surveillance in Contemporary Art. Cambridge Scholars Publishing, 2010.
140:. He was also the Project Director of the Visual Century Project on 20th Century and contemporary South African resulting in the publication, Visual Century: South African Art in Context (2011).
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He left the
National Museum in 2014 and reopened his studio in Oslo in 2015. He continues to paint, moving between Cape Town, England and Oslo.
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Amna Malik, āConceptualizing āBlackā British art through the lens of exileā, in Kobena Mercer, Exiles, Diasporas & Strangers. INIVA, 2008.
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https://web.archive.org/web/20110609232602/http://www.c-s-p.org/flyers/Conspiracy-Dwellings--Surveillance-in-Contemporary-Art1-4438-1905-0.htm
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movement. He was granted political asylum in
Germany in 1973. He worked as a consultant visual campaign director for the
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128:, Oslo, as its Senior Consultant for International Contemporary Exhibitions: he curated exhibitions there on
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He moved his studio to
Wiltshire, England in 1982. In 1986 he was appointed a Senior Lecturer in Fine Art at
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from 1966 to 1969. He left apartheid South Africa in 1970 on a DAAD scholarship to study at the
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A Fruitful
Incoherence: Dialogues with Artists on Internationalism / London: INIVA, 1998.
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and was its consultant for the formation of the
Institute of New International Visual Art (
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1976 Institute of
Contemporary Arts (ICA), London and Henie Onstad Art Centre, Hovikodden
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http://www.blackartistsnodernism.co.uk/dossier/gavin-jantjes/
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27:) is a South African painter, curator, writer and lecturer.
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between 1970 and 1972. He was a founding member of the
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from 1992 until 1995, and was a trustee of London's
312:http://www.sahistory.org.za/people/gavin-jantjes-0
185:1989 City Museums and Art Gallery, Stoke-on-Trent
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151:One man shows of work by Gavin Jantjes include:
310:āGavin Jantjesā, South African History Online,
257:Companion to Contemporary Black British Culture
170:1980ā3, 1986, 1990 Edward Totah Gallery, London
126:National Museum of Art, Architecture and Design
78:). He also served on the advisory board of the
182:1988 Herbert Museum and Art Gallery, Coventry
57:United Nations High Commissioner for Refugees
217:, Smithsonian Institution, Washington, D.C.
59:from 1978 to 1982. In 1979 he published the
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250:Niru Ratnam (2002). "Jantjes, Gavin". In
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366:Academics of Camberwell College of Arts
197:Jantjesā work in is the collections of
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45:Hochschule fĆ¼r bildende KĆ¼nste Hamburg
361:Michaelis School of Fine Art alumni
351:21st-century South African painters
155:1970 The Artists Gallery, Cape Town
89:He became artistic director of the
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167:1979 Kunsterhaus Bethanien, Berlin
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179:1987 Blue Coat Gallery, Liverpool
188:2024 Whitechapel Gallery, London
325:Black Artists & Modernism:
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215:National Museum of African Art
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176:1985 Black Art Gallery, London
173:1984 Midland Group, Nottingham
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260:. Routledge. pp. 157ā8.
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161:1977 Provinciehuis, Groningen
72:Arts Council of Great Britain
61:South African Colouring Book
37:Michaelis School of Fine Art
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164:1978 Kulturhuset, Stockholm
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203:Victoria and Albert Museum
211:Wolverhampton Art Gallery
213:; Coventry City Museum;
91:Henie Onstad Kunstsenter
290:WorldCat no. 551122637.
207:Arts Council Collection
68:Chelsea College of Arts
41:University of Cape Town
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307:WorldCat no. 602216574
233:WorldCat no. 39931382
124:In 2004 he joined the
86:from 1995 until 1998.
35:Jantjes attended the
107:Marie-Jo Lafontaine
84:Serpentine Gallery
267:978-1-134-70025-7
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21:District Six
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341:1948 births
193:Collections
147:Exhibitions
130:Amar Kanwar
335:Categories
237:References
231:1899846131
205:, London;
201:, London;
293:Info at:
53:apartheid
25:Cape Town
254:(ed.).
39:at the
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49:German
76:InIVA
51:anti-
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