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Marie-Jo Lafontaine

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She has worked in many media including "tapestries" in which she weaves black-dyed wool into linear patterns; sculptural work using plaster, concrete, and lead; and photography. In 1980, Lafontaine started using video in her sculptures and has created installations and environments utilizing video.
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Critic Konstanze ThĂĽmmel describes the dominating themes in her post-1980s video work as "association between Eros and Thanatos, passion and reason," and that Lafontaine explores these "...through powerful images of people and animals in extreme situations."
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She was awarded the Prix de la Jeune Peinture Belge in 1977; a FIACRE grant from the
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Contemporary Art: The Collection of the ZKM Center for Art and Media Karlsruhe
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l'École nationale supérieure d'architecture et des arts visuels
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from the article and its talk page, especially if potentially
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Academic staff of the Karlsruhe University of Arts and Design
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in 1986, and in 1996 the European Photography Award.
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"Marie-Jo Lafontaine"
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sculptor
video artist
Karlsruhe University of Arts and Design
Antwerp
Belgium
l'École nationale supérieure d'architecture et des arts visuels
French Ministry of Culture

Les larmes d'acier (1986)


"'Marie-Jo Lafontaine' and Those Who Would Seek to Know, to Fix and to Hold That Which Is Not"
doi
10.1080/09528829008576277

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