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Frank Wedekind

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139: 148: 1207: 1226: 1188: 329:. In 1906, he married the Austrian actress Tilly Newes, 22 years his junior and became strictly monogamous. His relationship with his wife was turbulent: Wedekind was prone to jealousy and felt pressure to maintain strenuous creative and sexual activity in order to please her. They had two daughters, Pamela and Kadidja, but his jealousy led his wife to attempt both separation and suicide. 432:. Originally conceived as a single play, the two pieces tell a continuous story of a sexually enticing young dancer who rises in society through her relationships with wealthy men but who later falls into poverty and prostitution. The frank depiction of sexuality and violence in these plays, including 247: 282:; "all bitter social critics who used direct, stinging satire as the best means of attack and wrote a large part of their always intelligible light verse to be declaimed or sung". At the age of 34, after serving a nine-month prison sentence for 31: 262:("The Eleven Executioners"), launched in 1901. Wedekind became an important influence on the tradition of German satirical writing for the theatre, paving the way for the cabaret-song satirists 577: 1246: 521: 603: 505: 448: 254:
Having worked in business and the circus, Wedekind went on to become an actor and singer. In this capacity, he received wide acclaim as the principal star of the
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on these plays. The plays were adapted into comic books by John Linton Roberson, published in 2013 and 2020. They also form the basis for the 2011 album
340:. His doctor refused to operate immediately but Wedekind insisted and complications from the surgery led to his death at the age of 53 on March 9, 1918. 623: 565: 465:
with the Devil, selling her soul for the knowledge of what it is like to live life as a man (reasoning that men seem to have all the advantages).
1408: 235:, when he was forced to obtain a German passport, he was an American citizen and traveled throughout Europe. He lived most of his adult life in 138: 591: 452:("The Court-Singer", 1899) is a one-act character study of a famous opera singer who receives a series of unwelcome guests at his hotel suite. 440:(a role that Wedekind played in the original production), pushed the boundaries of what was considered acceptable on the stage at the time. 1428: 1388: 1074: 1393: 1373: 1368: 1418: 1383: 1363: 1253: 1398: 382:, 1891), which concerns sexuality and puberty among some young German students, caused a scandal, because it contained scenes of 1403: 855: 825:, as his "chief influences" in his early years: "he", Brecht writes of himself in the third person, "also saw the writer 688: 231:. His father, a German, had a Swiss castle in which Wedekind grew up, after the family had left Hanover in 1872. Until 1438: 1413: 1173: 1151: 1131: 1116: 1353: 1192: 1433: 657: 227:, Große Aegidienstraße 13 (today: Friedrichswall 10). His mother was Swiss and became pregnant with him in 177:
In the English-speaking world, before 2006 Wedekind was best known for the "Lulu" cycle, a two-play series—
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performing his own works in a style which he had developed in cabaret. Wedekind had worked as a
1082: 197:, 1904)—centered on a young dancer/adventuress of mysterious origin. In 2006 his earlier play 1142: 813: 755: 123: 1348: 1343: 765: 326: 224: 59: 147: 8: 1285: 990: 649: 493: 441: 407: 309:. He also enjoyed the pleasure of platonic female company and kept his tendencies toward 299: 179: 1146:. Trans. John Willett. Bertolt Brecht: Plays, Poetry, Prose Ser. London: Methuen, 1985. 860: 679: 271: 951: 678:(1937), which is considered to be one of the masterpieces of twentieth-century opera. 1202: 1169: 1147: 1127: 1112: 697: 322: 284: 1301: 1211: 781: 742: 720: 615: 457: 208: 1041: 818: 275: 437: 279: 1198: 1137: 711: 387: 350: 290: 267: 263: 102: 1337: 822: 731: 662: 383: 361: 314: 310: 278:
among others, who after Wedekind's death would invigorate the culture of the
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His sex life was promiscuous and he frequented prostitutes, contracting
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A number of Wedekind's works have been translated into English by
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attitudes (particularly towards sex), is considered to anticipate
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The invention of politics in the European avant-garde (1906–1940)
745: 395: 220: 55: 30: 353:. In 1969, at age 83, she published an autobiography in German, 1187: 1053: 830: 337: 255: 239:, though he had a brief period working in advertising, for the 236: 77: 670: 462: 386:, implied group male masturbation, actual male masturbation, 240: 834: 391: 1166:
The Theatre of Bertolt Brecht: A Study from Eight Aspects.
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Benjamin Franklin Wedekind was born on July 24, 1864, in
585:, 1905); later title 'Tod und Teufel' (Death and Devil) 461:(1910), the title character, a young girl, initiates a 1321:
Mine-Haha, or On the Bodily Education of Young Girls
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Mine-Haha, or On the Bodily Education of Young Girls
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Mine-Haha, or On the Bodily Education of Young Girls
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The Sexual Circus: Wedekind's Theatre of Subversion
294:of some of his satirical poems), Wedekind became a 158:(July 24, 1864 – March 9, 1918) was a German 343:Tilly Wedekind went on to appear in such films as 425:, 1904) were probably his best-known works until 360:Wedekind's great-grandson was the English writer 336:and immediately began acting again, leading to a 1335: 1107:Banham, Martin, ed. 1998. "Wedekind, Frank". In 920:, Oxford: Oxford University Press, 1987, p. 363. 332:Near the end of his life, Wedekind underwent an 1379:20th-century German dramatists and playwrights 1359:19th-century German dramatists and playwrights 1247: 811:See Banham (1998) and Willett (1959). In his 692:, a collaboration between the rock musician 1254: 1240: 1012: 928: 926: 349:and was romantically linked to the author 170:and was influential in the development of 29: 985:Mueller, Carl R. (2000). "Introduction". 1126:. Oxford and New York: Basil Blackwell. 973:Hitchhiker: A Biography of Douglas Adams 901: 889:See Banham (1998) and Willett (1959, 87) 245: 146: 1161:. Lyme, New Hampshire: Smith and Kraus. 1159:Frank Wedekind: Four Major Plays, Vol 1 1157:Mueller, Carl R. 2000. Introduction to 1111:Cambridge: Cambridge University Press. 997: 984: 978: 923: 892: 849: 847: 845: 843: 710:was used as a source for a libretto by 207:, 1891) became well known because of a 1409:German male dramatists and playwrights 1336: 1168:Third rev. ed. London: Methuen, 1977. 1013:Bru, Sascha; Martens, Gunther (2006). 883: 833:singer; he accompanied himself on the 805: 648:The "Lulu" plays formed the basis for 474: 1235: 1021: 1006: 952:"DER SPIEGEL 47/1969 - Ehe und Atlas" 853: 1075:"Les Stigmatisés: Festival Les Jard" 840: 817:, Brecht cites Wedekind, along with 444:helped Wedekind stage it in Vienna. 162:. His work, which often criticizes 975:, Justin, Charles & Co., p. 7. 874: 753:(1903) was the basis for the films 298:(a play-reader and adapter) at the 243:soup firm, in Switzerland in 1886. 13: 1429:People from the Kingdom of Hanover 1389:20th-century German male musicians 1261: 542:König Nicolo oder So ist das Leben 214: 14: 1450: 1180: 1054:"Lou Reed & Metallica - Lulu" 1029:The Definitive Kobbe's Opera Book 151:Wedekind and his wife Tilly, 1910 1394:20th-century German male writers 1374:19th-century German male writers 1369:19th-century German male singers 1224: 1208:Works by or about Frank Wedekind 1186: 987:Frank Wedekind: Four Major Plays 780:was adapted into the successful 390:between a teenage boy and girl, 317:in check. He had an affair with 137: 1419:German plays adapted into films 1384:20th-century German male actors 1364:19th-century German male actors 1109:The Cambridge Guide to Theatre. 1067: 1046: 1034: 1031:, New York: Putnam, 1987. p.875 965: 856:"How Sex Killed Frank Wedekind" 734:for his English-language opera 357:("Lulu: The Role of My Life"). 1399:Burials at Munich Waldfriedhof 944: 910: 643: 288:(thanks to the publication in 1: 793: 372:Wedekind's first major play, 355:Lulu: Die Rolle meines Lebens 16:German playwright (1864–1918) 1404:German Expressionist writers 571:Hidalla, or Being and Having 547:King Nicolo, or Such is Life 7: 1223:(public domain audiobooks) 566:Hidalla oder Sein und Haben 487:The Awakening of the Spring 398:, as well as references to 10: 1455: 854:Simon, John (1990-11-18). 156:Benjamin Franklin Wedekind 42:Benjamin Franklin Wedekind 1312: 1269: 1143:The Messingkauf Dialogues 321:, the wife of playwright 136: 131: 114: 98: 88: 66: 37: 28: 21: 1439:Male actors from Hanover 1414:German male stage actors 954:. Spiegel.de. 1969-11-17 907:Willett (1959, 87, 106). 730:was adapted by composer 714:, intended to be set by 367: 1354:Plays by Frank Wedekind 1217:Works by Frank Wedekind 1199:Works by Frank Wedekind 1040:Roberson, John Linton. 918:Strindberg: A Biography 716:Alexander von Zemlinsky 470:Samuel Atkins Eliot Jr. 436:and an encounter with 427:the 2006 adaptation of 1122:Boa, Elizabeth. 1987. 1056:. Loureedmetallica.com 971:M. J. Simpson (2004), 554:Die Büchse der Pandora 418:Die Büchse der Pandora 251: 190:Die Büchse der Pandora 152: 1164:Willett, John. 1967. 814:Messingkauf Dialogues 761:Lucile Hadžihalilović 522:Der Marquis von Keith 300:Munich Schauspielhaus 260:Die elf Scharfrichter 249: 150: 1434:Writers from Hanover 1195:at Wikimedia Commons 1119:. p. 1189-1190. 1003:Willett (1959, 73n). 880:Willett (1959, 98n). 766:The Fine Art of Love 682:based his 1980 film 527:The Marquis of Keith 327:Friedrich Strindberg 225:German Confederation 211:musical adaptation. 60:German Confederation 1085:on 26 February 2017 1027:Harewood, Earl of. 993:: Smith and Krauss. 991:Lyme, New Hampshire 898:Willett (1959, 87). 604:Schloss Wetterstein 475:List of major works 861:The New York Times 778:Frühlings Erwachen 680:Walerian Borowczyk 665:as Lulu, and also 609:Castle Wetterstein 583:The Dance of Death 482:Frühlings Erwachen 375:Frühlings Erwachen 272:Joachim Ringelnatz 252: 200:Frühlings Erwachen 153: 119:Wedekind zur Horst 1424:Modernist theatre 1331: 1330: 1203:Project Gutenberg 1191:Media related to 661:(1929), starring 405:The "Lulu" plays 346:Travelling People 323:August Strindberg 145: 144: 1446: 1278:Spring Awakening 1256: 1249: 1242: 1233: 1232: 1228: 1227: 1212:Internet Archive 1190: 1095: 1094: 1092: 1090: 1081:. Archived from 1071: 1065: 1064: 1062: 1061: 1050: 1044: 1038: 1032: 1025: 1019: 1018: 1017:. pp. 52–3. 1010: 1004: 1001: 995: 994: 982: 976: 969: 963: 962: 960: 959: 948: 942: 941: 934:"Tilly Wedekind" 930: 921: 916:Meyer, Michael. 914: 908: 905: 899: 896: 890: 887: 881: 878: 872: 871: 869: 868: 851: 838: 809: 787:Spring Awakening 728:Der Kammersänger 721:Die Gezeichneten 511:The Court-Singer 506:Die Kammersänger 449:Der Kammersänger 429:Spring Awakening 380:Spring Awakening 250:Wedekind in 1883 205:Spring Awakening 141: 127: 110:(great-grandson) 73: 51: 49: 33: 19: 18: 1454: 1453: 1449: 1448: 1447: 1445: 1444: 1443: 1334: 1333: 1332: 1327: 1308: 1265: 1260: 1225: 1183: 1138:Brecht, Bertolt 1099: 1098: 1088: 1086: 1073: 1072: 1068: 1059: 1057: 1052: 1051: 1047: 1039: 1035: 1026: 1022: 1011: 1007: 1002: 998: 989:. 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(1965, 69). 803: 802: 795: 792: 712:Franz Schreker 645: 642: 641: 640: 628: 620: 612: 600: 588: 574: 562: 550: 538: 530: 518: 502: 490: 476: 473: 388:sado-masochism 369: 366: 351:Gottfried Benn 291:Simplicissimus 268:Walter Mehring 264:Kurt Tucholsky 216: 213: 143: 142: 134: 133: 129: 128: 116: 112: 111: 103:Erika Wedekind 100: 96: 95: 90: 86: 85: 76: 74:(aged 53) 68: 64: 63: 54: 41: 39: 35: 34: 26: 25: 23:Frank Wedekind 22: 15: 9: 6: 4: 3: 2: 1451: 1440: 1437: 1435: 1432: 1430: 1427: 1425: 1422: 1420: 1417: 1415: 1412: 1410: 1407: 1405: 1402: 1400: 1397: 1395: 1392: 1390: 1387: 1385: 1382: 1380: 1377: 1375: 1372: 1370: 1367: 1365: 1362: 1360: 1357: 1355: 1352: 1350: 1347: 1345: 1342: 1341: 1339: 1323: 1322: 1318: 1317: 1315: 1311: 1304: 1303: 1299: 1296: 1295: 1294:Pandora's Box 1291: 1288: 1287: 1283: 1280: 1279: 1275: 1274: 1272: 1268: 1264: 1257: 1252: 1250: 1245: 1243: 1238: 1237: 1234: 1222: 1218: 1215: 1213: 1209: 1206: 1204: 1200: 1197: 1194: 1189: 1185: 1184: 1175: 1174:0-413-34360-X 1171: 1167: 1163: 1160: 1156: 1153: 1152:0-413-38890-5 1149: 1145: 1144: 1139: 1136: 1133: 1132:0-631-14234-7 1129: 1125: 1121: 1118: 1117:0-521-43437-8 1114: 1110: 1106: 1105: 1104: 1103: 1084: 1080: 1076: 1070: 1055: 1049: 1043: 1037: 1030: 1024: 1016: 1009: 1000: 992: 988: 981: 974: 968: 953: 947: 939: 935: 929: 927: 919: 913: 904: 895: 886: 877: 863: 862: 857: 850: 848: 846: 844: 836: 832: 828: 824: 820: 816: 815: 808: 804: 801: 800: 791: 789: 788: 783: 779: 774: 772: 768: 767: 762: 758: 757: 752: 751: 747: 744: 739: 737: 733: 732:Hugo Weisgall 729: 725: 723: 722: 717: 713: 709: 705: 703: 699: 695: 691: 690: 685: 681: 677: 676: 672: 668: 664: 663:Louise Brooks 660: 659: 658:Pandora's Box 655: 652:'s acclaimed 651: 638: 634: 633: 629: 626: 625: 621: 618: 617: 613: 610: 606: 605: 601: 598: 594: 593: 589: 587: 584: 580: 579: 575: 572: 568: 567: 563: 560: 559:Pandora's Box 556: 555: 551: 548: 544: 543: 539: 536: 535: 531: 528: 524: 523: 519: 516: 512: 508: 507: 503: 500: 496: 495: 491: 488: 484: 483: 479: 478: 472: 471: 466: 464: 463:Faustian pact 460: 459: 453: 451: 450: 445: 443: 439: 435: 431: 430: 424: 423:Pandora's Box 420: 419: 414: 410: 409: 403: 401: 397: 393: 389: 385: 384:homoeroticism 381: 377: 376: 365: 363: 362:Douglas Adams 358: 356: 352: 348: 347: 341: 339: 335: 330: 328: 324: 320: 316: 312: 311:homosexuality 308: 303: 301: 297: 293: 292: 287: 286: 281: 277: 276:Erich Kästner 273: 269: 265: 261: 257: 248: 244: 242: 238: 234: 230: 229:San Francisco 226: 222: 212: 210: 206: 202: 201: 196: 195:Pandora's Box 192: 191: 186: 182: 181: 175: 173: 169: 168:expressionism 165: 161: 157: 149: 140: 135: 130: 125: 120: 117: 113: 109: 108:Douglas Adams 104: 101: 97: 94: 91: 87: 83: 82:German Empire 79: 70:March 9, 1918 69: 65: 61: 57: 52:July 24, 1864 40: 36: 32: 27: 20: 1319: 1300: 1292: 1286:Earth Spirit 1284: 1276: 1262: 1165: 1158: 1141: 1123: 1108: 1102:Bibliography 1101: 1100: 1087:. 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Index

Frank Wedekind
Hanover
German Confederation
Munich
German Empire
Playwright
Erika Wedekind
Douglas Adams
Wedekind zur Horst
de


playwright
bourgeois
expressionism
epic theatre
Erdgeist
Die Büchse der Pandora
Frühlings Erwachen
Broadway
Hanover
German Confederation
San Francisco
World War I
Munich
Maggi

satirical
Kurt Tucholsky
Walter Mehring

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