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Funnies Inc.

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The Jacquet shop was distinct from the other major shops. It was set up more like a clearinghouse that a conventional shop. While at the other classic shops there were actually buildings and offices housing ... many artists who often collaborated on jobs, most of Jacquet's artists worked from home
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As Everett described, "Lloyd ... had an idea that he wanted to start his own art service — to start a small organization to supply artwork and editorial material to publishers. ... He asked me to join him. He also asked Carl Burgos. So we were the nucleus ..." I don't know how to explain it, but I
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Funnies, Inc. was eventually made obsolete by the growing medium's success, allowing publishers to hire their own staffs. As Simon recalled, he stopped freelancing for the company when he became Timely Comics' editor: "Soon, we were buying only 'The Human Torch' and 'Sub-Mariner' from Jacquet and
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When Lloyd split with John , he offered me and a fellow by the name of Max Neill a chance to go in with him and two other guys, John Mahon and Frank Torpey ... We took a small loft office on 45th Street. The idea was to become publishers. But we didn't have the money or credit to publish our own
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Simon said that his Funnies, Inc. rate for a completed comic-book page — written, drawn and lettered — was $ 7. For comparison, he recalled that at Eisner-Iger — where Eisner wrote the features and created characters, hiring novice artists — the page rate was approximately $ 3.50 to $ 5.50;
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Toward the end of 1940, Jacquet sold Goodman the rights to the characters. Business relations evidently remained cordial; in an Aug. 14, 1942, photo given to attendees and widely published by the comics press in the 2000s, Jacquet was seated next to Goodman at a
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originated as oversized magazines that reprinted newspaper comic strips in color. These strips, coming from "the funny pages", were colloquially called "the funnies". Gradually, new material began to be created for the emerging
378:. As Everett recalled, Funnies, Inc., sales manager Frank Torpey "had a friend, Martin Goodman, who was in the publishing business, and Frank talked Martin into going into publishing comics ..." For what would be called 266:
Torpey was Centaur's sales director, and Mahon a publisher for one of Centaur's early iterations. Other Centaur staffers who followed Jacquet, on at least a freelance basis, included artists
238:, it was one of that era's "comic book packagers" that would create comics on demand for publishers. Its competitors included two other comics packagers formed around this time: 310:
was still on a freelance basis. That was the agreement we had. The artists, including myself, at Funnies, worked on a freelance basis." Comics historian Hames Ware added that,
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irritating the hell out of him with demands for script and art changes in the hopes that he would resign the features he had helped to build".
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and did solo work and, also unlike other shops, got credit for whatever job they did. (Jacquet also allowed writer credits from time to time).
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books so we became an art service. We'd put the whole book together, deliver the package to the publisher and get paid for it.
658: 17: 353: 962: 872: 844: 543: 920:#36 (May 2004): "The Creator of Captain America Meets the Creator of the Human Torch", by Joe Simon, pp. 3–6. 725: 900: 394: 339: 319: 950: 384:#1 (Oct. 1939), Funnies, Inc. created a set of features that included two nascent star characters: Burgos' 293: 375: 278:; and business manager Jim Fitzsimmons. Others who worked for Funnies, Inc. included future novelist 144: 808: 816: 385: 251: 747: 450: 399: 978: 288: 795: 698: 567: 478: 414: 380: 153: 44: 449:
luncheon Goodman hosted for the Timely and Funnies staffs, followed by a showing of the new
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Other early companies that bought material from Funnies, Inc. include Centaur,
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of the late 1930s to 1940s period collectors and historians call the
358:#5 (Sept. 1939), the premiere issue, as continuing the numbering of 856: 486: 462: 406:
involved having a multitude of corporate entities, eventually used
292:; and artist Bob Davis, who for Funnies, Inc. created the boy hero 201: 197: 226:. Jacquet then broke off to form Funnies, Inc., initially called 899:. Oddball Comics (column) ComicBookResources.com. Archived from 313: 37: 398:#1. Among the other characters introduced was Gustavson's the 210:
One of the many comics companies founded during this time was
151:, it supplied the contents of early comics, including that of 457: 453: 461:. Others at the table included Torpey, Gill, Timely editor 161:
Oct. 1939), the first publication of what would become the
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Ware, Hames (August 2003). "Re (letter to the editor)".
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publishers were charged $ 5 to $ 7 per finished page.
947:"A Tribute to Bill Everett, the Sub-Mariner's Father" 742:. Special Collections Department, McFarlin Library, 222:
and where comic creators included writer and artist
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American comic book packager of the late 1930s-1940s
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(2007). 552: 24: 959:"A Timely Talk with Allen Bellman" 911: 823:from the original on May 29, 2010. 230:Located at 45 West 45th Street in 174: 25: 995: 924: 984:Companies based in New York City 949:. Jim Hill Media. Archived from 887: 790:(7B). Marvel Comics Group. 1978. 36: 881: 865:Heritage Signature Auction #811 863:. In Halperin, James L. (ed.). 849: 762: 732: 703: 667: 636: 578: 519: 465:, and such artists/writers as 13: 1: 770:Motion Picture Funnies Weekly 713:Motion Picture Funnies Weekly 694:Motion Picture Funnies Weekly 512: 395:Motion Picture Funnies Weekly 360:Motion Picture Funnies Weekly 340:Motion Picture Funnies Weekly 320:Motion Picture Funnies Weekly 836:Simon, Joe, with Jim Simon. 574:: Supergraphics. p. 59. 7: 961:, Comicartville.com, 2005. 740:"Comic Books on Microfiche" 505:After Funnies, Inc. ended, 362:, but this is unconfirmed. 274:, and Ben Thompson; writer 179: 10: 1000: 317:Planned premiere issue of 935:"The Timely Comics Story" 500: 250:, and the quirkily named 145:Golden Age of Comic Books 124: 102: 90: 82: 72: 64: 35: 768:Overstreet, listing for 528:100 Greatest Comic Books 786:"Marvel Comics Index". 817:"The Deep Six Project" 803:Cite journal requires 601:"Everett on Everett". 425:created Blue Bolt and 366:The first Marvel comic 335: 328: 264: 957:Vassallo, Michael J. 953:on February 28, 2006. 903:on December 26, 2004. 838:The Comic Book Makers 728:on November 10, 2011. 699:Grand Comics Database 526:Weist, Jerry (2004). 507:Lloyd Jacquet Studios 415:Fox Feature Syndicate 330: 316: 259: 91:Headquarters location 611:(46): 8. March 2005. 589:Lambiek Comiclopedia 386:original Human Torch 212:Centaur Publications 185:American comic books 94:45 West 45th Street, 963:WebCitation archive 939:WebCitation archive 815:Chivian, J. (ed.). 744:University of Tulsa 419:Hillman Periodicals 349:University of Tulsa 228:First Funnies, Inc. 141:comic book packager 32: 18:First Funnies, Inc. 895:Your United States 585:Robert "Bob" Davis 536:Whitman Publishing 329: 30: 719:Heritage Auctions 660:978-0-375-72108-3 404:business strategy 252:Harry "A" Chesler 240:Eisner & Iger 134: 133: 125:Publication types 16:(Redirected from 991: 954: 905: 904: 885: 879: 878: 853: 847: 834: 825: 824: 812: 806: 801: 799: 791: 783: 777: 766: 760: 759: 757: 755: 750:on July 19, 2010 746:. 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Founded by 146: 142: 138: 137:Funnies, Inc. 130: 127: 123: 120: 119:Leonard Starr 116: 112: 108: 105: 101: 98: 97:New York City 93: 89: 85: 81: 78: 77:Lloyd Jacquet 75: 71: 67: 63: 59: 58:Timely Comics 55: 51: 47: 46: 45:Marvel Comics 39: 34: 19: 951:the original 931:Nevins, Jess 917: 901:the original 894: 883: 864: 851: 837: 796:cite journal 787: 781: 773: 769: 764: 754:November 10, 752:. 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Index

First Funnies, Inc.

Marvel Comics
cover-dated
Marvel
Timely Comics
Lloyd Jacquet
New York City
Carl Burgos
Bill Everett
Mickey Spillane
Leonard Starr
Comic books
comic book packager
Golden Age of Comic Books
Lloyd Jacquet
Marvel Comics
cover-dated
multimedia
corporation
Marvel Comics
American comic books
medium
comic books
Superman
magazine
publishers
Centaur Publications
Lloyd Jacquet
art director

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