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114:"was distinct from the other major shops. It was set up more like a clearinghouse than a conventional shop. While at the other classic shops, there were actually buildings and offices housing... many artists who often collaborated on jobs, most of Jacquet's artists worked from home and did solo work."
346:
By the late 1930s, the packaging business was flourishing. Chesler, who also acted as a publisher, recalled in a 1976 profile, "besides about 75 of my own titles, we produced comics for some 50 different publishers. At one time, there were 40 artists working for me and I had 300 comic titles on the
76:
There are two main reasons for utilizing a comics packager: a publisher new to the comics industry that does not have an in-house staff or access to a network of freelancers; or a business outside the comics industry that decides to produce comics for advertising or informational purposes. In these
350:
As the comics industry took hold, alumni of the packagers "went on to form the nuclei of various comics art staffs" for a number of different early comics companies. They also started their own studios; in the years 1942–1945, a number of artists became packagers in their own right, including
44:
In this arrangement, the comics-packaging company acts as a liaison between a publishing company and the writers, artists, and editors that design and produce the comic book. Comics packagers thus blend the roles of agent, editor, and publisher (as distinct from
2583:
The young Mr. Infantino enrolled in the School of
Industrial Art, a Manhattan public high school now known as the High School of Art and Design. When he was still only a freshman there, he began working part-time for the noted comic-book packager Harry
64:, formed in the 1930s to supply cheaply produced material to the burgeoning American comics industry. Some comics publishers used packaging services in the 1970s, 1980s, and 1990s as well. Comics packagers and art studios also played role in the
177:, who was paid to be listed as the credited writer as a way of increasing sales. Historian Hames notes, however, that at Funnies Inc., most artists "got credit for whatever job they did. (Jacquet also allowed writer credits from time to time)."
173:. (It's worth noting, however, that most comics stories produced during this period didn't contain credits, making individual attribution difficult.) In some cases, a creator's work would be credited to someone else's name, such as a
202:... and it suddenly hit me, out of the blue, that they would run out of a supply of these strips very soon, and then there'll be an opportunity to sell original material, drawn especially for these comic books. So... I told
122:
While the comics-packaging sector is little-known outside the publishing world, it provides employment to many freelance authors and illustrators. Most packagers pay a flat project or page rate. Packagers do not pay
592:. Campiti and Associates was active in comics packaging during the "black-and-white boom" of the mid-1980s. Independent publishers whose work was produced almost exclusively by Campiti and Associates include:
162:, who worked for a number of packagers in the late 1930s, notes that he made $ 10 a week with Eisner & Iger, and then, with the Chesler shop, $ 22 a week, increased to $ 42 a week within six months.
95:: "They were working for me full-time, on salary. I tried to avoid dealing with freelancers on a per-page basis." At the same time, Eisner & Iger charged publishers $ 5 to $ 7 per finished page.
41:— writing, illustrating, editing, and even printing — to an outside service called a packager. Once the comics packager has produced the comic, they then sell it to the final publishing company.
146:
1940, he was paid by
Chesler "a dollar a day, just study art, learn, and grow. That was damn nice of him, I thought. He did that for me for a whole summer" while Infantino was in high school.
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817:
3129:
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The first packagers to emerge were in the late 1930s, supplying comics features and complete comic books to publishers testing the waters of the emerging medium. As early packager
465:. Continuity served as the launching pad for the careers of a number of professional comics artists. (When doing collective comics work, the artists were often credited as "
2443:
Amash, Jim (May 2005). "I Always Felt
Storytelling was as Important as the Artwork: Will Eisner Talks About Quality Comics, Eisner & Iger, The Spirit—and Other Stuff".
2651:
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1889:
2366:, however, records only 19 distinct titles directly published by Chesler between 1937 and 1946, leaving the meaning of "my own titles" in this quote unclear.
3298:
5194:
3848:— contemporary comics packager, "content producer, and book agency specializing in graphic novels, illustrated works, and comics-savvy transmedia"
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407:
With the advent of the 1970s, a number of new packagers arose, most of whom provided comics art but not stories to their clients. These included
5184:
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2362:
David
Saunders, without citation of the original source, quotes Chesler saying, "At one time, there were forty artists working for me." The
4998:
1529:
Notes: For comics, generally provided art, not writing or editing; when doing collective comics work, the artists were often credited as "
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Packagers were responsible for the creation of a number of notable comics titles and characters. Funnies Inc., for example, founded by
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158:— where Eisner wrote the features and created characters, hiring novice artists — the page rate was approximately $ 3.50 to $ 5.50.
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Most of the early crop of packagers petered out by the mid-1950s as the remaining publishers produced their comics in-house.
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found work at
Continuity profitable enough that they left the comics industry to work exclusively on Continuity projects.
127:, which means that even if a package-produced comic becomes a bestseller, the creators do not receive additional payment.
68:
industry. Although not as prevalent as it once was, comics packaging still forms a segment of the modern comics industry.
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in the period 1971–1983, providing an entrée into the U.S. comics market for a great number of these
Spanish artists.
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about this idea and said I'd like to form a company with him and we'd produce the original art for these comic books.
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rate for a completed comic-book page — written, drawn, and lettered — was $ 7. For comparison, he recalled that at
2870:
568:(1993–present), operated more like a traditional comics packager, supplying complete comics to such publishers as
5077:
4935:
3519:
5237:
661:
market often used art packagers — often artists from Spain, from such studios as A.L.L.I. and Bardon Arts.
106:, and Eisner & Iger) were set up as physical studios. As explained by comics historian Hames Ware, however,
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4909:
4329:
4209:
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and advertising art, but it soon became an art packager for comic book publishers, including such companies as
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1614:
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2116:
987:
328:
304:
239:
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4522:
4173:
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5349:
4130:
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340:
230:, like the publishers they served. Packagers provided early work to such notable artists and writers as
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paying him $ 5 a week, at age 12 (c. 1938) to apprentice at his studio after school. Similarly, artist
1634:
1541:
91:, one of the first packagers, had 15 writers, artists and letterers on staff, according to co-founder
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2008:
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1238:
679:
384:
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135:
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1326:), Croyden (Rural Home Publishing imprint), Jay Burtis, Narrative, Lindsay Baird, Quality Comics (
287:#1 (cover-dated Oct. 1939), the first publication of what would become the multimedia corporation
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basis. Some packagers only provide art for the comics, with the writing done by in-house talent.
46:
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2808:
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1822:
1722:
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1293:
826:
547:
476:
412:
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3082:...he and Neal Adams opened the advertising and comics packaging agency Continuity Associates.
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1658:
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4857:
4690:
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2431:: We'd put the whole book together, deliver the package to the publisher and get paid for it.
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1968:
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165:
In the early days of comics, creators working for comics packagers worked anonymously as
3739:
1578:
315:). While with Eisner & Iger, Eisner is credited with co-creating such characters as
5057:
5052:
4919:
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Glass House
Graphics played a major role in the entrée of Brazilian artists such as
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88:
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1997:
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614:
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1654:
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332:
324:
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1984:
1964:
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1019:
952:
932:
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920:
904:
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786:
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729:
596:
553:
480:
445:
430:
379:
360:
312:
288:
278:
267:
227:
107:
82:
3656:
3626:
2727:
291:— not to mention featuring the debuts of such legacy characters as the
81:
concept, and the packager is then hired to write and produce the comic on a
4820:
4803:
4766:
4501:
4359:
4314:
4037:
4032:
3984:
3910:
3692:
3416:
3369:. Vol. 3, no. 9. Raleigh, North Carolina: TwoMorrows Publishing.
3257:
2866:
2428:
2423:
2411:
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2220:
2214:
2173:
2136:
2086:
1960:
1948:
1913:
1897:
1885:
1879:
1784:
1763:
1742:
1693:
1622:
1594:
1590:
1496:
1378:
1351:
1234:
1132:
1008:
999:
960:
816:
Notes: Also operated as a publisher. Supposedly also provided material for
802:
758:
642:
626:
495:
470:
368:
263:
255:
219:
199:
166:
159:
151:
111:
3421:
The Ten-Cent Plague: The Great Comic-Book Scare and How It
Changed America
2975:
1925:(Richard Ashford, Bambos Georgiou, Richard Hansom, Cefn Ridout), 1992–1995
1806:
1734:
1670:
1650:
535:
4738:
4047:
4001:
3957:
3942:
3333:
2327:
2169:
2149:
2069:
1909:
1814:
1802:
1798:
1752:
1730:
1714:
1662:
1537:
1516:
1484:
1359:
1060:
835:
782:
766:
755:
539:
531:
527:
437:
259:
251:
231:
191:
92:
57:
50:
2921:
4443:
4065:
4027:
3905:
3696:
3323:, Who's Who of American Comic Books, 1928–1999. Accessed Jan. 14, 2012.
3018:"A Moon... A Bat... A Hawk: A Candid Conversation With Sheldon Moldoff"
3001:
2882:
2323:
2319:
2288:
2131:
2076:
2029:
2002:
1921:
1893:
1818:
1726:
1524:
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1480:
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1460:
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964:
940:
916:
854:
839:
810:
794:
707:
701:
585:
543:
426:
352:
235:
203:
198:
the only comic books being started were all reprinting daily newspaper
131:
38:
2897:
2518:
Ewing, Emma Mai (September 12, 1976). "The 'Funnies' Can Be
Serious".
4496:
3930:
2463:
2185:
2043:
2038:
1780:
1718:
1437:
1308:
1262:
1250:
1102:
1098:
1068:
912:
908:
790:
778:
770:
646:
577:
449:
364:
308:
271:
174:
170:
147:
124:
78:
5082:
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2161:
1905:
1367:
1285:
1277:
1152:
975:
936:
928:
634:
316:
169:
and "ghost artists", under the packaging company name, or under an
5286:
518:
to various publishers using the talents of comics artists such as
3994:
3972:
3472:
2688:
1746:
5298:
3840:
5180:
Association des
Critiques et des journalistes de Bande Dessinée
4709:
4668:
4386:
3882:
2054:
507:
3252:
Sanderson, Peter; Gillis, Peter B. (September–October 1981). "
374:
When superhero comics went out of fashion in the postwar era,
4697:
4087:
3516:
Of Comics and Men: A Cultural History of American Comic Books
2280:
1090:
292:
3202:
3200:
2573:"Carmine Infantino, Reviver of Batman and Flash, Dies at 87"
56:
Comics packagers, often operated by notable artists such as
2810:
Superhero Comics of the Golden Age: The Illustrated History
37:
outsources the myriad tasks involved in putting together a
2386:
1971 to 1975 the Chesler studio produced material for the
998:(Fox) during this time. Eisner & Iger also sold color
3851:
3197:
3845:
2496:
Ware, Hames (August 2003). "Re (letter to the editor)".
974:. Eisner credited with co-creating characters including
2596:
Cassell, Dewey; Sultan, Aaron; Gartland, Mike (2005).
2195:
3174:
3172:
2940:
Cassell, Dewey, with Aaron Sultan and Mike Gartland.
2813:. Dallas: Taylor Publishing Company. pp. 80–81.
2595:
210:
The most prominent packagers during this period were
2995:
2709:(November 1974). "In Memorium: Otto Oscar Binder".
3385:
3169:
1212:Notes: Seems to have hired staff only in 1944–1945
5195:Comic & Fantasy Art Amateur Press Association
3811:
3677:. Frank Frazetta Art Gallery. n.d. Archived from
3049:Dick Giordano: Changing Comics, One Day at a Time
479:, a Spanish art agency, provided artists for the
433:in 1971. At first, Continuity primarily supplied
5336:
3340:. (interview) Now and Then Times. Archived from
3236:
3132:. Joe Shuster Canadian Comic Book Creator Awards
77:latter cases, the comic is first conceived as a
4994:Comics and comic strips made into feature films
3545:
3543:
3251:
3232:
3230:
3228:
2881:and Will Eisner), P.O.V. Online. Archived from
2388:Marvel Comics line of black-and-white magazines
5185:Canadian Comic Book Creator Awards Association
5073:Michigan State University Comic Art Collection
2757:. Fiction House Comics (fan site). p. 4.
2677:
669:
3867:
3212:Who's Who of American Comics Books, 1928–1999
3184:Who's Who of American Comics Books, 1928–1999
3064:
3062:
382:, packaging two such ready-to-print titles —
3744:Who's Who of American Comic Books, 1928–1999
3719:Who's Who of American Comic Books, 1928–1999
3583:Who's Who of American Comic Books, 1928–1999
3555:Who's Who of American Comic Books, 1928–1999
3540:
3397:Who's Who of American Comic Books, 1928–1999
3270:
3225:
3046:
2992:. Additional, archived on November 11, 2016.
2840:
1942:Lux & Alby Sign on and Save the Universe
185:
98:Historically, comics packagers (such as the
3573:
3571:
3518:. Translated by Beaty, Bart; Nguyen, Nick.
3354:
3352:
3311:(Requires scrolldown to 8:25 a.m. PST post)
3127:
2416:The Steranko History of Comics - Volume One
2382:editor-in-chief, said that as late as from
664:
5233:British Amateur Press Association (comics)
5031:Billy Ireland Cartoon Library & Museum
3874:
3860:
3820:"Flashback 1969: TV21 & Joe 90 No.1,""
3326:
3068:
3059:
2491:
2489:
2487:
2462:
117:
49:, which perform a similar function in the
5228:Academy of Comic-Book Fans and Collectors
5142:Association of Comics Magazine Publishers
3596:
3513:
3483:
2834:
652:
5190:Canadian Society for the Study of Comics
3817:
3602:
3568:
3349:
3332:
2967:
2705:
2642:
2640:
2638:
2636:
2634:
2410:
1175:, Aviation Press, Chesler Publications,
3763:
3503:from the original on December 23, 2010.
3461:
3128:Mietkiewicz, Henry (31 December 2008).
3093:
2865:
2699:
2513:
2511:
2484:
14:
5337:
3703:from the original on February 3, 2010.
3691:
3490:
3373:from the original on November 29, 2010
3346:Additional created September 26, 2010.
3047:Eury, Michael; Giordano, Dick (2003).
3036:from the original on December 1, 2010.
2982:from the original on November 11, 2016
2806:
469:.") More established cartoonists like
5048:Caricature & Cartoon Museum Basel
3855:
3358:
3297:. ComicsReporter.com. July 31, 2008.
2895:
2845:. TwoMorrows Publishing. p. 88.
2734:from the original on January 26, 2012
2695:from the original on August 19, 2017.
2657:
2631:
2552:from the original on January 18, 2012
2517:
2458:
2456:
2442:
1316:Clients: Cambridge House Publishers (
4999:Comics solicited but never published
3796:
3790:
3493:"Excerpts from Chic Stone interview"
3074:"A Comic Moment With… DICK GIORDANO"
3040:
2973:
2915:
2859:
2508:
2495:
1125:(also Better Comics, Nedor Comics),
33:is a publishing activity in which a
5319:
5147:Australian Cartoonists' Association
5137:Association of Canadian Cartoonists
3824:Blimey! The Blog of British Comics!
3611:
3479:from the original on March 8, 2016.
3423:(Farrar, Straus and Giroux, 2008),
3284:from the original on March 3, 2016.
2773:
2752:
2570:
2404:
2225:Notes: Artists only. Based in Spain
2196:Packagers in the U.K. comics market
1687:Notes: Spanish agency; artwork only
24:
3818:Stringer, Lew (25 November 2007).
3010:
2841:Koolman, Mike; Amash, Jim (2011).
2761:from the original on July 16, 2011
2725:
2470:. New York: Vanguard Productions.
2453:
1332:), Neal Publications, Novack '45 (
281:, supplied the entire contents of
25:
5361:
3834:
3625:(186). April 1996. Archived from
3619:"Interview with Gil Kane, Part I"
3301:from the original on May 27, 2011
2540:"The Carmine Infantino Interview"
649:into the American comics market.
339:. Eisner & Iger also created
194:noted at this time, around 1936,
71:
5318:
5309:
5308:
5297:
5285:
5248:Comic Legends Legal Defense Fund
5162:Samahang Kartunista ng Pilipinas
5063:Fred Waring's Cartoon Collection
3797:Beal, George (5 December 1997).
3605:The Steranko History of Comics 2
1760:Byron Preiss Visual Publications
500:Byron Preiss Visual Publications
5078:Museum of Comic and Cartoon Art
3757:
3732:
3707:
3685:
3666:
3650:
3633:
3526:. Retrieved December 21, 2012.
3520:University Press of Mississippi
3507:
3491:Cassar, James (February 1997).
3434:
3410:
3314:
3287:
3245:
3144:
3121:
3087:
2934:
2889:
2873:. (transcript, Part 2, of 1999
2800:
2746:
2719:
2571:Fox, Margalit (April 5, 2013).
2369:
2356:
2318:Notable creators: Alf Wallace,
1751:Notes: Artists mostly from the
1396:
832:Syndicated Features Corporation
307:is also credited with creating
5152:Comic Art Professional Society
3892:Glossary of comics terminology
3766:"Friday at the License Bureau"
3764:Hatcher, Greg (Feb 25, 2006).
3096:"Friday at the License Bureau"
3094:Hatcher, Greg (Feb 25, 2006).
3028:(4). Raleigh, North Carolina:
2712:The Amazing World of DC Comics
2622:
2589:
2564:
2532:
2436:
2275:Notes: Artists only. Based in
13:
1:
5243:Comic Book Legal Defense Fund
3659:at the Lambiek Comiclopedia.
3646:. No. 155. January 1973.
3514:Gabilliet, Jean-Paul (2009).
3361:"I Didn't Stay In One Place!"
3266:. No. 12/13. p. 44.
2529:accessed on January 17, 2012.
2426:: Supergraphics. p. 59.
2397:
2383:
2297:
1988:
1837:
1767:
1708:Pendulum Illustrated Classics
1416:
1336:imprint), R. B. Leffingwell,
1023:
843:
687:
683:
561:
425:), was formed by cartoonists
402:
392: — eventually bought by
143:
5157:National Cartoonists Society
4946:Based on television programs
3799:"Obituary: Leonard Matthews"
3002:Chesler / Dynamic, 1937-1946
2755:"Jumbo Comics Comic Artists"
1127:National Comics Publications
7:
5088:Words & Pictures Museum
3643:Superman's Pal, Jimmy Olsen
3359:Tuska, George (July 2001).
2337:
972:Sheena, Queen of the Jungle
657:Starting in the 1950s, the
378:became an early pioneer in
341:Sheena, Queen of the Jungle
10:
5366:
5132:Academy of Comic Book Arts
5104:Center for Cartoon Studies
5026:Belgian Comic Strip Center
3881:
3697:"His Name Is Kane, Part 1"
3640:"Jimmy Olsen's Pen-Pals".
3295:"Creig Flessel, 1912-2008"
3152:"Win Mortimer (1919–1998)"
3130:"Win Mortimer (1919-1998)"
2902:Don Markstein's Toonopedia
2728:"Seducers of the Innocent"
2093:Interview with the Vampire
1558:(Josep Toutain), 1971–1983
180:
27:Comics publishing activity
5280:
5238:Club des bandes dessinées
5218:
5170:
5124:
5117:
5096:
5016:
4972:Best-selling comic series
4959:
4928:
4897:
4888:
4868:
4757:
4661:
4611:
4595:
4586:
4550:Portrayal of black people
4515:
4462:
4302:
4291:
4224:
4197:
4144:
4111:
4056:
4020:
3898:
3889:
2673:. No. 16. June 1997.
2449:. No. 48. p. 9.
2390:. (Chesler died in 1981.)
1611:Emilia Castañeda MartĂnez
1392:Notable creators: Al Fago
670:Golden Age of Comic Books
186:Golden Age of Comic Books
3208:"Campiti and Associates"
2349:
1973:Notes: Based in the U.K.
1548:, and conceptual design.
1247:Mister Scarlet and Pinky
1239:Lev Gleason Publications
665:Notable comics packagers
385:This Magazine Is Haunted
303:. Funnies Inc. employee
5043:British Cartoon Archive
5036:National Cartoon Museum
2942:The Art of George Tuska
2875:Comic-Con International
2602:Raleigh, North Carolina
2598:The Art of George Tuska
2123:The Queen of the Damned
1203:, Rural Home Publishing
118:Remuneration and credit
5253:Finnish Comics Society
5210:Svenska Serieakademien
5200:Comics Studies Society
5068:Gibiteca Antonio Gobbo
4572:Women in Refrigerators
4567:The Hawkeye Initiative
4205:Female comics creators
3603:Steranko, Jim (1972).
3237:Lambiek Comiclopedia.
3180:"Glass House Graphics"
2925:#46 (January 14, 1938)
2548:(191). November 1996.
1830:Campiti and Associates
1555:Selecciones Ilustradas
827:Eisner and Iger Studio
653:The U.K. comics market
558:Campiti and Associates
477:Selecciones Ilustradas
461:, and even Adams' own
413:Selecciones Ilustradas
208:
4989:Comic books on CD/DVD
4239:Comics historiography
3629:on February 26, 2000.
3475:. December 14, 2007.
3344:on November 20, 2003.
3053:TwoMorrows Publishing
3030:TwoMorrows Publishing
3006:Grand Comics Database
2946:TwoMorrows Publishing
2929:Grand Comics Database
2885:on December 17, 2010.
2869:(September 8, 2000).
2843:The Quality Companion
2807:Benton, Mike (1992).
2790:Grand Comics Database
2691:. February 22, 2017.
2606:TwoMorrows Publishing
2468:The Comic Book Makers
2466:; Simon, Jim (2003).
2364:Grand Comics Database
2240:Fleetway Publications
2082:Innovation Publishing
1843:TriCorp Entertainment
1434:Atlas/Seaboard Comics
1404:Continuity Associates
1047:Fox Feature Syndicate
1015:Lloyd Jacquet Studios
992:Fox Feature Syndicate
880:Fox Feature Syndicate
868:Editors Press Service
590:Innovation Publishing
419:Continuity Associates
409:Continuity Associates
196:
5205:Sequart Organization
4951:Based on video games
4533:Gender and webcomics
4098:Publishing companies
3841:Glass House Graphics
3778:on November 10, 2013
3771:Comic Book Resources
3681:on December 7, 2009.
3497:Jack Kirby Collector
3473:Lambiek Comiclopedia
3447:Lambiek Comiclopedia
3108:on November 10, 2013
3101:Comic Book Resources
2689:Lambiek Comiclopedia
2670:Jack Kirby Collector
2648:Bernard Baily Studio
2060:Beauty and the Beast
1980:Glass House Graphics
1569:Skywald Publications
1546:3D computer graphics
1338:Holyoke Publications
1301:Bernard Baily Studio
1189:Magazine Enterprises
1177:Farrell Publications
1043:Centaur Publications
566:Glass House Graphics
564:1985–1988) and then
489:Skywald Publications
483:magazine publishers
394:Fawcett Publications
5263:The Hero Initiative
4543:American mainstream
4345:Comics in education
3948:Comic strip formats
3699:. SteveStiles.com.
3675:"The 1940s, page 2"
3672:Frazetta quoted at
3276:Bails, Ware (eds.)
3156:Superman Super Site
2978:. PulpArtists.com.
2976:"Harry "A" Chesler"
2871:"Blackhawk, Part 2"
2707:Bridwell, E. Nelson
2652:WebCitation archive
2145:of the Green Hornet
1713:Notable creators:
1627:VĂctor de la Fuente
1607:Jaime Brocal RemohĂ
1540:, advertising art,
1319:Star Studded Comics
1290:Kurt Schaffenberger
1255:Ibis the Invincible
1051:Hillman Periodicals
274:, and many others.
18:Comic book packager
5350:Comics terminology
5304:Cartoon portal
5058:The Cartoon Museum
5053:Cartoon Art Museum
4777:France and Belgium
4562:Portrayal of women
4555:African characters
4523:Ethnic stereotypes
3623:The Comics Journal
2898:"The Flame (1939)"
2665:"Eisner interview"
2545:The Comics Journal
2521:The New York Times
2265:Notable creators:
2219:Notable creators:
2160:Notable creators:
1947:Notable creators:
1884:Notable creators:
1811:John Jude Palencar
1789:Notable creators:
1615:Fernando Fernández
1573:Notable creators:
1455:Notable creators:
1342:Notable creators:
1276:Notable creators:
1218:Jack Binder Studio
1206:Notable creators:
1201:Orbit Publications
1185:Holyoke Publishing
1131:Notable creators:
1114:Benjamin W. Sangor
1059:Notable creators:
903:Notable creators:
888:Wonderworld Comics
750:Notable creators:
747:(various features)
697:MLJ Magazines Inc.
494:Starting in 1974,
423:Continuity Studios
35:publishing company
5332:
5331:
5292:Comics portal
5276:
5275:
5109:The Kubert School
5012:
5011:
4884:
4883:
4582:
4581:
4507:Widescreen comics
4350:Comics journalism
4220:
4219:
4012:Political cartoon
3953:Daily comic strip
3533:978-1-60473-267-2
3429:978-0-374-18767-5
3072:(July 20, 2022).
2974:Saunders, David.
2962:978-1-893905-40-5
2730:. CrimeBoss.com.
2615:978-1-893905-40-5
2211:Amalgamated Press
2128:Mad International
2021:Continuity Comics
2005:: The Executioner
1932:Dark Horse Comics
1864:Pied Piper Comics
1675:Vicente Segrelles
1631:Luis GarcĂa Mozos
1565:Warren Publishing
1533:". Also supplied
1442:Continuity Comics
1364:Carmine Infantino
1324:Gold Medal Comics
1282:Carmine Infantino
1160:L. B. Cole Studio
857:, and from 1945,
850:S. M. Iger Studio
807:Carmine Infantino
680:Harry "A" Chesler
603:Pied Piper Comics
574:Continuity Comics
512:illustrated books
485:Warren Publishing
463:Continuity Comics
216:Eisner & Iger
212:Harry "A" Chesler
156:Eisner & Iger
140:Carmine Infantino
136:Harry "A" Chesler
89:Eisner & Iger
16:(Redirected from
5357:
5322:
5321:
5312:
5311:
5302:
5301:
5290:
5289:
5268:Xeric Foundation
5122:
5121:
4936:Based on fiction
4895:
4894:
4669:China and Taiwan
4593:
4592:
4392:Graphic medicine
4335:Autobiographical
4300:
4299:
4278:Japanese (manga)
4184:Japanese (manga)
4109:
4108:
3876:
3869:
3862:
3853:
3852:
3828:
3827:
3815:
3809:
3808:
3794:
3788:
3787:
3785:
3783:
3774:. Archived from
3761:
3755:
3754:
3752:
3750:
3736:
3730:
3729:
3727:
3725:
3711:
3705:
3704:
3689:
3683:
3682:
3670:
3664:
3654:
3648:
3647:
3637:
3631:
3630:
3621:. Excerpts from
3615:
3609:
3608:
3607:. Supergraphics.
3600:
3594:
3593:
3591:
3589:
3575:
3566:
3565:
3563:
3561:
3547:
3538:
3537:
3511:
3505:
3504:
3487:
3481:
3480:
3465:
3459:
3458:
3456:
3454:
3438:
3432:
3414:
3408:
3407:
3405:
3403:
3389:
3383:
3382:
3380:
3378:
3356:
3347:
3345:
3336:(October 1973).
3330:
3324:
3318:
3312:
3310:
3308:
3306:
3291:
3285:
3274:
3268:
3267:
3249:
3243:
3242:
3234:
3223:
3222:
3220:
3218:
3204:
3195:
3194:
3192:
3190:
3176:
3167:
3166:
3164:
3162:
3148:
3142:
3141:
3139:
3137:
3125:
3119:
3117:
3115:
3113:
3104:. Archived from
3091:
3085:
3084:
3070:KUPPERBERG, PAUL
3066:
3057:
3056:
3044:
3038:
3037:
3014:
3008:
2999:
2993:
2991:
2989:
2987:
2971:
2965:
2938:
2932:
2919:
2913:
2912:
2910:
2908:
2896:Markstein, Don.
2893:
2887:
2886:
2863:
2857:
2856:
2838:
2832:
2831:
2829:
2827:
2804:
2798:
2795:
2777:
2771:
2770:
2768:
2766:
2750:
2744:
2743:
2741:
2739:
2723:
2717:
2716:
2703:
2697:
2696:
2681:
2675:
2674:
2661:
2655:
2644:
2629:
2626:
2620:
2619:
2593:
2587:
2586:
2568:
2562:
2561:
2559:
2557:
2536:
2530:
2525:
2515:
2506:
2505:
2493:
2482:
2481:
2460:
2451:
2450:
2440:
2434:
2433:
2408:
2391:
2385:
2373:
2367:
2360:
2299:
2294:Leonard Matthews
2250:Once Upon a Time
2178:Dærick Gröss Sr.
2105:Lucifer's Hammer
1990:
1839:
1769:
1671:Manuel Sanjulián
1579:Rafael Aura LeĂłn
1418:
1334:Spotlight Comics
1193:Spotlight Comics
1025:
845:
818:Marvel Magazines
714:Top-Notch Comics
689:
685:
563:
516:children's books
421:(later known as
337:Fox Publications
145:
142:remembers that,
31:Comics packaging
21:
5365:
5364:
5360:
5359:
5358:
5356:
5355:
5354:
5335:
5334:
5333:
5328:
5296:
5284:
5272:
5258:Friends of Lulu
5220:
5214:
5172:
5166:
5113:
5092:
5018:
5017:Collections and
5008:
4982:manga magazines
4955:
4924:
4915:Manga magazines
4880:
4864:
4753:
4657:
4607:
4578:
4511:
4482:Talking animals
4458:
4419:Science fiction
4330:Anthropomorphic
4296:and narratology
4295:
4287:
4234:Years in comics
4216:
4193:
4157:Jewish American
4140:
4107:
4052:
4016:
3936:Trade paperback
3894:
3885:
3880:
3837:
3832:
3831:
3816:
3812:
3804:The Independent
3795:
3791:
3781:
3779:
3762:
3758:
3748:
3746:
3738:
3737:
3733:
3723:
3721:
3713:
3712:
3708:
3690:
3686:
3673:
3671:
3667:
3655:
3651:
3639:
3638:
3634:
3617:
3616:
3612:
3601:
3597:
3587:
3585:
3579:"Nina Albright"
3577:
3576:
3569:
3559:
3557:
3549:
3548:
3541:
3534:
3512:
3508:
3499:. No. 14.
3488:
3484:
3469:"Frank Giacoia"
3467:
3466:
3462:
3452:
3450:
3442:"Reed Crandall"
3440:
3439:
3435:
3415:
3411:
3401:
3399:
3391:
3390:
3386:
3376:
3374:
3357:
3350:
3331:
3327:
3321:Bob McCay entry
3319:
3315:
3304:
3302:
3293:
3292:
3288:
3275:
3271:
3250:
3246:
3235:
3226:
3216:
3214:
3206:
3205:
3198:
3188:
3186:
3178:
3177:
3170:
3160:
3158:
3150:
3149:
3145:
3135:
3133:
3126:
3122:
3111:
3109:
3092:
3088:
3067:
3060:
3045:
3041:
3032:. Spring 2000.
3016:
3015:
3011:
3000:
2996:
2985:
2983:
2972:
2968:
2939:
2935:
2920:
2916:
2906:
2904:
2894:
2890:
2864:
2860:
2853:
2839:
2835:
2825:
2823:
2821:
2805:
2801:
2779:
2778:
2774:
2764:
2762:
2753:Wickham, Paul.
2751:
2747:
2737:
2735:
2726:Wright, Nicky.
2724:
2720:
2704:
2700:
2683:
2682:
2678:
2663:
2662:
2658:
2645:
2632:
2628:Cassell, p. 27.
2627:
2623:
2616:
2594:
2590:
2569:
2565:
2555:
2553:
2538:
2537:
2533:
2516:
2509:
2494:
2485:
2478:
2461:
2454:
2441:
2437:
2409:
2405:
2400:
2395:
2394:
2374:
2370:
2361:
2357:
2352:
2340:
2332:Vicente Alcazar
2198:
2111:On a Pale Horse
1998:Comic Shop News
1872:Imperial Comics
1868:Eternity Comics
1841:
1667:Leopold Sánchez
1619:Alfons Figueras
1575:Vicente Alcazar
1447:Big Apple Comix
1426:Charlton Comics
1399:
1388:Charlton Comics
1123:Standard Comics
1085:Notes: Created
1081:Basil Wolverton
1073:Mickey Spillane
970:Notes: Created
897:Feature Funnies
878:(many titles),
847:
740:Feature Funnies
672:
667:
655:
615:Imperial Comics
609:Eternity Comics
570:Eternity Comics
458:Big Apple Comix
442:Charlton Comics
405:
376:Sheldon Moldoff
226:, all based in
188:
183:
120:
74:
28:
23:
22:
15:
12:
11:
5:
5363:
5353:
5352:
5347:
5330:
5329:
5327:
5326:
5316:
5306:
5294:
5281:
5278:
5277:
5274:
5273:
5271:
5270:
5265:
5260:
5255:
5250:
5245:
5240:
5235:
5230:
5224:
5222:
5219:Charitable and
5216:
5215:
5213:
5212:
5207:
5202:
5197:
5192:
5187:
5182:
5176:
5174:
5168:
5167:
5165:
5164:
5159:
5154:
5149:
5144:
5139:
5134:
5128:
5126:
5119:
5115:
5114:
5112:
5111:
5106:
5100:
5098:
5094:
5093:
5091:
5090:
5085:
5080:
5075:
5070:
5065:
5060:
5055:
5050:
5045:
5040:
5039:
5038:
5028:
5022:
5020:
5014:
5013:
5010:
5009:
5007:
5006:
5004:Limited series
5001:
4996:
4991:
4986:
4985:
4984:
4979:
4969:
4963:
4961:
4957:
4956:
4954:
4953:
4948:
4943:
4941:Based on films
4938:
4932:
4930:
4926:
4925:
4923:
4922:
4917:
4912:
4907:
4901:
4899:
4892:
4886:
4885:
4882:
4881:
4879:
4878:
4872:
4870:
4866:
4865:
4863:
4862:
4861:
4860:
4853:United Kingdom
4850:
4849:
4848:
4838:
4833:
4828:
4823:
4818:
4817:
4816:
4806:
4801:
4796:
4791:
4790:
4789:
4784:
4774:
4769:
4767:Czech Republic
4763:
4761:
4755:
4754:
4752:
4751:
4746:
4741:
4736:
4735:
4734:
4724:
4719:
4718:
4717:
4707:
4706:
4705:
4695:
4694:
4693:
4683:
4682:
4681:
4676:
4665:
4663:
4659:
4658:
4656:
4655:
4654:
4653:
4643:
4638:
4637:
4636:
4626:
4621:
4615:
4613:
4609:
4608:
4606:
4605:
4599:
4597:
4590:
4584:
4583:
4580:
4579:
4577:
4576:
4575:
4574:
4569:
4559:
4558:
4557:
4547:
4546:
4545:
4535:
4530:
4525:
4519:
4517:
4513:
4512:
4510:
4509:
4504:
4499:
4494:
4489:
4484:
4479:
4474:
4468:
4466:
4460:
4459:
4457:
4456:
4451:
4446:
4441:
4436:
4431:
4426:
4421:
4416:
4415:
4414:
4404:
4399:
4394:
4389:
4384:
4383:
4382:
4372:
4367:
4362:
4357:
4352:
4347:
4342:
4337:
4332:
4327:
4322:
4317:
4312:
4306:
4304:
4297:
4293:Comics studies
4289:
4288:
4286:
4285:
4280:
4275:
4274:
4273:
4272:
4271:
4261:
4256:
4251:
4241:
4236:
4230:
4228:
4222:
4221:
4218:
4217:
4215:
4214:
4213:
4212:
4201:
4199:
4195:
4194:
4192:
4191:
4186:
4181:
4176:
4171:
4166:
4161:
4160:
4159:
4148:
4146:
4142:
4141:
4139:
4138:
4133:
4128:
4127:
4126:
4115:
4113:
4106:
4105:
4100:
4095:
4090:
4085:
4080:
4075:
4074:
4073:
4062:
4060:
4054:
4053:
4051:
4050:
4045:
4040:
4035:
4030:
4024:
4022:
4018:
4017:
4015:
4014:
4009:
4004:
3999:
3998:
3997:
3992:
3987:
3980:Digital comics
3977:
3976:
3975:
3970:
3965:
3960:
3955:
3950:
3940:
3939:
3938:
3933:
3928:
3926:Ongoing series
3923:
3918:
3916:Limited series
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3835:External links
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3657:Frank Frazetta
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3334:Hewetson, Alan
3325:
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3263:Comics Feature
3254:Comics Feature
3244:
3239:"Luis Bermejo"
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3078:13th Dimension
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2781:"Marvel Comics
2772:
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2608:. p. 21.
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2307:City Magazines
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2255:Look and Learn
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2205:
2197:
2194:
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2182:David Lawrence
2158:
2065:Eclipse Comics
1993:
1992:
1975:
1974:
1971:
1945:
1927:
1926:
1917:
1916:
1902:David Lawrence
1882:
1855:
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1847:Brian Marshall
1826:
1825:
1795:Dennis Francis
1791:Howard Chaykin
1787:
1772:
1771:
1756:
1755:
1749:
1739:Nestor Redondo
1711:
1704:Pendulum Press
1699:
1698:
1689:
1688:
1685:
1683:Ramon Torrents
1679:Manfred Sommer
1647:Esteban Maroto
1643:Jorge LongarĂłn
1635:Carlos Giménez
1583:Alfonso Azpiri
1571:
1560:
1559:
1550:
1549:
1535:motion picture
1531:Crusty Bunkers
1527:
1521:Greg Theakston
1509:Joe Rubinstein
1501:Michael Netzer
1473:Dennis Francis
1469:Howard Chaykin
1453:
1421:
1420:
1398:
1395:
1394:
1393:
1390:
1383:
1382:
1371:
1370:
1356:Frank Frazetta
1340:
1329:Feature Comics
1313:
1312:
1297:
1296:
1274:
1259:Captain Battle
1231:Fawcett Comics
1226:
1225:
1214:
1213:
1210:
1204:
1181:Fawcett Comics
1168:
1167:
1156:
1155:
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1118:
1117:
1106:
1105:
1083:
1065:Paul Gustavson
1057:
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1003:
1002:to newspapers.
980:Quality Comics
968:
957:Charles Sultan
945:Klaus Nordling
901:
892:Quality Comics
863:
862:
822:
821:
814:
799:Charles Sultan
748:
745:Centaur Comics
735:Quality Comics
724:Captain Marvel
719:Fawcett Comics
692:
691:
676:Chesler Studio
671:
668:
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659:British comics
654:
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631:
630:
624:
618:
612:
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588:, and his own
582:Eclipse Comics
524:Dennis Francis
520:Howard Chaykin
504:graphic novels
467:Crusty Bunkers
435:motion picture
404:
401:
396:in 1951–1952.
390:Worlds of Fear
325:Quality Comics
187:
184:
182:
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150:said that his
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72:Business model
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66:British comics
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4477:Decompression
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4355:Comics poetry
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4044:
4043:Silent comics
4041:
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4036:
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4026:
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4023:
4019:
4013:
4010:
4008:
4007:Graphic novel
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3988:
3986:
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3978:
3974:
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3963:Sunday comics
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3710:
3702:
3698:
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3693:Stiles, Steve
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3398:
3394:
3393:"Iger Studio"
3388:
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3124:
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3079:
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3071:
3065:
3063:
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3043:
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3023:
3019:
3013:
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3003:
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2981:
2977:
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2963:
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2955:
2954:1-893905-40-3
2951:
2947:
2943:
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2918:
2903:
2899:
2892:
2884:
2880:
2879:Chuck Cuidera
2876:
2872:
2868:
2867:Evanier, Mark
2862:
2854:
2848:
2844:
2837:
2822:
2820:0-87833-808-X
2816:
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2803:
2797:
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2749:
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2714:
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2708:
2702:
2694:
2690:
2686:
2685:"Jack Binder"
2680:
2672:
2671:
2666:
2660:
2653:
2649:
2646:Bails, Ware.
2643:
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2477:1-887591-35-4
2473:
2469:
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2448:
2447:
2439:
2432:
2430:
2425:
2421:
2417:
2413:
2412:Steranko, Jim
2407:
2403:
2389:
2381:
2380:Marvel Comics
2377:
2372:
2365:
2359:
2355:
2345:
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2341:
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2329:
2325:
2321:
2317:
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2200:
2199:
2191:
2190:Matt Thompson
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2167:
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2159:
2156:
2152:
2151:
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2144:
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2138:
2133:
2129:
2125:
2124:
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2118:
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2112:
2107:
2106:
2101:
2100:
2099:Lost in Space
2095:
2094:
2089:
2088:
2083:
2079:
2078:
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2061:
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2032:
2031:
2026:
2022:
2018:
2014:
2010:
2006:
2004:
1999:
1995:
1994:
1986:
1985:David Campiti
1982:
1981:
1977:
1976:
1972:
1970:
1966:
1965:Martin Millar
1962:
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1954:
1953:John M. Burns
1950:
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1943:
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1938:
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1919:
1918:
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1899:
1895:
1891:
1887:
1883:
1881:
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1865:
1861:
1860:Sirius Comics
1857:
1856:
1852:
1851:David Campiti
1848:
1844:
1835:
1834:David Campiti
1831:
1828:
1827:
1824:
1823:Mark Wheatley
1820:
1816:
1812:
1808:
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1786:
1782:
1778:
1777:Pyramid Books
1774:
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1761:
1758:
1757:
1754:
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1740:
1736:
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1513:Walt Simonson
1510:
1506:
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1465:Pat Broderick
1462:
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1439:
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1431:
1430:Marvel Comics
1427:
1423:
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1414:
1413:Dick Giordano
1410:
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1400:
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1344:Nina Albright
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1305:Bernard Baily
1302:
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1243:Fighting Yank
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1216:
1215:
1211:
1209:
1208:Nina Albright
1205:
1202:
1198:
1197:Novelty Press
1194:
1190:
1186:
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1178:
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1173:Ace Magazines
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1141:Graham Ingels
1138:
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1110:Sangor Studio
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1077:Leonard Starr
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1055:Novelty Press
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1038:Marvel Comics
1034:
1033:Marvel Comics
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1029:
1021:
1020:Lloyd Jacquet
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921:Reed Crandall
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910:
906:
905:Ruth Atkinson
902:
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898:
893:
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884:Wonder Comics
881:
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876:Fiction House
873:
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864:
860:
856:
852:
851:
841:
837:
833:
829:
828:
824:
823:
820:in the 1970s.
819:
815:
812:
808:
804:
800:
796:
792:
788:
787:Ruben Moreira
784:
780:
776:
775:Creig Flessel
772:
768:
764:
760:
757:
753:
749:
746:
742:
741:
736:
732:
731:
730:Master Comics
726:
725:
720:
716:
715:
710:
709:
704:
703:
698:
694:
693:
681:
677:
674:
673:
662:
660:
650:
648:
644:
640:
636:
628:
625:
622:
619:
616:
613:
610:
607:
604:
601:
598:
597:Sirius Comics
595:
594:
593:
591:
587:
583:
579:
575:
571:
567:
559:
555:
554:David Campiti
551:
549:
548:Mark Wheatley
545:
541:
537:
533:
529:
525:
521:
517:
513:
509:
505:
501:
497:
492:
490:
486:
482:
481:horror comics
478:
474:
472:
468:
464:
460:
459:
455:
451:
447:
446:Marvel Comics
443:
439:
436:
432:
431:Dick Giordano
428:
424:
420:
416:
414:
410:
400:
397:
395:
391:
387:
386:
381:
380:horror comics
377:
372:
370:
366:
362:
361:Bernard Baily
358:
354:
348:
347:newsstands."
344:
342:
338:
334:
330:
326:
322:
318:
314:
313:Novelty Press
310:
306:
302:
298:
294:
290:
289:Marvel Comics
286:
285:
284:Marvel Comics
280:
279:Lloyd Jacquet
275:
273:
269:
268:Nina Albright
265:
261:
257:
253:
249:
245:
241:
237:
233:
229:
228:New York City
225:
224:Sangor Studio
221:
217:
213:
207:
205:
201:
195:
193:
178:
176:
172:
168:
163:
161:
157:
153:
149:
141:
137:
133:
128:
126:
115:
113:
109:
108:Lloyd Jacquet
105:
104:Sangor Studio
101:
96:
94:
90:
86:
84:
83:work for hire
80:
69:
67:
63:
59:
54:
52:
48:
42:
40:
36:
32:
19:
5171:Critical and
5125:Professional
4910:Comic strips
4603:South Africa
4502:Supervillain
4038:Photo comics
4033:Motion comic
3985:Mobile comic
3911:Ashcan comic
3823:
3813:
3802:
3792:
3780:. Retrieved
3776:the original
3769:
3759:
3747:. Retrieved
3743:
3734:
3722:. Retrieved
3718:
3715:"Vince Fago"
3709:
3687:
3679:the original
3668:
3652:
3641:
3635:
3627:the original
3613:
3604:
3598:
3586:. Retrieved
3582:
3558:. Retrieved
3554:
3551:"L. B. Cole"
3515:
3509:
3496:
3485:
3463:
3451:. Retrieved
3445:
3436:
3420:
3417:Hajdu, David
3412:
3400:. Retrieved
3396:
3387:
3375:. Retrieved
3364:
3342:the original
3338:"Syd Shores"
3328:
3316:
3303:. Retrieved
3289:
3278:Eppers, Otto
3272:
3261:
3258:Marv Wolfman
3253:
3247:
3215:. Retrieved
3211:
3187:. Retrieved
3183:
3159:. Retrieved
3155:
3146:
3134:. Retrieved
3123:
3110:. Retrieved
3106:the original
3099:
3089:
3081:
3077:
3048:
3042:
3025:
3021:
3012:
2997:
2986:November 11,
2984:. Retrieved
2969:
2941:
2936:
2922:
2917:
2905:. Retrieved
2901:
2891:
2883:the original
2861:
2842:
2836:
2824:. Retrieved
2809:
2802:
2796:
2792:
2786:
2782:
2775:
2763:. Retrieved
2748:
2736:. Retrieved
2721:
2710:
2701:
2679:
2668:
2659:
2624:
2597:
2591:
2582:
2576:
2566:
2554:. Retrieved
2543:
2534:
2519:
2501:
2497:
2467:
2444:
2438:
2429:Bill Everett
2427:
2424:Pennsylvania
2415:
2406:
2376:Marv Wolfman
2371:
2358:
2310:
2287:
2267:Luis Bermejo
2259:
2253:
2249:
2243:
2230:
2221:Luis Bermejo
2215:Odhams Press
2204:(late 1950s)
2201:
2174:Mike Deodato
2154:
2148:
2141:
2137:Green Hornet
2135:
2121:
2117:Quantum Leap
2115:
2109:
2103:
2097:
2091:
2087:Dark Shadows
2085:
2075:
2068:
2058:
2050:The Prisoner
2048:
2042:
2034:
2028:
2024:
2016:
2012:
2001:
1978:
1969:Simon Fraser
1961:Don McGregor
1949:Simon Jowett
1941:
1935:
1920:
1914:John Statema
1898:Kelley Jones
1886:Mark Beachum
1880:Wonder Color
1842:
1829:
1785:Bantam Books
1764:Byron Preiss
1759:
1743:Gerry Talaoc
1707:
1694:Vincent Fago
1692:
1655:Isidro Monés
1639:Juan Giménez
1623:Alfonso Font
1599:JesĂşs Blasco
1595:Jordi Bernet
1591:Luis Bermejo
1553:
1497:Win Mortimer
1457:Terry Austin
1445:
1402:
1381:), 1945–1951
1379:Vincent Fago
1375:Fago Studios
1374:
1352:Dick Briefer
1327:
1323:
1317:
1311:), 1943–1946
1300:
1235:Nedor Comics
1224:), 1942–1946
1217:
1166:), 1942–1948
1159:
1133:John Celardo
1116:), 1939–1948
1109:
1036:
1013:
1009:Funnies Inc.
1007:
1000:comic strips
961:George Tuska
895:
887:
883:
871:
861:), 1940–1961
848:
831:
825:
803:George Tuska
759:Charles Biro
738:
728:
722:
712:
706:
700:
675:
656:
643:Mike Deodato
632:
627:Wonder Color
565:
557:
552:
499:
496:Byron Preiss
493:
475:
471:Win Mortimer
456:
422:
417:
406:
398:
389:
383:
373:
369:Vincent Fago
349:
345:
282:
276:
264:George Tuska
256:Charles Biro
220:Funnies Inc.
209:
200:comic strips
197:
189:
167:ghostwriters
164:
160:George Tuska
152:Funnies Inc.
129:
121:
112:Funnies Inc.
100:Chesler shop
97:
87:
75:
55:
43:
30:
29:
5324:WikiProject
4960:Other lists
4905:Comic books
4821:Netherlands
4727:Philippines
4439:Underground
4402:Non-fiction
4320:Alternative
4066:Cartoonists
4048:Text comics
4002:Gag cartoon
3958:Lianhuanhua
3943:Comic strip
3256:Interviews
2877:panel with
2826:January 15,
2556:January 17,
2378:, a former
2328:Carlos Pino
2245:Tell Me Why
2231:Bardon Arts
2170:Mort Castle
2166:Joe Bennett
2150:Speed Racer
2070:Dean Koontz
2015:feature in
1957:David Lloyd
1922:Acme Comics
1910:Alan Oldham
1890:Rick Bryant
1815:Ralph Reese
1803:Gray Morrow
1799:Marc Hempel
1753:Philippines
1731:Rudy Nebres
1715:Otto Binder
1697:, 1973–1980
1663:Carlos Pino
1538:storyboards
1517:Jim Starlin
1485:Val Mayerik
1360:John Giunta
1222:Jack Binder
1091:Sub-Mariner
1087:Human Torch
1061:Carl Burgos
986:(Quality),
836:Will Eisner
783:Mort Meskin
767:Otto Eppers
756:Otto Binder
752:Jack Binder
639:Joe Bennett
623:(1986–1987)
617:(1986–1987)
611:(1986–1988)
605:(1986–1988)
599:(1985–1986)
540:Ralph Reese
532:Gray Morrow
528:Marc Hempel
502:) packaged
438:storyboards
357:Jack Binder
297:Human Torch
293:Sub-Mariner
260:Mort Meskin
252:Otto Binder
248:Jack Binder
232:Will Eisner
192:Will Eisner
93:Will Eisner
62:Jack Binder
58:Will Eisner
53:industry).
51:comic strip
5339:Categories
4588:By country
4429:Teen humor
4264:Modern Age
4259:Bronze Age
4254:Silver Age
4249:Golden Age
4189:Macedonian
4164:Australian
4145:By country
4131:Minicomics
4028:Film comic
4021:Techniques
3906:Comic book
3846:PageTurner
3663:2009-11-23
3522:. p.
3377:January 5,
3305:August 29,
2765:August 29,
2738:August 29,
2464:Simon, Joe
2398:References
2324:Mike Noble
2320:Jim Baikie
2289:Martspress
2271:José Ortiz
2132:NOW Comics
2077:Miracleman
2072:'s Trapped
2030:Ms. Mystic
2003:Mack Bolan
1937:James Bond
1894:Bo Hampton
1858:Clients:
1840:1985–1988;
1819:Tom Sutton
1727:E. R. Cruz
1659:José Ortiz
1525:Bob Wiacek
1505:Carl Potts
1493:Al Milgrom
1489:Bob McLeod
1481:Bob Layton
1477:Larry Hama
1461:Liz Berube
1409:Neal Adams
1397:Modern era
1271:The Shadow
1267:Doc Savage
1241:features (
1164:L. B. Cole
1149:Bob Oskner
1137:Dan Gordon
988:Wonder Man
965:Chic Stone
949:Bob Powell
941:Jack Kirby
917:Nick Cardy
859:Ruth Roche
855:Jerry Iger
846:1936–1939;
840:Jerry Iger
811:Joe Kubert
809:(intern),
795:Syd Shores
708:Pep Comics
702:Zip Comics
586:NOW Comics
544:Tom Sutton
427:Neal Adams
403:Modern era
353:L. B. Cole
329:Wonder Man
299:, and the
236:Jack Kirby
222:, and the
204:Jerry Iger
132:Joe Kubert
47:syndicates
39:comic book
4929:By source
4920:Webcomics
4898:By format
4876:Australia
4679:Hong Kong
4619:Argentina
4497:Superhero
4454:Wrestling
4424:Superhero
4365:Dystopian
4340:Celebrity
4325:Ambiguous
4283:Webcomics
4136:Webcomics
4119:Editorial
4112:By format
4093:Letterers
4078:Colorists
3931:Minicomic
3749:March 20,
3740:"Al Fago"
3724:March 20,
3588:March 21,
3560:March 19,
3489:Stone in
3453:March 17,
3366:Alter Ego
3217:March 23,
3189:March 23,
3022:Alter Ego
2948:, 2005),
2504:(27): 44.
2498:Alter Ego
2446:Alter Ego
2305:Clients:
2260:Tiny Tots
2238:Clients:
2209:Clients:
2186:Luke Ross
2044:Darkstars
2039:DC Comics
1996:Clients:
1930:Clients:
1807:Alex Niño
1781:Ace Books
1775:Clients:
1735:Alex Niño
1719:Kin Platt
1702:Clients:
1651:FĂ©lix Mas
1563:Clients:
1542:animatics
1438:DC Comics
1386:Clients:
1348:Dan Barry
1309:Mac Raboy
1294:Bill Ward
1263:Black Owl
1251:Bulletman
1229:Clients:
1171:Clients:
1145:Jack Katz
1121:Clients:
1103:Spacehawk
1099:Blue Bolt
1069:Joe Simon
1031:Clients:
996:The Flame
984:Blackhawk
913:Toni Blum
909:Alex Blum
866:Clients:
830:/ a.k.a.
791:Mac Raboy
779:Bob McCay
771:Ken Ernst
763:Jack Cole
695:Clients:
647:Luke Ross
578:DC Comics
536:Alex Niño
450:DC Comics
365:Mac Raboy
333:The Flame
321:Blackhawk
309:Blue Bolt
305:Joe Simon
272:Toni Blum
244:Jack Cole
240:Joe Simon
175:celebrity
148:Joe Simon
134:recalled
125:royalties
79:marketing
5314:Category
5221:outreach
5173:academic
5083:ToonSeum
4831:Portugal
4739:Thailand
4722:Pakistan
4612:Americas
4528:Feminist
4472:Antihero
4310:Abstract
4244:American
4179:Filipino
4169:Canadian
4152:American
4058:Creators
3990:Webcomic
3921:One-shot
3782:March 7,
3701:Archived
3695:(n.d.).
3661:Archived
3501:Archived
3477:Archived
3431:, p. 26.
3402:23 March
3371:Archived
3299:Archived
3282:Archived
3161:March 9,
3112:March 7,
3034:Archived
2980:Archived
2759:Archived
2732:Archived
2715:(3): 30.
2693:Archived
2584:Chesler.
2550:Archived
2527:Abstract
2414:(1970).
2338:See also
2296:), 1968–
2277:Valencia
2162:Ed Benes
2013:Zamindar
1987:), 1993–
1906:Tom Lyle
1766:), 1974–
1587:José Beá
1451:one-shot
1424:Client:
1415:), 1971–
1368:Gil Kane
1286:Gil Kane
1278:Ken Bald
1153:Art Saaf
1022:), 1939–
976:Doll Man
967:(intern)
937:Bob Kane
929:Lou Fine
813:(intern)
635:Ed Benes
454:one-shot
317:Doll Man
5097:Schools
5019:museums
4869:Oceania
4804:Ireland
4799:Hungary
4794:Germany
4787:Belgium
4772:Croatia
4749:Vietnam
4487:Masking
4449:Western
4407:Romance
4375:Fantasy
4226:History
4103:Writers
4083:Editors
3995:Webtoon
3973:Yonkoma
3899:Formats
3004:at the
2964:, p. 27
2927:at the
2907:2 April
2420:Reading
2233:(1960s)
2155:Syphons
2035:Samuree
2025:Hybrids
1991:present
1876:Amazing
1853:), 1986
1747:Vicatan
994:), and
621:Amazing
556:, with
181:History
130:Artist
5345:Comics
4967:Awards
4836:Serbia
4826:Poland
4759:Europe
4744:Turkey
4641:Mexico
4634:Quebec
4629:Canada
4624:Brazil
4596:Africa
4516:Themes
4464:Tropes
4397:Horror
4387:Gekiga
4370:Erotic
4303:Genres
4269:events
4088:Inkers
3968:Topper
3883:Comics
3530:
3427:
3136:Mar 9,
2960:
2952:
2849:
2817:
2612:
2474:
2202:A.L.I.
2055:Disney
2009:Comico
1261:, the
645:, and
629:(1987)
546:, and
514:, and
508:comics
452:, the
367:, and
327:, and
295:, the
102:, the
4977:manga
4890:Lists
4858:Wales
4841:Spain
4809:Italy
4710:Korea
4703:lists
4698:Japan
4686:India
4492:Rogue
4360:Crime
4315:Adult
4198:Other
4174:Cuban
2350:Notes
2281:Spain
1095:Angel
1041:#1),
890:#4),
686:1935–
311:(for
301:Angel
171:alias
4846:list
4814:list
4782:list
4732:list
4715:list
4691:list
4674:list
4662:Asia
4651:list
4538:LGBT
4412:list
4380:list
4210:list
4124:list
4071:list
3784:2009
3751:2023
3726:2023
3590:2023
3562:2023
3528:ISBN
3455:2023
3425:ISBN
3404:2023
3379:2011
3307:2008
3219:2023
3191:2023
3163:2009
3138:2009
3114:2009
2988:2016
2958:ISBN
2950:ISBN
2923:Wags
2909:2020
2847:ISBN
2828:2020
2815:ISBN
2767:2008
2740:2008
2610:ISBN
2558:2012
2472:ISBN
2312:TV21
2300:1974
2143:Kato
2017:Esc.
1849:and
1770:2000
1419:2022
1411:and
1307:and
1026:1958
886:#1,
872:Wags
838:and
690:1953
498:(as
487:and
429:and
411:and
388:and
335:for
331:and
323:for
319:and
60:and
4444:War
3524:115
3260:".
2783:#1"
2126:),
2080:),
2063:),
2053:),
2037:),
2019:),
2007:),
1940:,
1836:),
982:),
874:),
743:),
733:),
717:),
682:),
110:'s
5341::
3822:.
3801:.
3768:.
3742:.
3717:.
3581:.
3570:^
3553:.
3542:^
3495:.
3471:.
3444:.
3419:.
3395:.
3363:.
3351:^
3280:.
3227:^
3210:.
3199:^
3182:.
3171:^
3154:.
3098:.
3080:.
3076:.
3061:^
3051:.
3024:.
3020:.
2956:;
2900:.
2787:.
2687:.
2667:.
2650:.
2633:^
2604::
2600:.
2581:.
2575:.
2542:.
2510:^
2500:.
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2422:,
2418:.
2384:c.
2330:,
2326:,
2322:,
2298:c.
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2269:,
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2252:,
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2027:,
1989:c.
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1963:,
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