Ever 17: The Out of Infinity

783:

have resulted in an interesting story. This is in contrast to the deductive composition method, where a core story is thought of first, after which a setting is "deduced", that matches the core. As an example of inductive composition used, Uchikoshi did not initially think up the story's "main trick", and instead created two protagonists only because he thought it was getting stale with single-protagonist stories in visual novels, after which he thought about how to make two protagonists interesting. The writers only put little effort into hiding the 17-year gap between the Kid's and Takeshi's routes, writing each day of the story casually without a particular plan in mind. Rather, it took special effort to make it seem convincing when the game's secrets were revealed, with hints toward the truth added throughout the story, such as Tsugumi acting more suspicious when playing as the Kid due to having already experienced the events of Takeshi's route, or slight differences between the Kid's and Takeshi's routes due to the characters not being able to perfectly recreate events. While Coco was planned from the beginning as the character who knew the truth, Uchikoshi did not come up with the idea of leaving her on the bottom of the ocean until during the writing of the script.

791:; upon checking the calendar for year spans where dates and days of the week would line up, he found that one such occurrence was the seventeen years between 2017 and 2034; other spans included eleven years, which was too short, and twenty-eight, which was too long. When Uchikoshi considered how to bring characters over from 2017 to 2034, some worked out naturally: Tsugumi was immortal due to being infected with the Curé Virus, You had a clone in 2034, and Sora was an artificial intelligence. He could not come up with a way to make Coco and Sara appear in both 2017 and 2034, but thought that the player probably would not figure it out just from this discrepancy. The one character left was Kaburaki, who would be a teenager in 2017 but in his 30s in 2034; Uchikoshi solved this by infecting him with the Curé Virus, which then led to him making the rest of the 2017 cast infected as well. 682:; the characters see the player as a 4th-dimensional being, "Blick Winkel", who can move through time; Blick Winkel appearing was what caused Hokuto's amnesia. Yubiseiharukana tells Blick Winkel that they had told her to perform the recreation to save Takeshi and Coco. Blick Winkel travels to 2017, and wakes up Takeshi on the seafloor, forcing him to swim to IBF; inside, he injects Coco with Tsugumi's antibodies. Blick Winkel warns Yubiseiharukana in 2017 to not save Takeshi and Coco immediately, to avoid a time paradox; instead, Blick Winkel has Takeshi and Coco enter cryogenic suspension in IBF. They wake up in 2034, saved. Sora, who now has a robotic body, is given back her memories from the disk, and Yubiseiharukana leaks information about Leiblich, exposing them as the ones behind the Tief Blau outbreak. 936:

by climbing the fence and that some further obstacle was needed. This setting, described by Uchikoshi as "you're trapped somewhere and trying to escape", was made to embody two of humanity's instinctive desires: the unconscious desire to return to the safety of one's mother's womb and shut oneself away from the world, and the desire to escape from and overcome one's current condition. German elements were used a lot in the game's setting, including German terminology. This was decided on for multiple reasons: the developers thought that English was "too ordinary", and when they decided to use the pharmaceutical company Leiblich in the story, they also thought that Germany and Switzerland were known for pharmaceuticals. Additionally, Uchikoshi had visited Germany and was influenced by the 1999 animated film

1052:

composing the soundtrack, Abo used what he described as "geometric music" because of the theoretical and science fiction elements. Prior to composing the music, he read through the game's story, to understand the setting and each character's personality as much as possible. He would write his impressions of the plot, with a focus on the "emotional flow" and the events that occur throughout the story; he valued his first impressions as very important for this. According to Abo, this method takes longer time, but allows him to make better music with a stronger relation to the game's world than if he had just designated different songs to different points of the game. Because he enjoyed the story, the music strongly reflects Abo's own musical tastes.

775:

Uchikoshi, in an effort to eliminate inconsistencies in the setting or characters, and plot holes between the different parts of the story. Because he was running out of time at the end, he had to rush the writing of the end of Coco's route, which he described as possibly his only regret with the game. Nakazawa wrote his parts in between his directorial work, such as writing specification documents, supervising the production, and doing quality control work; due to the lack of time, he ended up having to stay overnight at KID everyday and work through the night, something he said was only possible because of how young he was at the time. Nakazawa described himself as working particularly hard on the game because he felt bitter that

691: 1017:

players to play the game in that order. The ending movie was created by Nakazawa, who was not used to the tools used in video creation. He added a timeline to the credits roll, intending for it to feel emotional to get an overview of the story after having finished it, and finding it fitting to have a timeline scrolling along with the calm ending theme. For the PlayStation Portable version, the creation of a new opening movie was outsourced to a video design company, chosen specifically for one designer working there. Nakazawa sent them instructions on what text and graphics to use, and they created an

590: 1243:"a fantastic adventure game", and one of the best Japanese games in the genre that are available in English, describing it as a "must-play". He liked the game's writing, finding the conversations with other characters to be deep, philosophical, and intellectual, and said that each character was interesting. He found the conversations to reading "like conversation should", but also found the English localization to contain multiple flaws, including spelling mistakes and grammatical errors, such as the misuse of the words "your" and "you're". Jason Young at 974:, he conceived Tsugumi as being a vampire; the staff did not like this idea, so it was scrapped, but the concept of her being immortal was kept, which led to the introduction of the Curé Virus in the story, as Uchikoshi considered the spreading of vampirism similar to a virus. Another remnant of the vampire concept was kept in Sara, who has infrared vision and can see in the dark. Sara was noted by Uchikoshi as being the otherwise single normal person in the cast, offsetting the balance; because of this, she was made into the Kid's twin sister. 675:

name is Yubiseiharukana, had artificially impregnated herself and given birth to Yubiseiakikana, who took the role of You during the recreation. Pipi had escaped LeMU in 2017, carrying with it the disk with Sora's memories and footage of Coco being trapped in IBF. Sara and the Kid are revealed to be Tsugumi and Takeshi's children, and the Kid's real name turns out to be Hokuto. The Kid of 2017, whose name is Ryogo Kaburaki, played the role of Takeshi during the recreation, having stopped aging due to the Cure virus.

2791: 1030: 1262:

2D images on static backgrounds, the character designs were appealing and the backgrounds were bright and detailed. He called the game's sound "top notch", saying that the voice actors did an excellent job with their characters, and that the music was very good; he liked how it was varied, feeling that it represented the various scenarios and moods in the game well, and that it was a big improvement over the music in the previous game in the series.

36: 1167:

new event graphics, re-recorded voices, new routes, and a new ending. It uses 3D models for the conversation scenes; this move from 2D to 3D was made as 3D character models were seen as easier to animate than 2D sprites, as they can be posed without the need to draw new poses manually. The setting was redesigned, with newly added facilities, and Tsugumi was given redesigned clothes.

987:

benefited more from a CG than some of the passages that did get one, despite how he updated the specification document every so often throughout the development. Because of this, it was decided to add more CGs to several scenes for the game's "Premium Edition" re-release. A challenge in creating the CGs was that the art team did not understand the game's main

771:; because the game's plot was conceived during this time, Uchikoshi said that the story was influenced by the "spirit of the time" following the attacks. He wrote it from September until February the next year, after which the story was divided among the scenario writers, who wrote the script over the course of three months, from March to May 2002. 659:

It is revealed that LeMU was created by the Leiblich Pharmaceutical company as a cover for IBF, a research facility underneath the park. IBF developed the deadly virus Tief Blau, and the LeMU disaster was caused when IBF lost containment of it. Coco was exposed to the virus while visiting her father, an IBF researcher.

1143: 986:

The event CGs were decided by Nakazawa based on the game's plot and script, and written down in a specification document given to the art team. Because this was done before the scenario was completely finished, there were some places that he when looking at the scenario as a whole realized would have

962:

Sora was planned as an artificial intelligence from the start, but because Uchikoshi thought robots seemed cliché, and holograms could not move around to different places, he came up with the idea of her being an image shot onto people's eyes with a laser; thinking that if a layman like himself could

782:

When writing the story, Uchikoshi made use of what he calls the "inductive composition method", where a setting is created first, after which one thinks about a core to the story that can be used to make the setting work. He did not recommend this way of writing, as he saw it as gamble that might not

674:

After having played the game as both Takeshi and the Kid, the player accesses the final route, where it is revealed that although the events Takeshi experienced took place in 2017, those the Kid experienced were a recreation, and took place in a rebuilt LeMU in 2034. The You of 2017, whose full first

658:

If the player plays as Takeshi, he builds a relationship with Tsugumi, who reveals that she and her pet hamster Chami are carriers of the Cure virus, which has rewritten their genetic code and halted their biological aging. She and Takeshi have sex, and she becomes pregnant. Later, Coco becomes sick.

654:

The game opens on May 1, 2017, when a blackout occurs in LeMU, its communications system go down, and the park springs a leak; portions of it get flooded, blocking the exit and trapping the characters. Due to water pressure, the park is estimated to implode after 119 hours. The pressure also prevents

967:

technology, and made use of it in the game's story. The full names of both the original You and her clone were taken from a name dictionary, and were initially challenged by KID's marketing team, who thought they sounded "lame"; they relented after Nakazawa explained that the names had a meaning and

945:

The game's two player characters, Takeshi and Hokuto, were created as opposites: Takeshi was made assertive, optimistic, and hot-blooded, while Hokuto was introverted, negative, and cowardly; Takeshi had a past but not a future due to sleeping at the bottom of the sea, while Hokuto had forgotten his

935:

parks when it is raining, as very few people are there then, making it feel like the park is reserved to oneself. Uchikoshi agreed that empty theme parks are nice, and considered setting the game in an empty theme park on land, but moved it underwater after realizing that the characters could escape

799:

to the good ending to increase the sense of accomplishment in reaching the good ending, and as "what if?" events that give the story variety, showing what would have happened had events played out differently. The game's epilogue was not originally planned, but was written by Uchikoshi in three days

794:

The character routes were divided between Takeshi and the Kid according to what made sense for the plot, rather than in an effort to pair up the player characters with specific female characters. Although the routes were given a recommended playing order, this did not occur until around the time the

1269:

ranked the game as the eighteenth best role-playing game of the 2000s, calling it "a pinnacle of visual novels", citing its story, which they called "one of the most emotionally charged, intense, deep, and compelling storylines ever seen in a video game", and the characters, which they said develop

1261:

thought that the combination of suspense and romance made for a strange feeling. They found the game system to be characteristic of KID, calling it user-friendly, and saying that it made repeated playthroughs pleasant. Chandran liked the game's graphics, saying that while they only consist on still

786:

Another example of the inductive composition method was the creation of the game's title, which was only decided on after the story was completed. It was meant to reflect how the game's story connects the future and the past, with the word "ever" intended to be read with two meanings: "once before"

662:

The group goes to IBF in search for a cure, but starts showing signs of Tief Blau. An exception is Tsugumi, as the Cure virus has made her immune; the group injects themselves with her antibodies. They get contact with the surface, and a rescue pod is sent down, but is only able to stay for a short

1166:

in collaboration with Cyberfront. It was originally planned to be released on July 28, 2011, but was delayed to December 1, 2011. It was made available in both a standard edition and a limited edition, the latter including a 2-disc soundtrack. The remake was redone from the ground up, and includes

1055:

After writing down rules about how the music was to be used, such as specific scenes certain songs should be used in, or ways a certain song should not be used, the game's scripters implemented the music at points they found fitting. During debugging, Nakazawa would request fixes for songs that he

982:

Takigawa was chosen to design the game's characters on recommendation of KID's PR staff, who got along well with Takigawa's friend and fellow character designer Chisato Naruse. In addition to designing the characters, Takigawa was in charge of creating the game's key visual, which was both used as

612:

The game has two player characters: Takeshi Kuranari and the Kid. Depending on the character the player plays as, they get to build relationships with different characters: for instance, the player can become close to Tsugumi Komachi when playing as Takeshi, who just is a supporting character when

604:

in which the player reads the game's story. At certain points, they get to make a choice, which affects the direction of the story, leading to eleven possible different endings. The whole plot is not revealed in just one ending; instead, the player has to play through the game multiple times, with

541:

The game follows Takeshi Kuranari and a boy with amnesia who is referred to as "the Kid", who are trapped inside an underwater theme park together with a group of other people after a leak has flooded parts of the park; they cannot contact people on the surface, and due to high water pressure, the

1051:

For the music, Nakazawa and the game's producer determined the number and variety of tracks based on the budget and the game's content, and told Abo what kind of music they were imagining for the game. Sasanari was knowledgeable in music, so he helped Nakazawa with discussing the soundtrack. When

1178:

as a media genre, and said that, with the move to 3D, the genre would gradually catch up to anime. He said that while the Xbox 360 market was not strong in Japan, he felt that Japanese Xbox 360 users were people who liked video games a lot, and who had the ability to increase their community; he

1016:

was created by the game's producer, who picked out CGs and keywords from the game to include. Nakazawa gave instructions to have the characters appear in the same order as the recommended route playing order the developers had decided on, hoping for the order to leave an impression and influence

637:

The player takes the roles of two characters, and sees the story from their respective perspectives: Takeshi Kuranari, a student who visited the park with his friends but got separated from them; and an amnesiac boy who does not remember his own name, and is simply called "the Kid". Among other

942:, and how the friend he had the theme park conversation with spoke German. Each of the game's heroines were assigned a related attraction in the park, where their "impactful events" would occur. The one exception was Coco, as "her speech and conduct was already as delightful as an attraction". 774:

The writing team included Nakazawa, who wrote You's route and the Kid's common route; Nakazawa's assistant Kitaro Sasanari, who wrote Tsugumi and Sora's routes; Nobuaki Umeda, who wrote Sara's route; and Uchikoshi, who wrote Coco's route. The writing process for all routes were supervised by

663:

time. Tsugumi leaves to find Chami, who has gone missing; Takeshi chases after her, and saves Sora's data onto a disk to save her memories. Returning to IBF, they have missed the rescue vessel. They find a submarine and escape, but its batteries die; Takeshi exits it, giving it enough

580:

in 2011. It features various changes to the story and the characters, additional illustrations by Takigawa, and new music arrangements by Abo. The original visual novel's 2D sprites were replaced by 3D models; this change was done as 3D models were seen as being easier to animate.

670:

If the player plays as the Kid, Sara is trapped in LeMU instead of Coco; the Kid frequently has visions of Coco, but no one else sees her. The group manages to contact the surface, and open and close doors to rooms in LeMU to move the water around, allowing them to escape.

633:

Insel Null. After an incident, almost half of LeMU is flooded, and the path to the surface and the communication lines are cut off, trapping the game's characters inside. In addition, LeMU is under large water pressure, limiting time to find a means of escape to 119 hours.

1247:

called the game an "all-age masterpiece is nearly flawless in every regard", and said that it was the best visual novel that was available in English. He said that it was one of the video games with the best characterization in history, and called the game's

1270:

believably, ensuring that the player forms an emotional bond to at least one; they called the character of Tsugumi one of the best tragic heroines they had encountered in a game. Chandran ranked the game as the third best role-playing game from the

1114:, on August 6, 2003, which collects singles previously released during a two-year period. The album includes two vocal tracks from the game, instrumental versions of them, and songs based on the events and characters of the game. A drama CD titled 738:

until late June. Uchikoshi and Nakazawa described this as a tight development schedule, and said that the game was only possible through the staff working very hard, and a lot of things being worked on at the same time.

542:

park is estimated to implode after 119 hours. The gameplay consists of the player reading the game's story, at certain points making choices that affect its direction, leading to one of several possible endings.

991:, resulting in several finished CGs with mistakes that a person who does not know about the twist would not have noticed, that had to be fixed. For the background art, inspiration was drawn from the films 959:, the protagonist is the player. The phrase "The protagonist of bishoujo games is the player themselves" stuck with him due to the impact the criticism had on him, leading to Blick Winkel's creation. 565:

was made with a larger focus on science fiction. The game has been positively received, with reviewers calling it one of the best in its genre, citing its story, characters, music, and graphics.

1796: 827:

focus on romance with only light use of science fiction themes to a more balanced use of the two, a shift that would continue in the entirely science fiction-based third game in the series,

1882: 1993: 1951: 734:

was to be released on consoles, it was required to be finished two months before the planned August release, meaning that after the scenario's completion in May, there was only time for

787:

and "someday", but the number "17" was initially simply chosen as Uchikoshi liked the number due to being born on the 17th, and because he liked the transition to "17" from the "7" in

613:

playing as the Kid. The player character is not chosen directly; instead, a decision the player makes during a blackout in the beginning of the game determines who they will play as.

609:

past text to decision points; they can also choose to start from a point further into the game, so that they do not have to go back to the beginning of the game for each playthrough.

2544: 983:

promotional material representing the game as a whole, and as reference material for in-game event graphics; Takigawa drew the game's heroines in an underwater environment.

2411: 2448: 946:

past and lived for the future; and Takeshi lived in the past, while Hokuto lived in the future. The concept of Blick Winkel came from how Uchikoshi's first visual novel,

2513: 931:

The concept for using an underwater theme park as the game's setting came from a conversation Uchikoshi had with a friend, who mentioned it being nice to be in

963:

come up with the idea of such technology, an expert in the field could have been working on developing it already, so he researched it and found out about

1040:

During the voice recording, two characters posed problems: You, as she had the by far most lines of any character in the game, causing her voice actor,

2377: 2179: 2075: 2574: 2338: 2111: 2034: 1792: 642:

and the computer engineer of LeMU, who is only seen through a projection onto the other characters' eyes; Sara Matsunaga, a second-year student and a

916:, for the portrayal of the scene where Takeshi and Hokuto communicate. They also included elements meant to mislead people who had previously played 1021:

based on it, before adding the details. The ending movie for this version was created by the publisher, Cyberfront, without Nakazawa's involvement.

2910: 1878: 1688: 1983: 1940: 667:

to save Tsugumi, while he drowns on the ocean floor. Coco dies in IBF, as she had been looking for Pipi, and the rescue team could not find her.

1179:

believed word-of-mouth to be an important aspect of the Japanese Xbox 360 market. The remake's theme song was performed by Kokomi of the band

1099:

on January 15, 2013. The PlayStation Portable version of the game was the 744th best selling game of 2009 in Japan, with 7,482 copies sold.

924:-like time travel occurred after Takeshi's routes, leading to the Kid's, and elements meant to feel nostalgic, such as names and terms from 2536: 808:

artwork (CGs), it was decided to create an in-game dictionary explaining terms used to allow players to enjoy the game on a deeper level.

2905: 2640: 1044:, to get exhausted from how much she had to speak; and Sora, whose long lines with difficult terms were a challenge for her voice actor, 638:

characters are You Tanaka, a part-time employee at LeMU; Tsugumi Komachi, a woman who is distrustful of the others; Sora Akanegasaki, an

804:

version was developed, Nakazawa was asked to create new content for it; as it would have been hard to expand the story or add new event

2890: 2267: 2630: 2605: 2820: 2689: 767:, from which he got a lot of inspiration for the story. As he was getting ready to return to Japan, he saw live news coverage of the 852:

development it was decided to connect the two games' worlds, when Uchikoshi wrote details of the plot and used keywords relating to

2885: 2400: 2236: 1271: 1118:

was released on December 18, 2002, also by Scitron. A manga adaptation of the game was drawn by Chigusa Umetani and released by

2880: 2479: 2437: 1917: 2930: 2900: 2737: 2502: 1635: 1599: 500: 1730: 2205: 2850: 678:

The recreation was done to line up two points in the fourth dimension, time, to get the attention of the person playing

2920: 1658: 2143: 970: 718:. Nakazawa and Uchikoshi were appointed to their respective positions as they had worked on the previous game in the 2297: 2895: 2870: 2730: 829: 494: 1005: 2935: 2682: 2566: 2363: 2165: 2061: 2915: 2845: 2716: 2699: 2327: 2097: 2020: 1029: 795:

scenario was finished. According to Nakazawa, bad endings were painful to write, but were included both as

755:

for the game after having started to research material in August 2001, including the Russian mathematician

726: 720: 488: 482: 181: 116: 948: 2825: 2794: 1696: 1092: 894: 643: 605:

each playthrough revealing new information. After playing through the game once, the player is able to

527: 217: 2925: 2815: 2662: 938: 2865: 2840: 2675: 1102:

Other media based on the game has been published. A music album with the game's soundtrack, titled

964: 2875: 639: 2860: 2855: 1826: 1084: 690: 629:

is set in Japan, in the underwater marine theme park LeMU, 51 meters below the surface of the

2259: 1627: 912: 876: 864:, the developers referenced series where different entries were of different genres, such as 837:

as part of the same series, it was initially proposed as a game "following the tradition" of

2597: 1913: 1848: 1314: 1088: 865: 801: 768: 523: 369: 357: 212: 62: 50: 8: 1146:

The remake features 3D models rather than 2D sprites, to make character animation easier.

870: 406: 396: 165: 430: 2835: 2830: 2228: 1988: 752: 189: 1126:

website from 2011 to 2012; it has since been collected in two volumes. A book, titled

1056:

did not think fit the scenes they were used in. For the PlayStation Portable release,

1595: 1306: 1151: 1080: 805: 796: 630: 519: 207: 138: 128: 85: 2537:"Point and Click Adventures from Japan: Top Ten Bishoujo Games Available in English" 2471: 1905: 2771: 993: 711: 695: 550: 418: 323: 146: 1083:

version was released on May 16, 2003, in Japan, and was localized and released by

35: 2766: 2644: 2634: 1045: 756: 707: 546: 121: 1722: 1170:

5pb.'s executive director, Chiyomaru Shikura, felt that visual novels are above

953: 816:

Uchikoshi described the game's theme as "thinking of concepts and themes". With

2201: 1041: 888: 1941:"999: 9 Hours, 9 Persons, 9 Doors Interview Gets Philosophical, Then Personal" 2809: 1180: 1076: 906: 511: 338: 275: 202: 101: 1793:"Ever17 Anniversary Uchikoshi & Nakazawa Interview Part 1 (Non-Spoiler)" 1666: 2133: 1142: 900: 882: 606: 601: 473: 423: 328: 2289: 2776: 2510: 2445: 2408: 2335: 1948: 952:, was criticized by players, who said that he did not understand that in 748: 715: 554: 411: 170: 1879:"Ever17 Anniversary Uchikoshi & Nakazawa Interview Part 2 (Spoiler)" 2373: 2293: 2175: 2138: 2107: 2071: 2030: 1249: 1119: 1087:

on December 20, 2005, in North America. The game was also released for

1057: 1033: 988: 932: 1072: 999: 735: 646:; and Coco Yagami, a girl who is stranded on LeMU with her dog Pipi. 515: 197: 2598:"Best RPGs of the 6th generation of consoles: Neal Chandran's Top 5" 1159: 1018: 664: 593:

Throughout the game, the player makes choices that affect the plot.

589: 577: 535: 435: 106: 2667: 534:. A localization of the Microsoft Windows version was released by 510:. It was originally released in Japan on August 29, 2002, for the 2744: 2368: 2170: 2102: 2066: 2025: 1257: 1210: 1131: 1107: 506: 2650: 1876: 1790: 2438:"5pb's Shikura: Visual Novels "Above Manga, But Below Anime"" 1175: 1171: 449: 307: 291: 266: 250: 92: 80: 71: 2401:"Ever17 Delayed To December, Watch The Game's Opening Movie" 1984:"Ever17 Illustrator to Release Tsugumi Hugging Pillow Cover" 1163: 1036:

performed the PlayStation Portable version's opening theme.

764: 573: 362: 1720: 2761: 2431: 2429: 2321: 2319: 2317: 2315: 1840: 1818: 1692: 1096: 703: 531: 477: 222: 55: 2098:"Ever17 -the out of infinity- Premium Edition まとめ (PSP)" 2658: 1906:"『ルートダブル』のプロトタイプは『Myself；Yourself』？中澤工さん講演会の模様を詳細レポート" 968:

could not be changed. Because Uchikoshi liked the film

2503:"This Is Why 5pb Are Focused On The Xbox 360 In Japan" 2426: 2312: 1723:"Takeshi Abo Interview: Behind the Science Adventures" 1110:

on September 4, 2002. Scitron released another album,

1278:

series, and one of his favorite video games overall.

910:. Uchikoshi was additionally influenced by the film 655:escape by swimming, as it would crush one's lungs. 1721:Jia, Oliver; Greening, Chris (September 15, 2015). 845:had been planned as a stand-alone game, but during 751:at the time, came up with the original concept and 1594:. Vol. 1. SMG Szczepaniak. pp. 298–313. 714:, character design by Yuu Takigawa, and music by 2807: 2166:"Ever17 -the out of infinity- まとめ (iPhone/iPod)" 1877:Hooper, John; Israel, H. Anthony (May 1, 2017). 1791:Hooper, John; Israel, H. Anthony (May 1, 2017). 553:, character designer Yuu Takigawa, and composer 2469: 2260:"Ever17 -the out of infinity- Vocal Collection" 2229:"Ever17 -the out of infinity- Sound Collection" 1786: 1784: 1782: 1780: 1778: 1776: 1774: 1772: 1770: 1768: 1656: 1556: 1514: 1490: 1466: 1442: 1418: 1394: 1368: 1344: 1318: 1112:Ever 17: The Out of Infinity – Vocal Collection 1104:Ever 17: The Out of Infinity – Sound Collection 2358: 2356: 2062:"Ever 17 -the out of infinity- まとめ (ドリームキャスト)" 2015: 2013: 2011: 1872: 1870: 1868: 1866: 1864: 1862: 1860: 1858: 1766: 1764: 1762: 1760: 1758: 1756: 1754: 1752: 1750: 1748: 1625: 1592:The Untold History of Japanese Game Developers 1550: 1532: 1508: 1484: 1460: 1436: 1412: 1388: 1362: 1338: 2683: 2202:"GEIMIN.NET／2009年テレビゲームソフト売り上げTOP1000（ファミ通版）" 2056: 2054: 2052: 1981: 1977: 1975: 1973: 1971: 1969: 2534: 1621: 1619: 1617: 1615: 1613: 1611: 920:, such as the misleading implication that a 2353: 2008: 1855: 1745: 1716: 1714: 1650: 1589: 1130:, was released at 2012's winter edition of 820:, the series saw the start of a shift from 2690: 2676: 2595: 2257: 2226: 2049: 1966: 34: 1608: 1274:, saying that it was his favorite in the 621: 557:. Because the science fiction aspects of 2021:"Ever17 -the out of infinity- まとめ (PS2)" 1711: 1585: 1583: 1581: 1579: 1141: 1028: 811: 800:after being advised by Nakazawa. When a 689: 588: 2911:Video games written by Kotaro Uchikoshi 2608:from the original on September 14, 2015 2146:from the original on September 22, 2015 1938: 1897: 1733:from the original on September 26, 2015 1272:sixth generation of video game consoles 545:The development team included director 2808: 2516:from the original on December 16, 2011 2500: 2482:from the original on December 25, 2012 2435: 2398: 2341:from the original on December 21, 2011 2325: 2300:from the original on November 28, 2015 2270:from the original on September 5, 2015 2239:from the original on September 5, 2015 2134:"Ever17-the out of infinity-［Android］" 1996:from the original on November 24, 2015 1903: 1638:from the original on September 7, 2015 841:rather than as a direct sequel to it. 2671: 2470:Anoop, Gantayat (February 17, 2011). 2328:"5pb's Ever17 Remake Emerges In July" 2114:from the original on October 31, 2015 1590:Szczepaniak, John (August 11, 2014). 1576: 501:12Riven: The Psi-Climinal of Integral 18:Japanese science fiction visual novel 2577:from the original on October 8, 2015 2472:"5pb. Announces New Adventure Games" 2414:from the original on January 1, 2014 2037:from the original on August 16, 2013 1657:Gantayat, Anoop (December 3, 2010). 1134:, and included new art by Takigawa. 694:The game was written and planned by 40:North American cover art, featuring 2697: 2535:Young, Jason (September 27, 2011). 1920:from the original on March 17, 2015 1851:). Cyberfront. Level/area: Credits. 1839: 1817: 1626:Chandran, Neal (January 30, 2006). 1190: 763:. A month later, he took a trip to 730:, which had been well received. As 710:, planning and scenario writing by 13: 2906:Video games set in amusement parks 2380:from the original on June 14, 2014 2208:from the original on June 27, 2015 1954:from the original on June 10, 2015 44:Coco, Sora, Tsugumi, Sara, and You 14: 2947: 2891:Video games scored by Takeshi Abo 2637: (archived December 29, 2007) 2624: 2547:from the original on May 27, 2015 2451:from the original on May 17, 2013 2182:from the original on May 26, 2013 2078:from the original on May 26, 2013 2821:Android (operating system) games 2790: 2789: 1885:from the original on May 1, 2017 1799:from the original on May 1, 2017 1294:As part of SuperLite 2000 series 1128:Ever 17 10th Anniversary Fanbook 1079:on August 29, 2002, in Japan. A 830:Remember 11: The Age of Infinity 779:had not sold particularly well. 495:Remember 11: The Age of Infinity 480:. It is the second entry in the 2631:Official North American website 2589: 2559: 2528: 2494: 2463: 2392: 2282: 2251: 2220: 2194: 2158: 2126: 2090: 1982:Nelkin, Sarah (July 20, 2013). 1932: 1833: 1811: 1681: 1541: 1523: 1499: 1475: 1451: 2886:Video games developed in Japan 1427: 1403: 1379: 1353: 1329: 1297: 1288: 685: 561:had been positively received, 1: 2881:Video games about time travel 2647: (archived July 26, 2009) 1569: 1060:performed the opening theme. 860:similar to but distinct from 833:. Although Uchikoshi planned 2931:Hirameki International games 2901:Video games set in the 2030s 2659:Ever 17: The Out of Infinity 1845:Ever 17: The Out of Infinity 1823:Ever 17: The Out of Infinity 1186: 1071:was originally released for 727:Never 7: The End of Infinity 489:Never 7: The End of Infinity 469:Ever 17: The Out of Infinity 29:Ever 17: The Out of Infinity 7: 2567:"Top 20 RPGs of the Decade" 2204:(in Japanese). Geimin.net. 2142:(in Japanese). Aetas, Inc. 1939:Spencer (October 3, 2010). 1557: 1515: 1491: 1467: 1443: 1419: 1395: 1369: 1345: 1319: 1154:of the game, simply titled 1091:on March 12, 2009, and for 584: 10: 2952: 2851:PlayStation Portable games 2399:Ishaan (October 3, 2011). 1628:"Ever 17: Out of Infinity" 1063: 977: 971:Interview with the Vampire 895:Terminator 2: Judgment Day 742: 702:The game was developed by 538:in North America in 2005. 518:, and was later ported to 486:series; it is preceded by 2921:Single-player video games 2785: 2754: 2708: 2663:The Visual Novel Database 2641:Official Japanese website 2501:Ishaan (April 21, 2011). 2436:Ishaan (April 25, 2011). 2326:Ishaan (April 20, 2011). 1551: 1533: 1509: 1485: 1461: 1437: 1413: 1389: 1363: 1339: 1310: 1218:30/40 (7, 8, 7, 8) (X360) 1203: 1200: 1137: 939:Jin-Roh: The Wolf Brigade 461: 441: 429: 417: 405: 395: 378: 368: 356: 349: 344: 334: 322: 231: 188: 176: 164: 137: 127: 115: 61: 49: 33: 28: 1281: 1024: 965:retinal scanning display 649: 568:A remake, simply titled 476:video game developed by 244:Dreamcast, PlayStation 2 97:Cyberfront (PSP, mobile) 2896:Video games set in 2017 2871:Success (company) games 2651:Official Remake website 1904:Goemon (May 23, 2012). 1881:. Lemnisca. p. 3. 1795:. Lemnisca. p. 2. 1659:"Yeti Teases New Title" 640:artificial intelligence 616: 1829:. Level/area: Credits. 1827:Hirameki International 1147: 1085:Hirameki International 1037: 699: 622:Setting and characters 594: 536:Hirameki International 2936:Mages (company) games 1145: 1032: 1012:The opening movie to 812:Themes and influences 693: 592: 549:, writer and planner 2290:"Ever17 ドラマCD「2035」" 1914:Kadokawa Corporation 1849:PlayStation Portable 1669:on December 25, 2012 1158:, was developed for 1089:PlayStation Portable 856:. Intending to make 802:PlayStation Portable 769:September 11 attacks 706:, with direction by 524:PlayStation Portable 285:PlayStation Portable 213:PlayStation Portable 42:(clockwise from top) 2916:Fiction set in 2034 2846:PlayStation 2 games 1197: 1124:Famitsu Comic Clear 1003:and the video game 747:Uchikoshi, who was 576:and Cyberfront for 572:, was developed by 2364:"Ever17 まとめ (360)" 1989:Anime News Network 1195: 1148: 1106:, was released by 1038: 700: 595: 492:, and followed by 2826:Infinity (series) 2803: 2802: 1601:978-0-9929260-0-7 1235:Neal Chandran at 1232: 1231: 1081:Microsoft Windows 886:, and films like 806:computer graphics 631:artificial island 520:Microsoft Windows 504:, and the reboot 465: 464: 401:Chiyomaru Shikura 388:Yuusuke Matsumoto 385:Kazuhiro Ichikawa 280:December 20, 2005 260:Microsoft Windows 208:Microsoft Windows 2943: 2926:CyberFront games 2816:2002 video games 2793: 2792: 2772:Kotaro Uchikoshi 2692: 2685: 2678: 2669: 2668: 2655: 2618: 2617: 2615: 2613: 2596:Chandran, Neal. 2593: 2587: 2586: 2584: 2582: 2563: 2557: 2556: 2554: 2552: 2532: 2526: 2525: 2523: 2521: 2498: 2492: 2491: 2489: 2487: 2467: 2461: 2460: 2458: 2456: 2433: 2424: 2423: 2421: 2419: 2396: 2390: 2389: 2387: 2385: 2360: 2351: 2350: 2348: 2346: 2323: 2310: 2309: 2307: 2305: 2286: 2280: 2279: 2277: 2275: 2258:Chandran, Neal. 2255: 2249: 2248: 2246: 2244: 2227:Chandran, Neal. 2224: 2218: 2217: 2215: 2213: 2198: 2192: 2191: 2189: 2187: 2162: 2156: 2155: 2153: 2151: 2130: 2124: 2123: 2121: 2119: 2094: 2088: 2087: 2085: 2083: 2058: 2047: 2046: 2044: 2042: 2017: 2006: 2005: 2003: 2001: 1979: 1964: 1963: 1961: 1959: 1936: 1930: 1929: 1927: 1925: 1901: 1895: 1894: 1892: 1890: 1874: 1853: 1852: 1837: 1831: 1830: 1815: 1809: 1808: 1806: 1804: 1788: 1743: 1742: 1740: 1738: 1718: 1709: 1708: 1706: 1704: 1699:on July 26, 2009 1695:. Archived from 1685: 1679: 1678: 1676: 1674: 1665:. Archived from 1654: 1648: 1647: 1645: 1643: 1623: 1606: 1605: 1587: 1563: 1562: 1560: 1554: 1553: 1545: 1539: 1538: 1536: 1535: 1527: 1521: 1520: 1518: 1512: 1511: 1503: 1497: 1496: 1494: 1488: 1487: 1479: 1473: 1472: 1470: 1464: 1463: 1455: 1449: 1448: 1446: 1440: 1439: 1431: 1425: 1424: 1422: 1420:Akanegasaki Sora 1416: 1415: 1409:Sora Akanegasaki 1407: 1401: 1400: 1398: 1392: 1391: 1383: 1377: 1376: 1375: 1372: 1366: 1365: 1357: 1351: 1350: 1348: 1342: 1341: 1333: 1327: 1326: 1325: 1322: 1320:Kuranari Takeshi 1312: 1303:Takeshi Kuranari 1301: 1295: 1292: 1252:"mind-blowing". 1198: 1194: 851: 826: 712:Kotaro Uchikoshi 696:Kotaro Uchikoshi 551:Kotaro Uchikoshi 454:December 1, 2011 453: 397:Produced by 379:Directed by 312:January 15, 2013 311: 295: 279: 270: 254: 147:Kotaro Uchikoshi 105: 96: 84: 75: 38: 26: 25: 2951: 2950: 2946: 2945: 2944: 2942: 2941: 2940: 2841:Dreamcast games 2806: 2805: 2804: 2799: 2781: 2767:Takumi Nakazawa 2750: 2704: 2696: 2653: 2645:Wayback Machine 2635:Wayback Machine 2627: 2622: 2621: 2611: 2609: 2594: 2590: 2580: 2578: 2565: 2564: 2560: 2550: 2548: 2533: 2529: 2519: 2517: 2499: 2495: 2485: 2483: 2468: 2464: 2454: 2452: 2434: 2427: 2417: 2415: 2397: 2393: 2383: 2381: 2372:(in Japanese). 2362: 2361: 2354: 2344: 2342: 2324: 2313: 2303: 2301: 2292:(in Japanese). 2288: 2287: 2283: 2273: 2271: 2256: 2252: 2242: 2240: 2225: 2221: 2211: 2209: 2200: 2199: 2195: 2185: 2183: 2174:(in Japanese). 2164: 2163: 2159: 2149: 2147: 2132: 2131: 2127: 2117: 2115: 2106:(in Japanese). 2096: 2095: 2091: 2081: 2079: 2070:(in Japanese). 2060: 2059: 2050: 2040: 2038: 2029:(in Japanese). 2019: 2018: 2009: 1999: 1997: 1980: 1967: 1957: 1955: 1937: 1933: 1923: 1921: 1912:(in Japanese). 1902: 1898: 1888: 1886: 1875: 1856: 1838: 1834: 1816: 1812: 1802: 1800: 1789: 1746: 1736: 1734: 1719: 1712: 1702: 1700: 1687: 1686: 1682: 1672: 1670: 1655: 1651: 1641: 1639: 1624: 1609: 1602: 1588: 1577: 1572: 1567: 1566: 1548: 1546: 1542: 1530: 1528: 1524: 1506: 1504: 1500: 1492:Yūbiseiharukana 1482: 1481:Yubiseiharukana 1480: 1476: 1458: 1456: 1452: 1434: 1432: 1428: 1410: 1408: 1404: 1386: 1384: 1380: 1373: 1370:Komachi Tsugumi 1360: 1359:Tsugumi Komachi 1358: 1354: 1336: 1334: 1330: 1323: 1304: 1302: 1298: 1293: 1289: 1284: 1233: 1217: 1193: 1189: 1140: 1066: 1046:Hiroko Kasahara 1027: 980: 849: 824: 814: 761:Tertium Organum 757:P. D. Ouspensky 745: 708:Takumi Nakazawa 688: 652: 624: 619: 587: 547:Takumi Nakazawa 498:, the spin-off 457: 448: 391: 318: 315: 306: 299: 290: 283: 274: 265: 258: 255:August 29, 2002 249: 240: 239: 238:August 29, 2002 227: 160: 154:Kitaro Sasanari 151:Takumi Nakazawa 122:Takumi Nakazawa 111: 100: 91: 79: 70: 45: 24: 23:2002 video game 19: 12: 11: 5: 2949: 2939: 2938: 2933: 2928: 2923: 2918: 2913: 2908: 2903: 2898: 2893: 2888: 2883: 2878: 2876:Xbox 360 games 2873: 2868: 2863: 2858: 2853: 2848: 2843: 2838: 2833: 2828: 2823: 2818: 2801: 2800: 2798: 2797: 2786: 2783: 2782: 2780: 2779: 2774: 2769: 2764: 2758: 2756: 2752: 2751: 2749: 2748: 2741: 2734: 2727: 2720: 2712: 2710: 2706: 2705: 2695: 2694: 2687: 2680: 2672: 2666: 2665: 2656: 2648: 2638: 2626: 2625:External links 2623: 2620: 2619: 2588: 2558: 2527: 2493: 2462: 2425: 2391: 2352: 2311: 2281: 2250: 2219: 2193: 2157: 2125: 2089: 2048: 2007: 1965: 1931: 1910:Dengeki Online 1896: 1854: 1832: 1810: 1744: 1710: 1689:"EVER17 ゲーム紹介" 1680: 1649: 1607: 1600: 1574: 1573: 1571: 1568: 1565: 1564: 1558:Kaburaki Ryōgo 1547:Ryogo Kaburaki 1540: 1522: 1516:Yūbiseiakikana 1505:Yubiseiakikana 1498: 1474: 1450: 1444:Matsunaga Sara 1433:Sara Matsunaga 1426: 1402: 1378: 1352: 1328: 1296: 1286: 1285: 1283: 1280: 1230: 1229: 1226: 1220: 1219: 1216:26/40 (PS2/DC) 1214: 1206: 1205: 1202: 1191: 1188: 1185: 1139: 1136: 1065: 1062: 1042:Noriko Shitaya 1026: 1023: 979: 976: 889:The Terminator 813: 810: 744: 741: 687: 684: 651: 648: 623: 620: 618: 615: 586: 583: 463: 462: 459: 458: 456: 455: 445: 443: 439: 438: 433: 427: 426: 421: 415: 414: 409: 403: 402: 399: 393: 392: 390: 389: 386: 382: 380: 376: 375: 372: 366: 365: 360: 354: 353: 347: 346: 342: 341: 336: 332: 331: 326: 320: 319: 317: 316: 314: 313: 303: 298: 297: 296:March 12, 2009 287: 282: 281: 272: 262: 257: 256: 246: 237: 236: 235: 233: 229: 228: 226: 225: 220: 215: 210: 205: 200: 194: 192: 186: 185: 178: 174: 173: 168: 162: 161: 159: 158: 155: 152: 149: 143: 141: 135: 134: 131: 125: 124: 119: 113: 112: 110: 109: 98: 89: 77: 67: 65: 59: 58: 53: 47: 46: 39: 31: 30: 22: 17: 9: 6: 4: 3: 2: 2948: 2937: 2934: 2932: 2929: 2927: 2924: 2922: 2919: 2917: 2914: 2912: 2909: 2907: 2904: 2902: 2899: 2897: 2894: 2892: 2889: 2887: 2884: 2882: 2879: 2877: 2874: 2872: 2869: 2867: 2866:Bishōjo games 2864: 2862: 2861:Visual novels 2859: 2857: 2856:Windows games 2854: 2852: 2849: 2847: 2844: 2842: 2839: 2837: 2834: 2832: 2829: 2827: 2824: 2822: 2819: 2817: 2814: 2813: 2811: 2796: 2788: 2787: 2784: 2778: 2775: 2773: 2770: 2768: 2765: 2763: 2760: 2759: 2757: 2753: 2747: 2746: 2742: 2740: 2739: 2735: 2733: 2732: 2728: 2726: 2725: 2721: 2719: 2718: 2714: 2713: 2711: 2707: 2702: 2701: 2693: 2688: 2686: 2681: 2679: 2674: 2673: 2670: 2664: 2660: 2657: 2654:(in Japanese) 2652: 2649: 2646: 2642: 2639: 2636: 2632: 2629: 2628: 2607: 2603: 2599: 2592: 2576: 2572: 2568: 2562: 2546: 2542: 2538: 2531: 2515: 2512: 2508: 2504: 2497: 2481: 2477: 2473: 2466: 2450: 2447: 2443: 2439: 2432: 2430: 2413: 2410: 2406: 2402: 2395: 2379: 2375: 2371: 2370: 2365: 2359: 2357: 2340: 2337: 2333: 2329: 2322: 2320: 2318: 2316: 2299: 2295: 2291: 2285: 2269: 2265: 2261: 2254: 2238: 2234: 2230: 2223: 2207: 2203: 2197: 2181: 2177: 2173: 2172: 2167: 2161: 2145: 2141: 2140: 2135: 2129: 2113: 2109: 2105: 2104: 2099: 2093: 2077: 2073: 2069: 2068: 2063: 2057: 2055: 2053: 2036: 2032: 2028: 2027: 2022: 2016: 2014: 2012: 1995: 1991: 1990: 1985: 1978: 1976: 1974: 1972: 1970: 1953: 1950: 1946: 1942: 1935: 1919: 1915: 1911: 1907: 1900: 1884: 1880: 1873: 1871: 1869: 1867: 1865: 1863: 1861: 1859: 1850: 1846: 1842: 1836: 1828: 1824: 1820: 1814: 1798: 1794: 1787: 1785: 1783: 1781: 1779: 1777: 1775: 1773: 1771: 1769: 1767: 1765: 1763: 1761: 1759: 1757: 1755: 1753: 1751: 1749: 1732: 1728: 1724: 1717: 1715: 1698: 1694: 1690: 1684: 1668: 1664: 1660: 1653: 1637: 1633: 1629: 1622: 1620: 1618: 1616: 1614: 1612: 1603: 1597: 1593: 1586: 1584: 1582: 1580: 1575: 1559: 1544: 1526: 1517: 1502: 1493: 1478: 1469: 1454: 1445: 1430: 1421: 1406: 1397: 1382: 1371: 1356: 1347: 1332: 1321: 1316: 1308: 1300: 1291: 1287: 1279: 1277: 1273: 1268: 1263: 1260: 1259: 1253: 1251: 1246: 1242: 1238: 1227: 1225: 1222: 1221: 1215: 1213: 1212: 1208: 1207: 1199: 1196:Review scores 1184: 1182: 1177: 1173: 1168: 1165: 1161: 1157: 1153: 1144: 1135: 1133: 1129: 1125: 1121: 1117: 1113: 1109: 1105: 1100: 1098: 1094: 1090: 1086: 1082: 1078: 1077:PlayStation 2 1074: 1070: 1061: 1059: 1053: 1049: 1047: 1043: 1035: 1031: 1022: 1020: 1015: 1010: 1008: 1007: 1006:Resident Evil 1002: 1001: 996: 995: 990: 984: 975: 973: 972: 966: 960: 958: 956: 951: 950: 943: 941: 940: 934: 929: 927: 923: 919: 915: 914: 909: 908: 903: 902: 897: 896: 891: 890: 885: 884: 879: 878: 873: 872: 867: 863: 859: 855: 848: 844: 840: 836: 832: 831: 823: 819: 809: 807: 803: 798: 792: 790: 784: 780: 778: 772: 770: 766: 762: 758: 754: 750: 740: 737: 733: 729: 728: 723: 722: 717: 713: 709: 705: 697: 692: 683: 681: 676: 672: 668: 666: 660: 656: 647: 645: 641: 635: 632: 628: 614: 610: 608: 603: 599: 591: 582: 579: 575: 571: 566: 564: 560: 556: 552: 548: 543: 539: 537: 533: 529: 525: 521: 517: 513: 512:PlayStation 2 509: 508: 503: 502: 497: 496: 491: 490: 485: 484: 479: 475: 471: 470: 460: 451: 447: 446: 444: 440: 437: 434: 432: 428: 425: 422: 420: 416: 413: 410: 408: 407:Music by 404: 400: 398: 394: 387: 384: 383: 381: 377: 373: 371: 367: 364: 361: 359: 355: 352: 348: 343: 340: 339:Single-player 337: 333: 330: 327: 325: 321: 309: 305: 304: 302: 293: 289: 288: 286: 277: 273: 268: 264: 263: 261: 252: 248: 247: 245: 242: 241: 234: 230: 224: 221: 219: 216: 214: 211: 209: 206: 204: 203:PlayStation 2 201: 199: 196: 195: 193: 191: 187: 184: 183: 179: 175: 172: 169: 167: 163: 157:Nobuaki Umeda 156: 153: 150: 148: 145: 144: 142: 140: 136: 132: 130: 126: 123: 120: 118: 114: 108: 103: 99: 94: 90: 87: 82: 78: 73: 69: 68: 66: 64: 60: 57: 54: 52: 48: 43: 37: 32: 27: 21: 16: 2743: 2736: 2729: 2723: 2722: 2715: 2698: 2612:November 29, 2610:. Retrieved 2601: 2591: 2581:November 29, 2579:. Retrieved 2570: 2561: 2551:November 29, 2549:. Retrieved 2540: 2530: 2520:November 29, 2518:. Retrieved 2506: 2496: 2486:September 4, 2484:. Retrieved 2475: 2465: 2455:November 29, 2453:. Retrieved 2441: 2418:November 29, 2416:. Retrieved 2404: 2394: 2384:November 29, 2382:. Retrieved 2367: 2345:November 29, 2343:. Retrieved 2331: 2304:November 29, 2302:. Retrieved 2294:Amazon.co.jp 2284: 2274:November 29, 2272:. Retrieved 2263: 2253: 2243:November 29, 2241:. Retrieved 2232: 2222: 2210:. Retrieved 2196: 2186:November 29, 2184:. Retrieved 2169: 2160: 2150:November 29, 2148:. Retrieved 2137: 2128: 2118:November 29, 2116:. Retrieved 2101: 2092: 2082:November 29, 2080:. Retrieved 2065: 2041:November 29, 2039:. Retrieved 2024: 2000:November 29, 1998:. Retrieved 1987: 1956:. Retrieved 1944: 1934: 1922:. Retrieved 1909: 1899: 1887:. Retrieved 1844: 1835: 1822: 1813: 1801:. Retrieved 1735:. Retrieved 1726: 1703:November 28, 1701:. Retrieved 1697:the original 1683: 1671:. Retrieved 1667:the original 1662: 1652: 1642:November 29, 1640:. Retrieved 1631: 1591: 1543: 1525: 1501: 1477: 1453: 1429: 1405: 1381: 1355: 1331: 1299: 1290: 1275: 1266: 1264: 1256: 1255:Writers for 1254: 1244: 1240: 1236: 1234: 1223: 1209: 1169: 1155: 1149: 1127: 1123: 1115: 1111: 1103: 1101: 1068: 1067: 1054: 1050: 1039: 1013: 1011: 1004: 998: 992: 985: 981: 969: 961: 954: 949:Memories Off 947: 944: 937: 930: 925: 921: 917: 911: 905: 899: 893: 887: 881: 875: 869: 861: 857: 853: 846: 842: 838: 834: 828: 821: 817: 815: 793: 788: 785: 781: 776: 773: 760: 746: 731: 725: 719: 701: 679: 677: 673: 669: 661: 657: 653: 636: 626: 625: 611: 607:fast-forward 602:visual novel 597: 596: 569: 567: 562: 558: 544: 540: 505: 499: 493: 487: 481: 474:visual novel 468: 467: 466: 424:Visual novel 350: 329:Visual novel 301:Android, iOS 300: 284: 271:May 16, 2003 259: 243: 180: 133:Yuu Takigawa 63:Publisher(s) 51:Developer(s) 41: 20: 15: 2777:Takeshi Abo 2731:Remember 11 2709:Video games 2511:Curse, Inc. 2446:Curse, Inc. 2409:Curse, Inc. 2336:Curse, Inc. 2212:November 1, 1958:December 6, 1949:Curse, Inc. 1924:October 24, 1737:October 18, 1673:October 18, 1468:Yagami Koko 1457:Coco Yagami 1201:Publication 866:Koji Suzuki 749:freelancing 716:Takeshi Abo 686:Development 555:Takeshi Abo 412:Takeshi Abo 190:Platform(s) 171:Takeshi Abo 166:Composer(s) 117:Director(s) 2810:Categories 2507:Siliconera 2476:Andriasang 2442:Siliconera 2405:Siliconera 2374:Enterbrain 2332:Siliconera 2176:Enterbrain 2139:4Gamer.net 2108:Enterbrain 2072:Enterbrain 2031:Enterbrain 1945:Siliconera 1663:Andriasang 1570:References 1385:You Tanaka 1250:plot twist 1174:but below 1120:Enterbrain 1058:Asami Imai 1034:Asami Imai 989:plot twist 933:Disneyland 868:'s novels 374:Cyberfront 345:Video game 2836:KID games 2831:IOS games 1396:Tanaka Yū 1265:In 2010, 1192:Reception 1187:Reception 1122:on their 1073:Dreamcast 1000:The Abyss 913:Frequency 736:debugging 516:Dreamcast 370:Publisher 358:Developer 198:Dreamcast 139:Writer(s) 129:Artist(s) 2795:Category 2755:Creators 2700:Infinity 2606:Archived 2575:Archived 2573:. 2010. 2545:Archived 2541:GameZone 2514:Archived 2480:Archived 2449:Archived 2412:Archived 2378:Archived 2339:Archived 2298:Archived 2268:Archived 2237:Archived 2206:Archived 2180:Archived 2144:Archived 2112:Archived 2076:Archived 2035:Archived 1994:Archived 1952:Archived 1918:Archived 1883:Archived 1843:(2009). 1821:(2005). 1797:Archived 1731:Archived 1636:Archived 1307:Japanese 1276:Infinity 1245:GameZone 1160:Xbox 360 1019:animatic 955:bishoujo 759:'s book 724:series, 721:Infinity 665:buoyancy 585:Gameplay 578:Xbox 360 483:Infinity 442:Released 436:Xbox 360 431:Platform 324:Genre(s) 182:Infinity 107:Hirameki 2745:Code_18 2738:12Riven 2724:Ever 17 2717:Never 7 2643:at the 2633:at the 2369:Famitsu 2171:Famitsu 2103:Famitsu 2067:Famitsu 2026:Famitsu 1335:The Kid 1315:Hepburn 1258:Famitsu 1241:Ever 17 1239:called 1211:Famitsu 1156:Ever 17 1132:Comiket 1108:Scitron 1093:Android 1069:Ever 17 1064:Release 1014:Ever 17 978:Visuals 926:Never 7 922:Never 7 918:Never 7 862:Never 7 858:Ever 17 854:Never 7 847:Ever 17 843:Never 7 839:Never 7 835:Ever 17 822:Never 7 818:Ever 17 789:Never 7 777:Never 7 743:Writing 732:Ever 17 680:Ever 17 627:Ever 17 598:Ever 17 570:Ever 17 563:Ever 17 559:Never 7 528:Android 507:Code_18 351:Ever 17 335:Mode(s) 232:Release 218:Android 86:Success 2703:series 2602:RPGFan 2571:RPGFan 2264:RPGFan 2233:RPGFan 1889:May 1, 1803:May 1, 1632:RPGFan 1598: 1529:Hokuto 1510:優美清秋香菜 1486:優美清春香菜 1364:小町つぐみ 1346:Shōnen 1267:RPGFan 1237:RPGFan 1224:RPGFan 1181:Asriel 1152:remake 1138:Remake 907:Aliens 877:Spiral 850:'s 825:'s 644:hacker 530:, and 177:Series 1552:桑古木涼権 1462:八神ココ 1438:松永沙羅 1414:茜ヶ崎空 1282:Notes 1204:Score 1176:anime 1172:manga 1025:Audio 957:games 901:Alien 797:foils 753:pitch 650:Story 600:is a 472:is a 419:Genre 88:(PS2) 2614:2015 2583:2015 2553:2015 2522:2015 2488:2016 2457:2015 2420:2015 2386:2015 2347:2015 2306:2015 2276:2015 2245:2015 2214:2015 2188:2015 2152:2015 2120:2015 2084:2015 2043:2015 2002:2015 1960:2015 1926:2015 1891:2017 1805:2017 1739:2015 1727:VGMO 1705:2015 1675:2015 1644:2015 1596:ISBN 1390:田中優 1311:倉成武 1164:5pb. 1116:2035 1095:and 1075:and 997:and 994:Cube 904:and 898:and 892:and 883:Loop 880:and 871:Ring 765:Bali 617:Plot 574:5pb. 514:and 363:5pb. 2762:KID 2661:at 1841:KID 1819:KID 1693:KID 1534:ホクト 1228:93% 1162:by 1097:iOS 704:KID 532:iOS 478:KID 223:iOS 76:KID 56:KID 2812:: 2604:. 2600:. 2569:. 2543:. 2539:. 2509:. 2505:. 2478:. 2474:. 2444:. 2440:. 2428:^ 2407:. 2403:. 2376:. 2366:. 2355:^ 2334:. 2330:. 2314:^ 2296:. 2266:. 2262:. 2235:. 2231:. 2178:. 2168:. 2136:. 2110:. 2100:. 2074:. 2064:. 2051:^ 2033:. 2023:. 2010:^ 1992:. 1986:. 1968:^ 1947:. 1943:. 1916:. 1908:. 1857:^ 1825:. 1747:^ 1729:. 1725:. 1713:^ 1691:. 1661:. 1634:. 1630:. 1610:^ 1578:^ 1555:, 1513:, 1489:, 1465:, 1441:, 1417:, 1393:, 1367:, 1343:, 1340:少年 1317:: 1313:, 1309:: 1183:. 1150:A 1048:. 1009:. 928:. 874:, 526:, 522:, 450:JP 308:JP 292:JP 276:NA 267:JP 251:JP 102:NA 93:JP 81:JP 72:JP 2691:e 2684:t 2677:v 2616:. 2585:. 2555:. 2524:. 2490:. 2459:. 2422:. 2388:. 2349:. 2308:. 2278:. 2247:. 2216:. 2190:. 2154:. 2122:. 2086:. 2045:. 2004:. 1962:. 1928:. 1893:. 1847:( 1807:. 1741:. 1707:. 1677:. 1646:. 1604:. 1561:) 1549:( 1537:) 1531:( 1519:) 1507:( 1495:) 1483:( 1471:) 1459:( 1447:) 1435:( 1423:) 1411:( 1399:) 1387:( 1374:) 1361:( 1349:) 1337:( 1324:) 1305:( 698:. 452:: 310:: 294:: 278:: 269:: 253:: 104:: 95:: 83:: 74::

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Knowledge

Ever 17: The Out of Infinity

Index