428:, which translates to "new flair" or "new beat". This music is slower, text-based, melancholic, and has a mellow feeling. Bossa nova did not use the heavy percussive instruments in samba and was much softer. Gilberto's "Bim-Bom," often described as the first bossa nova song, was inspired by Brazil's post-WWII modernization movement in the 1950s. In 1958, Jobim and de Moraes recorded "Chege de Saudede," but it was Gilberto's version that launched the bossa nova movement. After the release of
301:, characterized by a combination of jazz elements with traditional Latin American music. In addition, instrumentation plays an important role. While standard jazz bands feature a rhythm section (piano, guitar, bass and drums) and winds (saxophone, trumpet or trombone), Latin music makes use of many more percussive instruments, such as timbales, congas, bongos, maracas, claves, guiros, and vibes, which were first played in a Latin setting by
381:, which comes from a combination of African dances and march rhythms from the 19th century. The samba rhythm is characterized by an emphasis on the second beat of each measure. Unlike Cuban music, this style does not have a clave pattern, resulting in a more relaxed sensation and less tension. Brazilian music was introduced to the United States around the 1930s by Hollywood, with songs like "
119:, ethnomusicologist at the University of Chicago, described jazz as the "music of the African Diaspora," describing the movement of ideas between the Caribbean, the United States, and Western Europe. Jazz in America grew out of racial tensions, and was seen by African Americans as a form of resistance. These ideas of resistance were spread and redefined through globalization.
191:
Intercultural musical exchange was well received internationally, inspiring many musicians to take on cross-cultural influences. Many of these musicians brought foreign artists as well as their musical styles back to their home countries, which resulted in a number of big jazz names hiring immigrants
138:
toured Europe in 1919 and was popular enough to continue touring
England for a year. Their music spread around the globe. Countries like China began jazz festivals with enough public support to become annual traditions. Musicians outside the United States were gaining popularity as well. One of the
660:
Peter
Soleimanipour received the first musical permit after the revolution, which led to public performances of his band Atin, who played jazz standards alongside original compositions that combined Iranian musical elements with jazz. Soleimanipour has described his music as
263:
Coltrane's incorporation of Indian and Middle
Eastern styles in his music was more limited, but still prevalent. In 1961, he stated his intention to use the "particular sounds and scales" of India "to produce specific emotional meanings, as in 'India'". Both
250:, was recorded in the free, lyrical style of the same name, which embodied a movement to return to traditional African music uninfluenced by European elements. Coltrane's Afro-Eastern sound is best exemplified in "Africa", from the album
284:
and
Western scales. In another collaboration with Miles Davis, Coltrane dropped in on the recording of "Teo", where his playing sounds remarkably more "Middle Eastern" than on previous Davis records, and on the
211:
musical elements in many of his compositions. One of the first recognized examples of this fusion can be found in the
African rhythm of his 1961 track "Dahomey Dance", which Coltrane discovered after a trip to
175:
had a fascination with other cultures' music. They went to Africa and studied different countries' melodies, rhythms, and harmonies, and adapted them into their jazz playing and compositions. Artists like
351:. Both immigrated to the United States, where they performed Cuban music and were influenced by jazz. One of the most important collaborations was when Bauzá was working with famous jazz trumpeter
234:
rhythmic patterns, as opposed to more common, chordal improvisation, with the vocal quality of
Coltrane's tenor saxophone intentionally paralleling the sound of an African horn he had heard in a
328:. Both add a base, mood, and flow to the music, creating polyrhythms and asymmetry within their traditional settings. When combined with jazz, which was more symmetrical and featured a heavy
305:. Musicians combine these two instrumentations to create a Latin jazz sound. Cuba and Brazil were among the first countries to develop this music, and thereby some of the most influential.
64:. Though occasionally equaled to or considered the successor of world music, an independent meaning of ethno jazz emerged around 1990 through the commercial success of ethnic music via
359:
and
Chiquitico, conga and bongo players, respectively; together they began a big band that combined jazz and Cuban music. In 1946 they performed the first Afro-Cuban jazz concert in
155:". Traveling to and learning from other cultures was another factor that influenced the development of ethno jazz. For example, a variety of musicians like pianist
185:
515:
367:
language over a Latin feel. Some of the most famous recordings from this band were "Cuban Be", "Cuban Bop", "Algo Bueno", and "Manteca".
476:
and jazz, the synthesis of which is evident in tracks from the early 1960s, such as "Blues in 9" and "Blues in 10", respectively in the
733:
122:
Globalization brought jazz to larger audiences through recordings and touring performances. Examples include a New
Orleans band, the "
60:, developed internationally in the 1950s and '60s and broadly characterized by a combination of traditional jazz and non-Western
316:
developed in Cuba from West
African origins, and is characterized by the use of Cuban claves. There are two kinds of clave: the
265:
754:"Creole Orchestra The Big Hit on Pantages" ("Creole Orchestra and Ragtime Band"), Edmonton Bulletin, September 30, 1914, p. 3
363:. The concert was a sensation because it combined Latin syncopated bass lines, percussion drumming, cross rhythms, and
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562:
in 1922. This event was followed by the arrest, imprisonment, and deportation of many jazz musicians throughout the
134:, the first jazz performance outside the United States and the beginning of jazz as an international movement. The
1064:. ed. Philip V. Bohlman and Goffredo Plastino. Chicago and London: University of Chicago Press. pp. 126–133.
1031:. ed. Philip V. Bohlman and Goffredo Plastino. Chicago and London: University of Chicago Press. pp. 100–103.
998:. ed. Philip V. Bohlman and Goffredo Plastino. Chicago and London: University of Chicago Press. pp. 79–87.
853:
140:
115:
of the 19th century created new global trade networks that facilitated the spread of cross-cultural phenomena.
614:
602:
289:
to his own composition "All or
Nothing At All", Coltrane reportedly handwrote the phrase "Arabic feeling".
216:
earlier that year. "Amen" and "Sun Ship", recorded four years later and released posthumously on the album
135:
123:
450:
72:
focus on Asian musical interpretations. The origin of ethno jazz has widely been credited to saxophonist
127:
17:
385:" and "Brazil", but lost popularity over the coming years until its revival in 1962, when saxophonist
532:
665:(trans. "fusion"), explicitly avoiding the label of "jazz artist", while incorporating African and
148:
144:
570:. This only made the genre more appealing to young musicians, resulting in multiple "underground"
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similar to that what had occurred in the Soviet Union decades before. Jazz became popular
382:
8:
768:
Whitehead, Kevin. "Jazz Worldwide". Jazz Educators Journal XXXIII/1 (July 2000), 39-50.
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126:", which toured Canada for the first time during the fall of 1914, performing at the
61:
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407:" reached #1 status in the pop charts and won a Grammy for Best Solo Performance.
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is generally understood to be the father of ethno jazz, having incorporated
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portion of a Bulgarian folk tune, answered by its response in the style of
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168:
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143:, who was born to a Romani family and performed with famous musicians like
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432:, Stan Getz invited Gilberto to record an album together. They released
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ensembles directed from 1926 by A. Ionannesyani and Mikhail Rol'nikov.
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31:
792:"Mâalem Kouyou ft Wayne Shorter Quartet ( Moroccan Gnawa fusion Jazz)"
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Notable examples of ethno jazz include the emergence of jazz through
594:
325:
218:
131:
816:
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243:
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influence present in some American jazz from the 1950s and '60s.
812:"Marcus MILLER Feat Moustapha BAQBOU at Gnawa Festival Morocco"
555:
344:
324:, both of which are typically used in a two-measure pattern in
257:
204:
629:(and subsequently neighboring Middle Eastern countries) after
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recording from the late 1930s. His 1967 avant-garde track "
84:
53:
708:"All that jazz could be heard in all corners of our world"
442:, whose soft vocal style became definitive of bossa nova.
673:, and jazz elements on works as recent as his 2003 album
339:
The musicians known for planting the seeds of Cubop were
151:, and Bill Arnold. His predominant style of playing was "
139:
most respected non-American jazz musicians was guitarist
519:(a Bulgarian folk element characterized by an ascending
403:
after Byrd was inspired by a trip to Brazil; the track "
272:", the all-time most popular jazz track, recorded with
939:
Latin Jazz: The First of the Fusions, 1880s to Today.
834:
Lebanon, NH: University Press of New England, 2014.
781:Arbor, MI: The University of Michigan Press, 2013.
535:. Throughout "Blues in 9", the call is commonly a
1091:
581:Ethno jazz was more recently represented in the
332:, a new Cuban-jazz fusion was created, known as
297:One of the most popular genres of ethno jazz is
343:, a Cuban trumpeter, and Frank Grillo, a Cuban
256:, which was created after drawing rhythmic and
472:was the first composer to definitively bridge
438:in 1964, which also featured Gilberto's wife,
1026:
574:, among the first of which was a handful of
527:of the scale) and interplay between the two
957:New York: W. W. Norton & Company, 2015.
910:, John Coltrane, Impulse Records, CD, 1962.
566:for their Western influence, as ordered by
422:introduced a style similar to samba called
449:era was followed by various trends called
292:
513:. The former of the two makes use of the
192:to perform in their ethno jazz projects.
843:
625:Much of the Western music introduced to
111:allowed for the rise of ethno jazz. The
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260:inspiration from many African records.
14:
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893:
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848:. New York: Herndon House Publishers.
705:
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993:
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762:
760:
944:
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712:The University of Chicago Chronicle
24:
960:
953:Giddins, Gary, and Scott DeVeaux.
844:Simpkins, Cuthbert Ormond (1975).
620:
25:
1111:
832:Jazz and Culture in a Global Age.
757:
706:Carnig, Jennifer (May 11, 2006).
633:by the modernization policies of
549:
375:Brazilian jazz has its roots in
195:
103:
27:Subgenre of jazz and world music
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941:New York: Schirmer Books, 1999.
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736:. Quill and Quire. 3 March 2004
91:of the 1940s and '50s, and the
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779:The Music of Django Reinhardt.
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280:Coltrane invented as a mix of
68:, which especially observed a
13:
1:
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347:player who was also known as
167:, and multi-instrumentalists
971:"Stan Getz: 'Getz/Gilberto'"
908:Live at the Village Vanguard
355:. Bauzá introduced Dizzy to
136:Original Dixieland Jazz Band
7:
1027:Naroditskaya, Inna (2016).
714:. Vol. 25, no. 16
680:
10:
1116:
128:Pantages Playhouse Theatre
98:
29:
572:jazz bands and orchestras
451:MĂşsica popular brasileira
370:
222:, both feature extensive
184:found inspiration in the
124:Original Creole Orchestra
1060:Nooshin, Laudan (2016).
188:from North-West Africa.
30:Not to be confused with
734:"Such Melodious Racket"
583:Eurovision Song Contest
554:Jazz was introduced to
308:
293:Latin and South America
141:Jean "Django" Reinhardt
1062:Jazz Worlds/World Jazz
1029:Jazz Worlds/World Jazz
996:Jazz Worlds/World Jazz
591:Three Minutes to Earth
589:with entries such as "
410:In the 1950s, pianist
207:, Middle Eastern, and
994:Levy, Claire (2016).
937:Roberts, John Storm.
846:Coltrane: a Biography
638:Mohammad Reza Pahlavi
268:" and the chords of "
113:Industrial Revolution
509:common to Bulgarian
474:Bulgarian folk music
412:AntĂ´nio Carlos Jobim
830:Nicholson, Stuart.
393:recorded the album
420:Vinicius de Moraes
276:, are centered on
928:Simpkins, p. 163.
919:Simpkins, p. 128.
897:Simpkins, p. 137.
885:Simpkins, p. 130.
876:Simpkins, p. 168.
777:Givan, Benjamin.
533:call and response
383:Tico-Tico no Fubá
226:on commonly used
16:(Redirected from
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242:", named for
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224:improvisation
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206:
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201:John Coltrane
196:North America
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182:Marcus Miller
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109:Globalization
104:Globalization
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81:New Orleanian
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738:. Retrieved
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716:. Retrieved
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631:World War II
624:
615:2018 contest
603:2014 contest
580:
564:Soviet Union
553:
525:leading tone
514:
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453:, including
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414:, guitarist
409:
394:
391:Charlie Byrd
376:
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338:
321:
317:
312:
296:
282:Indian ragas
262:
253:Africa/Brass
251:
217:
199:
190:
186:Maghreb jazz
169:Yusef Lateef
161:Lester Bowie
159:, trumpeter
157:Randy Weston
149:Bill Coleman
121:
107:
78:
45:
41:
40:
36:world fusion
1100:Jazz genres
654:saxophonist
652:. In 1994,
576:Azerbaijani
511:folk dances
465:The Balkans
418:, and poet
341:Mario Bauzá
303:Tito Puente
274:Miles Davis
266:Impressions
214:Los Angeles
58:world music
980:2020-07-23
855:0915542838
740:January 3,
693:References
669:, Iranian
658:bandmaster
648:after the
646:contraband
642:censorship
541:pentatonic
516:provikvane
455:Tropicália
447:Bossa Nova
430:Jazz Samba
425:bossa nova
405:Desafinado
396:Jazz Samba
357:Chano Pozo
336:or Cubop.
299:Latin jazz
287:lead sheet
163:, drummer
153:gypsy jazz
87:exchange,
46:world jazz
42:Ethno jazz
32:Ethio-jazz
18:Ethno-jazz
1080:907147475
1047:907147475
1014:907147475
687:Folk jazz
675:Egosystem
457:begun in
387:Stan Getz
330:back beat
246:musician
165:Max Roach
1094:Category
681:See also
595:The Shin
326:cut time
320:and the
244:Nigerian
219:Sun Ship
132:Winnipeg
50:subgenre
975:NPR.org
864:1582506
817:YouTube
797:YouTube
718:22 July
663:talfiqi
613:in the
607:For You
601:in the
587:Georgia
523:to the
349:Machito
270:So What
258:timbral
205:African
99:Origins
70:Western
48:, is a
1078:
1068:
1045:
1035:
1012:
1002:
862:
852:
556:Moscow
529:genres
507:meters
371:Brazil
345:maraca
278:scales
240:Ogunde
236:Kenyan
209:Indian
93:Arabic
955:Jazz.
611:Iriao
609:" by
605:and "
593:" by
544:blues
537:modal
459:Bahia
399:with
378:samba
365:bebop
318:rumba
232:bongo
228:conga
85:Cuban
1076:OCLC
1066:ISBN
1043:OCLC
1033:ISBN
1010:OCLC
1000:ISBN
860:OCLC
850:ISBN
742:2021
720:2020
656:and
635:Shah
627:Iran
597:and
531:via
521:leap
491:and
445:The
309:Cuba
230:and
180:and
171:and
83:and
56:and
54:jazz
585:by
558:by
322:son
130:in
52:of
34:or
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