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Ornette Coleman

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In Thomas Pynchon's 1963 novel 'V.', a thinly veiled character named McClintic Sphere appears, playing a 'white ivory' saxophone at the 'V Spot.' Pynchon's wonderfully terse parody of the portentous debate around Coleman's music is as follows: 'He plays all the notes Bird missed,' somebody whispered
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Of all the ink spilled on Coleman's impact, perhaps the most memorable came from Thomas Pynchon's 1963 debut novel, V., in which the character McClintic Sphere (with a last name nodding to Thelonious Monk's middle name) sets the jazz world on end at a club called the
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called him "one of the most beloved and polarizing figures in jazz history," noting that while "now celebrated as a fearless innovator and a genius, he was initially regarded by peers and critics as rebellious, disruptive, and even a fraud."
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Coleman subsequently switched to alto saxophone, first playing it in New Orleans after the Baton Rouge incident; the alto would remain his primary instrument for the rest of his life. He then joined the band of
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In Thomas Pynchon's novel V. there is a character named McClintic Sphere, who plays an alto saxophone of hand-carved ivory (Coleman's was made of white plastic) at a club called the V Note.
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on bass clarinet, Haden and LaFaro on bass, and both Higgins and Blackwell on drums. The album was recorded in stereo, with a reed/brass/bass/drums quartet isolated in each stereo channel.
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was, at 37 minutes, the longest recorded continuous jazz performance at the time and was one of Coleman's most controversial albums. In the January 18, 1962, issue of
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in Manhattan on June 11, 2015, aged 85. His funeral was a three-hour event with performances and speeches by several of his collaborators and contemporaries.
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in front of Fu. Fu went silently through the motions of breaking a beer bottle on the edge of the table, jamming it into the speaker's back and twisting.
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regarded Denardo's appearance on the album as an ill-advised piece of publicity. Denardo later became his father's primary drummer in the late 1970s.
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and traveled with them to Los Angeles. He worked at various jobs in Los Angeles, including as an elevator operator, while pursuing his music career.
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were impressed and offered encouragement. Hampton asked to perform with the quartet; Bernstein helped Haden obtain a composition grant from the
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influenced his development on trumpet and violin. Charlie Haden sometimes joined this trio to form a two-bass quartet.
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said that Coleman was "all screwed up inside", although he later became a proponent of Coleman's innovations;
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joined the group, usually on tenor saxophone. On February 29, 1968, Coleman's quartet performed live with
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which had developed in part around his innovations. After his quartet disbanded, he formed a trio with
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Coleman, like Miles Davis before him, soon took to playing with electric instruments. The 1976 album
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on drums, and began playing trumpet and violin in addition to the saxophone. His friendship with
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saxophonist, trumpeter, violinist, and composer. He is best known as a principal founder of the
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Palmer, Robert (December 1972). "Ornette Coleman and the Circle with a Hole in the Middle".
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in Fort Worth, where he participated in band until he was dismissed for improvising during
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to play the saxophone when he was a teenager. He began his musical career playing in local
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magazine, Pete Welding gave the album five stars while John A. Tynan rated it zero stars.
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listed it at number three on their list of the 100 best jazz albums of all time in 2017.
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Two 1972 Coleman recordings, "Happy House" and "Foreigner in a Free Land", were used in
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groups, and eventually formed his own group in Los Angeles, featuring members such as
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After the Atlantic period, Coleman's music became more angular and engaged with the
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on drums. Coleman's complete recordings for the label were collected on the box set
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Coleman's quartet received a long and sometimes controversial engagement at the
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on stage in 1993 during "Space" and stayed for "The Other One", "Stella Blue",
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remarked of Coleman that “I don’t know what he’s playing, but it’s not jazz."
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was soon considered a new genre; Coleman expressed discomfort with the term.
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traveling show and then with touring rhythm and blues shows. After a show in
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Ornette Coleman since March 19, 1930, when he was born in Fort Worth, Texas
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Africana: The Encyclopedia of the African and African American Experience
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On his Atlantic recordings, Coleman's sidemen were Cherry on cornet or
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Coleman was born Randolph Denard Ornette Coleman on March 9, 1930, in
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Welding, Pete (January 18, 1962). "Double View of a Double Quartet".
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that performed at a club in New York City (that band is recorded on
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continued to use rock and funk rhythms in a style sometimes called
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Jazz Theory and Practice: For Performers, Arrangers and Composers
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While Coleman had intended "free jazz" as simply an album title,
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on drums. He explored symphonic compositions with his 1972 album
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jazz club in New York City and he released the influential album
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Let Freedom Swing: Collected Writings on Jazz, Blues, and Gospel
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for music, making Coleman only the second jazz musician (after
883: 512:. During the same year he briefly belonged to a quintet led by 177: 774: 709:, featuring Izenzon and Moffett. Later that year, he recorded 2276:"Ornette Coleman - John Simon Guggenheim Memorial Foundation" 1360:
Ornette Coleman, born in Fort Worth, Texas, on March 19, 1930
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Berendt, Joachim-Ernst; Huesmann, Günther (August 1, 2009).
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Coleman found like-minded musicians in Los Angeles, such as
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DeadBase XI: The Complete Guide to Grateful Dead Song Lists
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In the mid 1960s, Coleman left Atlantic for labels such as
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in 1954. The couple divorced in 1964. They had one son,
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music. In 1995, Coleman and his son Denardo founded the
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that Coleman mentored her and gave her music lessons.
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Coleman's early sound was due in part to his use of a
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Eager to leave town, he accepted a job in 1949 with a
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Scott, John W.; Dolgushkin, Mike; Nixon, Stu (1999).
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Coleman formed another quartet. Haden, Garrison, and
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by Ethan Iverson about early Coleman and Harmolodics
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Coleman playing his signature alto saxophone in 1971
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Members of the American Academy of Arts and Letters
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In 1991, Coleman played on the soundtrack of 842:Coleman's 1980s albums with Prime Time such as 755:He explored his interest in string textures on 16:American jazz musician and composer (1930–2015) 2593: 2584: 2438: 1624:"Ornette Coleman: Decades of Jazz on the Edge" 1468:"Something Else: The Music of Ornette Coleman" 1229: 1175:"Ornette Coleman, Jazz Iconoclast, Dies At 85" 957:In September 2006, Coleman released the album 528:was recorded soon after with Cherry, bassists 3106: 2666: 2381: 1816:"Good Old Days: Ornette Coleman On Blue Note" 1708:"Ornette Coleman: the godfather of free jazz" 1338: 1205: 1203: 1201: 1199: 1197: 2996:Friends and Neighbors: Live at Prince Street 2469: 1786: 2140: 2138: 1372: 1370: 1368: 1314: 1235: 775:1970s–1990s: Harmolodic funk and Prime Time 278:. His pioneering works often abandoned the 3113: 3099: 2673: 2659: 1520:"The 100 Jazz Albums That Shook The World" 1194: 367:, and began performing with his young son 272:genre, a term derived from his 1960 album 31: 3444:Grammy Lifetime Achievement Award winners 1914: 1780: 1740:Bailey, C. Michael (September 30, 2011). 1376: 1140: 1138: 1136: 588:John Simon Guggenheim Memorial Foundation 2135: 2015: 1646: 1644: 1546: 1401: 1395: 1365: 889: 877:In December 1985, Coleman and guitarist 825: 813: 786: 778: 381:. In the mid-1970s, he formed the group 3514:21st-century African-American musicians 3509:20th-century African-American musicians 2596:Miles, Ornette, Cecil: Jazz Beyond Jazz 2412: 2406: 2248: 2242: 2066:"Ornette Coleman: Quartet Reunion 1990" 1894: 1888: 1813: 1807: 1767: 1761: 1593: 1587: 1426: 1294: 1144: 703:and released the two-volume live album 559:released Coleman's third studio album, 3331: 2587:Free Jazz (Studies in Jazz Research 4) 2251:"Ornette Coleman and a Joyful Funeral" 2196: 1739: 1704: 1572:Miles Davis, quoted in John Litwiler, 1443: 1441: 1320: 1288: 1133: 37:Coleman at the Enjoy Jazz Festival in 3094: 2972:At the "Golden Circle" Vol. 1 & 2 2654: 2225:"Jayne Cortez, Jazz Poet, Dies at 78" 1920: 1859: 1721:from the original on January 12, 2022 1670: 1641: 1594:Roberts, Randall (January 11, 2015). 1542: 1540: 1517: 1511: 1459: 1102: 649:Free Jazz: A Collective Improvisation 275:Free Jazz: A Collective Improvisation 3499:21st-century American male musicians 3494:20th-century American male musicians 3464:Recipients of the Praemium Imperiale 2356: 2345:Montreal Jazz Festival official page 2170: 2164: 2026:. Cornish, New Hampshire: DeadBase. 1897:"Ornette Coleman: The Empty Foxhole" 1839: 1621: 1615: 1485: 1379:Ornette Coleman: the harmolodic life 1071:Montreal International Jazz Festival 1012: 2680: 2635:"Ornette Coleman interview, 1996", 2222: 2216: 1814:Freeman, Phil (December 18, 2012). 1787:Howard Reich (September 30, 2010). 1438: 1381:. London: Quartet. pp. 21–31. 1172: 830:Coleman playing the trumpet at the 424:, where he was raised. He attended 13: 3364:21st-century American saxophonists 3354:20th-century American saxophonists 2626:Interviewed by Michael Jarrett in 2502:Bynum, Taylor Ho (June 12, 2015). 2300:The Dorothy and Lillian Gish Prize 2197:Rubien, David (October 26, 2007). 1622:Kahn, Ashley (November 13, 2006). 1574:Ornette Coleman: A Harmolodic Life 1537: 1434:. Da Capo Press. pp. 235–236. 1332: 791:Coleman playing the violin in 1978 14: 3525: 2613: 2439:Davis, Francis (September 1985). 2223:Fox, Margalit (January 3, 2013). 2090: 1895:Spencer, Robert (April 1, 1997). 1865: 1840:Chow, Andrew R. (June 28, 2015). 1650: 1465: 1209: 1058:Grammy Lifetime Achievement Award 924:; the orchestra was conducted by 862:played guitar on three tracks on 578:in Manhattan. Leonard Bernstein, 3474:Musicians from Fort Worth, Texas 3454:Pulitzer Prize for Music winners 3359:20th-century American violinists 3241: 2441:"Ornette's Permanent Revolution" 2249:Remnick, David (June 27, 2015). 1491: 1404:Four Lives in the Bebop Business 978: 761:, culminating in the 1972 album 706:At the "Golden Circle" Stockholm 246: 3414:American jazz alto saxophonists 3349:20th-century American composers 2495: 2470:Yaffe, David (April 26, 2007). 2463: 2432: 2338: 2312: 2293: 2268: 2190: 2173:"Joanne Brackeen On Piano Jazz" 2110: 2084: 2058: 2040: 1981: 1940: 1868:"Making Knowledge Out of Sound" 1733: 1698: 1566: 1547:Shteamer, Hank (May 22, 2019). 1420: 1295:Fordham, John (June 11, 2015). 1242:. Alfred Music. pp. 234–. 898:alto saxophone (with low A) at 498:. He recorded his debut album, 290:rooted in ensemble playing and 262:Randolph Denard Ornette Coleman 242: 57:Randolph Denard Ornette Coleman 3159:On the Transmigration of Souls 2171:Lyon, David (March 14, 2014). 1705:Hewett, Ivan (June 11, 2015). 1263: 1166: 1145:Ratliff, Ben (June 11, 2015). 1091: 1045:Dorothy and Lillian Gish Prize 519:Live at the Hilcrest Club 1958 504:(1958), with Cherry, Higgins, 1: 3399:Avant-garde jazz saxophonists 3369:African-American saxophonists 3212:The Little Match Girl Passion 3180:Second Concerto for Orchestra 3012:Opening the Caravan of Dreams 2530: 2413:Mergner, Lee (June 3, 2010). 1518:Flynn, Mike (July 18, 2017). 1083:Honorary doctorate of music, 1050:Honorary doctorate of music, 699:In 1966, Coleman signed with 415: 397:record label. His 2006 album 3479:American male jazz musicians 1742:"Ornette Coleman: Free Jazz" 1344:"Coleman, Ornette (b. 1930)" 1120:, is modeled on Coleman and 987:stated in an interview with 457:Silas Green from New Orleans 410: 7: 2472:"The Art of the Improviser" 1960:. Oxford University Press. 1923:"Yoko Ono/Plastic Ono Band" 1576:(NY: W. Morrow, 1992), 82. 1494:"The Shape of Jazz to Come" 1098:Ornette Coleman discography 10: 3530: 3489:Black Lion Records artists 3384:American male saxophonists 3379:American jazz saxophonists 2929:To Whom Who Keeps a Record 2913:The Art of the Improvisers 1297:"Ornette Coleman obituary" 1095: 715:with his ten year-old son 646:In 1960, Coleman recorded 3504:Prime Time (band) members 3469:Jazz musicians from Texas 3434:Blue Note Records artists 3250: 3239: 3129: 3046: 3028:Colors: Live from Leipzig 2955: 2904: 2894:Sound Museum: Three Women 2726:The Shape of Jazz to Come 2718:Tomorrow Is the Question! 2701: 2688: 2389:"CUNY 2008 Commencements" 832:Great American Music Hall 769:London Symphony Orchestra 749:Yoko Ono/Plastic Ono Band 562:The Shape of Jazz to Come 550:The Shape of Jazz to Come 525:Tomorrow Is the Question! 379:London Symphony Orchestra 341:The Shape of Jazz to Come 222: 196: 186: 155: 138: 102: 81: 61: 51: 46: 30: 23: 3484:Orchestra U.S.A. members 3429:Atlantic Records artists 3424:Antilles Records artists 3394:American male violinists 3389:American jazz violinists 3122:Pulitzer Prize for Music 3020:Prime Design/Time Design 2886:Sound Museum: Hidden Man 2553:. "A Question of Scale" 2504:"Seeing Ornette Coleman" 2305:October 6, 2013, at the 1994:. Chicago Review Press. 1524:www.jazzwisemagazine.com 1377:Litweiler, John (1992). 1127: 1052:Berklee College of Music 939: 624:on bass; and Higgins or 426:I.M. Terrell High School 405:Pulitzer Prize for Music 294:phrasing. Thom Jurek of 2594:Mandel, Howard (2007). 2585:Jost, Ekkehard (1975). 1402:Spellman, A.B. (1985). 1029:Jazz Hall of Fame, 1969 436:". He began performing 3409:Free jazz saxophonists 3404:Free funk saxophonists 2945:Beauty Is a Rare Thing 2630:magazine, October 1995 1271:"2007 Pulitzer Prizes" 1085:University of Michigan 903: 839: 823: 792: 784: 631:Beauty Is a Rare Thing 461:Baton Rouge, Louisiana 385:and explored electric 47:Background information 2734:Change of the Century 2350:May 16, 2010, at the 1952:Henry Louis Gates Jr. 1948:Appiah, Kwame Anthony 1875:stopsmilingonline.com 1019:Guggenheim Fellowship 994:Coleman married poet 906:In 1990, the city of 893: 829: 817: 790: 782: 3004:The Belgrade Concert 2822:Dancing in Your Head 2589:. Universal Edition. 2564:Broecking, Christian 2054:. February 23, 1993. 1323:The Atlantic Monthly 1078:CUNY Graduate Center 1076:Honorary doctorate, 1033:MacArthur Fellowship 975:) to win the prize. 818:Coleman performs in 798:Dancing in Your Head 752:as the track "AOS". 282:-based composition, 245: 1954; 3419:ABC Records artists 2647:, December 19, 2005 2309:, official website. 1686:. December 21, 2015 1069:Miles Davis Award, 963:. Recorded live in 584:Modern Jazz Quartet 434:The Washington Post 389:and his concept of 302:Born and raised in 2905:Compilation albums 2838:Soapsuds, Soapsuds 2710:Something Else!!!! 2620:"Forms and Sounds" 2229:The New York Times 2072:. January 10, 2011 1954:(March 16, 2005). 1921:Chrispell, James. 1846:The New York Times 1152:The New York Times 1103:In popular culture 1039:Praemium Imperiale 904: 894:Coleman plays his 840: 824: 793: 785: 501:Something Else!!!! 344:, his debut LP on 3449:MacArthur Fellows 3374:Age controversies 3326: 3325: 3088: 3087: 2846:Of Human Feelings 2782:The Empty Foxhole 2742:This Is Our Music 2644:New York Observer 2605:978-0-415-96714-3 2326:on April 19, 2017 1820:Blue Note Records 1800:978-0-8101-2705-0 1653:"Ornette Coleman" 1601:Los Angeles Times 1340:Wishart, David J. 1249:978-1-4574-1068-0 1212:"Ornette Coleman" 1173:Mandell, Howard. 1110:, a character in 1013:Awards and honors 989:Marian McPartland 951:Finding Forrester 851:Of Human Feelings 744:Royal Albert Hall 712:The Empty Foxhole 616:; Charlie Haden, 607:plastic saxophone 542:Leonard Bernstein 430:John Philip Sousa 422:Fort Worth, Texas 304:Fort Worth, Texas 256: 255: 75:Fort Worth, Texas 3521: 3439:ESP-Disk artists 3245: 3115: 3108: 3101: 3092: 3091: 3047:Related articles 2862:In All Languages 2814:Skies of America 2790:New York Is Now! 2766:Ornette on Tenor 2675: 2668: 2661: 2652: 2651: 2609: 2590: 2581: 2525: 2524: 2518: 2516: 2499: 2493: 2492: 2486: 2484: 2467: 2461: 2460: 2455: 2453: 2436: 2430: 2429: 2427: 2425: 2410: 2404: 2403: 2401: 2399: 2385: 2379: 2378: 2376: 2374: 2360: 2354: 2342: 2336: 2335: 2333: 2331: 2322:. 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By the time 496:Charles Moffett 469:Pee Wee Crayton 450:Charles Moffett 418: 413: 369:Denardo Coleman 259: 252: 249: 1964) 240: 236: 233: 223: 218: 187: 182: 168:tenor saxophone 151: 134: 90: 86: 73: 67: 65: 52: 42: 26: 25:Ornette Coleman 17: 12: 11: 5: 3527: 3517: 3516: 3511: 3506: 3501: 3496: 3491: 3486: 3481: 3476: 3471: 3466: 3461: 3456: 3451: 3446: 3441: 3436: 3431: 3426: 3421: 3416: 3411: 3406: 3401: 3396: 3391: 3386: 3381: 3376: 3371: 3366: 3361: 3356: 3351: 3346: 3341: 3324: 3323: 3321: 3320: 3313: 3306: 3299: 3292: 3285: 3278: 3271: 3264: 3257: 3251: 3248: 3247: 3240: 3238: 3236: 3235: 3226: 3215: 3204: 3193: 3190:Chiavi in Mano 3182: 3173: 3162: 3151: 3140: 3138:Symphony No. 2 3130: 3127: 3126: 3118: 3117: 3110: 3103: 3095: 3086: 3085: 3083: 3082: 3075: 3072:Broadway Blues 3068: 3063: 3057: 3050: 3048: 3044: 3043: 3041: 3040: 3032: 3024: 3016: 3008: 3000: 2992: 2984: 2976: 2968: 2959: 2957: 2953: 2952: 2950: 2949: 2941: 2937:Broken Shadows 2933: 2925: 2917: 2908: 2906: 2902: 2901: 2899: 2898: 2890: 2882: 2874: 2866: 2858: 2850: 2842: 2834: 2826: 2818: 2810: 2802: 2794: 2786: 2778: 2770: 2762: 2754: 2746: 2738: 2730: 2722: 2714: 2705: 2703: 2699: 2698: 2696: 2695: 2689: 2686: 2685: 2678: 2677: 2670: 2663: 2655: 2649: 2648: 2640: 2632: 2623: 2615: 2614:External links 2612: 2611: 2610: 2604: 2591: 2582: 2576: 2570:. 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Index

Coleman at the Enjoy Jazz Festival in Heidelberg, 2008
Heidelberg
Fort Worth, Texas
Manhattan
New York City
Avant-garde jazz
free jazz
free funk
jazz fusion
third stream
Alto saxophone
tenor saxophone
trumpet
violin
Atlantic
Blue Note
Verve
Jayne Cortez
jazz
free jazz
Free Jazz: A Collective Improvisation
harmony
tonality
improvisation
blues
AllMusic
Fort Worth, Texas
taught himself
R&B
bebop

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