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Third stream

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97:. There are many ways to define third-stream music. It could refer to a group of jazz musicians playing solely, or a jazz soloist performing with a symphony orchestra, as long as the musicians are able to interpret and play jazz music. Improvisation is generally seen as a vital component of third stream. In third-stream music, composers incorporated elements of classical music, such as the use of jazz instruments and classical music forms, into their jazz compositions. The fusion of jazz and classical music is also viewed as "born out of a reciprocal interest: the interest of the classical community in the developments in jazz music and the interest of the jazz community in the advances of classical music." The innovative idea of fusing jazz and classical music pushed the boundaries of traditional classical music and introduced a new genre that blends the two styles into a unique hybrid form. 106:
with the other, more strenuous objections were typically made by jazz musicians who felt such efforts were "an assault on their traditions". He wrote that "by designating the music as a 'separate, third stream', the other two mainstreams could go about their way unaffected by the attempts at fusion". Third-stream music emerged during a time when jazz was seeking recognition as a legitimate art form, and European musical traditions were still widely considered the standard by which all music was judged. The fusion of jazz and classical music, forming a new music genre, worsened the longstanding struggle of African American musicians to gain recognition for their art style within the mainstream of American culture.
640: 156:'s music and how he was fascinated by its "freely, loosely, more personal" music style, which he had not experienced as a classical learner. Later, he discusses how he wanted to combine classical music and jazz together to produce a third-stream, and how he explored this music style in various creative ways. He also shares his experiences of wanting to make the New England Conservatory more inclusive by adding new programs and jazz-related courses when he was the president from 1967 to 1977. 3393: 3403: 3383: 114:" enough. Throughout the history of third-stream music style, bringing in two contrasting music styles forming a new music genre are not welcomed in either side, which has caused advocates and practitioners of this approach to face aesthetic battles on both sides. Others reject such notions and consider third stream an interesting musical development. In 1981, Schuller offered a list of "What Third Stream Is Not": 3413: 2915: 382:
played an important role during the rise of third stream music. Its "Playful riffs, embellishments, and an extension of the central cadenza in the Rhapsody capture the listener's imagination". The piece combines elements of jazz and classical music, making it sound distinctive and unique. Its success
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In 1961, Schuller defined third stream as "a new genre of music located about halfway between jazz and classical music". He insisted that "by definition there is no such thing as 'third stream jazz'". He noted that while critics on both sides of third stream objected to tainting their favorite music
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as department chair in 1973. Blake would continue to lead this unique department (eventually renamed Contemporary Improvisation, now Contemporary Musical Arts) until his retirement in 2005, meanwhile broadening the concept to center on the "primacy of the ear", development of personal style, and
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was among the first musicians to combine the two genres, beginning in the 1930s. He called his style "The New Music". Critics praised "Garden of Weed" "Serenade for a Wealthy Widow" and the Bach-influenced "Dodging a Divorcee", but the British public was baffled. Foresythe's music found a warmer
1208:"The Gershwin Moment: Rhapsody in Blue & Concerto in F, St. Louis Symphony; Kirill Gerstein, piano; Storm Large, vocals; Gary Burton, vibraphone; David Robertson, conductor. S Myrios Classics, B0794SPYLJ, 2018, CD and MP3" 574:
Progressive Jazz Orchestra from 1947 to 1948 and the Innovations in Modern Music Orchestra of 1950 and 1951. A student of Milhaud, Rugolo studied the scores of Debussy, Ravel, and Stravinsky. The exploratory works of
591:", "Dusk", and "Reflections in D", as well as in more extended composed works such as "Creole Rhapsody", "Reminiscing in Tempo", and "The Tattooed Bride". These tendencies were shared by his collaborator, composer 204:. This music was performed for the first time at the Brandeis Festival of the Arts in 1957 and inspired Schuller's comment about "a new synthesis". Composers who were influenced by Schuller's comments include 1364:
Bartok's music—originally compounded of Debussyan and Straussian elements—rose to its greatest heights after he was able to fuse his early style with the idiomatic inflections of Eastern European folk music.
543:. Artie Shaw recorded "Interlude in B-flat" in 1935 with the unusual ensemble of a string quartet, a jazz rhythm section, and Shaw on clarinet and saxophone. Although not third stream in conception, pianist 109:
Critics have argued that third stream—by drawing on two very different styles—dilutes the power of each in combining them. The jazz component of the music has been criticized for being too serious and not
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for Kenton from 1947 to 1952 combine contemporary classical techniques. His use of colorful graphs and charts for big band took his music into a harmonic and rhythmic realm unknown in jazz.
3256: 395:, is the only professional orchestra solely dedicated to performing Third Stream music in North America. The orchestra is composed of Chicago-based jazz and classical performers. 3014: 616: 660:
improvisation, drawing on inspiration from all musics of the world. Faculty members have included a number of highly influential performer-composers including
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in 2006. This album is a fusion of classical music and jazz, which his ensemble reinterpreting pieces from Mozart's works through a jazz approach.
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in the 1940s. These musicians had written parts and supported the improvisers. More dramatic attempts to bridge jazz and classical were made by
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The Chicago Jazz Philharmonic, primarily performing compositions by its founder and Chicago based composer, trumpeter, and conductor
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It is not designed to do away with jazz or classical music; it is just another option amongst many for today's creative musicians.
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writes fully notated music in a jazz idiom that fuses the Russian piano tradition with the virtuosic styles of Art Tatum and
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Teachout, Terry (2000). "Jazz and Classical Music: To the Third Stream and Beyond". In Kirchner, Bill (ed.).
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experimented with compositionally guided free jazz improvisation in his "Actions for Free Jazz Orchestra".
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established a Third Stream Department with associated degree programs, appointing pianist-composer
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drew on classical technique and recorded jazz versions of short pieces by European composers
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marked a significant cultural shift in American society during the Jazz Age.
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Gunther Schuller leads NEC Jazz Orchestra in rehearsal in Jordan Hall, 1990.
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reception in America, resulting in collaborations with Ellington,
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and his orchestra in 1945. Other composers who used jazz include
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employed string sections in his jazz bands in the 1920s, as did
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had fused his music with the folk music of Eastern Europe.
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Works that fall under the heading of third stream include
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Schuller led a group of musicians in recording the albums
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Der langwierige Weg in die Wohnung der Natascha Ungeheuer
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used jazz-inspired elements, including a jazz fugue, in
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In 2011, Gunther Schuller published his autobiography,
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Harbison, Patrick Lewis; Moore, Gregory Kehl (1997).
331:, a suite for saxophone and strings by Eddie Sauter; 634: 1433: 765: 1131: 623:American classical and jazz pianist and composer, 124:It is not classical music played by jazz players. 121:It is not jazz played on "classical" instruments. 3429: 1465: 176:. The first contained compositions by Schuller, 1443:Musings: The Musical Worlds of Gunther Schuller 1342:Musings: The Musical Worlds of Gunther Schuller 1294:"Gershwin and American Modernists of the 1920s" 855: 853: 159: 2945: 1503: 1406:"All Things Kenton – Images: Bob Graettinger" 1375: 357:Seven Songs for Quartet and Chamber Orchestra 1445:; Oxford University Press, 1986; 0195037456. 1332: 732:Proceedings of the Royal Musical Association 236:. Others influenced by Third Stream include 65:instruments commonly used in classical music 2959: 1125: 1123: 1121: 978: 976: 850: 614:brought free jazz into his compositions in 386: 2952: 2938: 1510: 1496: 89:. The term was coined in 1957 by composer 1259:Quarterly Journal of Current Acquisitions 1212:Journal of the Society for American Music 172:(1958), later collected under one album, 141:It is not a fugue played by jazz players. 100: 1345:. Oxford University Press. p. 118. 1338: 1161: 1159: 1129: 1118: 1089: 973: 824: 638: 343:by Dario Savino Doronzo | Pietro Gallo, 2544: 345:Piece for Clarinet and String Orchestra 3430: 1398: 1252: 1042: 995: 932: 885: 777: 707:Musical improvisation#Classical period 647:During his tenure as president of the 135:between bebop changes—nor the reverse. 2933: 1491: 1205: 1156: 725: 150:A Life in Pursuit of Music and Beauty 1440: 1138:. Oxford University Press. pp.  983: 873: 860: 844: 434:blended jazz and symphonic music in 3412: 1339:Schuller, Gunther (3 August 1989). 1291: 1168:"Third Stream Music Genre Overview" 1036: 989: 831:Electronic Theses and Dissertations 13: 1449: 926: 879: 825:McKinney, Elizabeth (2008-01-01). 771: 14: 3459: 2865:Album covers of Blue Note Records 1479:(video included). Interviewed by 1459: 1384:. Psychology Press. p. 117. 1165: 649:New England Conservatory of Music 635:New England Conservatory of Music 587:in impressionistic work such as " 288:artists; in Italy, among others, 62:Instruments commonly used in jazz 3411: 3401: 3392: 3391: 3381: 2913: 1090:Schuller, Gunther (2011-10-15). 3382: 1369: 1285: 1255:"Gershwin's "Rhapsody in Blue"" 1246: 1199: 1185: 1083: 629:Uri Caine Ensemble Plays Mozart 2245:Institutions and organizations 1435:Encyclopædia Britannica entry. 1096:. Boydell and Brewer Limited. 866: 837: 818: 758: 719: 1: 1942:Cool jazz and West Coast jazz 712: 174:The Birth of the Third Stream 138:It is not jazz in fugal form. 127:It is not inserting a bit of 1134:The Oxford Companion to Jazz 1043:Joyner, David (2000-01-01). 996:Joyner, David (2000-01-01). 933:Joyner, David (2000-01-01). 886:Joyner, David (2000-01-01). 778:Joyner, David (2000-01-01). 564:contemporary classical music 416:in 1949 and in the 1950s by 320:The Gary McFarland Orchestra 118:It is not jazz with strings. 7: 695: 160:Compositions and recordings 10: 3464: 1427: 1380:. In Pendle, Karin (ed.). 1253:Waters, Edward N. (1947). 3355: 3282: 3244: 3198: 3118: 3081: 3025: 2995: 2988: 2967: 2909: 2857: 2767: 2651: 2631: 2610: 2594: 2511: 2402: 2347: 2304: 2297: 2271:See Template: Jazz theory 2232: 2154: 2018: 1980: 1924: 1846: 1628: 1525: 1483:(published July 1, 2009). 1224:10.1017/s1752196318000639 1061:10.1080/07494460000640141 1049:Contemporary Music Review 1014:10.1080/07494460000640141 1002:Contemporary Music Review 951:10.1080/07494460000640141 939:Contemporary Music Review 904:10.1080/07494460000640141 892:Contemporary Music Review 796:10.1080/07494460000640141 784:Contemporary Music Review 570:, chief architect of the 470:composed for clarinetist 55: 47: 26: 21: 3257:Unruly audience response 1517: 1382:American Women Composers 1045:"Analyzing third stream" 998:"Analyzing third stream" 935:"Analyzing third stream" 888:"Analyzing third stream" 780:"Analyzing third stream" 440:(1924). French composer 387:Composers and performers 2961:Western classical music 766:Encyclopædia Britannica 3443:Third stream musicians 3059:Transition to Romantic 2989:Major periods and eras 1292:Oja, Carol J. (1994). 1206:Kneer, Joseph (2019). 644: 562:A fusion of jazz with 367:by Claus Ogerman, and 101:Definition and critics 3015:Transition to Baroque 1298:The Musical Quarterly 1193:"Brad Mehldau: Largo" 1102:10.1017/9781580467834 642: 627:, released his album 566:came from the pen of 270:Turtle Island Quartet 3347:Worldwide traditions 3300:Classical music blog 2659:Bibliography of jazz 2439:Continental European 744:10.1093/jrma/97.1.59 728:"Third-Stream Music" 608:Krzysztof Penderecki 447:La crĂ©ation du monde 81:that is a fusion of 3438:Fusion music genres 3199:Students by teacher 2900:Straight, No Chaser 2689:Straight-ahead jazz 2146:Winter & Winter 1595:French horn in jazz 1410:allthingskenton.com 1378:"Jazzwomen Compose" 1310:10.1093/mq/78.4.646 726:Banks, Don (1970). 692:, and many others. 512:William Grant Still 508:Dmitri Shostakovich 454:drew from jazz for 398:Schuller suggested 355:by George Russell, 258:Modern Jazz Quartet 170:Modern Jazz Concert 95:Brandeis University 56:Typical instruments 2844:West African music 2669:British dance band 2459:European free jazz 2432:British dance band 1925:Musicians by genre 1705:Free improvisation 1471:"Multiple Streams" 1441:Gunther Schuller: 674:ethnomusicologists 645: 577:Robert Graettinger 532:Reginald Foresythe 371:by Keith Jarrett. 339:by William Russo, 284:and several other 250:William Kanengiser 3425: 3424: 3320:Progressive music 3114: 3113: 2927: 2926: 2800:New Orleans blues 2647: 2646: 2590: 2589: 2164:Beaches (Toronto) 1575:Swing performance 1391:978-90-5702-145-9 1352:978-0-19-972363-8 1149:978-0-19-518359-7 1111:978-1-58046-783-4 651:(NEC) in Boston, 612:Hans Werner Henze 520:Mary Lou Williams 480:Leonard Bernstein 351:by J.J. Johnson, 341:Reimagining Opera 310:Sketches of Spain 298:Andrea Pellegrini 294:Gianluigi Trovesi 274:Mary Lou Williams 72: 71: 27:Stylistic origins 3455: 3415: 3414: 3405: 3395: 3394: 3385: 3384: 3370:Composers by era 3335:Video game music 3269:Musical ensemble 3071:Post-romanticism 2993: 2992: 2954: 2947: 2940: 2931: 2930: 2918: 2917: 2684:Continental jazz 2577:Washington, D.C. 2542: 2541: 2444:Czech and Slovak 2302: 2301: 2086:India Navigation 1784:Progressive jazz 1638:Avant-garde jazz 1512: 1505: 1498: 1489: 1488: 1484: 1467:Gunther Schuller 1455: 1446: 1437: 1421: 1420: 1418: 1416: 1402: 1396: 1395: 1373: 1367: 1366: 1361: 1359: 1336: 1330: 1329: 1289: 1283: 1282: 1250: 1244: 1243: 1203: 1197: 1196: 1189: 1183: 1182: 1180: 1178: 1163: 1154: 1153: 1137: 1127: 1116: 1115: 1093:Gunther Schuller 1087: 1081: 1080: 1040: 1034: 1033: 993: 987: 980: 971: 970: 930: 924: 923: 883: 877: 870: 864: 857: 848: 841: 835: 834: 822: 816: 815: 775: 769: 762: 756: 755: 723: 682:Christine Correa 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1693: 1691: 1688: 1686: 1685:Flamenco jazz 1683: 1681: 1678: 1676: 1673: 1671: 1668: 1666: 1663: 1659: 1656: 1654: 1651: 1649: 1646: 1645: 1644: 1641: 1639: 1636: 1635: 1633: 1631: 1627: 1621: 1620:Women in jazz 1618: 1616: 1613: 1611: 1608: 1606: 1605:Jazz trombone 1603: 1601: 1598: 1596: 1593: 1591: 1588: 1586: 1585:Jazz drumming 1583: 1581: 1578: 1576: 1573: 1571: 1568: 1566: 1563: 1559: 1556: 1555: 1554: 1553:Improvisation 1551: 1549: 1546: 1544: 1541: 1539: 1536: 1534: 1531: 1530: 1528: 1524: 1520: 1513: 1508: 1506: 1501: 1499: 1494: 1493: 1490: 1482: 1478: 1477: 1472: 1468: 1464: 1463: 1453: 1448: 1444: 1439: 1436: 1432: 1431: 1411: 1407: 1401: 1393: 1387: 1383: 1379: 1372: 1365: 1354: 1348: 1344: 1343: 1335: 1327: 1323: 1319: 1315: 1311: 1307: 1303: 1299: 1295: 1288: 1280: 1276: 1272: 1268: 1264: 1260: 1256: 1249: 1241: 1237: 1233: 1229: 1225: 1221: 1217: 1213: 1209: 1202: 1194: 1188: 1173: 1169: 1162: 1160: 1151: 1145: 1141: 1136: 1135: 1126: 1124: 1122: 1113: 1107: 1103: 1099: 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Johnson 415: 411: 407: 406:Paul Whiteman 403: 401: 396: 394: 384: 381: 377: 372: 370: 366: 362: 358: 354: 350: 346: 342: 338: 335:by Schuller, 334: 330: 326: 322: 321: 316: 312: 311: 305: 303: 299: 295: 291: 290:Bruno Tommaso 287: 283: 279: 275: 271: 267: 263: 259: 255: 251: 247: 246:Eddie Daniels 243: 239: 238:Robert Prince 235: 231: 227: 223: 222:Lalo Schifrin 219: 215: 214:William Russo 211: 207: 203: 199: 195: 191: 187: 186:Jimmy Giuffre 183: 179: 175: 171: 167: 157: 155: 151: 143: 140: 137: 134: 130: 126: 123: 120: 117: 116: 115: 113: 107: 98: 96: 92: 88: 84: 80: 76: 64: 61: 60: 58: 54: 51:United States 50: 46: 40: 37: 35: 32: 31: 29: 25: 20: 16:Musical genre 3342:Third stream 3341: 3305:Experimental 3136:Porto Alegre 3106:21st-century 3101:20th-century 3096:Contemporary 3044: 2911: 2898: 2891: 2884: 2880:(miniseries) 2877: 2869: 2839:Sophisti-pop 2269: 2260:Jazz royalty 2250:Jazz funeral 2046:Contemporary 1937:Chamber jazz 1891:Saxophonists 1861:Clarinetists 1833:Third stream 1832: 1670:Chamber jazz 1570:Scat singing 1474: 1452:Allmusic.com 1442: 1413:. Retrieved 1409: 1400: 1381: 1371: 1363: 1356:. Retrieved 1341: 1334: 1301: 1297: 1287: 1265:(3): 65–66. 1262: 1258: 1248: 1215: 1211: 1201: 1187: 1175:. Retrieved 1171: 1133: 1092: 1085: 1055:(1): 63–87. 1052: 1048: 1038: 1008:(1): 63–87. 1005: 1001: 991: 945:(1): 63–87. 942: 938: 928: 898:(1): 63–87. 895: 891: 881: 868: 839: 830: 820: 790:(1): 63–87. 787: 783: 773: 760: 735: 731: 721: 690:Matt Darriau 676:, including 646: 622: 615: 605: 561: 530: 525:Zodiac Suite 523: 496:Ernst Krenek 488:Morton Gould 472:Woody Herman 465: 459: 455: 445: 435: 430: 404: 397: 393:Orbert Davis 390: 378:composed by 373: 368: 364: 356: 352: 348: 347:by Giuffre, 344: 340: 336: 332: 328: 318: 308: 306: 278:Brad Mehldau 266:Ralph Towner 262:James Newton 218:Andre Hodeir 210:Eddie Sauter 178:J.J. Johnson 173: 169: 165: 163: 149: 147: 108: 104: 75:Third stream 74: 73: 22:Third stream 3448:Jazz genres 3417:WikiProject 3310:Light music 3295:Baroque pop 3290:Avant-garde 3245:Performance 3010:Renaissance 2997:Early music 2822:Quiet storm 2785:Contradanza 2567:New Orleans 2562:Kansas City 2365:Jazz mugham 2360:Azerbaijani 2284:Second line 2279:Rare groove 2265:Jazz theory 2255:Jazz poetry 2240:Contrafacts 2224:Saint Lucia 2204:New Orleans 2136:Strata-East 2111:MPS Records 2041:Cobblestone 1962:Smooth jazz 1952:Jazz fusion 1896:Trombonists 1809:Sacred jazz 1794:Smooth jazz 1727:Jazz fusion 1610:Jazz violin 1590:Jazz guitar 1565:Jam session 1538:Jazz (word) 1476:NewMusicBox 1358:27 February 1218:: 137–139. 589:Mood Indigo 572:Stan Kenton 568:Pete Rugolo 400:BĂ©la BartĂłk 369:Arbour Zena 361:Gary Burton 315:Miles Davis 286:ECM Records 168:(1957) and 79:music genre 3432:Categories 3330:Film score 3325:Soundtrack 3264:Conducting 3183:Birmingham 3119:By country 2968:Definition 2807:Brass band 2795:Jump blues 2639:Ethno jazz 2602:Australian 2582:West Coast 2339:Zimbabwean 2179:Copenhagen 2101:Mainstream 1911:Violinists 1901:Trumpeters 1871:Guitarists 1779:Organ trio 1764:Modal jazz 1737:Latin jazz 1717:Gypsy jazz 1615:Vocal jazz 1600:Jazz piano 713:References 702:Partimento 662:Jaki Byard 541:Earl Hines 516:Kurt Weill 464:, and the 422:John Lewis 410:Artie Shaw 374:The piece 242:Ron Carter 226:Teo Macero 182:John Lewis 133:Schoenberg 3375:Festivals 3274:Orchestra 3126:Australia 3091:Modernism 3083:New music 3054:Classical 2975:Art music 2775:Acid jazz 2632:Worldwide 2618:Brazilian 2415:Bulgarian 2377:Indo jazz 2327:Cape jazz 2214:North Sea 2169:Cape Town 2156:Festivals 2131:Riverside 2106:Milestone 2031:Blue Note 2026:Bethlehem 2010:post-1950 1982:Standards 1967:Soul jazz 1916:Vocalists 1876:Organists 1848:Musicians 1838:Trad jazz 1799:Soul jazz 1722:Jazz-funk 1710:Punk jazz 1700:Free funk 1695:Free jazz 1690:Folk jazz 1680:Dixieland 1675:Cool jazz 1665:Cape jazz 1580:Jazz bass 1543:Jazz band 1415:5 October 1318:0027-4631 1271:0090-0095 1240:194232665 1232:1752-1963 1177:5 October 1077:191584186 1069:0749-4467 1030:191584186 1022:0749-4467 967:191584186 959:0749-4467 920:191584186 912:0749-4467 812:191584186 804:0749-4467 752:0080-4452 738:: 59–67. 678:Don Byron 657:Ran Blake 625:Uri Caine 606:Composer 545:Art Tatum 365:Symbiosis 206:Don Ellis 39:classical 3397:Category 3066:Romantic 3005:Medieval 2780:Afrobeat 2694:Pre-1920 2679:Jazz Age 2595:Oceanian 2545:American 2519:Canadian 2403:European 2394:Japanese 2355:Armenian 2317:Malawian 2312:Ethiopia 2199:Montreux 2194:Montreal 2189:Monterey 2126:Prestige 2096:Landmark 2081:Impulse! 2061:ESP-Disk 1990:Pre-1920 1947:Hard bop 1886:Pianists 1866:Drummers 1856:Bassists 1789:Ska jazz 1732:Jazz rap 1658:Post-bop 1648:Hard bop 1548:Big band 1279:29780466 1172:AllMusic 984:Schuller 874:Schuller 861:Schuller 845:Schuller 696:See also 3387:Outline 3283:Related 3252:Concert 3158:Ireland 3153:Germany 3035:Baroque 2827:Ragtime 2812:Exotica 2768:Related 2674:Ragtime 2652:History 2557:Chicago 2524:Haitian 2503:Swedish 2491:Spanish 2474:Italian 2427:British 2422:Belgian 2389:Iranian 2305:African 2233:Culture 2209:Newport 2184:Jakarta 2174:Chicago 2071:Freedom 1769:Nu jazz 1653:Neo-bop 1428:Sources 456:Ragtime 3407:Portal 3365:Genres 3236:T to Z 3231:R to S 3226:N to G 3221:K to M 3216:G to J 3211:C to F 3206:A to B 3173:Russia 3168:Kosovo 3148:France 3143:Canada 3131:Brazil 3040:Galant 2479:Polish 2469:German 2464:French 2449:Danish 2410:Balkan 2372:Indian 2332:Marabi 2289:Venues 1816:Stride 1759:Marabi 1749:M-Base 1630:Genres 1388:  1349:  1326:742505 1324:  1316:  1277:  1269:  1238:  1230:  1146:  1108:  1075:  1067:  1028:  1020:  965:  957:  918:  910:  810:  802:  750:  668:, and 555:, and 539:, and 514:, and 424:, and 280:, and 232:, and 200:, and 184:, and 3360:Lists 3163:Italy 2858:Media 2817:Plugg 2790:Blues 2744:2010s 2739:2000s 2734:1990s 2729:1980s 2724:1970s 2719:1960s 2714:1950s 2709:1940s 2704:1930s 2699:1920s 2664:Blues 2534:Cuban 2454:Dutch 2382:Sitar 2348:Asian 2141:Verve 2005:1940s 2000:1930s 1995:1920s 1972:Swing 1932:Bebop 1821:Swing 1643:Bebop 1322:JSTOR 1275:JSTOR 1236:S2CID 1073:S2CID 1026:S2CID 963:S2CID 916:S2CID 808:S2CID 329:Focus 129:Ravel 112:swing 77:is a 2878:Jazz 2871:Bird 2759:2022 2754:2021 2749:2020 2484:Yass 2219:Pori 2121:Muse 1957:Scat 1558:Jazz 1519:Jazz 1417:2018 1386:ISBN 1360:2019 1347:ISBN 1314:ISSN 1267:ISSN 1228:ISSN 1179:2018 1144:ISBN 1106:ISBN 1065:ISSN 1018:ISSN 955:ISSN 908:ISSN 800:ISSN 748:ISSN 85:and 83:jazz 34:Jazz 2116:MPS 2091:JMT 2056:ECM 2051:CTI 2036:BYG 1306:doi 1220:doi 1142:–. 1140:353 1098:doi 1057:doi 1010:doi 947:doi 900:doi 792:doi 740:doi 522:'s 359:by 323:by 313:by 131:or 3434:: 1473:. 1408:. 1362:. 1320:. 1312:. 1302:78 1300:. 1296:. 1273:. 1261:. 1257:. 1234:. 1226:. 1216:13 1214:. 1210:. 1170:. 1158:^ 1120:^ 1104:. 1071:. 1063:. 1053:19 1051:. 1047:. 1024:. 1016:. 1006:19 1004:. 1000:. 975:^ 961:. 953:. 943:19 941:. 937:. 914:. 906:. 896:19 894:. 890:. 852:^ 829:. 806:. 798:. 788:19 786:. 782:. 746:. 736:97 734:. 730:. 688:, 684:, 680:, 664:, 620:. 603:. 595:. 559:. 551:, 510:, 506:, 502:, 498:, 494:, 490:, 486:, 482:, 478:, 458:, 450:. 428:. 420:, 363:, 327:, 317:, 304:. 300:, 296:, 292:, 276:, 272:, 268:, 264:, 260:, 256:, 252:, 248:, 244:, 240:, 228:, 224:, 220:, 216:, 212:, 208:, 196:, 192:, 180:, 2953:e 2946:t 2939:v 1511:e 1504:t 1497:v 1454:. 1419:. 1394:. 1328:. 1308:: 1281:. 1263:4 1242:. 1222:: 1195:. 1181:. 1152:. 1114:. 1100:: 1079:. 1059:: 1032:. 1012:: 982:( 969:. 949:: 922:. 902:: 872:( 859:( 843:( 833:. 814:. 794:: 768:) 764:( 754:. 742:: 110:"

Index

Jazz
classical
music genre
jazz
classical music
Gunther Schuller
Brandeis University
swing
Ravel
Schoenberg
Duke Ellington
J.J. Johnson
John Lewis
Jimmy Giuffre
George Russell
Charles Mingus
Harold Shapero
Milton Babbitt
Don Ellis
Eddie Sauter
William Russo
Andre Hodeir
Lalo Schifrin
Teo Macero
Gary McFarland
Friedrich Gulda
Robert Prince
Ron Carter
Eddie Daniels
William Kanengiser

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