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Ernest C. Rolls

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In 1938 he joined the board of J. C. Williamson's, and was appointed chief producer of the new Australian and New Zealand Theatres Ltd (ANZT). Although the new scheme was not a financial success, Rolls is credited with presenting its most creative and successful shows, including
275:, the Marlow-Rolls company went into voluntary liquidation. In 1930 Rolls formed his own production company, staging a series of revues at St James Theatre in Sydney, and the following year took over the lease of the 325:
closing after 45 performances. During the Second World War, he produced revues in regional centres around the country, with his wife as the leading lady, and he also attempted to revive the careers of some
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to two women outside the window of his home, and was sentenced to three months imprisonment, later reduced on appeal. Though his career in London faltered as a result, he put on a
240:, with Jennie Benson in the title role, and regularly visited New York to secure the rights to new revues and musicals. In 1928, he mounted the first Australian production of 161:(1914), which featured several Australian chorus girls and where he met singer and comedienne Jennie Benson (1884–1979); they married in 1920. He also produced 461: 263:
Over the following decade, he worked with all the main theatre companies and managers in Australia, both in Melbourne and Sydney. He joined forces with entrepreneur
260:-type revues Australia has ever seen. His recipe for success was songs, dances, comedy and girls - lots of beautiful girls - the more scantily clad the better." 183:
in 1919. Many of his productions were characterised by the copious use of glamorous female chorus and ballet performers, and lavish sets, in the style of
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Rolls moved to Australia with his wife in 1924, initially as her manager, but soon became active in theatrical productions. He produced
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By 1910, he had started working as a theatrical producer, and adopted the name Ernest C. Rolls. He managed the actress
491: 137:, but was sued by her for non-payment of earnings. He produced a controversial "re-telling" of the story of the 280: 418: 276: 313:. Financial pressures on Rolls himself, and on the company, led him to return to Britain in 1939. 187:. Rolls frequently collaborated with his brothers Herman and Max Darewski on the musical numbers. 399: 126:, England, in 1894, and then to London in 1899. Among his brothers were composer and conductor 341:
He died in London in 1964 at the age of 73. His wife Jennie died in 1979, at the age of 95.
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Back in Britain, his ventures had little success, his presentation of Clare Boothe Luce's
118:, and was one of five children of a Russian Jewish opera singer, Eduard Darewski, born in 8: 252: 184: 306: 207: 195: 179: 335: 301: 272: 268: 146: 442: 246: 127: 111: 174: 138: 115: 475: 264: 216: 98:; 6 June 1890 – 20 January 1964) was a British theatre producer, of 292: 241: 99: 331: 327: 291:, which he attempted but failed to turn into a film. He then moved to 123: 237: 211: 134: 287:
in 1933, but with little success until introducing comedies such as
257: 203: 114:(according to most sources and the 1901 UK census), or possibly in 50: 46: 150: 119: 402:
Hanky-Panky – The Theatrical Escapades of Ernest C. Rolls
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performers as their business manager, producing shows in
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heritage, who lived and worked in Britain and Australia.
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Hanky-Panky: The Theatrical Escapades of Ernest C. Rolls
220:, and his wife Jennie was then invited to perform on 309:, with an all-female cast; and the glamorous revue 190:In 1921, after losing money on his productions of 473: 206:. The following year, he was found guilty of 338:" show, in various British seaside resorts. 224:new Tivoli vaudeville circuit in Australia. 438: 436: 434: 334:. Between 1956 and 1963, he managed a " 256:. He "produced some of the most lavish 105: 395: 393: 391: 389: 387: 316: 497:English theatre managers and producers 474: 431: 366: 364: 362: 360: 358: 356: 354: 384: 250:, and followed with a production of 351: 267:, but as a result of the growth of 13: 295:, and leased a chain of theatres. 14: 508: 468:, including anecdotes about Rolls 455: 130:, and songwriter Max Darewski. 110:He was born in 1890, probably in 283:in some of his revues, such as 227: 412: 1: 344: 443:Ernest C. Rolls: Biography, 7: 448:. Retrieved 10 January 2023 409:. Retrieved 10 January 2023 381:. Retrieved 10 January 2023 10: 513: 371:Elisabeth Kumm, Review of 492:English theatre directors 277:Palace Theatre, Melbourne 81: 73: 57: 28: 21: 16:British theatre producer 421:London Revues 1915-1919 400:Peter Pinne, Review of 122:. The family moved to 404:by Frank Van Straten, 375:by Frank Van Straten, 149:in 1911, and several 106:Early life and career 317:Later life and death 96:Josef Adolf Darewski 92:Ernest Charles Rolls 77:Ernest Charles Rolls 33:Josef Adolf Darewski 425:Over the Footlights 379:, 14 December 2020 222:J. C. Williamson's 202:, he was declared 185:Charles B. Cochran 153:. These included 323:A Margin of Error 307:Clare Boothe Luce 279:. He introduced 208:indecent exposure 196:Ninette de Valois 89: 88: 504: 462:J. Alan Kenyon, 449: 440: 429: 416: 410: 397: 382: 377:Theatre Heritage 368: 273:Great Depression 269:talking pictures 173:(1917), and the 147:London Palladium 143:The Dawn of Love 85:Theatre producer 74:Other names 64: 42: 40: 19: 18: 512: 511: 507: 506: 505: 503: 502: 501: 472: 471: 458: 453: 452: 441: 432: 417: 413: 398: 385: 369: 352: 347: 319: 289:Flame of Desire 230: 128:Herman Darewski 112:Vienna, Austria 108: 69: 68:London, England 66: 62: 61:20 January 1964 53: 44: 38: 36: 35: 34: 24: 23:Ernest C. Rolls 17: 12: 11: 5: 510: 500: 499: 494: 489: 484: 470: 469: 457: 456:External links 454: 451: 450: 430: 411: 406:Stage Whispers 383: 349: 348: 346: 343: 336:Dancing Waters 318: 315: 311:Folies d’Amour 229: 226: 175:cross-dressing 139:Garden of Eden 116:Warsaw, Poland 107: 104: 100:Russian Jewish 87: 86: 83: 79: 78: 75: 71: 70: 67: 65:(aged 73) 59: 55: 54: 45: 32: 30: 26: 25: 22: 15: 9: 6: 4: 3: 2: 509: 498: 495: 493: 490: 488: 485: 483: 480: 479: 477: 467: 465: 460: 459: 447: 446: 439: 437: 435: 428: 426: 422: 419:Ian Parsons, 415: 408: 407: 403: 396: 394: 392: 390: 388: 380: 378: 374: 367: 365: 363: 361: 359: 357: 355: 350: 342: 339: 337: 333: 329: 324: 314: 312: 308: 304: 303: 296: 294: 290: 286: 282: 278: 274: 270: 266: 265:George Marlow 261: 259: 255: 254: 249: 248: 243: 239: 235: 225: 223: 219: 218: 213: 209: 205: 201: 197: 193: 192:Laughing Eyes 188: 186: 182: 181: 176: 172: 171:Any Old Thing 168: 164: 160: 156: 152: 148: 144: 140: 136: 131: 129: 125: 121: 117: 113: 103: 101: 97: 93: 84: 80: 76: 72: 60: 56: 52: 48: 31: 27: 20: 463: 444: 427:, 2018, p.34 424: 420: 414: 405: 401: 376: 372: 340: 322: 320: 310: 300: 297: 288: 284: 262: 251: 245: 233: 231: 228:In Australia 215: 199: 191: 189: 178: 170: 166: 162: 158: 154: 142: 132: 109: 95: 91: 90: 63:(1964-01-20) 487:1964 deaths 482:1890 births 293:New Zealand 242:Jerome Kern 194:(featuring 167:Hanky-Panky 159:Full Inside 157:(1912) and 43:6 June 1890 476:Categories 345:References 332:Paddington 328:music hall 285:Tout Paris 163:Venus Ltd. 124:Manchester 82:Occupation 39:1890-06-06 302:The Women 238:Melbourne 212:pantomime 180:Splinters 145:, at the 135:Eva Moore 271:and the 258:Ziegfeld 253:Rio Rita 204:bankrupt 200:Oh Julie 169:(1917), 165:(1915), 155:Ragmania 464:Memoirs 445:AustLit 234:Aladdin 217:Aladdin 51:Austria 466:, 2020 281:nudity 198:) and 177:revue 151:revues 94:(born 47:Vienna 247:Sunny 120:Minsk 58:Died 29:Born 305:by 244:'s 236:in 478:: 433:^ 423:, 386:^ 353:^ 214:, 141:, 49:, 41:) 37:(

Index

Vienna
Austria
Russian Jewish
Vienna, Austria
Warsaw, Poland
Minsk
Manchester
Herman Darewski
Eva Moore
Garden of Eden
London Palladium
revues
cross-dressing
Splinters
Charles B. Cochran
Ninette de Valois
bankrupt
indecent exposure
pantomime
Aladdin
J. C. Williamson's
Melbourne
Jerome Kern
Sunny
Rio Rita
Ziegfeld
George Marlow
talking pictures
Great Depression
Palace Theatre, Melbourne

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